DOCSLIB.ORG

Interval Song Chart from Musicca

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Interval Song Chart from Musicca Exercises Tools About Create user Log in Tools Instruments Interval song chart Piano Guitar A common way to identify intervals by ear is to associate them with songs or so-called Bass guitar interval reference songs. For example, a descending minor third is equal to the beginning Drum machine of the song Hey Jude. Use the charts below to make a personal list of reference songs Metronome that you know well. Pick one song for each interval. Keep in mind, some intervals are easier to identify because of their unique and distinct sound. Other Musical terms Interval song chart Contents Sta" paper 1. Ascending intervals 2. Descending intervals 1. Ascending intervals Interval Song Click to play Unison God Save the Queen (John Bull, 1745) Jingle Bells (James Lord Pierpont, 1857) Happy Birthday to You (Mildred Hill, 1893) Let It Be (The Beatles, 1970) Candle in the Wind (Elton John, 1973) Minor second As Time Goes By (Herman Hupfeld, 1931) White Christmas (Irving Berlin, 1954) A Hard Days Night (The Beatles, 1964) Jaws Theme (John Williams, 1975) Isn't she lovely (Stevie Wonder, 1976) Major second Frère Jacques (traditional) Silent Night (Franz Xaver Gruber, 1818) Rudolph The Red-Nosed Reindeer (J. Marks, 1939) Autumn Leaves (Joseph Kosma, 1945) Never Gonna Give You Up (Rick Astley, 1987) Minor third Greensleeves (traditional) O Canada (Calixa Lavallée, 1880) Georgia on My Mind (Hoagy Carmichael, 1930) What the World Needs Now (Burt Bacharach, 1965) Axel F (Beverly Hills Cop, 1985) Major third Spring (Antonio Vivaldi, 1721-25) For He's a Jolly Good Fellow (traditional) Oh, when the Saints (traditional) Morning has Broken (traditional) What a Wonderful World (George Douglas, 1967) Fourth We Wish You a Merry Christmas (traditional) Amazing Grace (John Newton, 1773) Someday My Prince Will Come (F. Churchill, 1937) Love Me Tender (Elvis Presley, 1956) Black or White (Michael Jackson, 1991) Tritone Maria – chorus (Leonard Bernstein, 1956) The Simpsons Theme (Danny Elfman, 1989) The Saint (Edwin Astley, 1997) Fifth Scarborough Fair (traditional) Byssan lull (traditional) Can't Help Falling in Love (Elvis Presley, 1961) Perhaps Love (John Denver, 1981) Top Gun Anthem (Harold Faltermeyer, 1986) Minor sixth Go Down Moses (traditional) Waltz in C-sharp minor (Frédéric Chopin, 1847) Manhã De Carnaval (Luiz Bonfá, 1959) In My Life (The Beatles, 1965) A Town With An Ocean View (Joe Hisaishi, 1989) Major sixth My Bonnie Lies over the Ocean (traditional) Nocturne in E-!at major (Frédéric Chopin, 1830) La traviata (Giuseppe Verdi, 1853) My Way (Frank Sinatra, 1969) Only Love (Nana Mouskouri, 1985) Minor seventh Maman les p'tits bateaux (traditional) Somewhere (Leonard Bernstein, 1957) Theme from Star Trek (Alexander Courage, 1966) The Winner Takes It All – chorus (ABBA, 1980) Major seventh Fantasy Island Theme (John Ottman, 1977) Take on Me – chorus (A-ha, 1984) Popular (Nada Surf, 1996) Don't Know Why (Norah Jones, 2002) Octave Singin' in the Rain (Nacio Brown, 1929) Over The Rainbow (Harold Arlen, 1939) The Christmas Song (Robert Wells, 1945) Blue Bossa (Kenny Dorham, 1963) Ironic (Alanis Morissette, 1996) 2. Descending intervals Interval Song Click to play Unison God Save the Queen (John Bull, 1745) Jingle Bells (James Lord Pierpont, 1857) Happy Birthday to You (Mildred Hill, 1893) Let It Be (The Beatles, 1970) Candle in the Wind (Elton John, 1973) Minor second Joy to the World (Isaac Watts, 1719) Für Elise (Ludwig van Beethoven, 1810) Fly Me to the Moon (Frank Sinatra, 1954) All My Loving (The Beatles, 1963) Fields of Gold (Sting, 1993) Major second The First Noel (traditional) Mary Had a Little Lamb (traditional) Eight Days a Week (The Beatles, 1964) Yesterday (The Beatles, 1965) Wonderwall (Oasis, 1995) Minor third The Star-Spangled Banner (Francis Key, 1814) Morning Mood (Peer Gynt, 1875) Frosty the Snowman (Walter Rollins, 1950) Hey Jude (The Beatles, 1968) They Don't Care About Us (Michael Jackson, 1996) Major third Swing Low, Sweet Chariot (traditional) Symphony No. 5 (Ludwig van Beethoven, 1804) Summertime (George Gershwin, 1935) Giant Steps (John Coltrane, 1960) Tears In Heaven (Eric Clapton, 1991) Fourth O Come, All Ye Faithful (John Wade, 1751) Eine kleine Nachtmusik (W.A. Mozart, 1787) I've Been Working on the Railroad (traditional) Shave and a Haircut (traditional) All of Me (Gerald Marks, 1931) Tritone Blue 7 (Sonny Rollins, 1956) Turn Back, O Man (Godspell, 1971) YYZ (Rush, 1981) Even Flow (Pearl Jam, 1991) Fifth Minuet in G (Christian Petzold, 1725) The Way You Look Tonight (Dorothy Fields, 1936) Have You Met Miss Jones? (Richard Rodgers, 1937) Flintstones Theme (Hoyt Curtin, 1961) Love Will Keep You Warm (Swan Lee, 2004) Minor sixth Forêts paisibles (Jean-Philippe Rameau, 1735) Chega de Saudade (Antonio Carlos Jobim, 1957) Love Story Theme (Henry Mancini, 1970) You're Everything (Chick Corea, 1973) Major sixth Nobody Knows the Trouble I've Seen (traditional) A Weaver of Dreams (Nat King Cole, 1925) The Music of the Night (Andrew L. Webber, 1986) Man in the Mirror – chorus (Michael Jackson, 1988) No Surprises (Radiohead, 1997) Minor seventh An American in Paris (George Gershwin, 1951) Watermelon Man (Herbie Hancock, 1962) Lady Jane – chorus (Rolling Stones, 1966) Major seventh I Love You (Cole Porter, 1944) Octave Willow Weep For Me (Ann Ronell, 1932) Doogie Howser Theme (Mike Post, 1989) Todos los días un poco (León Gieco, 1993) To Zanarkand (Uematsu, 2002) 41.863 About Contribute Help Privacy Contact.
Load more

Recommended publications
  • Timeline: Music Evolved the Universe in 500 Songs
    Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers
    [Show full text]
  • We Have Liftoff! the Rocket City in Space SATURDAY, FEBRUARY 29, 2020 • 7:30 P.M
    POPS FOUR We Have Liftoff! The Rocket City in Space SATURDAY, FEBRUARY 29, 2020 • 7:30 p.m. • MARK C. SMITH CONCERT HALL, VON BRAUN CENTER Huntsville Symphony Orchestra • C. DAVID RAGSDALE, Guest Conductor • GREGORY VAJDA, Music Director One of the nation’s major aerospace hubs, Huntsville—the “Rocket City”—has been heavily invested in the industry since Operation Paperclip brought more than 1,600 German scientists to the United States between 1945 and 1959. The Army Ballistic Missile Agency arrived at Redstone Arsenal in 1956, and Eisenhower opened NASA’s Marshall Space Flight Center in 1960 with Dr. Wernher von Braun as Director. The Redstone and Saturn rockets, the “Moon Buggy” (Lunar Roving Vehicle), Skylab, the Space Shuttle Program, and the Hubble Space Telescope are just a few of the many projects led or assisted by Huntsville. Tonight’s concert celebrates our community’s vital contributions to rocketry and space exploration, at the most opportune of celestial conjunctions: July 2019 marked the 50th anniversary of the Apollo 11 moon-landing mission, and 2020 brings the 50th anniversary of the U.S. Space and Rocket Center, America’s leading aerospace museum and Alabama’s largest tourist attraction. S3, Inc. Pops Series Concert Sponsors: HOMECHOICE WINDOWS AND DOORS REGIONS BANK Guest Conductor Sponsor: LORETTA SPENCER 56 • HSO SEASON 65 • SPRING musical selections from 2001: A Space Odyssey Richard Strauss Fanfare from Thus Spake Zarathustra, op. 30 Johann Strauss, Jr. On the Beautiful Blue Danube, op. 314 Gustav Holst from The Planets, op. 32 Mars, the Bringer of War Venus, the Bringer of Peace Mercury, the Winged Messenger Jupiter, the Bringer of Jollity INTERMISSION Mason Bates Mothership (2010, commissioned by the YouTube Symphony) John Williams Excerpts from Close Encounters of the Third Kind Alexander Courage Star Trek Through the Years Dennis McCarthy Jay Chattaway Jerry Goldsmith arr.
    [Show full text]
  • Final Appendices
    Bibliography ADORNO, THEODOR W (1941). ‘On Popular Music’. On Record: Rock, Pop and the Written Word (ed. S Frith & A Goodwin, 1990): 301-314. London: Routledge (1publ. in Philosophy of Social Sci- ence, 9. 1941, New York: Institute of Social Research: 17-48). —— (1970). Om musikens fetischkaraktär och lyssnandets regression. Göteborg: Musikvetenskapliga in- stitutionen [On the fetish character of music and the regression of listening]. —— (1971). Sociologie de la musique. Musique en jeu, 02: 5-13. —— (1976a). Introduction to the Sociology of Music. New York: Seabury. —— (1976b) Musiksociologi – 12 teoretiska föreläsningar (tr. H Apitzsch). Kristianstad: Cavefors [The Sociology of Music – 12 theoretical lectures]. —— (1977). Letters to Walter Benjamin: ‘Reconciliation under Duress’ and ‘Commitment’. Aesthetics and Politics (ed. E Bloch et al.): 110-133. London: New Left Books. ADVIS, LUIS; GONZÁLEZ, JUAN PABLO (eds., 1994). Clásicos de la Música Popular Chilena 1900-1960. Santiago: Sociedad Chilena del Derecho de Autor. ADVIS, LUIS; CÁCERES, EDUARDO; GARCÍA, FERNANDO; GONZÁLEZ, JUAN PABLO (eds., 1997). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica - segunda edición. Santia- go: Ediciones Universidad Católica de Chile. AHARONIÁN, CORIúN (1969a). Boom-Tac, Boom-Tac. Marcha, 1969-05-30. —— (1969b) Mesomúsica y educación musical. Educación artística para niños y adolescentes (ed. Tomeo). 1969, Montevideo: Tauro (pp. 81-89). —— (1985) ‘A Latin-American Approach in a Pioneering Essay’. Popular Music Perspectives (ed. D Horn). Göteborg & Exeter: IASPM (pp. 52-65). —— (1992a) ‘Music, Revolution and Dependency in Latin America’. 1789-1989. Musique, Histoire, Dé- mocratie. Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet (ed. A Hennion.
    [Show full text]
  • Click to Download
    Volume 8, Number 8 Original Music Soundtracks for Movies & Television Rock On! pg. 10 LOVE thEBOOB TUBE Cool new music for Alias, Boomtown, Monk, Carnivàle, Penn & Teller’s B.S. FSM picks 100+ great great TTV themes plus Indiana Jones JO JOhN WIllIAMs’’ FOR FORtuNE an and GlORY Dragonslayer on DVD WORKING WORKING WIth A AlEX NORth CD Reviews A ALL THE L LAtEST $4.95 U.S. • $5.95 Canada CONTENTS SEPTEMBER 2003 DEPARTMENTS COVER STORY 2 Editorial 20 We Love the Boob Tube The Man From F.S.M. Video store geeks shouldn’t have all the fun; that’s why we decided to gather the staff picks for our by-no- 4 News means-complete list of favorite TV themes. Music Swappers, the By the FSM staff Emmys and more. 5 Record Label 24 Still Kicking Round-up Think there’s no more good music being written for tele- What’s on the way. vision? Think again. We talk to five composers who are 5 Now Playing taking on tough deadlines and tight budgets, and still The Man in the hat. Movies and CDs in coming up with interesting scores. 12 release. By Jeff Bond 7 Upcoming Film Assignments 24 Alias Who’s writing what 25 Penn & Teller’s Bullshit! for whom. 8 The Shopping List 27 Malcolm in the Middle Recent releases worth a second look. 28 Carnivale & Monk 8 Pukas 29 Boomtown The Appleseed Saga, Part 1. FEATURES 9 Mail Bag The Last Bond 12 Fortune and Glory Letter Ever. The man in the hat is back—the Indiana Jones trilogy has been issued on DVD! To commemorate this event, we’re 24 The girl in the blue dress.
    [Show full text]
  • An Examination of Jerry Goldsmith's
    THE FORBIDDEN ZONE, ESCAPING EARTH AND TONALITY: AN EXAMINATION OF JERRY GOLDSMITH’S TWELVE-TONE SCORE FOR PLANET OF THE APES VINCENT GASSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2019 © VINCENT GASSI, 2019 ii ABSTRACT Jerry GoldsMith’s twelve-tone score for Planet of the Apes (1968) stands apart in Hollywood’s long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the filM. GoldsMith’s formative years prior to 1967–his training and day to day experience of writing Music for draMatic situations—were critical factors in preparing hiM to meet this challenge. A review of the research on music and eMotion, together with an analysis of GoldsMith’s methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the filM. The score for Planet of the Apes Marks a pivotal moment in an industry with a long-standing bias toward modernist music. iii For Mary and Bruno Gassi. The gift of music you passed on was a game-changer. iv ACKNOWLEDGEMENTS Heartfelt thanks and much love go to my aMazing wife Alison and our awesome children, Daniela, Vince Jr., and Shira, without whose unending patience and encourageMent I could do nothing. I aM ever grateful to my brother Carmen Gassi, not only for introducing me to the music of Jerry GoldsMith, but also for our ongoing conversations over the years about filM music, composers, and composition in general; I’ve learned so much.
    [Show full text]
  • Top Gun Anthem
    ABC0000011158 Air Cadet March Book Top Gun _. ,,'._L__L_/ Top Gun Anthem "Top Gun" was a popular movie produced by Paramount Pictures in 1986. The movie was based on the Fighter Weapons School, established by the United States Navy March 3, 1969. The school has been nicknamed "Top Gun" as only the top 1% of Navy pilots attend the school to fine tune and hone their skills in aerial combat situations. The school is located in Miramar, California otherwise known as "Fightertown, USA". The aircraft flown in the movie include the F14 fighter. The music for the soundtrack was provided by several artists with the "Top Gun Anthem" being performed by Harold Faltermeyer and Steve Stevens. Page 58-1 . .- ABC0000011159 Air Cadet March Book Top Gun The Theme From 'TOP GUN' Bb CONDUCTOR QUICKor SLOW MARCH ° Page 58-2 o o ABC0000011160 Air Cadet March Book Top Gun Top Gun 2 Page 58-3 " ABC0000011161 Air Cadet March Book Top Gun , i _I. 1 . ; i t J i i : , i _, _j I Ft.) "_" ,_t, j j jj . i i J (_ I J - J I f : j I t JJ Jj i,_-_ ........ i _ _' _ _ _ _ _ i i 1 -t -it ._I' o f_ i - ,.... "ii ./ _ i i_ If mid i __ d I_t • i if i._ I II if I __ !I II Top Gun 3 o Page 58-4 t t i 1 ABC0000011162 Air Cadet March Book Top Gun THE THEME FROM nu_ 'TOP GUN' Oboe Part A Q.
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • Elmer Bernstein Elmer Bernstein
    v7n2cov 3/13/02 3:03 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 2 OSCARmania page 4 THE FILM SCORE HISTORY ISSUE RICHARD RODNEY BENNETT Composing with a touch of elegance MIKLMIKLÓSÓS RRÓZSAÓZSA Lust for Life in his own words DOWNBEAT DOUBLE John Q & Frailty PLUS The latest DVD and CD reviews HAPPY BIRTHDAY ELMER BERNSTEIN 50 years of film scores, 80 years of exuberance! 02> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n2cov 3/13/02 3:03 PM Page c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Spring Edition: April 23, 2002 Film & TV Music Summer Edition: August 20, 2002 Space Deadline: April 5 | Materials Deadline: April 11 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n02 issue 3/13/02 5:16 PM Page 1 CONTENTS FEBRUARY 2002 departments 2 Editorial The Caviar Goes to Elmer. 4News Williams Conducts Oscar, More Awards.
    [Show full text]
  • Music Editor
    DEL SPIVA MUSIC EDITOR FILM: The Old Guard Studio: Netflix Director: Gena Prince-Bythewood Editor: Terylin A. Shropshire Composer: Volker Bertelmann & Dustin O’Halloran Top Gun Meverick Studio: Paramount Pictures Director: Joseph Kosinsky Editor: Chris Lebenzon Composer: Harold Faltermeyer & Hans Zimmer Just Mercy Studio: Warner Bros Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West DeadPool 2 Studio: Twentieth Century Fox Director: David Leach Editor : Craig Alpert, Elisabet Ronaldsdóttir Composer: Tyler Bates The Defiant Ones Studio: HBO Director: Allen Hughes Editor : Doug Pray Composer: Atticus Ross Blade Runner 2049 Studio: Alcon entertainment Director: Denis Villenueve Editor : Joe Walker Composer: Johann Johannson Roman J. Israel, Esq. Studio: Sony Director: Dan Gilroy Editor : John Gilroy Composer: James Newton-Howard The Glass Castle Studio: Lionsgate Entertainment Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West Gold Studio: The Weinstein Company, Black Bear Pictures Director: Stephen Gaghan Editor : Rick Grayson Composer: Daniel Pemberton Shots Fired (TV Series) Studio: Twentieth Century Fox Directors: Gina Prince—Bythewood, Jonathon Demme, Malcom D. Lee, Millicent Shelton, Reggie Bythewood Editors Teri Shropshire, Micky Blythe, Jacques Gravett, Nancy Richardso Composer: Terence Blanchard DEL SPIVA MUSIC EDITOR C oco Studio: Lions Gate Director: RZA Editor : Yon Van Kline Keanu Studio: New Line Director: Peter Atencio Editor : Nicholas Mansour Composer: Steve Jablonsky Saints & Strangers (TV Mini-Series) Studio: Sony/NatGeo Director: Gina Mathews Editor : Colby Parker, Jr. Composer: Lorne Balfe Won, Golden Reel: Best Music Editing, TV Long Form Pete’s Dragon Studio: Disney Director: david Lowery Editor : Lisa Zeno Churgin Deepwater Horizon Studio: Lionsgate Director: Peter Berg Editor : Colby Parker, Jr.
    [Show full text]
  • The Top 7000+ Pop Songs of All-Time 1900-2017
    The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
    [Show full text]
  • 5. Chord Changes
    How Film & TV Music Communicate – Vol.2 Text © Brian Morrell 2013 Chapter 5 I N S P A C E E V E R Y O N E C A N H E A R T H E C H O R D C H A N G E S ( p a r t 1 ) This chapter will examine the music for some of the most eminent and successful ‘Space movies’ in cinema history. The chapter will examine numerous memorable, famous and iconic science fiction films, most of them with a unifying theme of either being set in Space and/or involving Aliens. It will also ask whether there are inherently ‘sci-fi’ methods of composing music and if there are chord changes, orchestration techniques or melodic devices which are commonly used. Films and music discussed are: Alien (Jerry Goldsmith / Howard Hanson) Aliens (James Horner) Apollo 13 (James Horner) Independence Day, (David Arnold) Star Trek (Alexander Courage, Jerry Goldsmith, James Horner and Michael Giacchano) Mission to Mars (Ennio Morricone) Batman Forever (Elliot Goldenthal) ALIEN Jerry Goldsmith Alien is a 1979 science fiction film directed by Ridley Scott. The lead character is a creature that stalks and kills nearly the entire crew of a spaceship. The common mantra that Alien was to Star Wars what the Rolling Stones were to the Beatles goes some way to articulating how the film Alien is perceived by cinema-goers. Alien offers a subtle, cold, desolate environment; it lacks the usual Hollywood sheen – the razzmatazz, the glitz and the spectacle. It is a slow, plodding, brooding, dark film but one which completely captured the imagination of people who watched it.
    [Show full text]
  • Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
    FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc.
    [Show full text]