Deepest Practice, Deepest Wisdom
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Pratica E Illuminazione in Dôgen
ALDO TOLLINI Pratica e illuminazione in Dôgen Traduzione di alcuni capitoli dello Shôbôgenzô PARTE PRIMA INTRODUZIONE A DÔGEN La vita e le opere di Dôgen Dôgen fu uno dei più originali pensatori e dei più importanti riformatori religiosi giapponesi. Conosciuto col nome religioso di Dôgen Kigen o Eihei Dôgen, nel 1227 fondò la scuola Sôtô Zen, una delle più importanti e diffuse scuole buddhiste giapponesi che ancora oggi conta moltissimi seguaci. Fondò il monastero di Eiheiji nella prefettura di Fukui e scrisse lo Shôbôgenzô (1231/1253, il "Tesoro dell’occhio della vera legge"), diventato un classico della tradizione buddhista giapponese. Pur vivendo nel mezzo della confusione della prima parte dell’era Kamakura (1185-1333) egli perseguì con grande determinazione e profondità l’esperienza religiosa buddhista. Nacque a Kyoto da nobile famiglia, forse figlio di Koga Michichika (1149-1202) una figura di primo piano nell'ambito della corte. Rimase orfano da bambino facendo diretta esperienza della realtà dell’impermanenza, che diventerà un concetto chiave del suo pensiero. Entrò nella vita monastica come monaco Tendai nell’Enryakuji sul monte Hiei nei pressi della capitale nel 1213. Dôgen era molto perplesso di fronte al fatto che sebbene l’uomo sia dotato della natura-di-Buddha, debba ugualmente impegnarsi nella disciplina e nella pratica e ricercare l’illuminazione. Con i suoi dubbi irrisolti e colpito dal lassismo dei costumi dei monaci del monte Hiei, Dôgen nel 1214 andò in cerca del maestro Kôin a Onjôji (Miidera) il centro Tendai rivale nella provincia di Ômi. Kôin mandò Dôgen da Eisai, il fondatore della scuola Rinzai e sebbene non sia certo se Dôgen riuscisse a incontrarlo fu molto influenzato da lui. -
A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin J
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2015 Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement Justin J. Grandinetti James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the American Film Studies Commons, American Popular Culture Commons, Digital Humanities Commons, Other Film and Media Studies Commons, Other Languages, Societies, and Cultures Commons, Rhetoric Commons, and the Visual Studies Commons Recommended Citation Grandinetti, Justin J., "Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement" (2015). Masters Theses. 43. https://commons.lib.jmu.edu/master201019/43 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Occupy the Future: A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin Grandinetti A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Writing, Rhetoric, and Technical Communication May 2015 Dedication Page This thesis is dedicated to the world’s revolutionaries and all the individuals working to make the planet a better place for future generations. ii Acknowledgements I’d like to thank a number of people for their assistance and support with this thesis project. First, a heartfelt thank you to my thesis chair, Dr. Jim Zimmerman, for always being there to make suggestions about my drafts, talk about ideas, and keep me on schedule. -
Readings of Dōgen's Treasury of the True Dharma
Journal of Buddhist Ethics ISSN 1076-9005 http://blogs.dickinson.edu/buddhistethics Volume 28, 2021 Readings of Dōgen’s Treasury of the True Dharma Eye Reviewed by Zuzana Kubovčáková Masaryk University [email protected] Copyright Notice: Digital copies of this work may be made and distributed provided no change is made and no alteration is made to the content. Reproduction in any other format, with the exception of a single copy for private study, requires the written permission of the author. All enquiries to: [email protected] A Review of Readings of Dōgen’s Treasury of the True Dharma Eye Zuzana Kubovčáková 1 Readings of Dōgen’s Treasury of the True Dharma Eye. By Steven Heine. New York: Columbia University Press, 2020, 312 pp., ISBN 978-0-231-18229-4 (paperback), $35.00. For those acquainted with the scholarship of Steven Heine, Readings of Dōgen’s Treasury of the True Dharma Eye comes as another of several of his outstanding volumes on the Japanese Zen master Dōgen 道元 (1200-1253) and the Zen tradition of the Sōtō school. As one of the leading figures in Dōgen studies cooperating widely across the field with both Japanese and Western scholars, Heine has in this recent publication aimed for the mas- terwork of Dōgen, the Treasury of the True Dharma Eye, or Shōbōgenzō 正法 眼蔵 in Japanese. Dōgen’s Treasury of the True Dharma Eye is a compilation of informal sermons-turned-essays, intended for his disciples and the community, that are largely based on citations of Chinese masters and passages from kōan collections. -
The Existential Moment: Rereading Dōgen’S Theory of Time
THE EXISTENTIAL MOMENT: REREADING DŌGEN’S THEORY OF TIME Rein Raud Department of World Cultures at the University of Helsinki, and Estonian Institute of Humanities at Tallinn University [email protected] Among all aspects of Dōgen’s philosophical thought, his theory of time has without doubt received the most attention. Even in English there exist two book-length studies of this topic,1 and a multitude of other authors who have treated Dōgen have also extensively commented on the subject.2 This is with good reason. Without an inter- pretation of Dōgen’s ideas on time it is very difficult to approach any other aspect of his thought, or even to form an adequate understanding of his basic concepts. And yet most previous studies of Dōgen’s time theory as well as English translations of the “Uji” (usually translated as “Being-time”) fascicle of the Shōbōgenzō have, to my knowledge, assumed without questioning certain presuppositions on the nature of time, which makes Dōgen’s theory much more complicated and in some respects almost impossible to understand (a position that I have myself also shared earlier3 and which has influenced many classic treatments4 as well as all the most influential English translations5 of the text). Notably, they have viewed time as primarily dura- tional. This article presents an effort to reinterpret the concept of time in Dōgen’s theory from a different position, with stress on the momentary rather than the dura- tional, and to offer an alternative reading of the Uji fascicle as well as certain other key passages in Dōgen’s work that, I hope, will enable a less complicated and more lucid understanding of his ideas. -
Bowz Liturgy 2011.Corrected
Boundless Way Zen LITURGY BOOK SECOND EDITION _/\_ All buddhas throughout space and time, All honored ones, bodhisattva-mahasattvas, Wisdom beyond wisdom, Maha Prajna Paramita. Page 1 Notation ring kesu (bowl gong) muffle kesu (bowl gong) ring small bell 123 ring kesu or small bell on 1st, 2nd, or 3rd repetition accordingly underlined syllables indicate the point at which underlined bells are rung 1 mokugyo (wooden drum) beat once after then on each syllable taiko (large drum) beat once after then in single or double beats -_^ notation for tonal chanting (mid-low-high shown in this example) WORDS IN ALL CAPS are CHANTED by chant-leader only [Words in brackets & regular case] are spoken by chant-leader only {Words in braces} are CHANTED or spoken or sung !by chant-leader only 1st time, and by everyone subsequently (words in parenthesis) are not spoken, chanted, or sung at all _/\_ ! place or keep hands palm-to-palm in gassho, or hold liturgy book in gassho -(0)-! place or keep hands in zazen mudra, or hold liturgy book open !with little fingers and thumbs on the front of the book and !middle three fingers on the back seated bow at end of chant, or after final repetition Beginning our sutra service I vow with all beings To join my voice with all voices And give life to each word as it comes. —Robert Aitken Language cannot reach it, hearing and seeing cannot touch it. In this single beam of illumination, you genuinely wander in practice. Use your vitality to enact this. -
Culture of Peace
CULTURE OF PEACE www.ignca.gov.in CULTURE OF PEACE Edited by BAIDYANATH SARASWATI 1999, xvii+262pp. ISBN 81-246-0124-0, Rs. 600(HB) CONTENTS Is peace a dream? A Utopian abstraction in a Foreword (Kapila Vatsyayan) dehumanized, fragmented Prologue world, stockpiling all- Introduction ( Baidyanath Saraswati) devastating war machines? And can we possibly uphold the culture of peace amidst PART-I SHARING THE EXPERIENCE OF BEAUTY AND PEACE the growing cult of violence and blind consumerism, or in 1. The Cosmos and Humanity as a Healing Family (Minoru Kasai) a climate of distrust, 2. The True Meaning of Peace from the Chinese Literary acrimony and intolerance? Perspective (Tan Chung) Embodying the presentations 3. Buddhist Art, The Mission of Harmonious Culture (Jin Weinuo) of an Asian Conference: 25- 4. Satyam, Sivam, Sundaram (Natalia Kravtchenko & Vladimir 29 November 1996 in New Zaitsev) Delhi on "The Culture of 5. Creative Hence a Peaceful Society (Devi Prasad) Peace: the Experiences and 6. Peace as Theatrical Experience (Bharat Gupt) the Experiments", this volume addresses these and PART-II EXAMINING THE EMPERICAL REALITY OF BEAUTY AND other kindred questions, with PEACE a rare insightfulness. 7. A Dehumanized Environment (Keshav Malik) Cutting across narrow compartmentalizations of 8. Modernity and Individual Responsibility (M M Agrawal) disciplines, some of the best 9. The Illusion of Seeking Peace (S C Malik) minds from Asian countries 10. Man in his becoming : A change of perspective (Mira Aster Patel) here share, with wider audiences, their concern for 1 CULTURE OF PEACE www.ignca.gov.in PART-III WORKING TOWARDS THE RESTORATION OF PEACE peace, situating their sensuous/intellectual/spiritual 11. -
2015 U.S.– China Film Gala Dinner
2015 U.S.– China Film Gala Dinner november 5, 2015 ASIA SOCIETY SOUTHERN CALIFORNIA dorothy chandler pavilion los angeles, california asiasociety.org/us-china-film-summit ASIA SOCIETY SOUTHERN CALIFORNIA 2015 Summit and Gala Sponsor 2015 U.S.-China Film Gala Dinner November 5, 2015 | Dorothy Chandler Pavilion, Los Angeles WELCOME KARA WANG AND JEFF LOCKER Emcees THOMAS E. MCLAIN Chairman, Asia Society Southern California; Trustee, Asia Society DOMINIC NG Chairman and CEO, East West Bancorp PRESENTATION OF THE U.S.-CHINA FILM INDUSTRY LEADERSHIP AWARD ZHANG ZHAO CEO, Le Vision Pictures DINNER SUMMIT AND DINNER SPONSOR REMARKS GAO YANG President, Yucheng-Zhongluan Investment Co. PRESENTATION OF THE LIFETIME ACHIEVEMENT AWARD ZHANG YIMOU Director CLOSING REMARKS JONATHAN KARP Executive Director, Asia Society Southern California Welcome Lifetime Achievement Award Zhang Yimou Dear Friends, Partners and Honored Guests, ZHANG Yimou Director Zhang Yimou is widely considered one of the world’s greatest filmmakers. He began his film career at the Beijing Film Acade- On behalf of Asia Society Southern California and our Entertainment & Media in Asia (EMASIA) my in 1978, joining a prestigious group of students who would go on to become the Fifth Generation of Chinese filmmakers. program, we would like to welcome you to the Gala Dinner of our Sixth Annual U.S.-China Film Summit. We are delighted you have joined us and we’re grateful to our honorees, sponsors After starting as a cinematographer, Zhang made his directorial debut in 1987 with the now-classic Red Sorghum. The film and Summit committee members for making it such a special evening. -
Putting Dogen on the Map Autumn 2007
Putting Dōgen on the Map Rev. Wilfrid Powell — Throssel Hole Buddhist Abbey, Northumberland – UK — (Great Master Dōgen is a key figure in the Serene Reflection Meditation tradition because he is the monk who brought the tradi- tion from China to Japan in 1227. This article is an edited version of a talk about Dōgen’s background given at Throssel earlier this year. I am grateful to the people who kindly took the time to read through the article and for their helpful suggestions.) s the influence and the power of the Buddhist church increased, Aits aims became more and more temporal. It began to inter- fere in political affairs; its abbots built in and around the capital or in the provinces great monasteries such as Mt Hiei, Koyasan, Miidera and others and filled them with armed monks; its prel- ates were involved in intrigues around the throne (it is possible that the removal of the capital from Nara to Kyoto may have been due to imperial fear of priestly statecraft); it even made attempts to establish direct ecclesiastical control over the state. The various sects too began to quarrel amongst themselves…Monastery fought monastery; sect fought sect; while the monks of Mt Hiei and other priestly strongholds trooped down so often in their thousands to overawe the capital that the Emperor Shirakawa once exclaimed [in 1198] ‘Three things there are which I cannot control — the river Kamo in flood, the fall of the dice, and the monks of Mt Hiei 1. The Political and Social Background The Japan of 1200 into which Dōgen was born was in tur- moil: political, social, moral and religious. -
Advaita Vedanta and Zen Buddhism : Deconstructive Modes of Spiritual Inquiry / Leesa S
Advaita Vedānta and Zen Buddhism This page intentionally left blank Advaita Vedānta and Zen Buddhism Deconstructive Modes of Spiritual Inquiry Leesa S. Davis Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York NY 10038 www.continuumbooks.com © Leesa S. Davis 2010 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-8264-2068-8 Library of Congress Cataloging-in-Publication Data Davis, Leesa S. Advaita Vedanta and Zen Buddhism : deconstructive modes of spiritual inquiry / Leesa S. Davis. p. cm. ISBN-13: 978-0-8264-2068-8 (HB) ISBN-10: 0-8264-2068-0 (HB) 1. Advaita. 2. Vedanta. 3. Zen Buddhism. 4. Deconstruction. I. Title. B132.A3D38 2010 181'.482--dc22 2009043205 Typeset by Free Range Book Design & Production Limited Printed and bound in Great Britain by the MPG Books Group In Memoriam Patricia Mary Davis 1930–1987 This page intentionally left blank Contents Acknowledgements ix Abbreviations xi Introduction: Experiential Deconstructive Inquiry xiii Part One: Foundational Philosophies and Spiritual Methods 1. Non-duality in Advaita Vedānta and Zen Buddhism 3 Ontological differences and non-duality 3 Meditative inquiry, questioning, and dialoguing as a means to spiritual insight 8 The ‘undoing’ or deconstruction of dualistic conceptions 12 2. -
Thinking Between Heidegger and Dōgen
echoes of no thing Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) echoes of no thing: thinking between heidegger and dōgen. Copyright © 2018 by Nico Jenkins. This work carries a Creative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2018 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-01-4 (print) ISBN-13: 978-1-950192-02-1 (ePDF) lccn: 2018968574 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J. -
Okumura's Fukanzazengi Translations
Dogen Zenji’s Fukanzazengi - Universal recommendation of zazen for all people - A comparison of two versions (1233, 1244) both as translated by Shohaku Okumura Introduction Having lost both his parents when young, Dogen was brought up by a relative before taking ordination as a Tendai monk at the age of 13. At 17, he moved to Kennin-ji in Kyoto where he trained in Rinzai Zen under Myozen, receiving dharma transmission in 1221. In 1223, he sailed with Myozen to South China, both of them wanting to deepen their practice. Searching for a true master, in 1225 he eventually found Tendo Nyojo, abbot of Tiantong monastery, staying there for two years and “opening his wisdom eye”. After returning to Japan in 1227, Dogen re-entered Kennin-ji but left after quite a short time, disappointed. He said he didn’t specifically intend to found a new Zen school. Rather he wanted to spread the true teaching (zazen) - whereas scholarly study was more typical of Japanese Buddhist practice. Buddhist politics meant that he decided to beoame a wandering monk for some time before founding Kosho-ji near Uji, which he led for ten years (1233-43). The building of Eihei-ji began ten years before his death in 1253. The Fukanzazengi The first version of the Fukanzazengi dates from Dogen’s ‘wandering’ period (1227-31). In fact, several of his pivotal works including Bendowa - (1231), Maka Hannya Haramitsu, Genjokoan (both 1233) were written in this period when he either had no temple, or was just beginning to establish his monastic community. -
Guo Gu (Professor Jimmy Yu) Is a Worthy Heir to the Great Chan Master Sheng Yen
“A very helpful guide to the investigation of the Zen kōan from a perspective not yet widely known in the West. Guo Gu (Professor Jimmy Yu) is a worthy heir to the great Chan master Sheng Yen. He provides lucid comments on each of the cases in the classic kōan collection, the Gateless Gate, inviting us into our own intimate encounter with Zen’s ancestors and our own personal experience of the great matter of life and death. Anyone interested in understanding what a kōan really is, how it can be used, and how it uses us, will be informed and enriched by this book. I highly recommend it.” —James Ishmael Ford, author of If You’re Lucky, Your Heart Will Break and co-editor of The Book of Mu: Essential Writings on Zen’s Most Important Koan “Guo Gu’s translation of The Gateless Barrier and his commentary reveal a fresh, eminently practical approach to the famous text. Reminding again and again that it is the reader’s own spiritual affairs to which each kōan points, Guo Gu writes with both broad erudition and the profound insight of a Chan practitioner; in this way he reveals himself to be a worthy inheritor of his late Master Sheng Yen’s teachings. Zen students, called upon to give life to these kōans within their own practice, will find Passing Through the Gateless Barrier a precious resource.” —Meido Moore Roshi, abbot of Korinji Zen Monastery “A fresh, original translation and commentary by a young Chinese teacher in the tradition of Sheng Yen.