The Existential Moment: Rereading Dōgen’S Theory of Time
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Deepest Practice, Deepest Wisdom
“A magnificent gift for anyone interested in the deep, clear waters of Zen—its great foundational master coupled with one of its finest modern voices.” —JISHO WARNER, former president of the Soto Zen Buddhist Association FAMOUSLY INSIGHTFUL AND FAMOUSLY COMPLEX, Eihei Dōgen’s writings have been studied and puzzled over for hundreds of years. In Deepest Practice, Deepest Wisdom, Kshō Uchiyama, beloved twentieth-century Zen teacher, addresses himself head-on to unpacking Dōgen’s wisdom from three fascicles (or chapters) of his monumental Shōbōgenzō for a modern audience. The fascicles presented here from Shōbōgenzō, or Treasury of the True Dharma Eye, include “Shoaku Makusa” or “Refraining from Evil,” “Maka Hannya Haramitsu” or “Practicing Deepest Wisdom,” and “Uji” or “Living Time.” Daitsū Tom Wright and Shōhaku Okumura lovingly translate Dōgen’s penetrating words and Uchiyama’s thoughtful commentary on each piece. At turns poetic and funny, always insightful, this is Zen wisdom for the ages. KŌSHŌ UCHIYAMA was a preeminent Japanese Zen master instrumental in bringing Zen to America. The author of over twenty books, including Opening the Hand of Thought and The Zen Teaching of Homeless Kodo, he died in 1998. Contents Introduction by Tom Wright Part I. Practicing Deepest Wisdom 1. Maka Hannya Haramitsu 2. Commentary on “Maka Hannya Haramitsu” Part II. Refraining from Evil 3. Shoaku Makusa 4. Commentary on “Shoaku Makusa” Part III. Living Time 5. Uji 6. Commentary on “Uji” Part IV. Comments by the Translators 7. Connecting “Maka Hannya Haramitsu” to the Pāli Canon by Shōhaku Okumura 8. Looking into Good and Evil in “Shoaku Makusa” by Daitsū Tom Wright 9. -
Readings of Dōgen's Treasury of the True Dharma
Journal of Buddhist Ethics ISSN 1076-9005 http://blogs.dickinson.edu/buddhistethics Volume 28, 2021 Readings of Dōgen’s Treasury of the True Dharma Eye Reviewed by Zuzana Kubovčáková Masaryk University [email protected] Copyright Notice: Digital copies of this work may be made and distributed provided no change is made and no alteration is made to the content. Reproduction in any other format, with the exception of a single copy for private study, requires the written permission of the author. All enquiries to: [email protected] A Review of Readings of Dōgen’s Treasury of the True Dharma Eye Zuzana Kubovčáková 1 Readings of Dōgen’s Treasury of the True Dharma Eye. By Steven Heine. New York: Columbia University Press, 2020, 312 pp., ISBN 978-0-231-18229-4 (paperback), $35.00. For those acquainted with the scholarship of Steven Heine, Readings of Dōgen’s Treasury of the True Dharma Eye comes as another of several of his outstanding volumes on the Japanese Zen master Dōgen 道元 (1200-1253) and the Zen tradition of the Sōtō school. As one of the leading figures in Dōgen studies cooperating widely across the field with both Japanese and Western scholars, Heine has in this recent publication aimed for the mas- terwork of Dōgen, the Treasury of the True Dharma Eye, or Shōbōgenzō 正法 眼蔵 in Japanese. Dōgen’s Treasury of the True Dharma Eye is a compilation of informal sermons-turned-essays, intended for his disciples and the community, that are largely based on citations of Chinese masters and passages from kōan collections. -
Bowz Liturgy 2011.Corrected
Boundless Way Zen LITURGY BOOK SECOND EDITION _/\_ All buddhas throughout space and time, All honored ones, bodhisattva-mahasattvas, Wisdom beyond wisdom, Maha Prajna Paramita. Page 1 Notation ring kesu (bowl gong) muffle kesu (bowl gong) ring small bell 123 ring kesu or small bell on 1st, 2nd, or 3rd repetition accordingly underlined syllables indicate the point at which underlined bells are rung 1 mokugyo (wooden drum) beat once after then on each syllable taiko (large drum) beat once after then in single or double beats -_^ notation for tonal chanting (mid-low-high shown in this example) WORDS IN ALL CAPS are CHANTED by chant-leader only [Words in brackets & regular case] are spoken by chant-leader only {Words in braces} are CHANTED or spoken or sung !by chant-leader only 1st time, and by everyone subsequently (words in parenthesis) are not spoken, chanted, or sung at all _/\_ ! place or keep hands palm-to-palm in gassho, or hold liturgy book in gassho -(0)-! place or keep hands in zazen mudra, or hold liturgy book open !with little fingers and thumbs on the front of the book and !middle three fingers on the back seated bow at end of chant, or after final repetition Beginning our sutra service I vow with all beings To join my voice with all voices And give life to each word as it comes. —Robert Aitken Language cannot reach it, hearing and seeing cannot touch it. In this single beam of illumination, you genuinely wander in practice. Use your vitality to enact this. -
Putting Dogen on the Map Autumn 2007
Putting Dōgen on the Map Rev. Wilfrid Powell — Throssel Hole Buddhist Abbey, Northumberland – UK — (Great Master Dōgen is a key figure in the Serene Reflection Meditation tradition because he is the monk who brought the tradi- tion from China to Japan in 1227. This article is an edited version of a talk about Dōgen’s background given at Throssel earlier this year. I am grateful to the people who kindly took the time to read through the article and for their helpful suggestions.) s the influence and the power of the Buddhist church increased, Aits aims became more and more temporal. It began to inter- fere in political affairs; its abbots built in and around the capital or in the provinces great monasteries such as Mt Hiei, Koyasan, Miidera and others and filled them with armed monks; its prel- ates were involved in intrigues around the throne (it is possible that the removal of the capital from Nara to Kyoto may have been due to imperial fear of priestly statecraft); it even made attempts to establish direct ecclesiastical control over the state. The various sects too began to quarrel amongst themselves…Monastery fought monastery; sect fought sect; while the monks of Mt Hiei and other priestly strongholds trooped down so often in their thousands to overawe the capital that the Emperor Shirakawa once exclaimed [in 1198] ‘Three things there are which I cannot control — the river Kamo in flood, the fall of the dice, and the monks of Mt Hiei 1. The Political and Social Background The Japan of 1200 into which Dōgen was born was in tur- moil: political, social, moral and religious. -
Advaita Vedanta and Zen Buddhism : Deconstructive Modes of Spiritual Inquiry / Leesa S
Advaita Vedānta and Zen Buddhism This page intentionally left blank Advaita Vedānta and Zen Buddhism Deconstructive Modes of Spiritual Inquiry Leesa S. Davis Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York NY 10038 www.continuumbooks.com © Leesa S. Davis 2010 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-8264-2068-8 Library of Congress Cataloging-in-Publication Data Davis, Leesa S. Advaita Vedanta and Zen Buddhism : deconstructive modes of spiritual inquiry / Leesa S. Davis. p. cm. ISBN-13: 978-0-8264-2068-8 (HB) ISBN-10: 0-8264-2068-0 (HB) 1. Advaita. 2. Vedanta. 3. Zen Buddhism. 4. Deconstruction. I. Title. B132.A3D38 2010 181'.482--dc22 2009043205 Typeset by Free Range Book Design & Production Limited Printed and bound in Great Britain by the MPG Books Group In Memoriam Patricia Mary Davis 1930–1987 This page intentionally left blank Contents Acknowledgements ix Abbreviations xi Introduction: Experiential Deconstructive Inquiry xiii Part One: Foundational Philosophies and Spiritual Methods 1. Non-duality in Advaita Vedānta and Zen Buddhism 3 Ontological differences and non-duality 3 Meditative inquiry, questioning, and dialoguing as a means to spiritual insight 8 The ‘undoing’ or deconstruction of dualistic conceptions 12 2. -
Thinking Between Heidegger and Dōgen
echoes of no thing Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) echoes of no thing: thinking between heidegger and dōgen. Copyright © 2018 by Nico Jenkins. This work carries a Creative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2018 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-01-4 (print) ISBN-13: 978-1-950192-02-1 (ePDF) lccn: 2018968574 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J. -
Spiritual KANSAI Gokan Spiritual Kansai
Japan of the five senses 関西 Spiritual KANSAI GoKan Spiritual Kansai FOLLOW US Do not miss anything of our activity Twitter/Instagram/Facebook/YouTube/Pinterest : @GokanMag www.gokanmag.com CONTACT US Spiritual For general questions or for a partnership [email protected] EDITORIAL TEAM KANSAI David MICHAUD : Editorial & Creative Direction Kenichi WATANABE : General Producer The Path of Spirituality Angelo DI GENOVA : Shooting Coordinator Alice SUZUKI : Translator Ronan ECHERBAULT : Cover's Photo Produced by : XPJP Inc. & KANSAI Tourism Bureau EXPERIENCE DESIGN IN JAPAN © 2020 GOKAN株式会社 All rights reserved. The logo, the general structure, the texts, the images, the illustrations as well as any other element composing this magazine are the exclusive prop- erty of GOKAN株式会社 (or having third rights) and are protected by the copyright. Any total or partial representation of this magazine other than the promotion of the latter, by any means whatsoever, without the express permission of GOKAN株式会社 is therefore prohibited and constitutes an infringement. For any questions about the reproduction of the content, contact: [email protected] The Kansai region (関西地方, Kansai-chihō) or the Kinki region ( 近畿地方, Kinki-chihō), lies in the central region of Japan's main island Honshū. The region includes the prefectures of Mie, Nara, Wakayama, Kyoto, Osaka, Hyōgo and Shiga, sometimes Fukui, Tokushima and Tottori. While the use of the terms "Kansai" and "Kinki" have changed over history, in most modern contexts the use of the two terms is interchangeable. The metropolitan region of Osaka, Kobe and Kyoto (Keihanshin region) is the second-most populated in Japan after the Greater Tokyo Area. In a report on SBNR published by Harvard University, SBNR Spiritual But Not Religious Professor Daly Katerlein said: “The cause of the SBNR phenomenon is a major change that Spiritual Kansai threatens the fundamentals of the social environment, such as terrorism, natural disasters and pandemics. -
The True Dharma Eye: Zen Master Dogen's Three Hundred
The True Dharma Eye Zen Master Dōgen’s THREE HUNDRED KŌANS WITH COMMENTARY AND VERSE BY John Daido Loori TRANSLATED BY Kazuaki Tanahashi and John Daido Loori Shambhala BOSTON & LONDON 2011 Shambhala Publications, Inc. Horticultural Hall 300 Massachusetts Avenue Boston, Massachusetts 02115 www.shambhala.com © 2005 by John Daido Loori Cover art: Side View Daruma by Hakuin Ekaku (1685–1769). Used with permission of the Gitter-Yelen Collection. Cover design: © Diana Coe/ko Design Studio All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Library of Congress catalogues the previous edition of this book as follows: Dōgen, 1200–1253. [Shōbō genzō sanbyakusoku. English] The true dharma eye: Zen Master Dogen’s three hundred koans / with commentary and verse by John Daido Loori; translated by Kazuaki Tanahashi and John Daido Loori. p. cm. eISBN 978-0-8348-2311-2 ISBN 978-1-59030-465-5 (hardcover: alk. paper) ISBN 978-1-59030-465-5 (paperback) 1. Koan—Early works to 1800. I. Loori, John Daido. II. Tanahashi, Kazuaki, 1933– III. Title. BQ9449.D654.S5331715 2005 294.3′85—dc22 2005007961 Dedicated with deep gratitude to our dharma ancestors, and with deep confidence to the new Western generations Contents Acknowledgments Translator’s Note Introduction by John Daido Loori Prologue: Dropping Off Body and Mind Eihei Dōgen’s Preface 1. Qingyuan’s Whisk 2. Baizhang Remains Seated 3. Nanquan’s “Water Buffalo” 4. -
Realizing Genjokoan
BUDDHISM “Dōgen’s masterpiece is beautifully translated and clarified in an realizing genjokoan “Masterful.” equally masterful way. An obvious labor of love based on many —Buddhadharma The key to dogen’s shobogenzo years of careful study, reflection, and practice that succeeds in bringing this profound text to life for us all.” Larry Rosenberg, author of Breath by Breath “An unequaled introduction to the writings of the great Zen master Eihei Dōgen that opens doors to Dōgen’s vast understanding for everyone from newcomer to adept.” Jisho Warner, co-editor of Opening the Hand of ought “Realizing Genjōkōan is a stunning commentary on the famous first chapter of Dōgen’s Shōbōgenzō. Like all masterful commentaries, this one finds in the few short lines of the text the entire span of the Buddhist teachings. Okumura has been contemplating, studying, and teaching the Genjōkōan for many decades, which is evident in both the remarkable insight he brings to the text and the clarity with which he presents it.” Buddhadharma: e Buddhist Review “is book is a treasure. ough many quite useful translations of Genjōkōan are already available, as well as helpful commentaries, this book goes beyond. I have been considering Genjōkōan for thirty-five years, and still I enjoyed many helpful revelations in Okumur a realizing this book. For all people interested in Zen, this book will be a valuable and illuminating resource. Please enjoy it.” genjokoan from the foreword by Taigen Dan Leighton, editor and co-translator of Dōgen’s Extensive Record The key to dogen’s -
Critical Buddhism and Dõgen's Shõbõgenzõ
Critical Buddhism and Dõgen’s Shõbõgenzõ The Debate over the 75-Fascicle and 12-Fascicle Texts Steven HEINE NE OF THE MAIN ISSUES in the recent movement known as “Critical Buddhism” is the question of which version of the OShõbõgenzõ represents Dõgen’s authentic philosophical message. Critical Buddhism has rejected the conventional emphasis on the priority of the 75-fascicle version, which contains the famous philosophical essays on “Buddha-nature” (Busshõ) and “Being-Time” (Uji). Instead it emphasizes that the 12-fascicle Shõbõgenzõ, which was written toward the end of Dõgen’s life and contains mainly practical instructions for monks in training, is the real or authentic text because of its critique of original- enlightenment thought and consistent focus on karmic causality. This paper examines the Critical Buddhist view in the light of responses by tra- ditional Dõgen scholars. The debate is framed and evaluated in the larger context of Buddhist scholasticism and hermeneutics in which scholars try to reinterpret medieval sources from a classical or foundational standpoint and in terms of distinctively modern concerns. The manuscript of the 12-fascicle Shõbõgenzõ was discovered in 1927 at Yõkõ-ji in Nõtõ Peninsula in Ishikawa Prefecture, a temple founded by the fourth Zen patriarch Keizan and an important center for the sect in the medieval period. However, the existence of the 12-fascicle text as an independent version of Dõgen’s magnum opus, standing in addition to the most widely accepted version—the 75-fascicle text—was long known or at least strongly suspected because there is an apparent reference to it in an important though cryptic colophon (okugaki) to the “Hachidainin- gaku” (Eight precepts of the enlightened person) fascicle. -
Philosophy and the Practice of Reflexivity
Ralf Müller Philosophy and the practice of refexivity On Dōgen's discourse about Buddha-nature1 Is Dōgen a philosopher? Or even an example of what he scolds a “word-counting scholars”?2 Despite the difficulties of classifying Dōgen, many would still agree, at least with regard to his magnum opus, the Shōbōgenzō, that his writings are philosophical.3 Tis, however, requires some clarifcation, since there is not much left of this work if one were to exclude all the fascicles that are not explicitly cited for philosophical interpretation. Te philosophic scope becomes even smaller if one were to consider the respective passages of the few fascicles pertinent for explicit philosophical reading. At the risk of oversimplifying, the philosophical reception of Dōgen's works is almost entirely grounded in the fascicle “Uji”,4 which is 1 I am indebted to Ricki Bliss, Eveline Ciofec, and Raji Steineck for philological and philosophical comments and to Adam Loughnane both for thoughtful remarks and consistent proofreading. 2 English quoted from W/A 16; jap. DZZ 2: 467−68: 「 文字をかぞふる学者」. Note: Te original text references quote from Dōgen zenji zenshū, [“DZZ”]. Te English translations of the three main writings (Bendōwa [辦道話], “Busshō” [仏性], and Hōkyōki [宝慶記]) are based on Norman Waddell and Masao Abe (2002)[“W/A”]; and, respectively, Takashi James Kodera (1980),[“K”]. 3 As has already been pointed out, most philosophical readers only consider Dōgen's Shōbōgenzō (正法眼蔵). In fact, there is probably no reader of Dōgen who would blatantly disregard the religious practitioner's interpretation of Dōgen in favor of that of a strictly theoretical interpretation of a philosopher. -
Dōgen and Sōtō Zen
Dōgen and Sōtō Zen DŌGEN AND SŌTŌ ZEN z Edited by STEVEN HEINE 1 3 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Dōgen and Sōtō Zen / edited by Steven Heine. pages cm Includes index. ISBN 978–0–19–932485–9 (hardcover : alk. paper)—ISBN 978–0–19–932486–6 (pbk.