Pratica E Illuminazione in Dôgen
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Deepest Practice, Deepest Wisdom
“A magnificent gift for anyone interested in the deep, clear waters of Zen—its great foundational master coupled with one of its finest modern voices.” —JISHO WARNER, former president of the Soto Zen Buddhist Association FAMOUSLY INSIGHTFUL AND FAMOUSLY COMPLEX, Eihei Dōgen’s writings have been studied and puzzled over for hundreds of years. In Deepest Practice, Deepest Wisdom, Kshō Uchiyama, beloved twentieth-century Zen teacher, addresses himself head-on to unpacking Dōgen’s wisdom from three fascicles (or chapters) of his monumental Shōbōgenzō for a modern audience. The fascicles presented here from Shōbōgenzō, or Treasury of the True Dharma Eye, include “Shoaku Makusa” or “Refraining from Evil,” “Maka Hannya Haramitsu” or “Practicing Deepest Wisdom,” and “Uji” or “Living Time.” Daitsū Tom Wright and Shōhaku Okumura lovingly translate Dōgen’s penetrating words and Uchiyama’s thoughtful commentary on each piece. At turns poetic and funny, always insightful, this is Zen wisdom for the ages. KŌSHŌ UCHIYAMA was a preeminent Japanese Zen master instrumental in bringing Zen to America. The author of over twenty books, including Opening the Hand of Thought and The Zen Teaching of Homeless Kodo, he died in 1998. Contents Introduction by Tom Wright Part I. Practicing Deepest Wisdom 1. Maka Hannya Haramitsu 2. Commentary on “Maka Hannya Haramitsu” Part II. Refraining from Evil 3. Shoaku Makusa 4. Commentary on “Shoaku Makusa” Part III. Living Time 5. Uji 6. Commentary on “Uji” Part IV. Comments by the Translators 7. Connecting “Maka Hannya Haramitsu” to the Pāli Canon by Shōhaku Okumura 8. Looking into Good and Evil in “Shoaku Makusa” by Daitsū Tom Wright 9. -
Bowz Liturgy 2011.Corrected
Boundless Way Zen LITURGY BOOK SECOND EDITION _/\_ All buddhas throughout space and time, All honored ones, bodhisattva-mahasattvas, Wisdom beyond wisdom, Maha Prajna Paramita. Page 1 Notation ring kesu (bowl gong) muffle kesu (bowl gong) ring small bell 123 ring kesu or small bell on 1st, 2nd, or 3rd repetition accordingly underlined syllables indicate the point at which underlined bells are rung 1 mokugyo (wooden drum) beat once after then on each syllable taiko (large drum) beat once after then in single or double beats -_^ notation for tonal chanting (mid-low-high shown in this example) WORDS IN ALL CAPS are CHANTED by chant-leader only [Words in brackets & regular case] are spoken by chant-leader only {Words in braces} are CHANTED or spoken or sung !by chant-leader only 1st time, and by everyone subsequently (words in parenthesis) are not spoken, chanted, or sung at all _/\_ ! place or keep hands palm-to-palm in gassho, or hold liturgy book in gassho -(0)-! place or keep hands in zazen mudra, or hold liturgy book open !with little fingers and thumbs on the front of the book and !middle three fingers on the back seated bow at end of chant, or after final repetition Beginning our sutra service I vow with all beings To join my voice with all voices And give life to each word as it comes. —Robert Aitken Language cannot reach it, hearing and seeing cannot touch it. In this single beam of illumination, you genuinely wander in practice. Use your vitality to enact this. -
Sōtō Zen in Medieval Japan
Soto Zen in Medieval Japan Kuroda Institute Studies in East Asian Buddhism Studies in Ch ’an and Hua-yen Robert M. Gimello and Peter N. Gregory Dogen Studies William R. LaFleur The Northern School and the Formation of Early Ch ’an Buddhism John R. McRae Traditions of Meditation in Chinese Buddhism Peter N. Gregory Sudden and Gradual: Approaches to Enlightenment in Chinese Thought Peter N. Gregory Buddhist Hermeneutics Donald S. Lopez, Jr. Paths to Liberation: The Marga and Its Transformations in Buddhist Thought Robert E. Buswell, Jr., and Robert M. Gimello Studies in East Asian Buddhism $ Soto Zen in Medieval Japan William M. Bodiford A Kuroda Institute Book University of Hawaii Press • Honolulu © 1993 Kuroda Institute All rights reserved Printed in the United States of America 93 94 95 96 97 98 5 4 3 2 1 The Kuroda Institute for the Study of Buddhism and Human Values is a nonprofit, educational corporation, founded in 1976. One of its primary objectives is to promote scholarship on the historical, philosophical, and cultural ramifications of Buddhism. In association with the University of Hawaii Press, the Institute also publishes Classics in East Asian Buddhism, a series devoted to the translation of significant texts in the East Asian Buddhist tradition. Library of Congress Cataloging-in-Publication Data Bodiford, William M. 1955- Sotd Zen in medieval Japan / William M. Bodiford. p. cm.—(Studies in East Asian Buddhism ; 8) Includes bibliographical references (p. ) and index. ISBN 0-8248-1482-7 l.Sotoshu—History. I. Title. II. Series. BQ9412.6.B63 1993 294.3’927—dc20 92-37843 CIP University of Hawaii Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources Designed by Kenneth Miyamoto For B. -
Okumura's Fukanzazengi Translations
Dogen Zenji’s Fukanzazengi - Universal recommendation of zazen for all people - A comparison of two versions (1233, 1244) both as translated by Shohaku Okumura Introduction Having lost both his parents when young, Dogen was brought up by a relative before taking ordination as a Tendai monk at the age of 13. At 17, he moved to Kennin-ji in Kyoto where he trained in Rinzai Zen under Myozen, receiving dharma transmission in 1221. In 1223, he sailed with Myozen to South China, both of them wanting to deepen their practice. Searching for a true master, in 1225 he eventually found Tendo Nyojo, abbot of Tiantong monastery, staying there for two years and “opening his wisdom eye”. After returning to Japan in 1227, Dogen re-entered Kennin-ji but left after quite a short time, disappointed. He said he didn’t specifically intend to found a new Zen school. Rather he wanted to spread the true teaching (zazen) - whereas scholarly study was more typical of Japanese Buddhist practice. Buddhist politics meant that he decided to beoame a wandering monk for some time before founding Kosho-ji near Uji, which he led for ten years (1233-43). The building of Eihei-ji began ten years before his death in 1253. The Fukanzazengi The first version of the Fukanzazengi dates from Dogen’s ‘wandering’ period (1227-31). In fact, several of his pivotal works including Bendowa - (1231), Maka Hannya Haramitsu, Genjokoan (both 1233) were written in this period when he either had no temple, or was just beginning to establish his monastic community. -
Chapel Hill Zen Center Chant Book ___Table of Contents
Chapel Hill Zen Center Chant Book _________ Table of Contents Heart Sutra 1 Maka Hannya Hara Mitta Shin Gyo 2 Sho Sai Myo Kichijo Dharani 3 Enmei Jukku Kannon Gyo 3 Merging of Difference and Unity 4 Sandokai 5 Song of the Jewel Mirror Samadhi 6 Hsin Hsin Ming 8 Fukanzazengi 10 Genjo Koan 12 Jijuyu Zammai 14 Maka Hannya Haramitsu 16 Song of the Grass-Roof Hut 18 Lovingkindness Metta Sutta 19 Names of Buddhas and Ancestors 20 Names of Women Ancestors 21 Dai Hi Shin Dharani 22 Three Refuges 23 Ti Sarana 23 Meal Chant 24 The Bodhisattva Ceremony 26 Great Wisdom Beyond Wisdom Heart Sutra Avalokiteshvara Bodhisattva, when practicing deeply the prajna paramita, perceived that all five skandhas in their own being are empty, and was saved from all suff’ring. O Shariputra, form does not differ from emptiness, emptiness does not differ from form; that which is form is emptiness, that which is emptiness form. The same is true of feelings, perceptions, formations, consciousness. O Shariputra, all dharmas are marked with emptiness: they do not appear nor disappear, are not tainted nor pure; do not increase nor decrease. Therefore, in emptiness, no form, no feelings, no perceptions, no formations, no consciousness; no eyes, no ears, no nose, no tongue, no body, no mind, no color, no sound, no smell, no taste, no touch, no object of mind; no realm of eyes, until no realm of mind-consciousness; no ignorance, and also no extinction of it, until no old-age-and-death, and also no extinction of it; no suff’ring, no origination, no stopping, no path, no cognition, also no attainment. -
Eihei Dogen: Mystical Realist
Buddhism Eihei Do–gen, the founder of the Japanese So–to– Zen school, is considered one of KIM THE CLASSIC INTRODUCTION TO the world’s most remarkable religious philosophers. Eihei Do–gen: Mystical Realist is a comprehensive introduction to the genius of this brilliant thinker. DO¯ GEN’S LIFE AND TEACHING “Down through the years and through its earlier editions, it was always to Dr. Kim’s book that – I turned first in any matter relating to Dogen. Now from his retirement from a fine academic EIHEIDO career, we have the fruit of his lifetime of research and meditation. I am very grateful.” — ROBERTAITKEN, author of Taking the Path of Zen and The Morning Star “This book is an excellent comprehensive introduction to Do–gen’s massive corpus of intricate writings as well as to his elegantly simple yet profound practice. It stands as the best overall general introduction to Do–gen’s teaching.” – EIHEI GEN — from the new foreword by TAIGENDANLEIGHTON, editor and co-translator of Do–gen’s Extensive Record: A Translation of the Eihei Ko–roku and Visions of Awakening Space – and Time: Dogen and the Lotus Sutra DOGEN MYSTICALREALIST “While there have been many developments in the historical and philosophical understanding of Do–gen’s contribution to Zen Buddhism, Kim’s work still stands out for the depth and clarity of its elucidation of Do–gen as a religious thinker and practitioner.” MYSTICAL — PROFESSORMARKUNNO, Journal of Religious Ethics, and author of Shingon Refractions: Myoe and the Mantra of Light REALIST “Do–gen is no easy read—fortunately Kim’s book, itself a polished gem, expertly guides a reader into what is simultaneously rich and playful in Do–gen’s Buddhist vision.” — WILLIAMR.LAFLEUR, author of Awesome Nightfall: The Life, Times, and Poetry of Saigyo “An essential volume in any Do–gen library.” — ZOKETSUNORMANFISCHER, former abbot, San Francisco Zen Center, and author of Taking Our Places: The Buddhist Path to Truly Growing Up HEE-JINKIM is professor emeritus at the University of Oregon. -
The True Dharma Eye: Zen Master Dogen's Three Hundred
The True Dharma Eye Zen Master Dōgen’s THREE HUNDRED KŌANS WITH COMMENTARY AND VERSE BY John Daido Loori TRANSLATED BY Kazuaki Tanahashi and John Daido Loori Shambhala BOSTON & LONDON 2011 Shambhala Publications, Inc. Horticultural Hall 300 Massachusetts Avenue Boston, Massachusetts 02115 www.shambhala.com © 2005 by John Daido Loori Cover art: Side View Daruma by Hakuin Ekaku (1685–1769). Used with permission of the Gitter-Yelen Collection. Cover design: © Diana Coe/ko Design Studio All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Library of Congress catalogues the previous edition of this book as follows: Dōgen, 1200–1253. [Shōbō genzō sanbyakusoku. English] The true dharma eye: Zen Master Dogen’s three hundred koans / with commentary and verse by John Daido Loori; translated by Kazuaki Tanahashi and John Daido Loori. p. cm. eISBN 978-0-8348-2311-2 ISBN 978-1-59030-465-5 (hardcover: alk. paper) ISBN 978-1-59030-465-5 (paperback) 1. Koan—Early works to 1800. I. Loori, John Daido. II. Tanahashi, Kazuaki, 1933– III. Title. BQ9449.D654.S5331715 2005 294.3′85—dc22 2005007961 Dedicated with deep gratitude to our dharma ancestors, and with deep confidence to the new Western generations Contents Acknowledgments Translator’s Note Introduction by John Daido Loori Prologue: Dropping Off Body and Mind Eihei Dōgen’s Preface 1. Qingyuan’s Whisk 2. Baizhang Remains Seated 3. Nanquan’s “Water Buffalo” 4. -
Realizing Genjokoan
BUDDHISM “Dōgen’s masterpiece is beautifully translated and clarified in an realizing genjokoan “Masterful.” equally masterful way. An obvious labor of love based on many —Buddhadharma The key to dogen’s shobogenzo years of careful study, reflection, and practice that succeeds in bringing this profound text to life for us all.” Larry Rosenberg, author of Breath by Breath “An unequaled introduction to the writings of the great Zen master Eihei Dōgen that opens doors to Dōgen’s vast understanding for everyone from newcomer to adept.” Jisho Warner, co-editor of Opening the Hand of ought “Realizing Genjōkōan is a stunning commentary on the famous first chapter of Dōgen’s Shōbōgenzō. Like all masterful commentaries, this one finds in the few short lines of the text the entire span of the Buddhist teachings. Okumura has been contemplating, studying, and teaching the Genjōkōan for many decades, which is evident in both the remarkable insight he brings to the text and the clarity with which he presents it.” Buddhadharma: e Buddhist Review “is book is a treasure. ough many quite useful translations of Genjōkōan are already available, as well as helpful commentaries, this book goes beyond. I have been considering Genjōkōan for thirty-five years, and still I enjoyed many helpful revelations in Okumur a realizing this book. For all people interested in Zen, this book will be a valuable and illuminating resource. Please enjoy it.” genjokoan from the foreword by Taigen Dan Leighton, editor and co-translator of Dōgen’s Extensive Record The key to dogen’s -
UNDERSTANDING the SHOBOGENZO Gudo Wafu Nishijima
UNDERSTANDING THE SHOBOGENZO Gudo Wafu Nishijima © Windbell Publications 1992 Why The Shobogenzo is Difficult to Understand Most people's reaction on first reading the Shobogenzo is that is seems very difficult to see clearly what the writings mean. This is a natural reaction because when we read a sentence, we usually expect to be able to understand the meaning of what we read immediately. The first time that I picked up a copy of the Shobogenzo, I found that I could not understand any of it, although I was reading a book written in my own native language. Of course, reading the Shobogenzo in translation introduces a new set of problems related to the skill and knowledge of the translator, and to the similarities of the languages. Attempts to elucidate the problems that the Shobogenzo presents to the reader bring me to four main reasons: 1. The Shobogenzo is written with a unique logical structure, which I have called "Four Views" or "Three Philosophies & One Reality." I explain this system of logic in a later section. 2. Master Dogen wrote using many phrases and quotations from Chinese Buddhism which are relatively unknown to the layman, and difficult to render into other languages. These phrases appear in the Shobogenzo in their original Chinese form, making some parts of the book a commentary in 13th century Japanese on Chinese phrases from even older sources. In the translated version, we have the additional problems of representing these phrases in a very different target language. 3. The concepts that Master Dogen wanted to express were profound and subtle. -
Dōgen and Sōtō Zen
Dōgen and Sōtō Zen DŌGEN AND SŌTŌ ZEN z Edited by STEVEN HEINE 1 3 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Dōgen and Sōtō Zen / edited by Steven Heine. pages cm Includes index. ISBN 978–0–19–932485–9 (hardcover : alk. paper)—ISBN 978–0–19–932486–6 (pbk. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. U M I films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send U M I a complete manuscript and there are missing pages, these w ill be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact U M I directly to order. University Microfilms International A Beil & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800.521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. -
THE ESSENTIAL DOGEN Writings of the Great Zen Master
ABOUT THE BOOK Eihei Dogen (1200–1253), founder of the Soto School of Zen Buddhism, is one of the greatest religious, philosophical, and literary geniuses of Japan. His writings have been studied by Zen students for centuries, particularly his masterwork, Shobo Genzo or Treasury of the True Dharma Eye. This is the first book to offer the great master’s incisive wisdom in short selections taken from the whole range of his voluminous works. The pithy and powerful readings, arranged according to theme, provide a perfect introduction to Dogen—and inspire spiritual practice in people of all traditions. KAZUAKI TANAHASHI, a Japanese-trained calligrapher, is the pioneer of the genre of ‘one stroke painting’ as well as the creator of multicolor enso (Zen circles). His brushwork has been shown in solo exhibitions in galleries, museums, and universities all over the world. Tanahashi has edited several books of Dogen’s writings and is also the author of Brush Mind. Sign up to learn more about our books and receive special offers from Shambhala Publications. Or visit us online to sign up at shambhala.com/eshambhala. THE ESSENTIAL DOGEN Writings of the Great Zen Master Edited by Kazuaki Tanahashi and Peter Levitt SHAMBHALA Boston & London 2013 Shambhala Publications, Inc. Horticultural Hall 300 Massachusetts Avenue Boston, Massachusetts 02115 www.shambhala.com © 2013 by the San Francisco Zen Center Cover art: Portrait of Dogen from Hokyo-ji temple, Fukui Prefecture Quotations from Moon in a Dewdrop, edited by Kazuaki Tanahashi, published by North Point Press—ten poems plus four passages as indicated in the sources and translation credits—reprinted with permission by Farrar, Straus, & Giroux.