TKGA MHK Bibliography
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Stranded Knitting Lesson by Arenda Holladay
STITCH ANATOMY Stranded Knitting Lesson by Arenda Holladay As with all articles in the Stitch Anatomy Series, the lesson discusses gian," or some name iden tifyi ng a geographic area. T hese names the stitch pattern in detail, any potential p roblems in working it and refer to areas where a specific trad ition of stranded knitting was tips for improving the appearance. For those interested, a pattern developed. Each tradition has its own rules and characteristics fo r a pillow using the stitch pattern follows. The pattern outlines the which make it unique. Fo r example, Fair Isle patterns have peeries steps involved in designing with the stitch pattern. Also included is and Norwegian patterns have "lice". Since the fabric has a double information for anyone who wants to try designing a similar pillow thickness it is not surprising that this technique flourished in 011 their own using different yarns, a different pillow size or a varia colder climates. The lesson will not discuss the history of stranded tion of the pattern. knitting or their cultural significance. An article on Fa ir Isle tradi tions ca n be found on page 10 and the bibliography foll owing this ABOUT STRANDED KNITTING article lists books that delve into history and culture. Stranded or jacquard knitting is a colorwork technique where rwo colors are used in one row. The color not being used is car Since the stitch pattern used fo r stranded kn itting is Stockinette, ried behind the work until it is needed. These are called fl oats. the knitting itself is not difficult but the process can be challeng Sometimes stranded knitting is referred to as "Fair Isle," "Norwe- ing. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
2021 Creative Activities Rules and Premiums
Aug. 26-Sept. 6, 2021 Creative Activities Superintendent..................................................................................................................... Curt Pederson, Shoreview, MN Board Member............................................................................................................................... Gail Johnson, Anoka, MN Secretary....................................................................................................................................... Arlene Restad, Eagan, MN Creative Activities Rules 1. ENTRIES. Open Monday, June 7. Entries close for all divisions Tuesday, Aug. 10, at 4:30 p.m. No exceptions. A. ONLINE REGISTRATION. All entries MUST be registered. Entries close on Tuesday, Aug. 10, at 4:30 p. m. No entries will be accepted after closing date. Errors or omissions must be registered within 10 days after fair closes. No entry fee required. 1. A confirmation will be sent to your email within 24 hours. Exhibitors must bring their registration confirmation during specified drop off dates and times for verification purposes only. A hard copy printed OR readily available to be viewed easily on a mobile device will be required at drop off. 2. Refer to the "How To Enter Exhibits" document for detailed information and entry procedures. Visit the Minnesota State Fair website to begin the registration process: competition.mnstatefair.org B. MAIL-IN REGISTRATION. Must be in our office (not postmarked) by Tuesday, Aug. 10, at 4:30 p.m. No entries will be accepted after closing date. All entries MUST be registered. Follow procedure below: 1. On an 8 1/2” x 11” sheet of paper. Must include 1) first name, last name, address and phone number; 2) list of class number(s) and description of entry for each exhibit. 2. Mail to: Competition Department - c/o: Creative Activities, Minnesota State Fair, 1265 Snelling Ave. N., St. Paul, MN 55108. -
Vogue Knitting LIVE Launches in New York City in January
NEW YORK, NEW YORK 6,000 Knitters and Industry “Knitterati” to Gather for New Event Vogue Knitting LIVE Launches in New York City in January. Popular Classes Already Sold Out More than 53 million people know how to knit or crochet—and the number is growing. Following the successful premier of Vogue Knitting LIVE in Los Angeles last year, Vogue Knitting magazine announces a new event at the Hilton New York January 14–16, 2012 . Knitting, an ages-old craft, is taking the world by storm. Professionals, Hollywood A-listers, and rock stars have all joined the ranks of knitters, and Ravelry, a popular social media site for stitchers, boasts close to 2 million members. Its benefits are renown: A Harvard study from 2007 concluded that knitting may be as effective as medication in reducing stress. “We know that knitters love getting together at yarn stores to learn new techniques, compare projects, and hear from top designers. We’ve simply taken that to the next level by creating the largest live gathering of knitters in New York,” says Trisha Malcolm, editor of Vogue Knitting and originator of Vogue Knitting LIVE. Vogue Knitting LIVE caters to knitters at all levels—from the knit-curious to experienced designers and crafters. In 2012, knitters can expect: • More than 75 how-to sessions, some of which are already sold out. Topics like “An Overture to Estonian Lace” and “Working with Antique and Vintage Knitting Patterns” bring 200-year old techniques to new generations. Other sessions such as “Happy Hat Knitting” and “Sock Innovation” focus on specific types of projects. -
Reconceptualizing the Inherent Distinctiveness of Product Design Trade Dress
Chicago-Kent College of Law Scholarly Commons @ IIT Chicago-Kent College of Law All Faculty Scholarship Faculty Scholarship 1-1-1997 Reconceptualizing the Inherent Distinctiveness of Product Design Trade Dress Graeme Dinwoodie IIT Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://scholarship.kentlaw.iit.edu/fac_schol Part of the Law Commons Recommended Citation Graeme Dinwoodie, Reconceptualizing the Inherent Distinctiveness of Product Design Trade Dress, 75 N.C. L. Rev. 471 (1997). Available at: https://scholarship.kentlaw.iit.edu/fac_schol/901 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in All Faculty Scholarship by an authorized administrator of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. RECONCEPTUALIZING THE INHERENT DISTINCTIVENESS OF PRODUCT DESIGN TRADE DRESS GRAEME B. DINWOODIE* Traditionally, trademark rights subsisted in words or two- dimensionalpictoral images. Twenty years ago, courts recognized that a product's very design might also function as its trademark. To be accorded this status, however, the manufacturer must demonstrate that her product design identifies the source of her product-that the design is, in the trademark vernacular, "distinctive." In this Article, Professor Graeme Dinwoodie addresses the question of how to determine when a product shape or design identifies its source. In 1992, in Two Pesos v. Taco Cabana, the United States Supreme Court endorsed the assimilationof the principles governing the distinctiveness of word marks and non-verbal marks. -
North Cascades Sweaterscapes
North Cascades Sweaterscapes Climbers find some of the world's most challenging ascents in the rugged Picket Range of Washington state.. We hope you will enjoy the challenge of knitting this sweater as well! An Intar sia Landscape Sweater design by Lynne & Douglas Barr Copyright ©2009 Lynne & Doug las Barr e-mail: [email protected] www.sweaterscapes.c om Instructions Finished Sweater Measurements Begin neck shaping on row 140. Chest: 39 (42,45) inches We recommend using short-row wrapping for the neck opening. It eliminates the seam between sweater and Length: 24 (26,28) inches neck rib and produces a neck opening with the proper Equipment stretch. #4 and #6 needles (or size needed to obtain gauge) Illustrated instructions can be viewed at Row Counter www.sweaterscapes.com. Bobbins Sweater Back Materials Using size 4 needle and White yarn, cast on 6(8,10) Green Mountain Spinnery yarns, 4 ounces/250 yard stitches. Then cast on 92(98,104) sts with Indigo yarn. skeins Rib in K2, P2 pattern for 2 inches, twisting the yarns when changing colors as when knitting intarsia. 4(4,5) oz Champlain Blue 8 oz Indigo Change to size 6 needles and follow sweater chart for 6 oz Light Grey the back. 6 oz Natural Grey Knit stitches on chart: 4 oz White small 9-106 medium 5-110 large 1-114 1 oz Blue Spruce Knit rows on chart: 1 oz Ivy small 17-171 medium 7-175 large 1-179 1 oz Blueberry 1 oz Aquamarine Finishing Gauge Weave in the ends from the intarsia knitting. -
40Th FREE with Orders Over
By Appointment To H.R.H. The Duke Of Edinburgh Booksellers London Est. 1978 www.bibliophilebooks.com ISSN 1478-064X CATALOGUE NO. 366 OCT 2018 PAGE PAGE 18 The Night 18 * Before FREE with orders over £40 Christmas A 3-D Pop- BIBLIOPHILE Up Advent th Calendar 40 with ANNIVERSARY stickers PEN 1978-2018 Christmas 84496, £3.50 (*excluding P&P, Books pages 19-20 84760 £23.84 now £7 84872 £4.50 Page 17 84834 £14.99 now £6.50UK only) 84459 £7.99 now £5 84903 Set of 3 only £4 84138 £9.99 now £6.50 HISTORY Books Make Lovely Gifts… For Family & Friends (or Yourself!) Bibliophile has once again this year Let us help you find a book on any topic 84674 RUSSIA OF THE devised helpful categories to make useful you may want by phone and we’ll TSARS by Peter Waldron Including a wallet of facsimile suggestions for bargain-priced gift buying research our database of 3400 titles! documents, this chunky book in the Thames and Hudson series of this year. The gift sections are Stocking FREE RUBY ANNIVERSARY PEN WHEN YOU History Files is a beautifully illustrated miracle of concise Fillers under a fiver, Children’s gift ideas SPEND OVER £40 (automatically added to narration, starting with the (in Children’s), £5-£20 gift ideas, Luxury orders even online when you reach this). development of the first Russian state, Rus, in the 9th century. tomes £20-£250 and our Yuletide books Happy Reading, Unlike other European countries, Russia did not have to selection. -
T.G.S.W. Library Catalogue
T.G.S.W. LIBRARY CATALOGUE AUTHOR FIRST NAME TITLE YR PUBLISHED BY TYPE SIZE Telos Art Publishing, Reference Art Textiles of the World:-Japan 1997 Winchester, G.B. books The British Wool Marketing British Sheep Breeds,Their Wool and Spinning Board, Isleworth Middlesex, Its Uses books G.B. Jeanne's list of Natural Dye Materials 1975 North Fork Press Dyeing books Weaving Tapestry -- A Woven Narrative 2012 Black Dog Publishing books Yarn Samples A. Jay and Abrams Building Craft Equipment 1976 Praeger Publishers Carol W. April 2016 T.G.S.W. LIBRARY CATALOGUE A. Jay and Building Craft Equipment: An Praeger Publishers, New Abrams 1976 Carol W. Illustrated Manual York Craft books Weaving Traditions of Highland Craft and Folk Museum, Los Weaving Adelson Takami L. and B. 1979 Bolivia Angelos, USA. books Adrosko Rita J. Natural Dyes and Home Dyeing Dyeing books Smithsonian Institution Adrosko Rita J. Natural Dyes in the United States 1968 Press Dyeing books Albers Josef Interaction of Colour 1977 Yale University Press Colour design Wesleyan University Press, Albers Anni On Designing 1971 Colour and Middletown,CON. design Albers Anni On weaving 1965 Weslyan University Press Weaving books Interweave Press, Alderman Sharon Handweavers Notebook 1990 Weaving Loveland,CO books Alderman Sharon Mastering Weave Structures 2004 Interweave press Weaving books April 2016 T.G.S.W. LIBRARY CATALOGUE Alderman & Sharon & Handwoven, Tailormade Interweave Press Wartenberger Kathryn Ontario Agriculture and Alex J.F. Ontario Weeds Food Ministry, Publication Switzer G.M. 505 Dyeing books Interweave Press, Loveland, Alexander Kathryn Spinning Energized Yarns 2012 DVD and CO. Videos Allard Mary Rug Making 1963 Chilton Company Designer’s Guide to Japanese Colour and Allen 2000 Jeanne Patterns 2 Chronicle Books design Interweave Press, Loveland, Amos Alden Big book of Handspinning 2001 Spinning CO. -
By Author As of 102711
THSG Library By Author As of 102711 100 3M 2004 Respirator Selection Guide 3M 532 A131n New Zealand Guide to Handmade Felt Abbott, Tim 364 A152m Multiple Harness Patterns From the Early 1700's (The Snavely Patterns) Able, Isable I. 095.4 A228w Weaving Traditions of Highland Bolivia Adelson, Lauri, and Takami 311 A242a American Loom: Plans for Making a 19th Century Loom Adrosko, Rita J. 120 A242n Natural Dyes and Home Dyeing Adrosko, Rita J. 361 A242w Weavers Draft Book and Clothiers Assistant, The Adrosko, Rita J. 367.2 WSN James Koehler Workshop: Hatching and Color Gradation Techniques for Tapestry Aiken, Roxanne 400 A294f Fiberarts Book of Wearable Art, The Aimone, Katherine Duncan 304 A325o Ojo de Dios - Eye of God Albaum, Charlet 331 A329o On Weaving Albers, Anni 022 A333u An Unthymely Death and Other Garden Mysteries Albert, Susan Wittig 022 A333i Indigo Dyeing Albert, Susan Wittig 351 A361m Mastering Weave Structures Alderman, Sharon 374 A361h Handweaver's Notebook, A Alderman, Sharon, and Wertenberger 376 A361h Handwoven, Tailormade Alderman, Sharon, and Wertenberger 401 C319g Good Houskeeping Needlecraft Encyclopedia, The Alice Carroll 333 A425w Weavers Way: Navajo Profiles, The Allen, Dodie 335 A426w Weaving Contemporary Rag Rugs Allen, Heather 400 ALF Late Victorian Needlework for Victorian Houses American Life Foundation 010 Ref Glossary of Wool Fabric Terms American Wool Council 300 AWC Weaving: A Timeless Craft American Wool Council 200 A525a Alden Amos Big Book of Handspinning, The Amos, Alden 002 A545n Needlecrafters' Travel Companion 4th Edition 2007-2009 Anderson, Audrey , and Swales 020 A545c Creative Spinning Weaving and Dyeing Anderson, Beryl 432 A545c Crewel Embroidery Anderson, F. -
Top-Down Raglan Pullover Lesson.Pdf
About Top-Down Raglan Pullovers the underarm is complete and the raglan piece joined to be worked in the round. The top-down raglan design is of "sea ms" are decreased to the neckline. From Continue increasing every other row until comparatively recent origin in terms of the top-down, the sleeve/body stitches are the piece is long/large enough to meet at swea ter design. Raglan construction was increased to the underarms and then th e the underarms. The sleeves/front/back arc created as a supplement to or replacement sleeves, front and back stitches separated separated at this point. Some designers have of the saddle shoulder sweater. See Suzanne and wo rked to the edgings as three separate the knitter work the sleeves first so they are Bryan's article "Raglan Sleeved Sweaters tubes. worked down to the wrist and finished off. from the Bottom Up" on page 46 for more Others instruct the knitter to work the body discussion o n the history of this design. Construct ion first and then the sleeves. In that instance, The hallmark of the raglan is the diagonal A top-down raglan is essentially a seamless the body is worked as a tube to the desired shaping lines moving from the top of the rectangular yoke. Once the math for gauge length and finished. Regardless of which neckline, to the underarm. Thus, the sleeve is complete, cast o n placing markers at is done first, some additional stitches may top is integrated into the neckline. This the four points dividing the back/sleeve/ be cast on for the underarms to reach the design eliminates the problem of excess front/sleeve (see Swatch 1) . -
Sweater-101-Sampler-Copy.Pdf
Sweater 101 How to Plan Sweaters that Fit ... and Organize Your Knitting Life at the Same Time In print again, Sweater 101 is called “a Timeless Classic” Cheryl Brunette For Lena and Magdalena, my mother and grandmother, through whose hands a million miles of threads flowed. Table of Contents 1 Introduction .......................................... 13 Knitting in the mid- 20th Century . 13 Knitting Today . 13 Goals of Sweater 101 . 14 Tools that Enhance Sweater 101........................................ 15 Your Knitting Notebook .............................................. 16 2 Basic Sweater Styles . 17 Making Fabric • Tubes vs Flat Pieces.................................... 17 Drop Shoulder . 19 Set-In Sleeve . 20 The Raglan . 21 3 A Couple of Math Skills ............................... 22 Your Calculator Memory.............................................. 22 More-or-Less-Right Formula Explained................................. 24 More-or-Less-Right Formula in a Nutshell . 28 4 Finding Your Gauge . 29 What is Gauge? • The Gauge Swatch ................................... 29 Row Gauge . 32 The Gauge Record Sheet.............................................. 33 5 How to Size a Sweater to Get the Fit You Really Want . 35 Three Sources of Information . 35 Longer or Shorter . 37 The Non-Hourglass Figure . 38 6 How to Take Body Measurements...................... 40 7 How to Assign Pattern Measurements................ 42 8 Filling in a Picture Pattern . .44 Charting a Drop Shoulder Pattern ..................................... 46 A Drop Shoulder Charting Example & Tips ............................ 50 Knitting Shoulders Together.......................................... 51 Charting a Set-In Pattern............................................. 53 Charting a Set-In Sleeve Cap . 56 A Set-In Charting Example & Tips . 59 Charting a Raglan Pattern . 62 A Raglan Charting Example & Tips.................................... 65 9 Beyond the Basics . 68 Playing with the Neckline • Collars • Plackets . 68 The V-Neck . 70 The Square Shawl . -
Connecting Threads
Santa Barbara Fiber Arts Guild CONNECTING THREADS www.sbfiberarts.org ☼ P.O. Box 30944, Santa Barbara, CA 93130-0944 September/October 2014 Saturday, October 4th Meeting: London Cities and Guild Embroidery Presidio Springs Community Center 721 Laguna Street, Santa Barbara. (between De La Guerra and Ortega) Please park in lot across the street or along the street 9:30 am Social time and refreshments 10:00 am Brief Business meeting followed by Raffle 10:30 am Program London Cities and Guild Embroidery—Jerri Harrison Jerri Harrison will be giving an informal presentation by sharing many of the pieces of embroidery she com- pleted during her course work to receive her Certifi- cate of Competence in stitchery and design from City and Guilds of London. This was a rigorous and comprehensive course that took 3 and a half years to complete. The program was taught in Coupeville, Washington on Whidbey Island and spon- sored at that time by the Coupeville Art Center. Jerri will provide a brief historical overview, sharing design sketchbooks and worksheets illustrating the creative process along with stitchery techniques used Sample by Jerri Harrison for the creation of finished projects. Page 1 of 12 2012-2013 EXECUTIVE BOARD PRESIDENT’S LETTER Elected Officers September in Santa Barbara. Hot, dry and sunny… Robin is off to misty Scotland in search of Co-Presidents Lena Scharfeld Alice Starmore! Robin Lewis Lena is leaving for Europe in a couple of weeks and Vice President Shannon Ludington is especially looking forward to seeing the Bayeux Tapestry in Normandy, France. This so called tapes- Secretary Bev Ryan try is about 225 feet long by 1.6 feet wide.