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October 2018
YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line. -
Oriental Rug Knotting & Construction
Oriental Rug Knotting & Construction Knotted, Tufted and Flat-Woven Rugs; Knot Types and Density Anatomy of A Hand Knotted Rug A. WARP - The parallel threads running through the entire length of the rug onto which the knots are tied. B. WEFT - The threads running across the width of the rug inserted between all the rows of knots. These threads pass through alternate warp threads. Their job is to secure the knots in parallel lines and to strengthen the fabric. C. KNOT - The term used for a strand of wool yarn which is looped around two adjacent warp threads and then cut to form the pile (surface of carpet). D. OVERCASTING - A simple wrapping of dyed yarn along the entire length of both sides of a handmade rug. E. FRINGE - The visible continuation of the warp threads at both ends of the carpet. F. KILIM - The pileless web of warp and weft between the rug's pile and the knotted fringe. This is also the name for a rug without pile. Types of Oriental Rug Construction Who Uses Which Knot? Line of division (dotted line): distinguishing Turkish Knot (west of line) and Persian Knot areas (east). PERSIAN KNOT WITH ALL OF THE WARP THREADS ON ONE LEVEL TURKISH KNOT WITH ALL OF THE WARP THREADS ON ONE LEVEL PERSIAN KNOT WITH THE WARP THREADS ON TWO DIFFERENT LEVELS OPEN BACK & CLOSED BACK OPEN BACK CLOSED Different methods for finishing the undersides of rugs BACK The FULL LOOP part of the In the CLOSED BACK KNOT is on the UPPER KNOT the FULL LOOP is warp thread on the LOWER warp thread . -
Brosur Ingilizce
Our Products We offer the 100% Acrylic HB yarns, from NM10 to NM40, ecru or dyed, single or twisted; for knitting, socks, circular knitting, weaving, tufting, bath mats and carpets. foundation 100% Acrylic Relax yarns, from NM10 to NM40, for fashion! ecru or dyed, single or twisted; for knitting, socks, weaving, upholstery and velvet. 100% Acrylic Relax yarns from Dralon fiber, from NE16 to NE30; for chenille, lace, knitting and socks. Wool Acrylic Blended yarns, from NM10 to NM40, HB or Relax, single or twisted; for knitting, socks, circular knitting and weaving. Cotton Acrylic Blended yarns, from NE12 to NE30, HB or Relax, ecru or dyed, single or twisted; for knitting, circular knitting and weaving. Viscose Acrylic Blended yarns, HB or Relax, ecru or dyed, single or twisted; for knitting, upholstery and weaving. Linen Viscose Blended yarns, NE12, NE20, NE30, Akren Iplik A.fi. is a member of Textileonly. www.textileonly.com single or twisted, ecru or dyed; for knitting, circular knitting and weaving. Center Office: Linen Cotton Blended yarns, NE12, NE20, NE30, Rumeli Caddesi, No: 2/5 Niflantafl› 34563 - ‹stanbul single or twisted, ecru or dyed; for knitting, circular Tel: +90 (212) 231 04 28 pbx Fax: +90 (212) 233 94 75 knitting and weaving. Yenibosna Plant: 29 Ekim Caddesi, No: 22, Yenibosna 34530 ‹stanbul Tel: +90 (212) 503 21 36 Fax: +90 (212) 639 95 62 100% Acrylic Chenille yarns from Dralon fiber, NM4 Çorlu Plant: and NM6, ecru or dyed; for knitting, upholstery and Velimefle Hac›fleremet Mevkii, Çorlu - Tekirda¤ weaving. Tel: +90 (282) 674 44 48 email: [email protected] Acrylic bouclet and frise yarns, ecru and dyed; for knitting, upholstery and weaving. -
How to Make Métis Hooked Rugs
How to Make Métis Hooked Rugs There are six steps in making a hooked rug. These are: 1) Preparing Materials 2) Building a Frame 3) Preparing a Work Surface 4) Cutting and Tracing the Pattern 5) Hooking the Rug 6) Putting on the Backing and Finishing Touches 1) Preparing Materials • Use two-by-two inch pieces of wood for the frame • Make the frame slightly bigger than the rug • Use nails to attach the frame • Use burlap or jute for the frame’s backing • Use corduroy or denim to reinforce the frame’s border • Use quilting or upholstery thread to stitch the border • Use sealed wax to bind the border to the burlap/jute backing • Use wool or string to lace the burlap border to the frame • Use various big-eyed needles and a thimble for the lacing process • Use paper to make the pattern • Use paper scissors to cut out the pattern • Use small or large straight pins to pin down the pattern • Use sharp scissors to cut all fabric • Use a rug-hooking tool to begin the rug-hooking process • Rug-hooking tools can be found at craft or carpet stores, or can be made from a cork and a nail • Use various colours of cotton t-shirts for materials • Cut the seams out of the t-shirts, and then cut the material into thumb width strips • The strips can be rolled into balls for easy storage 2) Building a Frame • Make an adjustable frame by drilling holes in the wood • Use a nut and a bolt to adjust the frame’s size • If the frame is to be used only once, nail it together 3) Preparing a Work Surface • Choose either burlap or jute (which is finer grained) • Then -
Stranded Knitting Lesson by Arenda Holladay
STITCH ANATOMY Stranded Knitting Lesson by Arenda Holladay As with all articles in the Stitch Anatomy Series, the lesson discusses gian," or some name iden tifyi ng a geographic area. T hese names the stitch pattern in detail, any potential p roblems in working it and refer to areas where a specific trad ition of stranded knitting was tips for improving the appearance. For those interested, a pattern developed. Each tradition has its own rules and characteristics fo r a pillow using the stitch pattern follows. The pattern outlines the which make it unique. Fo r example, Fair Isle patterns have peeries steps involved in designing with the stitch pattern. Also included is and Norwegian patterns have "lice". Since the fabric has a double information for anyone who wants to try designing a similar pillow thickness it is not surprising that this technique flourished in 011 their own using different yarns, a different pillow size or a varia colder climates. The lesson will not discuss the history of stranded tion of the pattern. knitting or their cultural significance. An article on Fa ir Isle tradi tions ca n be found on page 10 and the bibliography foll owing this ABOUT STRANDED KNITTING article lists books that delve into history and culture. Stranded or jacquard knitting is a colorwork technique where rwo colors are used in one row. The color not being used is car Since the stitch pattern used fo r stranded kn itting is Stockinette, ried behind the work until it is needed. These are called fl oats. the knitting itself is not difficult but the process can be challeng Sometimes stranded knitting is referred to as "Fair Isle," "Norwe- ing. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
Vogue Knitting LIVE Launches in New York City in January
NEW YORK, NEW YORK 6,000 Knitters and Industry “Knitterati” to Gather for New Event Vogue Knitting LIVE Launches in New York City in January. Popular Classes Already Sold Out More than 53 million people know how to knit or crochet—and the number is growing. Following the successful premier of Vogue Knitting LIVE in Los Angeles last year, Vogue Knitting magazine announces a new event at the Hilton New York January 14–16, 2012 . Knitting, an ages-old craft, is taking the world by storm. Professionals, Hollywood A-listers, and rock stars have all joined the ranks of knitters, and Ravelry, a popular social media site for stitchers, boasts close to 2 million members. Its benefits are renown: A Harvard study from 2007 concluded that knitting may be as effective as medication in reducing stress. “We know that knitters love getting together at yarn stores to learn new techniques, compare projects, and hear from top designers. We’ve simply taken that to the next level by creating the largest live gathering of knitters in New York,” says Trisha Malcolm, editor of Vogue Knitting and originator of Vogue Knitting LIVE. Vogue Knitting LIVE caters to knitters at all levels—from the knit-curious to experienced designers and crafters. In 2012, knitters can expect: • More than 75 how-to sessions, some of which are already sold out. Topics like “An Overture to Estonian Lace” and “Working with Antique and Vintage Knitting Patterns” bring 200-year old techniques to new generations. Other sessions such as “Happy Hat Knitting” and “Sock Innovation” focus on specific types of projects. -
We Are the Rug Hooking Capital of the World”: Understanding Chéticamp Rugs (1927-2017)
“We are the Rug Hooking Capital of the World”: Understanding Chéticamp Rugs (1927-2017) by © Laura Marie Andrea Sanchini A thesis submitted to the School of Graduate Studies In partial fulfilment of the Requirements for the degree of Doctor of Philosophy Department of Folklore Memorial University December 3rd, 2018 St John’s Newfoundland Abstract This thesis is the story of how utilitarian material culture was transformed into a cottage industry, and eventually into high art. Chéticamp rug hooking is an artistic practice, one wrapped up in issues of taste, creativity, class and economics. Rug hooking in Chéticamp rose to prominence in the first half of the 20th century when Lillian Burke, a visiting American artist, set up a rug hooking cottage industry in the area. She altered the tradition to suit the tastes of wealthy patrons, who began buying the rugs to outfit their homes. This thesis examines design in rug hooking focusing on Chéticamp-style rugs. Captured within design aesthetics is what the rugs mean to both those who make and consume them. For tourists, the rugs are symbols of a perceived anti-modernism. Through the purchase of a hooked rug, they are able to bring home material reminders of their moment of experience with rural Nova Scotia. For rug hookers, rugs are a symbol of economic need, but also agency and the ability to overcome depressed rural economic conditions. Rug hooking was a way to have a reliable income in an area where much of the labour is dependent on unstable sources, such as natural resources (fishing, lumber, agriculture etc.). -
Kilim Rugs: Tribal Tales in Wool: Tribal Tales in Wool Pdf, Epub, Ebook
KILIM RUGS: TRIBAL TALES IN WOOL: TRIBAL TALES IN WOOL PDF, EPUB, EBOOK Susan Gomersall | 112 pages | 01 Jul 2000 | Schiffer Publishing Ltd | 9780764311581 | English | Atglen, United States Kilim Rugs: Tribal Tales in Wool: Tribal Tales in Wool PDF Book The resulting felt rug is also an eco friendly rug in every sense of the word. Good Wear consistent with age and use. February 6, by kilimrugs. The best rule of thumb is to stick to naturally occurring plant and animal fibres such as wool, cotton, hemp, bamboo, sea grass, jute, sisal, cashmere, mohair and silk obviously this list is not exhaustive. Blog at WordPress. Large Shyrdak Felt Rug. In Stock Unavailable. Our rug arrived yesterday and it is beautiful. This felt rug is made by sewing contrastings patterns of felt together and dyed with natural plant dyes these stunning rugs have been traditionally used to decorate yurts for thousands of years. Mark Blackburn has been a leading dealer in Oriental rugs for thirty years. The rugs were usually woven with un-dyed wool and the common colors were beige, ivory and brown. Buying a rug can be a traumatic experience. You May Also Like. Although the nomads of Kyrgyzstan are now largely settled; felt rugs continue to be made for the home, tourists and a small, yet dedicated, export market. About this product. As they were worn through daily use, they accumulated both value and significance. By Navajo. As in the originals, the knot density is still relatively low when compared to most other types of rugs. About the Seller. -
Rug Making • Oriental Rugs • Felting • Quilting 35
RUG MAKING • ORIENTAL RUGS • FELTING • QUILTING 35 FELT CRAFTS Combining Rug Hooking & Braiding: Ba- Fun Felt Crafts: Penny Rugs & Pretty From Ensign's Bars to Colonel's Stars: sics, Borders, & Beyond. Kris McDermet, Things from Recycled Wool. Tina Skinner. Making Quilts to Honor Those Who Serve. Christine Manges, and Dianne Tobias. The go- Christmas ornaments, decorative penny rugs, Renelda Peldunas-Harter. Six quilts honor the to book on rug hooking and braiding skills for pretty pouches, and fl oral brooches are among offi cer ranks between 2nd Lieutenant/Ensign all fi ber artists, especially those looking for a the simple, featured projects. Recycle some wool through Colonel/Captain. Original designs provid- comprehensive guide to combining the two arts clothing, buy a few pretty yarns and threads, ed to follow along or to inspire your own ideas. into fascinating and ornate projects. Includes sharp scissors, and a good needle and you’re Tips are given for fabric selection, constructing beginning-to-end projects: tote bag, chair pad, on your way. Clear, illustrated instructions and the quilt, appliquéing, squaring a quilt, border and a trivet. fun templates preparation, and binding while galleries show Size: 8 1/2" x 11" • 550+ illustrations • 272 pp. Size: 8 1/2" x 11" • 150+ color photos • 64 pp. versatility of quilts for non-military applications. ISBN: 978-0-7643-3789-5 • hard cover • $49.99 ISBN: 978-0-7643-3299-9 • soft cover • $12.99 Size: 8 1/2" x 11" • 118 color images • 96 pp. ISBN: 978-0-7643-4719-1 • soft cover • $19.99 Braiding with Barbara™: Wool Rug Braid- Felting. -
Connecting Threads
Santa Barbara Fiber Arts Guild CONNECTING THREADS www.sbfiberarts.org ☼ P.O. Box 30944, Santa Barbara, CA 93130-0944 September/October 2014 Saturday, October 4th Meeting: London Cities and Guild Embroidery Presidio Springs Community Center 721 Laguna Street, Santa Barbara. (between De La Guerra and Ortega) Please park in lot across the street or along the street 9:30 am Social time and refreshments 10:00 am Brief Business meeting followed by Raffle 10:30 am Program London Cities and Guild Embroidery—Jerri Harrison Jerri Harrison will be giving an informal presentation by sharing many of the pieces of embroidery she com- pleted during her course work to receive her Certifi- cate of Competence in stitchery and design from City and Guilds of London. This was a rigorous and comprehensive course that took 3 and a half years to complete. The program was taught in Coupeville, Washington on Whidbey Island and spon- sored at that time by the Coupeville Art Center. Jerri will provide a brief historical overview, sharing design sketchbooks and worksheets illustrating the creative process along with stitchery techniques used Sample by Jerri Harrison for the creation of finished projects. Page 1 of 12 2012-2013 EXECUTIVE BOARD PRESIDENT’S LETTER Elected Officers September in Santa Barbara. Hot, dry and sunny… Robin is off to misty Scotland in search of Co-Presidents Lena Scharfeld Alice Starmore! Robin Lewis Lena is leaving for Europe in a couple of weeks and Vice President Shannon Ludington is especially looking forward to seeing the Bayeux Tapestry in Normandy, France. This so called tapes- Secretary Bev Ryan try is about 225 feet long by 1.6 feet wide. -
Call for Arfists
CITY ARTS ADVISORY City of Sequim Summary of Requirements COMMISSION Rotating Art Gallery 1. Deadline for submission is September 9, 2016. Application For display at the City of Sequim Civic Center 2. No more than three (3) entries per artist. Call For 3. This exhibit will be “fiber art”, any mixed media Deadline Date: September 9, 2016 utilizing fiber. Display Dates: 10/1/16 to 12/31/16 4. Pieces shall be no larger than 9 square feet and Artists Artist Name ________________________ not exceed 50 pounds per piece. “Fiber Art” Address ___________________________ 5. Artwork is to remain on display for the duration of project period. City/State/Zip______________________ 6. All work must be original and created solely by Contact Phone______________________ the artist. Email_____________________________ 7. A contract will be offered to artists whose artwork Entry #1 Title _______________________ is selected for exhibition. Artists must have a com- Medium ______________ Size ________ pleted contract to exhibit at the Civic Center. Price______________________________ Entry #2 Title _______________________ Medium ______________ Size ________ Price ______________________________ Entry #3 Title _______________________ Medium ______________ Size ________ Rotating Art Price ______________________________ Sequim Civic Center City Arts Advisory Commission 152 West Cedar Street Sequim, WA 98382 Phone: 360-681-3428 E-mail [email protected] 360-681-3428 Call for Artists — Rotating Art Exhibit, Sequim Civic Center About the Exhibit Program dia and is acceptable for viewing by citizens of all Selection Process and Review Criteria ages. Submissions are limited to three from each Applications are now being solicited by the City The CAAC will jury submissions. Selection of work will be artist.