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Re-Construction and Definition of New Branches & Hierarchy of Sciences
Philosophy Study, July 2016, Vol. 6, No. 7, 377-416 doi: 10.17265/2159-5313/2016.07.001 D DAVID PUBLISHING New Perspective for the Philosophy of Science: Re-Construction and Definition of New Branches & Hierarchy of Sciences Refet Ramiz Near East University In this work, author evaluated past theories and perspectives behind the definitions of science and/or branches of science. Also some of the philosophers of science and their specific philosophical interests were expressed. Author considered some type of interactions between some disciplines to determine, to solve the philosophical/scientific problems and to define the possible solutions. The purposes of this article are: (i) to define new synthesis method, (ii) to define new perspective for the philosophy of science, (iii) to define relation between new philosophy perspective and philosophy of science, (iv) to define and organize name, number, relations, and correct structure between special science branches and philosophy of science, (v) to define necessary and sufficient number of branches for philosophy of science, (vi) to define and express the importance and place of new philosophy of science perspective in the new system, (vii) to extend the definition/limits of philosophy of science, (viii) to re-define meanings of some philosophical/scientific theories, (ix) to define systematic solution for the conflicts, problems, confusions about philosophy of science, sciences and branches of science, (x) to define new branches of science, (xi) to re-construct branches and hierarchy of science, (xii) to define new theories about science and branches of science. Author considered R-Synthesis as a method for the evaluation of the philosophy, philosophy of science, sciences and branches of science. -
A Historical Introduction to the Philosophy of Science, Fourth Edition
A Historical Introduction to the Philosophy of Science, Fourth edition John Losee OXFORD UNIVERSITY PRESS A Historical Introduction to the Philosophy of Science This page intentionally left blank A Historical Introduction to the Philosophy of Science Fourth edition John Losee 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © John Losee , The moral rights of the author have been asserted Database right Oxford University Press (maker) First published All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available ISBN ––– Typeset in Adobe Minion by RefineCatch Limited, Bungay, Suffolk Printed in Great Britain by Biddles Ltd., Guildford and King’s Lynn Preface This book is a historical sketch of the development of views about scientific method. -
Springer Nature Switzerland AG 2021 M
Z Zabarella, Jacopo chair of logic, succeeding Tomitano. On 4 January 1569 he secured the second extraordinary chair of Born: 5 September 1533, Padua natural philosophy. There was likely a pause in his Died: 15 October 1589, Padua teaching from 1574 to 1576 on account of the severity of plague in Padua. On 26 March 1577 Marco Sgarbi he acquired the first extraordinary chair of natural Ca’ Foscari University of Venice, Venice, Italy philosophy, and in 1578, he published his Opera logica in Venice, thus opening a large debate on the Abstract order and method of knowledge among his con- temporaries – especially with Francesco Jacopo Zabarella (1553–1589) is considered Piccolomini (1520–1604) and Bernardino Petrella one of the most acute and brilliant logicians (1529–1595). In 1580 Zabarella published his of all time. He made an important contribution Tabulae logicae and also founded the Accademia to the interpretation of Aristotle and developed degli Stabili. In 1584, he came under attack in two original ideas especially in the field of logic directions: from Piccolomini in his Universa and epistemology, opening up the pathway of philosophia de moribus, and from Petrella in his early modern science. Logicarum disputationum libri VII. The same year, Zabarella’s reply to Piccolomini was his De doctrina ordine apologia. In the meantime, on Biography 6 September 1585, he became professor of the second ordinary chair of natural philosophy, and He was born in Padua on 5 September 1533, the the following year he published his De naturalis eldest son of Giulio Zabarella. He was well-versed scientiae constitutione. -
Lost in the Labyrinth: Spinoza, Leibniz and the Continuum Lost in the Labyrinth: Spinoza, Leibniz and the Continuum
LOST IN THE LABYRINTH: SPINOZA, LEIBNIZ AND THE CONTINUUM LOST IN THE LABYRINTH: SPINOZA, LEIBNIZ AND THE CONTINUUM By PATRICK RIESTERER, B.A. A Thesis Submitted to the School of Graduate Studies In Partial Fulfillment ofthe Requirements For the Degree Master ofArts McMaster University © Copyright by Patrick Riesterer, August 2006 MASTER OF ARTS (2006) McMaster University (Philosophy) Hamilton, Ontario TITLE: Lost in the Labyrinth: Spinoza, Leibniz and the Continuum AUTHOR: Patrick Riesterer, B.A. (Trinity Western University) SUPERVISOR: Professor Richard Arthur NUMBER OF PAGES: vi, 110 ii Abstract In this thesis, I address the extent ofSpinoza's influence on the development of Leibniz's response to the continuum problem, with particular emphasis on his relational philosophy oftime and space. I expend the first chapter carefully reconstructing Spinoza's position on infinity and time. We see that Spinoza developed a threefold definition ofinfinity to explain the difference between active substance and its passive modes. Spinoza advances a syncategorematic interpretation ofinfinity, and founds a causal theory oftime directly on this conception ofinfinity. In the second chapter, I examine the changes Leibniz's understanding ofthe continuum problem underwent during 1676 and immediately thereafter. During this period, Leibniz's interacted extensively with Spinoza's ideas. We see that several fundamental features ofLeibniz's philosophy oftime take shape at this time. Leibniz adopts a Spinozistic definition ofdivine eternity and immensity, he reevaluates several analogies in an attempt to understand how the attributes ofa substance interrelate, and he develops the notion ofthe law of the series that will become an essential feature ofmonadic appetition. Leibniz synthesizes several ofthese discoveries into a first philosophy ofmotion. -
Copyright © 2008 by Lydia R
ABSTRACT Analogy, Causation, and Beauty in the Works of Lucy Hutchinson Evan Jay Getz, Ph.D. Dissertation Chairperson: Phillip J. Donnelly, Ph.D. Lucy Hutchinson's translation of the ancient epic De Rerum Natura is remarkable in light of her firm commitments to Calvinist theology and the doctrine of Providence. David Norbrook and Jonathan Goldberg offer strikingly different explanations for the translation exercise. For instance, Norbrook argues that Hutchinson translates Lucretius in order that she might learn from the false images in Lucretius and make better ones in such works as Order and Disorder (Norbrook, “Margaret” 191). In contrast, Goldberg argues for compatibility between Lucretian atomism and Hutchinson‟s Christianity, seeing no contradiction or tension (Goldberg 286). I argue that neither critic accounts for the aesthetics of beauty in Hutchinson's poetry; both critics instead attribute an aesthetics of the sublime to Hutchinson. In making this argument, I show that Hutchinson's theory of causation has much in common with Reformed Scholasticism, whereby she is able to restore a metaphysics of formal and final cause. Hutchinson also revives the doctrine of the analogy of being, or analogia entis, in order to show that the formal cause of creation is visible as God's glory. After a discussion of her metaphysics and ontology, I then show that Hutchinson's poetry reflects a theological aesthetics of beauty and not the aesthetics of the sublime. In the fourth chapter, I compare the typological accounts of Abraham found in Thomas Hobbes' Leviathan and Hutchinson's Order and Disorder with a view to virtue as the proper basis of authority. -
The Unity of Science in Early-Modern Philosophy: Subalternation, Metaphysics and the Geometrical Manner in Scholasticism, Galileo and Descartes
The Unity of Science in Early-Modern Philosophy: Subalternation, Metaphysics and the Geometrical Manner in Scholasticism, Galileo and Descartes by Zvi Biener M.A. in Philosophy, University of Pittsburgh, 2004 B.A. in Physics, Rutgers University, 1995 B.A. in Philosophy, Rutgers University, 1995 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Zvi Biener It was defended on April 3, 2008 and approved by Peter Machamer J.E. McGuire Daniel Garber James G. Lennox Paolo Palmieri Dissertation Advisors: Peter Machamer, J.E. McGuire ii Copyright c by Zvi Biener 2008 iii The Unity of Science in Early-Modern Philosophy: Subalternation, Metaphysics and the Geometrical Manner in Scholasticism, Galileo and Descartes Zvi Biener, PhD University of Pittsburgh, 2008 The project of constructing a complete system of knowledge—a system capable of integrating all that is and could possibly be known—was common to many early-modern philosophers and was championed with particular alacrity by Ren´eDescartes. The inspiration for this project often came from mathematics in general and from geometry in particular: Just as propositions were ordered in a geometrical demonstration, the argument went, so should propositions be ordered in an overall system of knowledge. Science, it was thought, had to proceed more geometrico. I offer a new interpretation of ‘science more geometrico’ based on an analysis of the explanatory forms used in certain branches of geometry. These branches were optics, as- tronomy, and mechanics; the so-called subalternate, subordinate, or mixed-mathematical sciences. -
Mind, Body, Motion, Matter Eighteenth-Century British and French Literary Perspectives Edited by Mary Helen Mcmurran and Alison Conway MIND, BODY, MOTION, MATTER
Mind, Body, Motion, Matter Eighteenth-Century British and French Literary Perspectives edited by Mary Helen McMurran and Alison Conway MIND, BODY, MOTION, MATTER Eighteenth-Century British and French Literary Perspectives Mind, Body, Motion, Matter Eighteenth-Century British and French Literary Perspectives EDITED BY MARY HELEN MCMURRAN AND ALISON CONWAY UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2016 Toronto Buffalo London www.utppublishing.com Printed in the U.S.A. ISBN 978-1-4426-5011-4 (cloth) Printed on acid-free, 100% post-consumer recycled paper with vegetable-based inks. ___________________________________________________________________ Library and Archives Canada Cataloguing in Publication Mind, body, motion, matter : eighteenth-century British and French literary perspectives / edited by Mary Helen McMurran and Alison Conway. Includes bibliographical references and index. ISBN 978-1-4426-5011-4 (cloth) 1. English literature – 18th century – History and criticism. 2. French literature – 18th century – History and criticism. 3. Philosophy in literature. 4. Materialism in literature. 5. Vitalism in literature. 6. Aesthetics in literature. I. Conway, Alison Margaret, editor II. McMurran, Mary Helen, 1962–, author, editor PR448.P5M55 2016 820.9'384 C2015-908168-8 ___________________________________________________________________ CC-BY-NC-ND This work is published subject to a Creative Commons Attribution Non-commercial No Derivative License. For permission to publish commercial versions please -
Materialism and “The Soft Substance of the Brain”: the Case of Diderot Charles T. Wolfe Department of Philosophy and Moral S
Materialism and “the soft substance of the brain”: the case of Diderot Charles T. Wolfe Department of Philosophy and Moral Sciences Sarton Centre for History of Science Ghent University Longer draft (2015) of paper forthcoming in British Journal of History of Philosophy (a number of additional citations appear in published version) Abstract Materialism is the view that everything that is real, is material or is the product of material processes. It tends to take either a ‘cosmological’ form, as a claim about the ultimate nature of the world, or a more specific ‘psychological’ form, detailing how mental processes are brain processes. I focus on the second, psychological or cerebral form of materialism. In the mid-to-late eighteenth century, the French materialist philosopher Denis Diderot (1713-1784) was one of the first to notice that any self-respecting materialist had to address the question of the status and functional role of the brain, and its relation to our mental, affective, intellectual life. After this the topic grew stale, with knee-jerk reiterations of ‘psychophysical identity’ in the nineteenth-century, and equally rigid assertions of anti-materialism. In 1960s philosophy of mind, brain-mind materialism reemerged as ‘identity theory’, focusing on the identity between mental processes and cerebral processes. In contrast, Diderot’s cerebral materialism allows for a more culturally sedimented sense of the brain, which he describes in his late Elements of Physiology as a “book – except it is a book which reads itself”. Diderot thus provides a lesson for materialism as it reflects on the status of the brain, science and culture. -
Philosophy May 20, 2013
Outline of Philosophy May 20, 2013 Contents SOCI>Philosophy .............................................................................................................................................................. 3 SOCI>Philosophy>Aesthetics ....................................................................................................................................... 3 SOCI>Philosophy>Aesthetics>Beauty .................................................................................................................... 4 SOCI>Philosophy>Aesthetics>Theory .................................................................................................................... 4 SOCI>Philosophy>Epistemology ................................................................................................................................. 5 SOCI>Philosophy>Epistemology>Possibility ......................................................................................................... 6 SOCI>Philosophy>Epistemology>World ................................................................................................................ 6 SOCI>Philosophy>Epistemology>Object Properties .............................................................................................. 6 SOCI>Philosophy>Epistemology>System Properties ............................................................................................. 6 SOCI>Philosophy>Epistemology>Representation ................................................................................................. -
Cinema in the Digital Age: a Rebuttal to Lev Manovich ! ! ! ! ! ! ! a Senior Project
! ! ! ! Cinema in the Digital Age: A Rebuttal to Lev Manovich ! ! ! ! ! ! ! A Senior Project presented to the Faculty of the Philosophy Department California Polytechnic State University, San Luis Obispo ! ! ! ! ! In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts ! ! by! Barbara! Cail December, 2013! ! ! © 2013 Barbara Cail ! Cail "1 I. Introduction! ! Philosophy of film has been in upheaval since the early days of digital post- production effects and manipulation in the 1980s. Although shot and released on celluloid, many feature films of the 1990s were transferred to video in a process known as telecine. Telecine effectively turned the film image into an analog video image which could then be digitized and ingested into a computer for post-production editing and visual effects. Concurrent rapid innovations in non-linear editing software and hardware dramatically accelerated the post-production editing process, while decreasing costs and increasing profits for film studios. End-to-end digital filmmaking gained industry credibility when George Lucas embraced digital for his 1999 release of Star Wars Episode I: The Phantom Menace. The film was partially recorded on digital cameras, edited and composited on computers and distributed digitally to select movie theaters.1 ! ! As technologies continued to mature and cinema became increasingly digital, film philosophy entered a crisis. Classical film theories that depend upon the acknowledged indexical relationship of an analog photo to its referent in reality were unable to accommodate the move to digital. This quandary has renewed interest in these classical theories, returning them to the forefront of film philosophy.! ! Lev Manovich, a preeminent digital media philosopher, has posited that cinema has been fundamentally changed by cinema’s digital revolution. -
A Discussion on Berkeley's Account of Time a Thesis Presented to The
A Discussion on Berkeley’s Account of Time A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Nicholas L. Shooner August 2020 © 2020 Nicholas L. Shooner. All Rights Reserved. 2 This thesis titled A Discussion on Berkeley’s Account of Time by NICHOLAS L. SHOONER has been approved for the Department of Philosophy and the College of Arts and Sciences by James M. Petrik Associate Professor of Philosophy Florenz Plassmann Dean, College of Arts and Sciences 3 Abstract SHOONER, NICHOLAS L., M.A., August 2020, Philosophy A Discussion on Berkeley’s Account of Time Director of Thesis: James M. Petrik We examine what George Berkeley says about the nature of time and weigh two competing interpretations of his theory to determine which is closer to his intended meaning. Berkeley presents a theory of time that is idealist (time consists in ideas and their motions), subjectivist (time is contained within subjects), and relationalist (time is not an absolute entity, but is a description of the relations between events). While these features of Berkeley’s theory are not in dispute, there is a debate concerning whether he accepts an inter-subjective, universal ordering of events which grounds the temporal experiences of all human subjects. H. Scott Hestevold argues that, for Berkeley, such an order is to be found in the all-encompassing subject, God, whereas Darren Hynes argues that no such ordering is needed in Berkeley’s system. We evaluate these interpretations in light of Berkeley’s other metaphysical commitments and conclude that Hestevold’s interpretation is superior since it is better able to accommodate Berkeley’s commitment to the meaningfulness of temporal language in ordinary discourse and his commitment to the possibility and success of the natural sciences. -
The Scientific Worldview Also by Glenn Borchardt
The Scientific Worldview Also by Glenn Borchardt The Ten Assumptions of Science The Scientific Worldview Beyond Newton and Einstein Glenn Borchardt, Ph.D., Director, Progessive Science Institute iUniverse, Inc. New York Lincoln Shanghai The Scientific Worldview Beyond Newton and Einstein Copyright © 2007 by Glenn Borchardt All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews. iUniverse books may be ordered through booksellers or by contacting: iUniverse 2021 Pine Lake Road, Suite 100 Lincoln, NE 68512 www.iuniverse.com 1-800-Authors (1-800-288-4677) ISBN-13: 978-0-595-39245-2 (pbk) ISBN-13: 978-0-595-83773-1 (cloth) ISBN-13: 978-0-595-83637-6 (ebk) ISBN-10: 0-595-39245-8 (pbk) ISBN-10: 0-595-83773-5 (cloth) ISBN-10: 0-595-83637-2 (ebk) Printed in the United States of America Grateful acknowledgment is made to the following for permission to reprint pre- viously published material: Allen & Unwin Inc.: Excerpts from Where is Science Going? by Max Planck. Reprinted by permission of the publisher, Allen & Unwin Inc. Progress Publishers: Excerpts from Dialectics of Nature by Frederick Engels.. Reprinted by permission of the publisher, Progress Publishers. Philosophical Library Publishers: Excerpts from Dictionary of Philosophy edited by D. D. Runes. Copyright ©1960 by Philosophical Library Publishers. Reprinted by permission of the publisher, Philosophical Library Publishers.