African Dark Mother - Oldest Divinity We Know Lucia Chiavola Birnbaum, Ph.D
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Asherah in the Hebrew Bible and Northwest Semitic Literature Author(S): John Day Source: Journal of Biblical Literature, Vol
Asherah in the Hebrew Bible and Northwest Semitic Literature Author(s): John Day Source: Journal of Biblical Literature, Vol. 105, No. 3 (Sep., 1986), pp. 385-408 Published by: The Society of Biblical Literature Stable URL: http://www.jstor.org/stable/3260509 . Accessed: 11/05/2013 22:44 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Society of Biblical Literature is collaborating with JSTOR to digitize, preserve and extend access to Journal of Biblical Literature. http://www.jstor.org This content downloaded from 143.207.2.50 on Sat, 11 May 2013 22:44:00 PM All use subject to JSTOR Terms and Conditions JBL 105/3 (1986) 385-408 ASHERAH IN THE HEBREW BIBLE AND NORTHWEST SEMITIC LITERATURE* JOHN DAY Lady Margaret Hall, Oxford University, England, OX2 6QA The late lamented Mitchell Dahood was noted for the use he made of the Ugaritic and other Northwest Semitic texts in the interpretation of the Hebrew Bible. Although many of his views are open to question, it is indisputable that the Ugaritic and other Northwest Semitic texts have revolutionized our understanding of the Bible. One matter in which this is certainly the case is the subject of this paper, Asherah.' Until the discovery of the Ugaritic texts in 1929 and subsequent years it was common for scholars to deny the very existence of the goddess Asherah, whether in or outside the Bible, and many of those who did accept her existence wrongly equated her with Astarte. -
Rome. the Etymological Origins
ROME.THE ETYMOLOGICAL ORIGINS Enrique Cabrejas — Director Linguistic Studies, Regen Palmer (Barcelona, Spain) E-mail: [email protected] The name of Rome was always a great mystery. Through this taxonomic study of Greek and Latin language, Enrique Cabrejas gives us the keys and unpublished answers to understand the etymology of the name. For thousands of years never came to suspect, including about the founder Romulus the reasons for the name and of his brother Remus, plus the unknown place name of the Lazio of the Italian peninsula which housed the foundation of ancient Rome. Keywords: Rome, Romulus, Remus, Tiber, Lazio, Italy, Rhea Silvia, Numitor, Amulio, Titus Tatius, Aeneas, Apollo, Aphrodite, Venus, Quirites, Romans, Sabines, Latins, Ἕλενος, Greeks, Etruscans, Iberians, fortuitus casus, vis maior, force majeure, rape of the Sabine, Luperca, Capitoline wolf, Palladium, Pallas, Vesta, Troy, Plutarch, Virgil, Herodotus, Enrique Cabrejas, etymology, taxonomy, Latin, Greek, ancient history , philosophy of language, acronyms, phrases, grammar, spelling, epigraphy, epistemology. Introduction There are names that highlight by their size or their amazing story. And from Rome we know his name, also history but what is the meaning? The name of Rome was always a great mystery. There are numerous and various hypotheses on the origin, list them again would not add any value to this document. My purpose is to reveal the true and not add more conjectures. Then I’ll convey an epistemology that has been unprecedented for thousands of years. So this theory of knowledge is an argument that I could perfectly support empirically. Let me take that Rome was founded as a popular legend tells by the brothers Romulus and Remus, suckled by a she-wolf, and according to other traditions by Romulus on 21 April 753 B.C. -
Dedications to Double Deities Syncretism Or Simply Syntax?
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 27 | 2014 Varia Dedications to Double Deities Syncretism or simply syntax? Jenny Wallensten Electronic version URL: http://journals.openedition.org/kernos/2278 DOI: 10.4000/kernos.2278 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 November 2014 Number of pages: 159-176 ISBN: 978-2-87562-055-2 ISSN: 0776-3824 Electronic reference Jenny Wallensten, « Dedications to Double Deities », Kernos [Online], 27 | 2014, Online since 01 October 2016, connection on 04 May 2019. URL : http://journals.openedition.org/kernos/2278 ; DOI : 10.4000/ kernos.2278 This text was automatically generated on 4 May 2019. Kernos Dedications to Double Deities 1 Dedications to Double Deities Syncretism or simply syntax? Jenny Wallensten AUTHOR'S NOTE I wish to thank the participants in the Third International Martin P. Nilsson Workshop on Greek Religion, In Search of Syncretism, for their valuable comments during the discussions. I am especially grateful to Dr. Maria Mili and Prof. Robert Parker, who commented on the manuscript in previous stages. The comments of the anonymous Kernos reviewers considerably improved the article and I thank them sincerely. Composite deities and syncretism 1 Among the myriads of deities represented in the Greek epigraphic corpus can be found what might be called composite or double deities. These can initially be divided into two basic categories: firstly, non-cross-cultural composites gods such as Hera Aphrodite of Sparta or Zeus Ares of Arcadia1 and secondly, “international” multi-cultural combinations such as for example Isis Aphrodite.2 The present article focuses on three Delian votive inscriptions honouring gods of the latter category, where deities of different cultures are combined.3 In one instance, more than two gods seem to be juxtaposed, and all three cases include not only divine names, but also cult epithets. -
Worshipping Virtues
Worshipping Virtues Personification and the divine in Ancient Greece ISBN: 9780715630440 (hb) by Emma Stafford 9781914535246 (pdf) DESCRIPTION: PRICE: The Greeks, in Dr. Johnson's phrase, 'shock the mind by ascribing effects to non-entity'. The culture $80.00 (hb) of ancient Greece was thronged with personifications. In poetry and the visual arts, personified $64.00 (pdf) figures of what might seem abstractions claim our attention. This study examines the logic, the psychology and the practice of Greeks who worshipped these personifications with temples and PUBLICATION DATE: sacrifices, and addressed them with hymns and prayers. Emma Stafford conducts case-studies of 31 December 2000 (hb) deified 'abstractions', such as Peitho (Persuasion), Eirene (Peace) and Hygieia (Health). She also 31 December 2000 (pdf) considers general questions of Greek psychology, such as why so many of these figures were female. Modern scholars have asked, Did the Greeks believe their own myths? This study BINDING: contributes importantly to the debate, by exploring widespread and creative popular theology in the Hardback & PDF eBook historical period. SIZE: TABLE OF CONTENTS: 6 x9 List of illustrations Acknowledgements Abbreviations and conventions 1. Personification, allegory and belief 2. Themis: archaic personification and the epithet theory 3. Nemesis: 'myth into logos?' 4. PAGES: Peitho: the seductive power of rhetoric 5. Hygieia: 'not a goddess but a gift of God'? 6. Eirene: 274 propaganda and allegory 7. Eleos: the Athenian 'altar of Pity' and its god 8. Conclusion Appendix: bibliographic note Bibliography Index ILLUSTRATIONS: 27 b/w pls, figs. CONTRIBUTORS BIOGRAPHIES: Emma Stafford is the author of numerous papers on Greek mythology and iconography, and is PUBLISHER: currently preparing a source book on Greek religion. -
Clifford Ando Department of Classics 1115 East 58Th Street
Clifford Ando Department of Classics 1115 East 58th Street Chicago, IL 60637 Phone: 773.834.6708 [email protected] September 2020 CURRENT POSITION • David B. and Clara E. Stern Distinguished Service Professor; Professor of Classics, History and in the College, University of Chicago • Chair, Department of Classics, University of Chicago (2017–2020, 2021-2024) EDITORIAL ACTIVITY • Series editor, Empire and After. University of Pennsylvania Press • Senior Editor, Bryn Mawr Classical Review • Editor, Know: A Journal on the Formation of Knowledge • Editorial Board, Classical Philology • Editorial Board, The History and Theory of International Law, Oxford University Press • Editorial Board, Critical Analysis of Law • Editorial Board, L'Homme. Revue française d'anthropologie • Correspondant à l'étranger, Revue de l'histoire des religions EDUCATION • Ph.D., Classical Studies. University of Michigan, 1996 • B.A., Classics, summa cum laude. Princeton University, 1990 PRIZES, AWARDS AND NAMED LECTURES • Edmund G. Berry Lecture, University of Manitoba, 2018 • Sackler Lecturer, Mortimer and Raymond Sackler Institute of Advanced Studies, Tel Aviv University, 2017/2018 • Humanities Center Distinguished Visiting Scholar, University of Tennessee, 2017 • Elizabeth Battelle Clarke Legal History Colloquium, Boston University School of Law, 2017 • Maestro Lectures 2015, Academia Sinica, Taipei, Taiwan • Harry Carroll Lecture, Pomona College, March 2015 • Lucy Shoe Merritt Scholar in Residence, American Academy in Rome, 2014-2015 • Friedrich Wilhelm -
Who Maketh the Clouds His Chariot: the Comparative Method and The
LIBERTY UNIVERSITY SCHOOL OF RELIGION WHO MAKETH THE CLOUDS HIS CHARIOT: THE COMPARATIVE METHOD AND THE MYTHOPOETICAL MOTIF OF CLOUD-RIDING IN PSALM 104 AND THE EPIC OF BAAL A THESIS SUBMITTED TO THE FACULTY OF LIBERTY UNIVERSITY IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS IN RELIGIOUS STUDIES BY JORDAN W. JONES LYNCHBURG, VIRGINIA APRIL 2010 “The views expressed in this thesis do not necessarily represent the views of the institution and/or of the thesis readers.” Copyright © 2009 by Jordan W. Jones All Rights Reserved ii ACKNOWLEDGMENTS To Dr. Don Fowler, who introduced me to the Hebrew Bible and the ancient Near East and who instilled in me an intellectual humility when studying the Scriptures. To Dr. Harvey Hartman, who introduced me to the Old Testament, demanded excellence in the classroom, and encouraged me to study in Jerusalem, from which I benefited greatly. To Dr. Paul Fink, who gave me the opportunity to do graduate studies and has blessed my friends and I with wisdom and a commitment to the word of God. To James and Jeanette Jones (mom and dad), who demonstrated their great love for me by rearing me in the instruction and admonition of the Lord and who thought it worthwhile to put me through college. <WqT* <yx!u&oy br)b=W dos /ya@B= tobv*j&m^ rp@h* Prov 15:22 To my patient and sympathetic wife, who endured my frequent absences during this project and supported me along the way. Hn`ovl=-lu^ ds#j#-tr~otw+ hm*k=j*b= hj*t=P* h*yP! Prov 31:26 To the King, the LORD of all the earth, whom I love and fear. -
Ancient Rome
HISTORY AND GEOGRAPHY Ancient Julius Caesar Rome Reader Caesar Augustus The Second Punic War Cleopatra THIS BOOK IS THE PROPERTY OF: STATE Book No. PROVINCE Enter information COUNTY in spaces to the left as PARISH instructed. SCHOOL DISTRICT OTHER CONDITION Year ISSUED TO Used ISSUED RETURNED PUPILS to whom this textbook is issued must not write on any page or mark any part of it in any way, consumable textbooks excepted. 1. Teachers should see that the pupil’s name is clearly written in ink in the spaces above in every book issued. 2. The following terms should be used in recording the condition of the book: New; Good; Fair; Poor; Bad. Ancient Rome Reader Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free: to Share—to copy, distribute, and transmit the work to Remix—to adapt the work Under the following conditions: Attribution—You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation (www.coreknowledge.org) made available through licensing under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial—You may not use this work for commercial purposes. Share Alike—If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. -
Epigraphic Bulletin for Greek Religion 2009 (EBGR 2009)
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 25 | 2012 Varia Epigraphic Bulletin for Greek Religion 2009 (EBGR 2009) Angelos Chaniotis Electronic version URL: http://journals.openedition.org/kernos/2117 DOI: 10.4000/kernos.2117 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 26 October 2012 Number of pages: 185-232 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, « Epigraphic Bulletin for Greek Religion 2009 », Kernos [Online], 25 | 2012, Online since 20 November 2014, connection on 15 September 2020. URL : http://journals.openedition.org/ kernos/2117 Kernos Kernos 25(2012),p.185-232. Epigraphic Bulletin for Greek Religion 2009 (EBGR 2009) The 22nd issue of the Epigraphic Bulletin for Greek Religion presents a selection of the epigraphicpublicationsof2009andsomeadditionstoearlierissues.Followingthepractice ofthemostrecentissues,emphasiswasplacedonthepresentationofnew corporaand editions of new texts, rather than on summarizing books or articles that use epigraphic material.Duetodemandingresearchandadministrativeduties,thisyearIhavebeenunable tocompletethesurveyofjournalsontime.Inordertoavoiddelaysinthepublicationof Kernos , I could only present part of 2009’s publications. This issue contains several very interestingnewepigraphicfinds.Iwouldliketohighlightthenewfragmentsthathavebeen addedtothephilosophicalinscriptionofDiogenesofOinoanda( 65 ).Theymakepossible thereconstructionofalargepassage,inwhichtheEpicureanphilosopherrejectstheidea -
Resheph Either of the Two
Iconography of Deities and Demons: Electronic Pre-Publication 1/1 Last Revision: 25 February 2008 Resheph either of the two. For example, the Louvre bronze AO 11598 found at Minet el–Beida I. Introduction. Syro–Palestinian god (SEEDEN 1980: no. 1693) was earlier →DDD. R. is known as an important god identified with R., but later with Baal (both from Eblaitic and Ugaritic texts as well as identification are still found in literature). Egyptian sources (LEITZ 2002). He is This may indicate how difficult the matter considered a chthonic god, the bringer of of identification is. The striding figure from disease, but also a protector against it and Megiddo, which SCHLOEN (2001: 351 thus a giver of life and health and one who photograph 5) calls Baal, could just as well hears prayers. R.’s cult spread to the be R. The menacing figure in the chariot Phoenician–Punic world, but never played a group (CORNELIUS 2004: Cat 1.6) should significant role there, even though classical not be identified as R. (BARNETT 1964: 72), authors mention a golden statue of R. at but rather Astarte (CORNELIUS 2004: 26) Carthage (DDD 702). In the Hebrew Bible because of the relationship between Astarte, he is a demon submissive to →Yahweh horses, and chariots (→Astarte 14*– (CHOI 2004; NIEHR 2003; UEHLINGER 2001; 23*). Other menacing bronze figurines DDD 700–703). In Mesopotamia R. was (SEEDEN 1980: nos. 1724, 1728; PARROT identified with the god of the netherworld, 1961: 4f; PARROT 1975: 70) are described as →Nergal, and in Greece with Apollo R., but they are actually female warriors (NIEHR 2001; →IDD 2). -
Maps, Myths, and Monsters
Maps, Myths, and Monsters Completed By: 1 Introduction When Sebastian Munster was making maps in the early 1500s, he wanted to include pictures of people and animals from far away. But Munster didn’t have photographs or the internet to help him-- instead he had to rely on stories from explorers and very old books for his information. Munster lived during a time period we call the Renaissance, which lasted from about 1450 to 1600. Europe was discovering a lot about the world during the Renaissance, but there was still a lot that they misunderstood. Directions: Find the following images of mythical characters and creatures on the Renaissance maps and illustrations provided. Make sure to note the item numbers when you find the images. Part One: Myths Myths are stories that include supernatural beings or events in order to explain how nature, ideas, or practices came into existence. Medieval Myths In the Middle Ages, people were taught to believe that the only source of truth was the Catholic Church. Even though map people during the Renaissance began to believe that science and logic were the keys to knowledge, many medieval myths were still widely accepted. 1. If you asked most Europeans during the Middle Ages how human beings came to exist, they would likely tell you the story of Adam and Eve, found in the Book of Genesis, which is included in the Bible. According to Genesis, the first man, Adam was created from dust by god. The first woman, Eve, was created from a rib of Adams. In the Medieval worldview, all human beings are descendants of Adam. -
The Plague of Athens and the Cult of Asclepius: a Case Study of Collective Behavior and a Social Movement
Sociology and Anthropology 4(12): 1048-1053, 2016 http://www.hrpub.org DOI: 10.13189/sa.2016.041203 The Plague of Athens and the Cult of Asclepius: A Case Study of Collective Behavior and a Social Movement Harry Perlstadt Department of Sociology, Michigan State University, East Lansing, MI 48824, United States Copyright©2016 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract During the Peloponnesian War between in the port city of Piraeus. This marks the beginning of a new Athens and Sparta, several waves of a plague killed an belief system that dealt with the failure to combat the plague. estimated one-third of the civilian Athenian population and Asclepius whose name means “to cut open,” was cut from one-fourth of its army. Thucydides account of the plague his dead mother’s womb by his father Apollo. He was (430-426 BCE) and the subsequent rise of the cult of raised by the centaur Chiron who taught him the healing arts. Asclepius can be examined as perhaps the earliest case study His sons included Machaon and Podalirius, who served as of collective behavior and a social movement. In his account surgeons and physicians during the Trojan War and among of the plague, Thucydides reveals a sociological imagination his daughters were Hygieia (health and sanitation) and and concepts including anomie and escalating stages of Panacea (cure all). The cult of Asclepius was established collective behavior. Social movements often arise in times of towards end of the 6th century at Epidaurus, located in the sudden changes and social unrest, becoming a source of Peloponnesus across the Saronic Gulf from Athens. -
Anat and Qudshu As the «Mistress of Animals» Aspects of the Iconography of the Canaanite Goddesses
ANAT AND QUDSHU AS THE «MISTRESS OF ANIMALS» ASPECTS OF THE ICONOGRAPHY OF THE CANAANITE GODDESSES Izak Cornelius 1. Introduction. In two recent articles, Peggy Day (1991, 1992) argues against the common tendency to describe the Canaanite goddess Anat as a goddess of fertility. She re examines the Ugaritic texts1 in this regard and demonstrates that Anat was rather a «mistress of animals»2, both as a huntress and a protectress. In addition, she discusses three iconographic items from Minet el Beida (figs. 1-3, pi. I), the port of Ugarit. The first item3 (fig. 1 = Keel 1984:fig. 11) is an ivory pixis lid (Louvre AO 11.601) from the 13th century BCE. A goddess, dressed in a skirt, sits on top of a mountain. She holds out plants or corn sheaves to goats flanking her. Many writers have reflected on the Mycenaean style of this item. The second item4 (Winter 1987:fig. 42 = fig. 2) is a golden pectoral (AO 14.714) dating from the 14th century. A naked goddess stands on the back of a lion. She faces the front and holds two horned animals by their legs. Behind her waist are serpents. The background may depict stars. The third item5 (Winter 1987:fig. 41 = fig. 3) is very similar to the previous one6, but the headdress is different and there are no serpents (AO 14.716). The horned animals are suspended in space7. Day takes these three items to be representations of Anat as the «mistress of animals» (1991:143, 1992:187-90). Although her description of Anat as a huntress and a mistress of animals is accepted, the three iconographic items are in need of closer re-examination.