The Plague of Athens and the Cult of Asclepius: a Case Study of Collective Behavior and a Social Movement
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Names of Botanical Genera Inspired by Mythology
Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art. -
Worshipping Virtues
Worshipping Virtues Personification and the divine in Ancient Greece ISBN: 9780715630440 (hb) by Emma Stafford 9781914535246 (pdf) DESCRIPTION: PRICE: The Greeks, in Dr. Johnson's phrase, 'shock the mind by ascribing effects to non-entity'. The culture $80.00 (hb) of ancient Greece was thronged with personifications. In poetry and the visual arts, personified $64.00 (pdf) figures of what might seem abstractions claim our attention. This study examines the logic, the psychology and the practice of Greeks who worshipped these personifications with temples and PUBLICATION DATE: sacrifices, and addressed them with hymns and prayers. Emma Stafford conducts case-studies of 31 December 2000 (hb) deified 'abstractions', such as Peitho (Persuasion), Eirene (Peace) and Hygieia (Health). She also 31 December 2000 (pdf) considers general questions of Greek psychology, such as why so many of these figures were female. Modern scholars have asked, Did the Greeks believe their own myths? This study BINDING: contributes importantly to the debate, by exploring widespread and creative popular theology in the Hardback & PDF eBook historical period. SIZE: TABLE OF CONTENTS: 6 x9 List of illustrations Acknowledgements Abbreviations and conventions 1. Personification, allegory and belief 2. Themis: archaic personification and the epithet theory 3. Nemesis: 'myth into logos?' 4. PAGES: Peitho: the seductive power of rhetoric 5. Hygieia: 'not a goddess but a gift of God'? 6. Eirene: 274 propaganda and allegory 7. Eleos: the Athenian 'altar of Pity' and its god 8. Conclusion Appendix: bibliographic note Bibliography Index ILLUSTRATIONS: 27 b/w pls, figs. CONTRIBUTORS BIOGRAPHIES: Emma Stafford is the author of numerous papers on Greek mythology and iconography, and is PUBLISHER: currently preparing a source book on Greek religion. -
Either a Daimon, Or a Hero, Or Perhaps a God:” Mythical Residents of Subterranean Chambers
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 15 | 2002 Varia “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers Yulia Ustinova Electronic version URL: http://journals.openedition.org/kernos/1385 DOI: 10.4000/kernos.1385 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2002 ISSN: 0776-3824 Electronic reference Yulia Ustinova, « “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers », Kernos [Online], 15 | 2002, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1385 ; DOI : 10.4000/kernos.1385 Kernos Kemos 15 (2002), p. 267-288. "Either a Daimon, or a Hero, or Perhaps a God:" Mythical Residents of Subterranean Chambers In his list of seers who uttered gods' orders and messages to mortals not only when alive, but also after their death, Strabo1 mentions "...Amphiaraos, Trophonios, Orpheus, Musaios, and the god of the Getae, formerly Zalmoxis, a Pythagorean, who is in our time Dekaineos, the diviner of Byrebistas... ,,2 Aristides groups together Trophonios, Amphiaraos, Amphilochos and the Asclepiads.3 Celsus includes Zalmoxis, Mopsos, Amphilochos, Amphiaraos, and Trophonios in his register of mortals who died and were nevertheless worshiped, whieh makes Origen wonder, "whether one of these is either a daimon, or a hero, or perhaps a god, more active than mortals" (ft ècr'tt nç èv 'toîç 'tOtQU'tOlÇ Eï'tE 8atllcov Eï'tE llPcoÇ Eï'tE Kat 8E6ç, èVEPYéOv 't!Va lldÇova ft Ka'teX av8pco1tov;).4 The bewilderment of Origen 'is reasonable, given the elusiveness of these figures. -
Honey Plays a Significant Role in the Mythology and History of Many
Rhododendron Ponticum Rhodora! if the sages ask thee why This charm is wasted on the earth and sky, Tell them, dear, that if eyes were made for seeing, Then beauty is its own excuse for being R.W. Emerson, ‘The Rhodora’ "The Delphic priestess in historical times chewed a laurel leaf but when she was a Bee surely she must have sought her inspiration in the honeycomb." Jane Ellen Harrison, Prologemena to Greek Religion Thy Lord taught the Bee To build its cells in hills, On trees and in man’s habitations; Then to eat of all The produce of the earth . From within their bodies comes a drink of varying colors, Wherein is healing for mankind. The Holy Koran 1 Mad Honey Contents Point of View and Introduction 4 A summary of the material 5 What the Substance is 7 A History of Honey a very short history of the relationship of humans and honey A Cultural History of Toxic Honey 9 mad honey in ancient Greece Mad Honey in the New World 10 the Americas and Australasia How the substance works 11 Psychopharmacology selected outbreaks symptoms external indicators and internal registers substances neurophysiological action medical treatment How the substance was used 13 Honied Consciousness: the use of toxic honey as a consciousness altering substance ancient Greece Daphne and Delphi Apollo and Daphne Rhododendron and Laurel Appendix 1 21 Classical References (key selections from the texts) -Diodorus Siculus -Homeric Hymns -Longus -Pausanias -Pliny The Elder -Xenephon Appendix II 29 More on Mellissa Appendix lll 30 Source of the Substances Botany and Sources of Grayanotoxin 2 Appendix lV 32 Honey and Medicine Ancient and Modern Appendix V 34 The Properties of Ethelyne Appendix Vl 36 Entrances: Food, Drink and Enemas Bibliography 39 3 Mad Honey Point of View and Introduction It’s no surprise to discover that honey, and the bees that produce it, play a notable role in mythology and religion throughout the world. -
Epigraphic Bulletin for Greek Religion 2009 (EBGR 2009)
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 25 | 2012 Varia Epigraphic Bulletin for Greek Religion 2009 (EBGR 2009) Angelos Chaniotis Electronic version URL: http://journals.openedition.org/kernos/2117 DOI: 10.4000/kernos.2117 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 26 October 2012 Number of pages: 185-232 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, « Epigraphic Bulletin for Greek Religion 2009 », Kernos [Online], 25 | 2012, Online since 20 November 2014, connection on 15 September 2020. URL : http://journals.openedition.org/ kernos/2117 Kernos Kernos 25(2012),p.185-232. Epigraphic Bulletin for Greek Religion 2009 (EBGR 2009) The 22nd issue of the Epigraphic Bulletin for Greek Religion presents a selection of the epigraphicpublicationsof2009andsomeadditionstoearlierissues.Followingthepractice ofthemostrecentissues,emphasiswasplacedonthepresentationofnew corporaand editions of new texts, rather than on summarizing books or articles that use epigraphic material.Duetodemandingresearchandadministrativeduties,thisyearIhavebeenunable tocompletethesurveyofjournalsontime.Inordertoavoiddelaysinthepublicationof Kernos , I could only present part of 2009’s publications. This issue contains several very interestingnewepigraphicfinds.Iwouldliketohighlightthenewfragmentsthathavebeen addedtothephilosophicalinscriptionofDiogenesofOinoanda( 65 ).Theymakepossible thereconstructionofalargepassage,inwhichtheEpicureanphilosopherrejectstheidea -
North Sails Superyacht Clients
NORTH SAILS SUPERYACHT CLIENTS We have been proud to work with and deliver sails for the following projects, which either already are sailing or will be launched in the year to come. If you know any of the crews of these yachts please do not hesitate to contact them to see how they feel about the sails and service they have received from us. Adela Dykstra 55m Schooner Pendennis Meteor Dykstra 50m Schooner Huisman Adele Hoek 55m Ketch Vitters Mia Cara Dubois 39m Sloop Fitzroy Anatta Dubois 66m Sloop Vitters Missy Mckeon 33m Sloop Vitters Anemoi Dubois 37m Sloop Fitzroy My Song Baltic 40m Sloop Baltic Anne Hoek 53m Sloop Vitters Mystere Tripp 43m Sloop Vitters Antares Dixon 40m Ketch Huisman Nariida Wally/Brenta 32m Ketch Wally Aquijo Tripp 85m Ketch Vitters / Oceanco Ngoni Dubois 58m Sloop Huisman Badis Briand 70m Ketch Perini Navi Nikata Nauta 35m Sloop Baltic Barong D Wally/ Frers 33m Sloop Wally Nilaya Nauta 34m Sloop Baltic Bayesian Holland 56m Sloop Perini Navi Ningaloo Dubois 45m Sloop Vitters Bella Regazza Dubois 43m Sloop Vitters Nirvana Dubois 53m Ketch Vitters Better Place Tripp/Wally 50m Sloop Wally Odin IV Frers 35m Sloop Nautor's Swan Bristolian Briand 36m Sloop CNB Panacea Frers 28m Sloop Nautor's Swan Canovo 2 Farr 42m Sloop Baltic Panthalassa Holland 56m Ketch Perini Navi Catalina Dubois 44m Ketch Vitters Path 2 J/V 34m Sloop Baltic Chimera Ted Fontaine 31m Sloop Alloy Yachts Pink Gin J/V 53m Sloop Baltic Dahlak Briand 38m Sloop Perini Navi Piropo Holland 56m Ketch Perini Navi Danneskjold Dixon 30.5m Sloop Southern Ocean -
REGISTER of SPONSORS (Tiers 2 & 5 and Sub Tiers Only)
REGISTER OF SPONSORS (Tiers 2 & 5 and Sub Tiers Only) DATE: 08-February-2019 Register of Sponsors Licensed Under the Points-based System This is a list of organisations licensed to sponsor migrants under Tiers 2 & 5 of the Points-Based System. It shows the organisation's name (in alphabetical order), the sub tier(s) they are licensed for, and their rating against each sub tier. A sponsor may be licensed under more than one tier, and may have different ratings for each tier. No. of Sponsors on Register Licensed under Tiers 2 and 5: 29,567 Organisation Name Town/City County Tier & Rating Sub Tier ?What If! Ltd London Tier 2 (A rating) Tier 2 General Tier 2 (A rating) Intra Company Transfers (ICT) @ Home Accommodation Services Ltd London Tier 2 (A rating) Tier 2 General Tier 5 (A rating) Creative & Sporting ]performance s p a c e [ Folkestone Kent Tier 5 (A rating) Creative & Sporting 0-two Maintenance London Tier 2 (A rating) Tier 2 General 1 minus 1 Limited Farnham Surrey Tier 2 (A rating) Tier 2 General 1 Stop Halal Limited Eye Suffolk Tier 2 (A rating) Tier 2 General 1 Stop Print Ltd Ilford Tier 2 (A rating) Tier 2 General 1 Tech LTD London Tier 2 (A rating) Tier 2 General 10 Europe Limited Edinburgh Tier 2 (A rating) Tier 2 General Tier 2 (A rating) Intra Company Transfers (ICT) 10 GROUP LTD T/A THE 10 GROUP LONDON Tier 2 (A rating) Tier 2 General Page 1 of 1951 Organisation Name Town/City County Tier & Rating Sub Tier 100 SHAPES LTD LONDON Tier 2 (A rating) Tier 2 General 1000heads Ltd London Tier 2 (A rating) Tier 2 General 1000mercis -
Ponos and Aponia
SHAPIRO, H. A., "Ponos" and "Aponia" , Greek, Roman and Byzantine Studies, 25:2 (1984) p.107 Ponos and Aponia H. A. Shapiro N GRBS 23 (1982) 147-56, A. L. Boegehold presented an inter I esting argument that, in the years 424-421, a group of dissenters in Athens, led by Nikias, who favored making peace with Sparta, adopted as a slogan 1TOVWV 1TaV(TWI_"dJa. This formulation transformed the connotation of 1TOVO~ from a traditionally patriotic expression of the hard work needed to achieve a noble goal to a more pessimistic term for the hardships and suffering of an unnecessarily protracted war. Boegehold adduced passages in Thucydides, Euripides, and Aris tophanes to illustrate the extraordinary popularity and often highly charged rhetorical uses of 1TOVO~ in this period. It may be relevant to introduce in this context a unique depic tion, on an Athenian vase of the following decade, 420-410, of a woman labelled AIlONIA (PLATE 0.1 There is no literary evidence for Aponia as the name of a divinity, mythological figure, or his torical person, and it is clear from other figures on the same vase, to be discussed infra, that Aponia is meant here as a personified abstraction. The word a1Tovia first occurs in extant Greek literature several de cades after the date of this vase,2 in Xenophon's Cyropaedeia (2.2.25), where its connotation is clearly pejorative ("laziness'), and it is linked with {3AaKEia ('indolence', 'stupidity'). Aristotle once uses the word a1Tovia in this negative sense (Rh. 1370aI4), but once also in a more positive, or at least neutral, sense ('freedom from toil', Gen.An. -
I Swear by Apollo the Healer, by Asclepius, by Hygieia, by Panacea
I swear by Apollo the Healer, by Asclepius, by Hygieia, by Panacea, and by all the gods and goddesses, making them my witnesses, that I will carry out, according to my ability and judgment, this oath and this indenture. To hold my teacher in this art equal to my own parents; to make him partner in my livelihood; when he is in need of money to share mine with him; to consider his family as my own brothers, and to teach them this art, if they want to learn it, without fee or indenture; to impart precept, oral instruction, and all other instruction to my own sons, the sons of my teacher, and to indentured pupils who have taken the physician’s oath, but to nobody else. I will use treatment to help the sick according to my ability and judgment, but never with a view to injury and wrong-doing. Neither will I administer a poison to anybody when asked to do so, nor will I suggest such a course. Similarly I will not give to a woman a pessary to cause abortion. But I will keep pure and holy both my life and my art. I will not use the knife, not even, verily, on sufferers from stone, but I will give place to such as are craftsmen therein. Into whatsoever houses I enter, I will enter to help the sick, and I will abstain from all intentional wrong-doing and harm, especially from abusing the bodies of man or woman, bond or free. And whatsoever I shall see or hear in the course of my profession, as well as outside my profession in my intercourse with men, if it be what should not be published abroad, I will never divulge, holding such things to be holy secrets. -
The Degeneration of Ancient Bird and Snake Goddesses Into Historic Age Witches and Monsters
The Degeneration of Ancient Bird and Snake Goddesses Miriam Robbins Dexter Special issue 2011 Volume 7 The Monstrous Goddess: The Degeneration of Ancient Bird and Snake Goddesses into Historic Age Witches and Monsters Miriam Robbins Dexter An earlier form of this paper was published as 1) to demonstrate the broad geographic basis of “The Frightful Goddess: Birds, Snakes and this iconography and myth, 2) to determine the Witches,”1 a paper I wrote for a Gedenkschrift meaning of the bird and the snake, and 3) to which I co-edited in memory of Marija demonstrate that these female figures inherited Gimbutas. Several years later, in June of 2005, the mantle of the Neolithic and Bronze Age I gave a lecture on this topic to Ivan Marazov’s European bird and snake goddess. We discuss class at the New Bulgarian University in who this goddess was, what was her importance, Sophia. At Ivan’s request, I updated the paper. and how she can have meaning for us. Further, Now, in 2011, there is a lovely synchrony: I we attempt to establish the existence of and have been asked to produce a paper for a meaning of the unity of the goddess, for she was Festschrift in honor of Ivan’s seventieth a unity as well as a multiplicity. That is, birthday, and, as well, a paper for an issue of although she was multifunctional, yet she was the Institute of Archaeomythology Journal in also an integral whole. In this wholeness, she honor of what would have been Marija manifested life and death, as well as rebirth, and Gimbutas’ ninetieth birthday. -
The Staff of Asclepius Or Hermes Eric Vanderhooft, M.D
aduceus Cthe staff of Asclepius or Hermes Eric Vanderhooft, M.D. The author (AΩA, University of Utah, 1988) is clinical assistant professor in the Department of Orthopedics at the University of Utah, and in private practice at the Salt Lake Orthopedic Clinic. He is also the clinical director of the University Orthopedic Rotation and Family Practice Residency Orthopedic Rotation at HCA St. Mark’s Hospital. he staff entwined by a serpent or serpents is ac- cepted as a common symbol of the medical pro- fession and health care industry. Unfortunately, twoT distinct images exist. The staff with a single snake be- longed to Asclepius, father of western medicine. The staff with two entwined snakes belonged to Hermes, the prince of thieves, and is more commonly seen. A review of 527 professional medical academies, asso- ciations, colleges, and societies revealed that 23 organiza- tions use the staff in their symbolism. The staff of Asclepius outnumbered that of Hermes nearly three-fold, 92 versus 3 organizations respectively. Introduction Hippocrates has come to be considered the father of Western medicine, and, in the United States, a modification of the Hippocratic Oath continues to be recited by graduat- ing medical students. It should therefore be no surprise that Roman statue of Asclepius. © Mimmo Jodice/CORBIS. The Pharos/Autumn 2004 our symbol for medicine, the caduceus, similarly is derived from Greek traditions. Greek healers such as Hippocrates be- lieved they were descended from Asclepius, the mythic phy- sician, and came to be known as Asklepiadai or Asclepiads, “sons of Asclepius.”1p6 Represented variously by the snake, cock, dog, and goat,1p28–32, 2, 3p258 the staff entwined by a single snake is the most recognized symbol of Asclepius. -
The Fabric of the City: Imaging Textile Production in Classical Athens
HESPERIA JJ (2OO8) THE FABRIC OF THE CITY Pages 283-334 Imaging Textile Production in Classical Athens ABSTRACT Scenes of textile production on Athenian vases are often interpreted as confirming the oppression of women, who many argue were confined to "women's quarters" and exploited as free labor. However, reexamination - of the iconography together with a reconsideration of gender roles and - the archaeology of Greek houses dating to the 5th and 4th centuries B.C. suggests that these images idealize female contributions to the household in a positive way. The scenes utilize the dual metaphor of weaving and marriage to express the hartnonia of oikos and polis, a theme particularly significant under the evolving Athenian democracy. The past 30 years have witnessed significant change in the study of ancient Athenian iconography.1Of particularimportance has been the increased attention given to so-called genre scenes or "scenes of everyday life" in Athenian vase painting, a response to the dominating focus of earlier scholarship on mythological subject matter. This trend began in the late 1970s, and escalated in the 1980s with a series of publications primarily by French authors, most notably the groundbreaking volume La cite des imagesin 1984 (translatedinto English in 1989). Severalscholars have ques- tioned the efficacy of the image and the apparentreality of genre iconog- raphy.2All too often, the tendency has been to treat scenes on Athenian vases as mere illustrations,but recent iconographic studies have assertedthe opposite:that images are constructionsin which each element is consciously or unconsciously chosen as part of a larger system of signs and symbols.