Foreign Deities in Egypt
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Asherah in the Hebrew Bible and Northwest Semitic Literature Author(S): John Day Source: Journal of Biblical Literature, Vol
Asherah in the Hebrew Bible and Northwest Semitic Literature Author(s): John Day Source: Journal of Biblical Literature, Vol. 105, No. 3 (Sep., 1986), pp. 385-408 Published by: The Society of Biblical Literature Stable URL: http://www.jstor.org/stable/3260509 . Accessed: 11/05/2013 22:44 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Society of Biblical Literature is collaborating with JSTOR to digitize, preserve and extend access to Journal of Biblical Literature. http://www.jstor.org This content downloaded from 143.207.2.50 on Sat, 11 May 2013 22:44:00 PM All use subject to JSTOR Terms and Conditions JBL 105/3 (1986) 385-408 ASHERAH IN THE HEBREW BIBLE AND NORTHWEST SEMITIC LITERATURE* JOHN DAY Lady Margaret Hall, Oxford University, England, OX2 6QA The late lamented Mitchell Dahood was noted for the use he made of the Ugaritic and other Northwest Semitic texts in the interpretation of the Hebrew Bible. Although many of his views are open to question, it is indisputable that the Ugaritic and other Northwest Semitic texts have revolutionized our understanding of the Bible. One matter in which this is certainly the case is the subject of this paper, Asherah.' Until the discovery of the Ugaritic texts in 1929 and subsequent years it was common for scholars to deny the very existence of the goddess Asherah, whether in or outside the Bible, and many of those who did accept her existence wrongly equated her with Astarte. -
The Relationship of Yahweh and El: a Study of Two Cults and Their Related Mythology
Wyatt, Nicolas (1976) The relationship of Yahweh and El: a study of two cults and their related mythology. PhD thesis. http://theses.gla.ac.uk/2160/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] .. ýýý,. The relationship of Yahweh and Ell. a study of two cults and their related mythology. Nicolas Wyatt ý; ý. A thesis submitted for the Degree of Doctor of Philosophy rin the " ®artänont of Ssbrwr and Semitic languages in the University of Glasgow. October 1976. ý ý . u.: ý. _, ý 1 I 'Preface .. tee.. This thesis is the result of work done in the Department of Hebrew and ': eraitia Langusgee, under the supervision of Professor John rdacdonald, during the period 1970-1976. No and part of It was done in collaboration, the views expressed are entirely my own. r. .e I should like to express my thanks to the followings Professor John Macdonald, for his assistance and encouragement; Dr. John Frye of the Univeritty`of the"Witwatersrandy who read parts of the thesis and offered comments and criticism; in and to my wife, whose task was hardest of all, that she typed the thesis, coping with the peculiarities of both my style and my handwriting. -
Iam YAM As Hayah Part2
YaHshua servant's Home Page // About Us IAM or YAM (haYaH) I AM or YAM? Part 2 of 3 (Part 3) (Part 1) By Your servant, Dan Baxley www.servantsofyahshua.com www.yahshuaservant.com Special Note from the author of this article: I would like to make it plain that this article is covering a new look at the "IAM that IAM" and the Greek influence upon the Hebrew Scriptures and no one, that is, NO ONE, is making this observation. This is not a point of "salvation", and it is not an absolute and I admit to this being my own speculation and even guessing in some places to make my point. Scripture is always first and it is the scriptures you should be most attune to not the ranting of someone like me with a new "theory" to push. But I do find this observation concerning IAM that IAM interesting and worth a look. First you need to know that there is a Hebrew Bible avoiding the use of our Creator's Name but put some kind of "holy" value on their substitution, replacing His Holy Name just as those have replace His Name, YHWH, with the term, LORD, so these Jews have replace His Name with this term -- HASHEM. What does HaSHEM mean, it means and is to say, THE NAME. I hope you can understand the following example. This is not speculation, that comes later in seen the IAM or YAM as another form of revelation concerning our Creator, and Savior. HaShem = The Name IAM = HaYaH = The YaH Knowing and understanding that our God and Savior has a personal Name and that the God of Israel also has a Personal Name we can look at the Hebrew Scriptures and the correct wording, without the Greek, and we come up with the Hebrew "ha" for the Greek "I" and the Hebrew YaH in place of the Greek for "AM". -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Egypt and Mormonism: Oriental Traits of the Latter-Day Saints
Utah State University DigitalCommons@USU Arrington Student Writing Award Winners Leonard J. Arrington Mormon History Lectures 12-7-2011 Egypt and Mormonism: Oriental Traits of the Latter-Day Saints Alexander Fronk Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/arrington_stwriting Part of the History of Religion Commons Recommended Citation Fronk, Alexander, "Egypt and Mormonism: Oriental Traits of the Latter-Day Saints" (2011). Arrington Student Writing Award Winners. Paper 7. https://digitalcommons.usu.edu/arrington_stwriting/7 This Essay is brought to you for free and open access by the Leonard J. Arrington Mormon History Lectures at DigitalCommons@USU. It has been accepted for inclusion in Arrington Student Writing Award Winners by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 1 Egypt and Mormonism: Oriental Traits of the Latter-Day Saints Introduction In his lecture, Dr. Francaviglia presents a fascinating framework in which to understand American history and culture, as well as Mormons specifically. Orientalism was defined for the lecture as the assimilation or imitation of that which is oriental in religious or philosophical thought, or in art. Through various mediums, including architectural examples, quotes from Mormons and their detractors, and travel literature, Dr. Francaviglia demonstrates that not only Mormons were compared to Oriental peoples and assigned Oriental traits, but they also actively attributed such traits -
What Is “The Book of Breathings”?
BYU Studies Quarterly Volume 11 Issue 2 Article 5 4-1-1971 What is “The Book of Breathings”? Hugh Nibley Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Nibley, Hugh (1971) "What is “The Book of Breathings”?," BYU Studies Quarterly: Vol. 11 : Iss. 2 , Article 5. Available at: https://scholarsarchive.byu.edu/byusq/vol11/iss2/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Nibley: What is “The Book of Breathings”? what is the book of breathingsBreathings HUGH NlNIBLEYBLEY MEET THE FAMILY upon their publication in 1967 the joseph smith papyri nos X and XI were quickly and easily identified as pages from the egyptian book of breathingsBreathings the frequent occur- rence of the word susnsnsnprovided a conspicuous clue and though the last page of the book the one that usually contains the title was missing its contents closely matched that of other egyptian writings bearing the title sh fhifbishishlsh t n susnsnsn com- monly translated book of Breabreathingthingss A most welcome guide to the student was ready at hand in J de Horhorrackborrackrack s text translation and commentary on a longer and fuller version of the same work pap louvre 3284 which he published in 1878 along with another version of the text louvre no 3291 and variant readings from a half -
Some Thoughts on Religious Change at Deir El-Medina
SOME THOUGHTS ON RELIGIOUS CHANGE AT DEIR EL-MEDINA Cathleen Keller University of California, Berkeley It gives me very great pleasure to contribute ticular, have met with some success: Baraize’s to a volume in honor of Richard Fazzini, a excavations in the Ptolemaic temple area;5 the fellow Egyptomania enthusiast and aficionado of clearance of the “oratorio” sacred to Ptah and ancient Thebes. I feel reasonably certain that Meretseger;6 Davies’ investigation of the “high the characters mentioned in this paper, though place,” situated above the path between Deir el- residents of the Western Side, were as familiar as Medina and the Valley of the Kings,7 and the he with the Temple of Mut at Karnak. Italian, German and French excavations of the The title of Keith Hopkins’s recent work on village itself, have yielded up some in situ ma- the religions of the Hellenistic Mediterranean, A terial.8 In addition to general surveys of reli- World Full of Gods,1 aptly describes the religious life gious cult and practice at Deir el-Medina,9 reli- of the workmen of Deir el-Medina as well. From gious studies of the Deir el-Medina “pantheon” the inception of the study of this organization, have frequently focused on individual deities, no- the votive monuments of the sdm.w-#sˇ m s.t-M3#.t tably the deified Amenhotep I10 and Ahmose- ¯ have attracted the attention of scholars.2 The Nefertari11 and Meretseger.12 Others, however, re- sheer quantity of the monuments, as well as the main understudied, including Hathor, the dedica- variety of the deities depicted3 (a list that includes tee of Deir el-Medina’s major sanctuary, and her divinities of both indigenous and foreign origin), interaction with her local sister-divinities, such as has led to their being used to illustrate general Meretseger and Henutimentet. -
Dedications to Double Deities Syncretism Or Simply Syntax?
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 27 | 2014 Varia Dedications to Double Deities Syncretism or simply syntax? Jenny Wallensten Electronic version URL: http://journals.openedition.org/kernos/2278 DOI: 10.4000/kernos.2278 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 November 2014 Number of pages: 159-176 ISBN: 978-2-87562-055-2 ISSN: 0776-3824 Electronic reference Jenny Wallensten, « Dedications to Double Deities », Kernos [Online], 27 | 2014, Online since 01 October 2016, connection on 04 May 2019. URL : http://journals.openedition.org/kernos/2278 ; DOI : 10.4000/ kernos.2278 This text was automatically generated on 4 May 2019. Kernos Dedications to Double Deities 1 Dedications to Double Deities Syncretism or simply syntax? Jenny Wallensten AUTHOR'S NOTE I wish to thank the participants in the Third International Martin P. Nilsson Workshop on Greek Religion, In Search of Syncretism, for their valuable comments during the discussions. I am especially grateful to Dr. Maria Mili and Prof. Robert Parker, who commented on the manuscript in previous stages. The comments of the anonymous Kernos reviewers considerably improved the article and I thank them sincerely. Composite deities and syncretism 1 Among the myriads of deities represented in the Greek epigraphic corpus can be found what might be called composite or double deities. These can initially be divided into two basic categories: firstly, non-cross-cultural composites gods such as Hera Aphrodite of Sparta or Zeus Ares of Arcadia1 and secondly, “international” multi-cultural combinations such as for example Isis Aphrodite.2 The present article focuses on three Delian votive inscriptions honouring gods of the latter category, where deities of different cultures are combined.3 In one instance, more than two gods seem to be juxtaposed, and all three cases include not only divine names, but also cult epithets. -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
THE DESTINY of the WORLD : a STUDY on the END of the UNIVERSE in the Llght of ANCIENT EGYPTIAN TEXTS
THE DESTINY OF THE WORLD : A STUDY ON THE END OF THE UNIVERSE IN THE LlGHT OF ANCIENT EGYPTIAN TEXTS Sherine M. ElSebaie A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of Near and Middle Eastern Civilizations University of Toronto O Copyright by Sherine M. ElSebaie (2000) National Library Bibliothèque nationale of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON KfA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. The Destiny of The World: A Study on the End of The Universe in The Light of Ancient Egyptian Texts Sherine M. ElSebaie Master of Arts, 2000 Dept. of Near and Middle Eastern Civilizations University of Toronto ABSTRACT The subject of this thesis is a theme that has not been fully çtudied until today and that has long been thought to be overlooked by the ancient Egyptians in a negative way. -
Who Maketh the Clouds His Chariot: the Comparative Method and The
LIBERTY UNIVERSITY SCHOOL OF RELIGION WHO MAKETH THE CLOUDS HIS CHARIOT: THE COMPARATIVE METHOD AND THE MYTHOPOETICAL MOTIF OF CLOUD-RIDING IN PSALM 104 AND THE EPIC OF BAAL A THESIS SUBMITTED TO THE FACULTY OF LIBERTY UNIVERSITY IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS IN RELIGIOUS STUDIES BY JORDAN W. JONES LYNCHBURG, VIRGINIA APRIL 2010 “The views expressed in this thesis do not necessarily represent the views of the institution and/or of the thesis readers.” Copyright © 2009 by Jordan W. Jones All Rights Reserved ii ACKNOWLEDGMENTS To Dr. Don Fowler, who introduced me to the Hebrew Bible and the ancient Near East and who instilled in me an intellectual humility when studying the Scriptures. To Dr. Harvey Hartman, who introduced me to the Old Testament, demanded excellence in the classroom, and encouraged me to study in Jerusalem, from which I benefited greatly. To Dr. Paul Fink, who gave me the opportunity to do graduate studies and has blessed my friends and I with wisdom and a commitment to the word of God. To James and Jeanette Jones (mom and dad), who demonstrated their great love for me by rearing me in the instruction and admonition of the Lord and who thought it worthwhile to put me through college. <WqT* <yx!u&oy br)b=W dos /ya@B= tobv*j&m^ rp@h* Prov 15:22 To my patient and sympathetic wife, who endured my frequent absences during this project and supported me along the way. Hn`ovl=-lu^ ds#j#-tr~otw+ hm*k=j*b= hj*t=P* h*yP! Prov 31:26 To the King, the LORD of all the earth, whom I love and fear. -
Ancient Egyptian Dieties
Ancient Egyptian Dieties Amun: When Amun’s city, Thebes, rose to power in the New Kingdom (1539-1070 B.C.), Amun became known as the “King of the Gods.” He was worshipped as the high god throughout Egypt. Able to take many shapes, Amun was sometimes shown as a ram or goose, but was usually shown in human form. He is fundamentally a Creator God and his name, Amun, means “The Hidden One.” Amun-Re: Originating in the Middle Kingdom, (2055 - 1650 B.C.), Amun-Re is a fusion of the Gods Amun and Re. He combined the invisible power of creation and the power visible in heat and light. Anubis: Usually represented as a black jackal, or as a human with a canine head, Anubis was a guardian of mummies, tombs, and cemeteries, as well as an escort of the deceased to the afterlife. Atum: According to the most ancient Egyptian creation myths, Atum is the creator of the world. He also brought the first gods Shu (air), Tefnut (water), Geb (earth), and Nut (sky) to Egypt. He is also god of the setting sun. Atum was represented in many forms such as a human, a human with the head of a ram, and a combination of an eel and a cobra. Bastet: Originating as early as Dynasty II (2820-2670 B.C.), Bastet was represented as a cat or a woman with a lioness’s head. She eventually became Egypt’s most important “cat goddess.” If Bastet took the form of a cat she was considered content, but if Bastet was a lioness she was considered an angry goddess.