Dedications to Double Deities Syncretism Or Simply Syntax?
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Asherah in the Hebrew Bible and Northwest Semitic Literature Author(S): John Day Source: Journal of Biblical Literature, Vol
Asherah in the Hebrew Bible and Northwest Semitic Literature Author(s): John Day Source: Journal of Biblical Literature, Vol. 105, No. 3 (Sep., 1986), pp. 385-408 Published by: The Society of Biblical Literature Stable URL: http://www.jstor.org/stable/3260509 . Accessed: 11/05/2013 22:44 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Society of Biblical Literature is collaborating with JSTOR to digitize, preserve and extend access to Journal of Biblical Literature. http://www.jstor.org This content downloaded from 143.207.2.50 on Sat, 11 May 2013 22:44:00 PM All use subject to JSTOR Terms and Conditions JBL 105/3 (1986) 385-408 ASHERAH IN THE HEBREW BIBLE AND NORTHWEST SEMITIC LITERATURE* JOHN DAY Lady Margaret Hall, Oxford University, England, OX2 6QA The late lamented Mitchell Dahood was noted for the use he made of the Ugaritic and other Northwest Semitic texts in the interpretation of the Hebrew Bible. Although many of his views are open to question, it is indisputable that the Ugaritic and other Northwest Semitic texts have revolutionized our understanding of the Bible. One matter in which this is certainly the case is the subject of this paper, Asherah.' Until the discovery of the Ugaritic texts in 1929 and subsequent years it was common for scholars to deny the very existence of the goddess Asherah, whether in or outside the Bible, and many of those who did accept her existence wrongly equated her with Astarte. -
Who Maketh the Clouds His Chariot: the Comparative Method and The
LIBERTY UNIVERSITY SCHOOL OF RELIGION WHO MAKETH THE CLOUDS HIS CHARIOT: THE COMPARATIVE METHOD AND THE MYTHOPOETICAL MOTIF OF CLOUD-RIDING IN PSALM 104 AND THE EPIC OF BAAL A THESIS SUBMITTED TO THE FACULTY OF LIBERTY UNIVERSITY IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS IN RELIGIOUS STUDIES BY JORDAN W. JONES LYNCHBURG, VIRGINIA APRIL 2010 “The views expressed in this thesis do not necessarily represent the views of the institution and/or of the thesis readers.” Copyright © 2009 by Jordan W. Jones All Rights Reserved ii ACKNOWLEDGMENTS To Dr. Don Fowler, who introduced me to the Hebrew Bible and the ancient Near East and who instilled in me an intellectual humility when studying the Scriptures. To Dr. Harvey Hartman, who introduced me to the Old Testament, demanded excellence in the classroom, and encouraged me to study in Jerusalem, from which I benefited greatly. To Dr. Paul Fink, who gave me the opportunity to do graduate studies and has blessed my friends and I with wisdom and a commitment to the word of God. To James and Jeanette Jones (mom and dad), who demonstrated their great love for me by rearing me in the instruction and admonition of the Lord and who thought it worthwhile to put me through college. <WqT* <yx!u&oy br)b=W dos /ya@B= tobv*j&m^ rp@h* Prov 15:22 To my patient and sympathetic wife, who endured my frequent absences during this project and supported me along the way. Hn`ovl=-lu^ ds#j#-tr~otw+ hm*k=j*b= hj*t=P* h*yP! Prov 31:26 To the King, the LORD of all the earth, whom I love and fear. -
Roman Gems in the National Soares Dos Reis Museum in Oporto
STUDIES IN ANCIENT ART AND CIVILIZATION, VOL. 22 (2018) pp. 141-189, https://doi.org/10.12797/SAAC.22.2018.22.07 Graça Cravinho University of Lisbon ROMAN GEMS IN THE NATIONAL SOARES DOS REIS MUSEUM IN OPORTO Abstract: The 34 intaglios and cameos discussed in this paper are part of a collection of 136 gems (both Roman and Modern) we studied in 2002, with permission of the former Museum director, Mónica Baldaque, and the curator Fátima Macedo. Some of those gems are set in rings (no. 10 – Roman iron ring; no. 22 – medieval gold ring; no. 31 – modern gold ring; also 3 ceramic cameos depicting the Portuguese Queen Maria I – modern silver rings: inv. nos 74 CMP; 75 CMP and 174 MNSR) and 2 others in snuff boxes (1 ivory cameo and 1 Wedgwood cameo – inv. nos 37 MNSR and 31 MNSR, respectively). Besides them, the museum also holds a collection of 800 plaster seals. Among the types of these Roman gems, some deserve special attention: Marsyas (no. 6) – the only gem in the Portuguese Gem Corpus bearing this theme, as well as those of Athena Promachos (no. 7), Isis-Selene bust (no. 9), Socrates (no. 11), Diogenes (no. 14), eagle fighting a serpent (no. 17), shrimp and murex (no. 19), mouse (23) and confronted doves (no. 25). This last one, with its associated inscription, perhaps symbolizes the union of a couple by the bonds of matrimony. However, how did the scarab bearing a Centaur (no. 28) reach Portugal? Keywords: intaglio; cameo; re-use of gems; interpretatio graeca; wedding gem; military standards All of these 34 gems are of unknown origin. -
Either a Daimon, Or a Hero, Or Perhaps a God:” Mythical Residents of Subterranean Chambers
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 15 | 2002 Varia “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers Yulia Ustinova Electronic version URL: http://journals.openedition.org/kernos/1385 DOI: 10.4000/kernos.1385 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2002 ISSN: 0776-3824 Electronic reference Yulia Ustinova, « “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers », Kernos [Online], 15 | 2002, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1385 ; DOI : 10.4000/kernos.1385 Kernos Kemos 15 (2002), p. 267-288. "Either a Daimon, or a Hero, or Perhaps a God:" Mythical Residents of Subterranean Chambers In his list of seers who uttered gods' orders and messages to mortals not only when alive, but also after their death, Strabo1 mentions "...Amphiaraos, Trophonios, Orpheus, Musaios, and the god of the Getae, formerly Zalmoxis, a Pythagorean, who is in our time Dekaineos, the diviner of Byrebistas... ,,2 Aristides groups together Trophonios, Amphiaraos, Amphilochos and the Asclepiads.3 Celsus includes Zalmoxis, Mopsos, Amphilochos, Amphiaraos, and Trophonios in his register of mortals who died and were nevertheless worshiped, whieh makes Origen wonder, "whether one of these is either a daimon, or a hero, or perhaps a god, more active than mortals" (ft ècr'tt nç èv 'toîç 'tOtQU'tOlÇ Eï'tE 8atllcov Eï'tE llPcoÇ Eï'tE Kat 8E6ç, èVEPYéOv 't!Va lldÇova ft Ka'teX av8pco1tov;).4 The bewilderment of Origen 'is reasonable, given the elusiveness of these figures. -
Resheph Either of the Two
Iconography of Deities and Demons: Electronic Pre-Publication 1/1 Last Revision: 25 February 2008 Resheph either of the two. For example, the Louvre bronze AO 11598 found at Minet el–Beida I. Introduction. Syro–Palestinian god (SEEDEN 1980: no. 1693) was earlier →DDD. R. is known as an important god identified with R., but later with Baal (both from Eblaitic and Ugaritic texts as well as identification are still found in literature). Egyptian sources (LEITZ 2002). He is This may indicate how difficult the matter considered a chthonic god, the bringer of of identification is. The striding figure from disease, but also a protector against it and Megiddo, which SCHLOEN (2001: 351 thus a giver of life and health and one who photograph 5) calls Baal, could just as well hears prayers. R.’s cult spread to the be R. The menacing figure in the chariot Phoenician–Punic world, but never played a group (CORNELIUS 2004: Cat 1.6) should significant role there, even though classical not be identified as R. (BARNETT 1964: 72), authors mention a golden statue of R. at but rather Astarte (CORNELIUS 2004: 26) Carthage (DDD 702). In the Hebrew Bible because of the relationship between Astarte, he is a demon submissive to →Yahweh horses, and chariots (→Astarte 14*– (CHOI 2004; NIEHR 2003; UEHLINGER 2001; 23*). Other menacing bronze figurines DDD 700–703). In Mesopotamia R. was (SEEDEN 1980: nos. 1724, 1728; PARROT identified with the god of the netherworld, 1961: 4f; PARROT 1975: 70) are described as →Nergal, and in Greece with Apollo R., but they are actually female warriors (NIEHR 2001; →IDD 2). -
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Haec Templa: Religion in Cicero’s Orations A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY NICHOLAS ROBERT WAGNER IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Spencer Cole April 2019 © NICHOLAS WAGNER 2019 Acknowledgements I would first like to thank my advisor, Spencer Cole, who provided helpful feedback and recommendations throughout the entire process of this dissertation and deserves singular acknowledgement. The project originated with a 2013 course on Roman religion. That, along with numerous meetings and emails, has been fundamental to my approach to the subject. I would also like to thank my other committee members, Christopher Nappa, Andrew Gallia, and Richard Graff, all of whom provided immensely useful feedback at various stages, both in the scope of the project and future directions to train my attention. Next, thanks are due to the faculty and the graduate students in the Department of Classical and Near Eastern Studies at the University of Minnesota. Their support over the years has been invaluable, both academically and socially. Special thanks are due to current student Joshua Reno and former student Rachael Cullick. Lunches with them, where they patiently heard my ideas in its earliest stages, will be ever-cherished. Finally, I would like to thank my parents and siblings for their endless support over the years. Sometimes a nice meal or a break at the movies is exactly what was needed. i Dedication This dissertation is dedicated to my parents and their parents. ii Table of Contents Introduction ....................................................................................................................... 1 Cicero and Lived Religion ........................................................................................................ -
Introduction
Cambridge University Press 978-1-107-10838-7 — Magical Hymns from Roman Egypt Ljuba Merlina Bortolani Excerpt More Information INTRODUCTION Since the time of the largest find of magical papyri at the beginning of the nineteenth century,1 the study of the Graeco-Egyptian magical literature of the second–fifth centur- ies AD has undergone at least two stages of misconceptions.2 At first, it was neglected as the classicist ideal of the period prevented most scholars from seeing the potential of textual material that was considered the degenerate product of syncre- tistic folk superstition. Then, with the beginning of the twenti- eth century, an interest in ancient magic started to awaken and increasingly developed within several disciplines up to the present. In 1928–31 Karl Preisendanz and his collaborators assembled all the surviving material known at the time in the edition that remains the basic tool for a study of the corpus: Papyri Graecae Magicae – Die Griechischen Zauberpapyri I–II (PGM).3 Despite the merit of making the texts easily accessible, they decided to omit the Demotic sections of the papyri without giving any explanation,4 and thus unintentionally contributed to strengthening a second misleading conception. The Greek 1 The so-called Theban Magical Library: a group of papyri discovered by villagers in Thebes some time before 1828 and acquired by Giovanni Ana- stasi (1780–1857), the Swedish–Norwegian Consul General in Egypt. Between 1828 and 1839 he sold his collection of papyri to different museums, thus scattering it all over Europe. Among the thousands of texts there was also the ‘Library’, together with other magical papyri of uncertain provenance: a collection containing the most impressive magical texts (as far as contents and conservation status are concerned) ever discovered. -
Anat and Qudshu As the «Mistress of Animals» Aspects of the Iconography of the Canaanite Goddesses
ANAT AND QUDSHU AS THE «MISTRESS OF ANIMALS» ASPECTS OF THE ICONOGRAPHY OF THE CANAANITE GODDESSES Izak Cornelius 1. Introduction. In two recent articles, Peggy Day (1991, 1992) argues against the common tendency to describe the Canaanite goddess Anat as a goddess of fertility. She re examines the Ugaritic texts1 in this regard and demonstrates that Anat was rather a «mistress of animals»2, both as a huntress and a protectress. In addition, she discusses three iconographic items from Minet el Beida (figs. 1-3, pi. I), the port of Ugarit. The first item3 (fig. 1 = Keel 1984:fig. 11) is an ivory pixis lid (Louvre AO 11.601) from the 13th century BCE. A goddess, dressed in a skirt, sits on top of a mountain. She holds out plants or corn sheaves to goats flanking her. Many writers have reflected on the Mycenaean style of this item. The second item4 (Winter 1987:fig. 42 = fig. 2) is a golden pectoral (AO 14.714) dating from the 14th century. A naked goddess stands on the back of a lion. She faces the front and holds two horned animals by their legs. Behind her waist are serpents. The background may depict stars. The third item5 (Winter 1987:fig. 41 = fig. 3) is very similar to the previous one6, but the headdress is different and there are no serpents (AO 14.716). The horned animals are suspended in space7. Day takes these three items to be representations of Anat as the «mistress of animals» (1991:143, 1992:187-90). Although her description of Anat as a huntress and a mistress of animals is accepted, the three iconographic items are in need of closer re-examination. -
Importing and Exporting Gods? on the Flow of Deities Between Egypt and Its Neighboring Countries
Originalveröffentlichung in: Antje Flüchter, Jivanta Schöttli (Hg.), The Dynamics of Transculturality. Concepts and Institutions in Motion (Transcultural Research – Heidelberg Studies on Asia and Europe in a Global Context), Cham, Heidelberg, New York, Dordrecht, London 2015, S. 255-277 Importing and Exporting Gods? On the Flow of Deities Between Egypt and Its Neighboring Countries Joachim Friedrich Quack 1 Introductory Remarks Since the main title of my contribution sounds more economical than ecumenical, I should start with a question: What does it mean to deal in gods? There is one very remarkable passage in an Egyptian text which laments that gods are sold for oxen (Admonitions 8, 12). This phrase seems strange at first sight, so strange that almost all modem editors and commentators have deemed it corrupt and have proposed emendations.1 Actually, it makes perfect sense once you realize that “gods” here means “statues of gods.” These were, in the Egyptian culture, often made of gold, and constituted enough buying power to actually acquire an ox in exchange. The key point for my subsequent analysis is that “gods” have a strongly material ized existence. A god is not simply a transcendent or omnipresent entity but has a focal point in a material object.2 Also, in order to hear the prayers of humans, special proximity is an advantage. Being far from a god in a physical sense was thus seen as a very real menace, and one can see how Egyptians on missions abroad liked to take a transportable figure of their deity with them.3 This also had implications for the opportunities to expand: a figure of the deity at the new cult place was essential and the easiest way to find one would be if you had one that you were free to take with you; this was the case, for instance, with the 1 Most recently Enmarch (2008, 145). -
Transformation of a Goddess by David Sugimoto
Orbis Biblicus et Orientalis 263 David T. Sugimoto (ed.) Transformation of a Goddess Ishtar – Astarte – Aphrodite Academic Press Fribourg Vandenhoeck & Ruprecht Göttingen Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Publiziert mit freundlicher Unterstützung der PublicationSchweizerischen subsidized Akademie by theder SwissGeistes- Academy und Sozialwissenschaften of Humanities and Social Sciences InternetGesamtkatalog general aufcatalogue: Internet: Academic Press Fribourg: www.paulusedition.ch Vandenhoeck & Ruprecht, Göttingen: www.v-r.de Camera-readyText und Abbildungen text prepared wurden by vomMarcia Autor Bodenmann (University of Zurich). als formatierte PDF-Daten zur Verfügung gestellt. © 2014 by Academic Press Fribourg, Fribourg Switzerland © Vandenhoeck2014 by Academic & Ruprecht Press Fribourg Göttingen Vandenhoeck & Ruprecht Göttingen ISBN: 978-3-7278-1748-9 (Academic Press Fribourg) ISBN:ISBN: 978-3-525-54388-7978-3-7278-1749-6 (Vandenhoeck(Academic Press & Ruprecht)Fribourg) ISSN:ISBN: 1015-1850978-3-525-54389-4 (Orb. biblicus (Vandenhoeck orient.) & Ruprecht) ISSN: 1015-1850 (Orb. biblicus orient.) Contents David T. Sugimoto Preface .................................................................................................... VII List of Contributors ................................................................................ X -
Foreign Deities in Egypt
UCLA UCLA Encyclopedia of Egyptology Title Foreign Deities in Egypt Permalink https://escholarship.org/uc/item/7tr1814c Journal UCLA Encyclopedia of Egyptology, 1(1) Author Zivie-Coche, Christiane Publication Date 2011-04-05 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FOREIGN DEITIES IN EGYPT المعبودات اﻻجنبية في مصر Christiane Zivie-Coche EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Zivie-Coche, 2011, Foreign Deities in Egypt. UEE. Full Citation: Zivie-Coche, Christiane, 2011, Foreign Deities in Egypt. In Jacco Dieleman, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0027fcpg 1011 Version 1, April 2011 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0027fcpg FOREIGN DEITIES IN EGYPT المعبودات اﻻجنبية في مصر Christiane Zivie-Coche Ausländische Götter in Ägypten Dieux étrangers en Égypte The presence of foreign deities in the Egyptian pantheon must be studied in the light of the openness of Egyptian polytheism and as a reflection on cultural identity. Even if Egyptian self- identity was defined as intrinsically opposed to the Other, i.e. the foreigner, Egypt always maintained contact with its neighbors, particularly Nubia and the Near East. These intercultural contacts had an effect on the religion. Since the earliest times, deities like Dedoun, Ha, or Sopdu formed an integral part of the Egyptian pantheon, so much so that their likely foreign origin is not immediately perceptible. -
Gathered Ancient Images of Set, by Joan Ann Lansberry the God Set (Aka Seth) Has Been Much of a Puzzle to Egyptologists
Gathered Ancient Images of Set, by Joan Ann Lansberry The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. It's my goal to find all his imagery and bring it together, thereby shedding new light on the Dark god. Let’s begin with the earliest images. Chicago’s Oriental Institute recorded a rock carving at Gebel Tjauti along the Theban Desert Road: John Coleman Darnell and Deborah Darnell believe it to be ‘the earliest certain depiction of this beast from the vicinity of Seth's cult center at Ombos.” (http://oi.uchicago.edu/research/pubs/ar/96-97/desert_road.html) H. Te Velde gives another example in his Seth, God of Confusion, (page 12). The 'Scorpion King' mace head, (Ashmolean Museum, Oxford; # AN1896-1908.E3632), features distinct Set animals on the top of tall standards. This piece was created about 3100 BCE, in the period immediately preceding the unification of Upper and Lower Egypt. 1 King Scorpion’s tomb at Abydos had a couple of ivory labels featuring Set animals.