{Replace with the Title of Your Dissertation}
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
Stoicism and the Virtue of Toleration
STOICISM AND THE VIRTUE OF TOLERATION John Lombardini1 Abstract: This article argues that the Stoics possessed a conception of toleration as a personal and social virtue. In contrast with previous scholarship, I argue that such a conception of toleration only emerges as a product of the novel conceptions of the vir- tue of endurance offered by Epictetus and Marcus Aurelius. The first section provides a survey of the Stoic conception of endurance in order to demonstrate how the distinc- tive treatments of endurance in Epictetus and Marcus Aurelius merit classification of a conception of toleration; the second section offers a brief reconstruction of the argu- ments for toleration in the Meditations. Introduction In his history of the concept of toleration, Rainer Forst identifies its earliest articulation with the use of tolerantia in Stoic philosophy. Though the word tolerantia first occurs in Cicero, it is used to explicate Stoic doctrine. In the Paradoxa Stoicorum, Cicero identifies the tolerantia fortunae (the endurance of what befalls one) as a virtue characteristic of the sage, and connects it with a contempt for human affairs (rerum humanarum contemptione);2 in De Finibus, endurance (toleratio) is contrasted with Epicurus’ maxim that severe pain is brief while long-lasting pain is light as a truer method for dealing with pain.3 Seneca, in his Epistulae Morales, also identifies tolerantia as a virtue, defending it as such against those Stoics who maintain that a strong endurance (fortem tolerantiam) is undesirable, and linking it -
Tuccia and Her Sieve: the Nachleben of the Vestal in Art
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË Tuccia and her sieve: The Nachleben of the Vestal in art. Sarah Eycken Presented in fulfilment of the requirements for the degree of Master of Arts in Art History Supervisor: prof. dr. Barbara Baert Lector: Katlijne Van der Stighelen Academic year 2017-2018 371.201 characters (without spaces) KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË I hereby declare that, in line with the Faculty of Arts’ code of conduct for research integrity, the work submitted here is my own original work and that any additional sources of information have been duly cited. I! Abstract This master dissertation on the Nachleben in art of the Vestal Tuccia and her sieve, tries to chart the motif’s course throughout the history of art, using a transhistorical approach excluding an exhaustive study which lies outside the confines of this paper. Nevertheless, different iconographical types of the representations of Tuccia, as well as of their relative importance, were established. The role of Tuccia in art history and, by ex- tension, literature, is not very substantial, but nonetheless significant. An interdisciplinary perspective is adopted with an emphasis on gender, literature, anthropology and religion. In the Warburgian spirit, the art forms discussed in this dissertation are various, from high art to low art: paintings, prints, emblemata, cas- soni, spalliere, etc. The research starts with a discussion on the role of the Vestal Virgins in the Roman Re- public. The tale of the Vestal Virgin Tuccia and her paradoxically impermeable sieve, which was a symbol of her chastity, has spoken to the imagination of artists throughout the ages. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
Karen Moore Gaylan Dubose with Steven L. Jones
Karen Moore Gaylan DuBose with Steven L. Jones Latin Alive!Latin Reader: Alive! LatinReader: Literature Latin Literature from Cicero from to Cicero Newton to Teacher’sNewton Edition © Classical Academic Press, 2014 Version 1.0 ISBN: 978-1-60051-200-1978-1-60051-201-8 All rights reserved. This publication may not be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior written permission of Classical Academic Press. Classical Academic Press 2151 Market Street Camp Hill, PA 17011 www.ClassicalAcademicPress.com Scripture labeled “Vulgate” is taken from the Latin Vulgate. Subject Editor: Edward J. Kotynski Project Editor: Lauraine E. Gustafson Design: Lauraine E. Gustafson Banner image courtesy of Vector4Free/vecteezy.com Puzzle piece image courtesy of Vecto2000.com team/vecteezy.com pp. 76, 78: Image of Arria et Paetus sculpture by Pierre Lepautre and Jean-Baptiste Théodon courtesy of Neuceu via wikipedia.org pp. 79, 82: Image of Saint Catherine’s Monastery, Sinai, Egypt, courtesy of Berthold Werner via wikipedia.org p. 153: Image of Cambridge University Library courtesy of McAnt via wikipedia.org p. 161: Image of mosaic of a child playing with hoops courtesy of Prioryman via wikipedia.org p. 161: Image of Girl with a Hoop by Pierre-Auguste Renoir courtesy of AgnosticPreachersKid via wikipedia.org MVP.06.14 The excellent teacher will love students, kindle their imaginations, and instill a love of learning. Such a teacher, wrote Henry Adams, “affects eternity; he can never tell where his influence stops.” I have been blessed to have three such teachers in my life. -
HISTORICAL PERSPECTIVES on Property and Land Law
HISTORICAL PERSPECTIVES on Property and Land Law EDITED BY Elisabetta Fiocchi Malaspina and Simona Tarozzi Historical Perspectives on Property and Land Law The Figuerola Institute Programme: Legal History The Programme “Legal History” of the Figuerola Institute of Social Science History –a part of the Carlos III University of Madrid– is devoted to improve the overall knowledge on the history of law from different points of view –academically, culturally, socially, and institutionally– covering both ancient and modern eras. A number of experts from several countries have participated in the Programme, bringing in their specialized knowledge and dedication to the subject of their expertise. To give a better visibility of its activities, the Programme has published in its Book Series a number of monographs on the different aspects of its academic discipline. Publisher: Carlos III University of Madrid Book Series: Legal History Editorial Committee: Manuel Ángel Bermejo Castrillo, Universidad Carlos III de Madrid Catherine Fillon, Université Jean Moulin Lyon 3 Manuel Martínez Neira, Universidad Carlos III de Madrid Carlos Petit, Universidad de Huelva Cristina Vano, Università degli studi di Napoli Federico II More information at www.uc3m.es/legal_history Historical Perspectives on Property and Land Law An Interdisciplinary Dialogue on Methods and Research Approaches Edited by Elisabetta Fiocchi Malaspina and Simona Tarozzi Dykinson 2019 Historia del derecho, 78 ISSN: 2255-5137 © Autores Editorial Dykinson c/ Meléndez Valdés, 61 – 28015 Madrid Tlf. (+34) 91 544 28 46 E-mail: [email protected] http://www.dykinson.com Preimpresión: TALLERONCE ISBN: 978-84-1324-499-0 Versión electrónica disponible en e-Archivo http://hdl.handle.net/10016/29290 Licencia Creative Commons Atribución-NoComercial-SinDerivadas 3.0 España TABLE OF CONTENT 9 Introduction Transfer of Immovable Properties, Publicity and 15 Land Law in the Age of Justinian: the Perspective of the Praetorian Prefect. -
Dedications to Double Deities Syncretism Or Simply Syntax?
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 27 | 2014 Varia Dedications to Double Deities Syncretism or simply syntax? Jenny Wallensten Electronic version URL: http://journals.openedition.org/kernos/2278 DOI: 10.4000/kernos.2278 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 November 2014 Number of pages: 159-176 ISBN: 978-2-87562-055-2 ISSN: 0776-3824 Electronic reference Jenny Wallensten, « Dedications to Double Deities », Kernos [Online], 27 | 2014, Online since 01 October 2016, connection on 04 May 2019. URL : http://journals.openedition.org/kernos/2278 ; DOI : 10.4000/ kernos.2278 This text was automatically generated on 4 May 2019. Kernos Dedications to Double Deities 1 Dedications to Double Deities Syncretism or simply syntax? Jenny Wallensten AUTHOR'S NOTE I wish to thank the participants in the Third International Martin P. Nilsson Workshop on Greek Religion, In Search of Syncretism, for their valuable comments during the discussions. I am especially grateful to Dr. Maria Mili and Prof. Robert Parker, who commented on the manuscript in previous stages. The comments of the anonymous Kernos reviewers considerably improved the article and I thank them sincerely. Composite deities and syncretism 1 Among the myriads of deities represented in the Greek epigraphic corpus can be found what might be called composite or double deities. These can initially be divided into two basic categories: firstly, non-cross-cultural composites gods such as Hera Aphrodite of Sparta or Zeus Ares of Arcadia1 and secondly, “international” multi-cultural combinations such as for example Isis Aphrodite.2 The present article focuses on three Delian votive inscriptions honouring gods of the latter category, where deities of different cultures are combined.3 In one instance, more than two gods seem to be juxtaposed, and all three cases include not only divine names, but also cult epithets. -
Performance and Rhetoric in Cicero's Philippics * in Recent Years, the Idea Of
Performance and Rhetoric in Cicero's Philippics * In recent years, the idea of 'performance' has become a more and more important concept for the analysis of literary texts, even if the notion of 'performance' in literary criticism still does not denote a single agreed theory, but is a collective term referring to a number of different aspects and methods. The performance approach seems obvious for some literary genres, like drama and also oratory, for which performance is an essential char acteristic. In the case of orations, in antiquity already a detailed doctrine of the perfect performance was established, both in theory and practice. Building on this knowledge and trying to recover the quintessential context of a speech, people have successfully attempted to explore a Roman orator's potential and to contexrualize Roman orations by reconstructing the delivery of sample speeches.' However, there are further levels of performance to be looked at in a Roman speech if the term 'performance' is understood in a more specific way: there is not only the actio that determines the performance of a complete speech; the texts of transmitted speeches also exhibit passages where the wording shows that the orator bases his argument on the performance situation, particularly by making use of the active participation of the audience. Reactions from the audience are deliberately elicited by the orator, for instance by taking on certain roles; these techniques stem from his rhetorical training (for example, ethopoiia); however, considering and commenting on these reactions subsequently yield a performative dialogue with the audience, mirrored in the text. That opens up the opportunity to reconstruct a performance situation which goes beyond identifying how rhetorical techniques have been realized by the orator. -
FACULDADE DE DIREITO DE LISBOA Exame De Direito Romano
FACULDADE DE DIREITO DE LISBOA Exame de Direito Romano (época de coincidências) 22 de Janeiro de 2015 Grupo I Explique sucintamente três (3) dos seguintes tópicos: 1. Magistraturas maiores e menores; 2. Auctoritas prudentium; 3. Lex rogata; 4. Digesto; 5. Tetrarquia. Grupo II Discorra, fundadamente, sobre a evolução histórico-institucional e as competências do Senado desde a Monarquia ao Principado. Grupo III Comente, fundadamente, o seguinte trecho. “O Direito Privado Romano dos períodos pré-clássico e clássico (…) é caracterizado como direito de juristas (…)”. Max Kaser, Direito Privado Romano2, FCG, Lisboa, 2011, § 2. II, p. 32. Cotações: Grupo I: 2valores cada questão; Grupo II: 6valores; Grupo III: 8 valores. Tópicos de correcção Os presentes tópicos de correcção não pretendem exaurir todas as vias possíveis de argumentação histórico-jurídica, mas apenas fornecer uma linha orientadora de discurso juridicamente fundamentado. Grupo I I/1. Magistraturas maiores, aquelas cujos titulares estavam investidos de auspicia maiores (censor ditador; cônsul; pretor; tribuni militum). Magistraturas menores, as restantes ou aquelas cujo magistrado era apenas titular de auspicia menores (edilidade; questura). A diferenciar da distinção entre magistraturas com imperium e sem imperium. Menção às magistraturas ordinárias e extraordinárias (o cursus honorum - critério de dignidade e eleição periódica). I/2. A criação do Direito baseada na auctoritas: o Direito romano como Direito de juristas. Distinção entre auctoritas e imperium. A distinção entre auctoritas prudentium e auctoritas patrum e auctoritas das magistraturas. I/3. Lex rogata (pública) como norma jurídica escrita; declaração solene com valor normativo emitida por órgão constitucional com competência para tal (ideia de sponsio communis), sob proposta de magistrado (rogatio). -
Flexsenhar-Mastersreport
Copyright by Michael A. Flexsenhar III 2013 The Report Committee for Michael A. Flexsenhar III Certifies that this is the approved version of the following thesis report: No Longer a Slave: Manumission in the Social World of Paul APPROVED BY SUPERVISING COMMITTEE: Supervisor: L. Michael White Steven J. Friesen No Longer a Slave: Manumission in the Social World of Paul by Michael A. Flexsenhar III, B.A., M.T.S. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2013 Dedication In memoriam Janet Ruth Flexsenhar mea avia piissima Abstract No Longer a Slave: Manumission in the Social World of Paul Michael A. Flexsenhar III, M.A. The University of Texas at Austin, 2013 Supervisor: L. Michael White The Roman Empire was a slave society. New Testament and Early Christian scholars have long recognized that slaves formed a substantial portion of the earliest Christian communities. Yet there has been extensive debate about manumission, the freeing of a slave, both in the wider context of the Roman Empire and more specifically in Paul’s context. 1 Cor. 7:20-23 is a key passage for understanding both slavery and manumission in Pauline communities, as well as Paul’s own thoughts on these two contentious issues. The pivotal verse is 1 Cor. 7:21. The majority opinion is that Paul is suggesting slaves should become free, i.e., manumitted, if they are able. In order to better understand this biblical passage and its social implications, this project explores the various types of manumissions operative the Roman world: the legal processes and results; the factors that galvanized and constrained manumissions; the political and social environment surrounding manumission in Corinth during Paul’s ministry; as well as the results of manumission as it relates to Paul’s communities. -
Roman Gems in the National Soares Dos Reis Museum in Oporto
STUDIES IN ANCIENT ART AND CIVILIZATION, VOL. 22 (2018) pp. 141-189, https://doi.org/10.12797/SAAC.22.2018.22.07 Graça Cravinho University of Lisbon ROMAN GEMS IN THE NATIONAL SOARES DOS REIS MUSEUM IN OPORTO Abstract: The 34 intaglios and cameos discussed in this paper are part of a collection of 136 gems (both Roman and Modern) we studied in 2002, with permission of the former Museum director, Mónica Baldaque, and the curator Fátima Macedo. Some of those gems are set in rings (no. 10 – Roman iron ring; no. 22 – medieval gold ring; no. 31 – modern gold ring; also 3 ceramic cameos depicting the Portuguese Queen Maria I – modern silver rings: inv. nos 74 CMP; 75 CMP and 174 MNSR) and 2 others in snuff boxes (1 ivory cameo and 1 Wedgwood cameo – inv. nos 37 MNSR and 31 MNSR, respectively). Besides them, the museum also holds a collection of 800 plaster seals. Among the types of these Roman gems, some deserve special attention: Marsyas (no. 6) – the only gem in the Portuguese Gem Corpus bearing this theme, as well as those of Athena Promachos (no. 7), Isis-Selene bust (no. 9), Socrates (no. 11), Diogenes (no. 14), eagle fighting a serpent (no. 17), shrimp and murex (no. 19), mouse (23) and confronted doves (no. 25). This last one, with its associated inscription, perhaps symbolizes the union of a couple by the bonds of matrimony. However, how did the scarab bearing a Centaur (no. 28) reach Portugal? Keywords: intaglio; cameo; re-use of gems; interpretatio graeca; wedding gem; military standards All of these 34 gems are of unknown origin.