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Evolution and Ambition in the Career of Jan Lievens (1607-1674)
ABSTRACT Title: EVOLUTION AND AMBITION IN THE CAREER OF JAN LIEVENS (1607-1674) Lloyd DeWitt, Ph.D., 2006 Directed By: Prof. Arthur K. Wheelock, Jr. Department of Art History and Archaeology The Dutch artist Jan Lievens (1607-1674) was viewed by his contemporaries as one of the most important artists of his age. Ambitious and self-confident, Lievens assimilated leading trends from Haarlem, Utrecht and Antwerp into a bold and monumental style that he refined during the late 1620s through close artistic interaction with Rembrandt van Rijn in Leiden, climaxing in a competition for a court commission. Lievens’s early Job on the Dung Heap and Raising of Lazarus demonstrate his careful adaptation of style and iconography to both theological and political conditions of his time. This much-discussed phase of Lievens’s life came to an end in 1631when Rembrandt left Leiden. Around 1631-1632 Lievens was transformed by his encounter with Anthony van Dyck, and his ambition to be a court artist led him to follow Van Dyck to London in the spring of 1632. His output of independent works in London was modest and entirely connected to Van Dyck and the English court, thus Lievens almost certainly worked in Van Dyck’s studio. In 1635, Lievens moved to Antwerp and returned to history painting, executing commissions for the Jesuits, and he also broadened his artistic vocabulary by mastering woodcut prints and landscape paintings. After a short and successful stay in Leiden in 1639, Lievens moved to Amsterdam permanently in 1644, and from 1648 until the end of his career was engaged in a string of important and prestigious civic and princely commissions in which he continued to demonstrate his aptitude for adapting to and assimilating the most current style of his day to his own somber monumentality. -
Isabel Clara Eugenia and Peter Paul Rubens’S the Triumph of the Eucharist Tapestry Series
ABSTRACT Title of Document: PIETY, POLITICS, AND PATRONAGE: ISABEL CLARA EUGENIA AND PETER PAUL RUBENS’S THE TRIUMPH OF THE EUCHARIST TAPESTRY SERIES Alexandra Billington Libby, Doctor of Philosophy, 2013 Directed By: Professor Arthur K. Wheelock, Jr., Department of Art History and Archeology This dissertation explores the circumstances that inspired the Infanta Isabel Clara Eugenia, Princess of Spain, Archduchess of Austria, and Governess General of the Southern Netherlands to commission Peter Paul Rubens’s The Triumph of the Eucharist tapestry series for the Madrid convent of the Descalzas Reales. It traces the commission of the twenty large-scale tapestries that comprise the series to the aftermath of an important victory of the Infanta’s army over the Dutch in the town of Breda. Relying on contemporary literature, studies of the Infanta’s upbringing, and the tapestries themselves, it argues that the cycle was likely conceived as an ex-voto, or gift of thanks to God for the military triumph. In my discussion, I highlight previously unrecognized temporal and thematic connections between Isabel’s many other gestures of thanks in the wake of the victory and The Triumph of the Eucharist series. I further show how Rubens invested the tapestries with imagery and a conceptual conceit that celebrated the Eucharist in ways that symbolically evoked the triumph at Breda. My study also explores the motivations behind Isabel’s decision to give the series to the Descalzas Reales. It discusses how as an ex-voto, the tapestries implicitly credited her for the triumph and, thereby, affirmed her terrestrial authority. Drawing on the history of the convent and its use by the king of Spain as both a religious and political dynastic center, it shows that the series was not only a gift to the convent, but also a gift to the king, a man with whom the Infanta had developed a tense relationship over the question of her political autonomy. -
Portraits As Objects Within Seventeenth-Century Dutch Vanitas Still Life
University of Amsterdam Graduate school of Humanities – Faculty of Humanities Arts and Culture – Dutch Art (Masters) Author: Rukshana Edwards Supervisor: Dr. E.E. P. Kolfin Second reader: Dr. A.A. Witte Language: English Date: December 1, 2015 Portraits as Objects within Seventeenth-Century Dutch Vanitas Still Life Abstract This paper is mainly concerned with the seventeenth-century Dutch vanitas still life with special attention given to its later years in 1650 – 1700. In the early period, there was significant innovation: It shaped the characteristic Dutch art of the Golden Age. The research focuses on the sub-genre of the vanitas still life, particularly the type which includes as part of its composition a human face, a physiognomic likeness by way of a print, painted portrait, painted tronie, or a sculpture. This thesis attempts to utilize this artistic tradition as a vehicle to delve into the aspects of realism and iconography in Dutch seventeenth-century art. To provide context the introduction deals with the Dutch Republic and the conditions that made this art feasible. A brief historiography of still life and vanitas still life follows. The research then delves into the still life paintings with a portrait, print or sculpture, with examples from twelve artists, and attempts to understand the relationships that exist between the objects rendered. The trends within this subject matter revolve around a master artist, other times around a city such as Haarlem, Leiden or country, England. The research looks closely at specific paintings of different artists, with a thematic focus of artist portraits, historical figures, painted tronies, and sculpture within the vanitas still life sub-genre. -
Jan Steen: the Drawing Lesson
Jan Steen THE DRAWING LESSON Jan Steen THE DRAWING LESSON John Walsh GETTY MUSEUM STUDIES ON ART Los ANGELES For my teacher Julius S. Held in gratitude Christopher Hudson, Publisher Cover: Mark Greenberg, Managing Editor Jan Steen (Dutch, 1626-1679). The Drawing Lesson, circa 1665 (detail). Oil on panel, Mollie Holtman, Editor 49.3 x 41 cm. (i93/s x i6î/4 in.). Los Angeles, Stacy Miyagawa, Production Coordinator J. Paul Getty Museum (83.PB.388). Jeffrey Cohen, Designer Lou Meluso, Photographer Frontispiece: Jan Steen. Self-Portrait, circa 1665. © 1996 The J. Paul Getty Museum Oil on canvas, 73 x 62 cm (283/4 x 243/ in.). 17985 Pacific Coast Highway 8 Amsterdam, Rijksmuseum (sK-A-383). Malibu, California 90265-5799 All works of art are reproduced (and photographs Mailing address: provided) courtesy of the owners unless other- P.O. BOX 2112 wise indicated. Santa Monica, California 90407-2112 Typography by G & S Typesetting, Inc., Library of Congress Austin, Texas Cataloging-in-Publication Data Printed by Typecraft, Inc., Pasadena, California Walsh, John, 1937- Bound by Roswell Bookbinding, Phoenix, Jan Steen : the Drawing lesson / John Walsh, Arizona p. cm.—(Getty Museum studies on art) Includes bibliographic references. ISBN 0-89326-392-4 1. Steen, Jan, 1626-1679 Drawing lesson. 2. Steen, Jan, 1626-1679—Criticism and interpretation. I. Title. II. Series. ND653.S8A64 1996 759.9492—dc20 96-3913 CIP CONTENTS Introduction i A Familiar Face 5 Picturing the Workshop 27 The Training of a Painter 43 Another Look Around 61 Notes on the Literature 78 Acknowledgments 88 Final page folds out, providing a reference color plate of The Drawing Lesson INTRODUCTION In a spacious vaulted room a painter leans over to correct a drawing by one of his two pupils, a young boy and a beautifully dressed girl, who look on [FIGURE i and FOLDOUT]. -
Introduction
Cambridge University Press 052102532X - Kingship and Favoritism in the Spain of Philip III, 1598-1621 Antonio Feros Excerpt More information Introduction ‘‘I am writing at the end of an era and the beginning of another about a monarch [Philip III] who never became a real king [de un monarca que acabo´de ser rey antes de empezar a reinar].’’¹ These words, written by one of the most distinguished and influential seventeenth-century Spanish authors, Francisco de Quevedo, represent perhaps the most famous derogatory statement ever made about Philip III of Spain (1598–1621). Quevedo’s sharp criticism extended to the royal privado,² Don Fran- cisco Go´mez de Sandoval y Rojas, better known as the Duke of Lerma,³ and also to his allies and clients, all of whom Quevedo viewed as corrupt and inept. More than personal criticism, Quevedo’s words were uttered at a time when the worth of an entire era was assessed in terms of the character and deeds of the individuals in charge of public affairs. By this criterion, Quevedo’s appraisal of Philip III, Lerma, and their allies was truly devastating. His denunciation of the king and his closest advisers relegated Philip III’s reign to a position of no historical significance, in no way comparable to the reign of Philip III’s father, the ‘‘extraordinary’’ Philip II. But Quevedo’s words cannot be read as an impartial assessment of Philip III’s reign. Rather, they must be understood within the context of contemporary ideological debates about Philip III’s and Lerma’s character and the nature of their government. -
The Jesuits and the Thirty Years War
P1: FPX CY154/Bireley-FM 0521820170 January 9, 2003 19:20 Char Count= 0 THE JESUITS AND THE THIRTY YEARS WAR KINGS, COURTS, AND CONFESSORS ROBERT BIRELEY Loyola University Chicago iii P1: FPX CY154/Bireley-FM 0521820170 January 9, 2003 19:20 Char Count= 0 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Robert Bireley 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Palatino 10/12 pt. System LATEX2ε [TB] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Bireley, Robert. The Jesuits and the Thirty Years War : kings, courts, and confessors / Robert Bireley. p. cm. Includes bibliographical references and index. ISBN 0-521-82017-0 1. Jesuits – Europe – History – 17th century. 2. Thirty Years’ War, 1618–1648. 3. Europe – History – 17th century. 4. Europe – Church history – 17th century. I. Title. BX3715 .B57 2003 -
Age of the Thirty Years War (1598-1660)
INTERNATIONAL POLITICS AND WARFARE IN THE LATE MIDDLE AGES AND EARLY MODERN EUROPE A Bibliography of Diplomatic and Military Studies William Young Chapter 5 Age of the Thirty Years War (1598-1660) Europe (1598-1660) Asch, Ronald G. The Thirty Years War: The Holy Roman Empire and Europe, 1618-1648. European History in Perspective series. New York: St. Martin’s Press, 1997. Beller, Elmer Adolph. Propaganda in Germany during the Thirty Years War. Princeton: Princeton University Press, 1940. __________. “Recent Studies on the Thirty Years War.” The Journal of Modern History 3 (March 1931): 72-83. __________. “The Thirty Years War.” In The Decline of Spain and the Thirty Years War, 1609-48/59. Volume 4 in The New Cambridge Modern History. Edited by John Phillips Cooper. Cambridge: Cambridge University Press, 1970. Bireley, Robert. The Jesuits and the Thirty Years War: Kings, Courts, and Confessors. Cambridge: Cambridge University Press, 2003. Bonney, Richard. “The Struggle for European Hegemony, 1618-1660.” Chapter 4 in The European Dynastic States, 1494-1660. The Short Oxford History of the Modern World series. Oxford: Oxford University Press, 1991. __________. The Thirty Years War, 1618-1648. Essential Histories series. Botley, England: Osprey, 2002. 1 Bussmann, Klaus and Heinz Schilling, editors. 1648: War and Peace in Europe. 3 volumes. Münster/Osnabrück, Germany: Landschaftsverband Westfälen-Lippe, Westfälisches Landesmuseum für Kunst und Kulturegeschichte, 1998. Darby, Graham. The Thirty Years War. Access to History series. London: Hodder and Stoughton, 2001. Deakin, Quentin. Expansion, War and Rebellion: Europe, 1598-1661. Cambridge Perspectives in History series. Cambridge: Cambridge University Press, 2000. Elliott, John Huxtable. -
Chapter 4 – Philip II and Spanish Hegemony (1559-1598)
INTERNATIONAL POLITICS AND WARFARE IN THE LATE MIDDLE AGES AND EARLY MODERN EUROPE A Bibliography of Diplomatic and Military Studies William Young Chapter 4 Philip II and Spanish Hegemony (1559-1598) Europe (1559-1598) Anderson, Matthew Smith. “Spanish Power and Resistance to It, 1559- 1585.” Chapter 6 in The Origins of the Modern European State System, 1494-1618. The Modern European State System series. London: Longman, 1998. __________. “Spanish Power Checked but Unbroken, 1585-1609.” Chapter 7 in The Origins of the Modern European State System, 1494-1618. The Modern European State System series. London: Longman, 1998. Bonney, Richard. “Europe in the Age of the Wars of Religion, 1559-1618.” Chapter 3 in The European Dynastic States, 1494-1660. The Short Oxford History of the Modern World series. Oxford: Oxford University Press, 1991. Elliott, John Huxtable. Europe Divided, 1559-1598. Blackwell Classic Histories of Europe series. Second edition. Oxford: Blackwell, 2000. Koenigsberger, Helmut Georg. “Western Europe and the Power of Spain.” Chapter 2 in Habsburgs and Europe, 1516-1660. Ithaca: Cornell University Press, 1971. Mattingly, Garrett. “International Diplomacy and International Law.” In Counter-Reformation and Price Revolution, 1559-1610. Volume 3 in The 1 New Cambridge Modern History. Edited by Richard Bruce Wernham. Cambridge: Cambridge University Press, 1971. O=Connell, Marvin R. The Counter Reformation, 1559-1610. Rise of Modern Europe series. New York: Harper and Row, 1974. Diplomats and Diplomacy Allison, Rayne. “A Monarchy of Letters: The Role of Royal Correspondence in English Diplomacy during the Reign of Elizabeth I.” Ph.D. thesis, University of Oxford, 2009. Bell, Gary M. -
Nationalism and the Rejection of the Morisco “Other”
THE CATHOLIC UNIVERSITY OF AMERICA One Holy Catholic and Apostolic Spain: Nationalism and the Rejection of the Morisco “Other” A DISSERTATION Submitted to the Faculty of the Department of Modern Languages and Literatures School of Arts and Sciences Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © All Rights Reserved By Kathleen E. Bartels Washington, DC 2013 One Holy Catholic and Apostolic Spain: Nationalism and the Rejection of the Morisco “Other” Kathleen E. Bartels, Ph.D. Director: Lourdes M. Alvarez, Ph.D. In the latter half of the sixteenth century, Spain’s Catholic rulers faced a problem of their own making: having forced Spain’s remaining Muslim population to convert to Christianity, these rulers now suspected that these converts, known as Moriscos, were not faithful to the crown or to their newly-adopted Catholic faith. Decades of political and theological debate concerning the Moriscos’ ensued, only to be resolved when King Philip III, in 1609, finally determined to expel the Moriscos, aiming to rid the Iberian Peninsula of their purportedly destabilizing influence. The decision was not universally popular, and out of concern that the expulsion could be undone, several clerics and men of political influence became apologists for the massive deportation campaign, justifying the expulsion and glorifying its results. The purpose of this dissertation is to explore how the treatises of the apologists Pedro Aznar Cardona (Expulsión justificada de los Moriscos españoles), Damián Fonseca (Justa expulsión de los moriscos de España), Marcos de Guadalajara y Javier (Memorable expulsión y justísimo destierro de los Moriscos de España and Prodición y destierro de los moriscos de Castilla hasta la Valle de Ricote), and Jaime Bleda (Crónica de los Moros de España) provide a foundation for the formation of a Spanish national identity based on a shared Catholic faith. -
Special List 215 1
special list 215 1 RICHARD C.RAMER Special List 215 Golden Age Spanish Literature Published in Lisbon 1590-1674 2 RICHARDrichard c. C.RAMER ramer Old and Rare Books 225 east 70th street . suite 12f . new york, n.y. 10021-5217 Email [email protected] . Website www.livroraro.com Telephones (212) 737 0222 and 737 0223 Fax (212) 288 4169 October 6, 2015 Special List 215 Golden Age Spanish Literature Published in Lisbon, 1590-1674 An asterisk (*) before an item number indicates that the item is in Lisbon. SATISFACTION GUARANTEED: All items are understood to be on approval, and may be returned within a reasonable time for any reason whatsoever. Visitors BY APPOINTMENT special list 215 3 Special List 215 Golden Age Spanish Literature Published in Lisbon, 1590-1674 Written for the Benefit of Spanish Nuns 1. CÁCERES Y SOTOMAYOR, Antonio de, O.P., ed. Paraphrasis de los Psalmos de David: reduzidos al phrasis, y modos de hablar de la lengua Española, en el sentido que los dixo el Propheta segun que los entienden los Sanctos. Dedication to D. Felipe III and prologue by Fray Luis Gonçalez, O.P. Lisbon: En la officina de Pedro Crasbeeck, 1616. Folio (27.4 x 19.6 cm.), contemporary sheep (rubbing, scraping, and other wear, especially to upper outer corner of front cover), spine gilt with raised bands in six compartments, black leather lettering piece (somewhat defective), gilt letter. Large oval woodcut of Christ on title page. Numerous wood- cut initials. Several woodcut tailpieces and typographical dividers. Typographical headpiece. Small repair to title page. -
India & Sri Lanka 2
India & Sri Lanka 2 India & Sri Lanka 2 1 frontcover: no. 57 backcover: no. 17 Ex- tensive descriptions and images available on request. All offers are without engagement and subject to prior sale. All items in this list are complete and in good condition unless stated otherwise. Any item not agreeing with the description may be returned within one week after receipt. Prices are in eur (€). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www. ilab.org/eng/ilab/code.html> New customers are requested to provide references when ordering. ANTIL UARIAAT FOR?GE> 50 Y EARSUM @>@> Tuurdijk 16 Tuurdijk 16 3997 ms ‘t Goy 3997 ms ‘t Goy The Netherlands The Netherlands Phone: +31 (0)30 6011955 Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 Fax: +31 (0)30 6011813 E-mail: [email protected] E-mail: [email protected] Web: www.forumrarebooks.com Web: www.asherbooks.com India & Sri Lanka 2 1 frontcover: no. 57 backcover: no. 17 antiquariaat FORUM & ASHER Rare Books India & Sri Lanka 2 ‘t Goy 2020 Very rare anti-semitic Indian-Jewish Robinsonade with imaginary voyages from India to Portugal, Spain and the West and East Indies 1. -
Confession and Complicity: Margarita De Austria, Richard Haller, S. J. And
Confession and complicity: Margarita de Austria, Richard Hallen S. J., and the court of Philip III” MAGDALENA SÁNCHEZ Women have not fared very well in the historiography on court politics in early modern Spain. Scholars have generally assumed that men, be they kings, councilors of state, privados, or confessors controlled court life and policy-making almost exclusively. A closer examination of Queen Margarita de Austria, wife of Philip III (1598-1621), however, reveals that our ideas about the early modern Spanish court have to be revised. Women were at the center of informal networks of influence in Spain. They had regular access to the king and to other representatives of the male political world. Most importantly of alí, Spanish royal women were quite skilled at using their family connections and their supposedly apolitical religious roles to voice their opinions and influence policy making during the reign of Philip III. No evaluation of politics in Spain in the early modern period can be complete without an expanding notion of the court and the power royal women exercised within that court. Ibis article takes up this task by examining the influence of Margarita de Austria at Philig 111’s court and her relationship witb her Jesuit confessor, Richard Hallers When Margarita de Austria arrived in Spain in 1599 to marry Philip III, she brought with her Richard Haller, her German Jesuit confessor 1-laller was supposed to return to Central Europe because Spanish royal custom dictated that the queen of Spain should have a Spanish Franciscan 1 would [ike to bank Bernardo José García García br bis comments and suggestions wbicb belped me u revising tbis anide.