The Jesuits and the Thirty Years War
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Galileo in Rome Galileo in Rome
Galileo in Rome Galileo in Rome The Rise and Fall of a Troublesome Genius William R. Shea and Mariano Artigas Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Taipei Tokyo Toronto Copyright © 2003 by Oxford University Press, Inc. First published by Oxford University Press, Inc., 2003 198 Madison Avenue, New York, New York 10016 www.oup.com Issued as an Oxford University Press paperback, 2004 ISBN 0-19-517758-4 (pbk) Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. The Library of Congress has catalogued the cloth edition as follows: Artigas, Mariano. Galileo in Rome : the rise and fall of a troublesome genius / Mariano Artigas and William R. Shea. p. cm. Includes bibliographical references and index. ISBN 0-19-516598-5 1. Galilei, Galileo, 1564-1642—Journeys—Italy—Rome. 2. Religion and science—History—16th century. 3. Astronomers—Italy—Biography. I. Shea, William R. II. Title. QB36.G2 A69 2003 520'.92—dc21 2003004247 Book design by planettheo.com 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper CONTENTS ACKNO W L E D G E M E N T S vii I N TRO D U C TIO N ix CHA P TER O N E Job Hunting and the Path -
Welcome to Christendom College's
Please read the following policies and sign at the end: 1. Rules and Regulations Agreement 2. Dress Code for ECSP 3. Transportation requirements 4. Medical Consent Form 5. Release Form 1. Rules & Regulations Agreement During the past 20 years, hundreds of high school students from all over the country have participated in a Christendom Summer Program. Many of them have said that the program was a life-changing experience as it offered them an opportunity to grow in their understanding of the Catholic Faith, to experience the joy of Christian fellowship, and to make friends for life. Due to our increasingly secular society, we are experiencing an insensitivity to many Christian values and aspects of Catholic teaching. At Christendom College, we endeavor to find and affirm the good in the midst of the challenges of modern culture. In order for our Summer Program participants to more fully immerse themselves in the Christendom experience, we require that they abide by the following rules and regulations, which serve as aids to living a truly Catholic life: 1. Practice Christian Charity: Treat all those around you with respect, honesty, charity and courtesy. This eliminates such behaviors as disrespect, bad language (cussing, swearing, cursing, profanity), gossiping, exclusivity, etc. The practice of Christian charity also includes chastity and appropriate physical interaction. Students are expected to refrain from any inappropriate and unchaste physical conduct during their time in the Program. Such behavior may be a ground for discipline and dismissal from the Program. Further, any sexual harassment or contact may also result in the involvement of law enforcement and reports to appropriate authorities where required, in addition to dismissal. -
Causes and Consequences of the Protestant Reformation Sascha O
Chapman University Chapman University Digital Commons ESI Working Papers Economic Science Institute 2016 Causes and Consequences of the Protestant Reformation Sascha O. Becker University of Warwick Steven Pfaff University of Washington Jared Rubin Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/esi_working_papers Part of the Christian Denominations and Sects Commons, Christianity Commons, Econometrics Commons, Economic Theory Commons, History of Christianity Commons, and the Other Economics Commons Recommended Citation Becker, S.O., Pfaff, S., & Rubin, J. (2016). Causes and consequences of the Protestant Reformation. ESI Working Paper 16-13. Retrieved from http://digitalcommons.chapman.edu/esi_working_papers/178 This Article is brought to you for free and open access by the Economic Science Institute at Chapman University Digital Commons. It has been accepted for inclusion in ESI Working Papers by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Causes and Consequences of the Protestant Reformation Comments Working Paper 16-13 This article is available at Chapman University Digital Commons: http://digitalcommons.chapman.edu/esi_working_papers/178 Causes and Consequences of the Protestant Reformation* Sascha O. Becker† Steven Pfaff‡ University of Warwick University of Washington Jared Rubin§ Chapman University The Protestant Reformation is one of the defining events of the last millennium. Nearly 500 years after the Reformation, its causes and consequences have seen a renewed interest in the social sciences. Research in economics, sociology, and political science increasingly uses detailed individual-level, city-level, and regional-level data to identify drivers of the adoption of the Reformation, its diffusion pattern, and its socioeconomic consequences. -
The Petite Commande of 1664: Burlesque in the Gardens of Versailles Thomasf
The Petite Commande of 1664: Burlesque in the Gardens of Versailles ThomasF. Hedin It was Pierre Francastel who christened the most famous the west (Figs. 1, 2, both showing the expanded zone four program of sculpture in the history of Versailles: the Grande years later). We know the northern end of the axis as the Commande of 1674.1 The program consisted of twenty-four Allee d'Eau. The upper half of the zone, which is divided into statues and was planned for the Parterre d'Eau, a square two identical halves, is known to us today as the Parterre du puzzle of basins that lay on the terrace in front of the main Nord (Fig. 2). The axis terminates in a round pool, known in western facade for about ten years. The puzzle itself was the sources as "le rondeau" and sometimes "le grand ron- designed by Andre Le N6tre or Charles Le Brun, or by the deau."2 The wall in back of it takes a series of ninety-degree two artists working together, but the two dozen statues were turns as it travels along, leaving two niches in the middle and designed by Le Brun alone. They break down into six quar- another to either side (Fig. 1). The woods on the pool's tets: the Elements, the Seasons, the Parts of the Day, the Parts of southern side have four right-angled niches of their own, the World, the Temperamentsof Man, and the Poems. The balancing those in the wall. On July 17, 1664, during the Grande Commande of 1674 was not the first program of construction of the wall, Le Notre informed the king by statues in the gardens of Versailles, although it certainly was memo that he was erecting an iron gate, some seventy feet the largest and most elaborate from an iconographic point of long, in the middle of it.3 Along with his text he sent a view. -
TEFAF New York Fall 2017 Stand 95 TEFAF New York — Fall 2017
TEFAF New York Fall 2017 Stand 95 TEFAF New York — fall 2017 October 27 2pm – 9pm VIP preview " 28 noon – 8pm " 29 noon – 6pm The Park Avenue Armory " 30 noon – 8pm 643 Park Avenue, at 67th Street, " 31 noon – 8pm New York City, 10065 NY November 1 noon – 6pm visit us at stand 95 Extensive descriptions and images available on request. All offers are without engagement and subject to prior sale. All items in this list are complete and in good condition unless stated otherwise. Any item not agreeing with the description may be returned within one week after receipt. Prices are us dollars ($). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer or bankcheck. Arrange- ments can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www.ilab.org/eng/ilab/code.html> New customers are requested to provide references when ordering. Tuurdijk 16 3997 ms ‘t Goy – Houten The Netherlands Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 E-mail: [email protected] Web: www.forumrarebooks.com www.forumislamicworld.com front cover no. 15 back cover no. 14 v 1.01 · 18 Oct 2017 The most important source for the Philippines and the Moluccas in the early colonial period, with matter relating to Sir Francis Drake and American voyages 1. -
Christopher Upton Phd Thesis
?@A374? 7; ?2<@@7?6 81@7; 2IQJRSOPIFQ 1$ APSON 1 @IFRJR ?TCMJSSFE GOQ SIF 3FHQFF OG =I3 BS SIF ANJUFQRJSX OG ?S$ 1NEQFVR '.-+ 5TLL MFSBEBSB GOQ SIJR JSFM JR BUBJLBCLF JN >FRFBQDI0?S1NEQFVR/5TLL@FWS BS/ ISSP/%%QFRFBQDI#QFPORJSOQX$RS#BNEQFVR$BD$TK% =LFBRF TRF SIJR JEFNSJGJFQ SO DJSF OQ LJNK SO SIJR JSFM/ ISSP/%%IEL$IBNELF$NFS%'&&()%(,)* @IJR JSFM JR PQOSFDSFE CX OQJHJNBL DOPXQJHIS STUDIES IN SCOTTISH LATIN by Christopher A. Upton Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of St. Andrews October 1984 ýýFCA ýý£ s'i ý`q. q DRE N.6 - Parentibus meis conjugique meae. Iý Christopher Allan Upton hereby certify that this thesis which is approximately 100,000 words in length has been written by men that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. ý.. 'C) : %6 date .... .... signature of candidat 1404100 I was admitted as a research student under Ordinance No. 12 on I October 1977 and as a candidate for the degree of Ph. D. on I October 1978; the higher study for which this is a record was carried out in the University of St Andrews between 1977 and 1980. $'ý.... date . .. 0&0.9 0. signature of candidat I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate to the degree of Ph. D. of the University of St Andrews and that he is qualified to submit this thesis in application for that degree. -
Inventario (1
INVENTARIO (1 - 200) 1 Scatola contenente tre fascicoli. V. segn. 1 ELETTRICE PALATINA ANNA MARIA LUISA DE’ MEDICI 1 Lettere di auguri natalizi all’elettrice palatina Anna Maria Luisa de’ Medici di: Filippo Acciaiuoli, cc.2-4; Faustina Acciaiuoli Bolognetti, cc.5-7; Isabella Acquaviva Strozzi, cc.8-10; cardinale Alessandro Albani, cc.11-13; Fi- lippo Aldrovandi Marescotti, cc.14-16; Maria Vittoria Altoviti Cor- sini, cc.17-19; Achille Angelelli, cc.20-23; Roberto Angelelli, cc.24- 26; Dorothea Angelelli Metternich, cc.27-29; Lucrezia Ansaldi Le- gnani, cc.30-32; Giovanni dell’Aquila, cc.33-35; duchessa Douariere d’Arenberg, con responsiva, cc.36-40; governatore di Grosseto Cosimo Bagnesi, cc.41-43; Andrea Barbazzi, cc.44-46; segretario della Sacra Consulta Girolamo de’ Bardi, cc.47-49; cardinale [Lodovico] Belluga, cc.50-52; Lucrezia Bentivoglio Dardinelli, cc.53-55; Maria Bergonzi Ra- nuzzi, cc.56-58; cardinale Vincenzo Bichi, cc.59-61; «re delle Due Si- Nell’inventario, il numero del pezzo è posto al centro in neretto. Alla riga successiva, in cor- cilie» Carlo VII, con responsiva, cc.62-66; vescovo di Borgo Sansepol- sivo, sono riportate la descrizione estrinseca del volume, registro o busta con il numero com- cro [Raimondo Pecchioli], cc.67-69; Camilla Borgogelli Feretti, cc.70- plessivo dei fascicoli interni e le vecchie segnature. Quando il nesso contenutistico fra i do- 72; Cosimo Bourbon del Monte, cc.73-75; baronessa de Bourscheidt, cumenti lo rendeva possibile si è dato un titolo generale - in maiuscoletto - a tutto il pezzo, con responsiva, cc.76-79; vescovo di Cagli [Gerolamo Maria Allegri], o si è trascritto, tra virgolette in maiuscoletto, il titolo originale. -
Post-Christendom, Post-Constantinian, Post-Christian…Does the Label Matter?
Post-Christendom, Post-Constantinian, Post-Christian…does the label matter? Post-Christendom The term ‘post-Christendom’ has become increasingly familiar in conversations about church and mission in contemporary western societies. Some first encountered this term in the ‘After Christendom’ series, published by Paternoster and written by members of the Anabaptist Network since 2004. 1 These books offer resources to help us understand and engage creatively with the challenges and opportunities of post-Christendom culture. But many others are also using this language, and have done so for many years, even if its significance has not been widely recognised until quite recently. ‘Post-Christendom’ appears to be a significant lens through which to view the emerging cultural landscape. However, different people use the term ‘post-Christendom’ in different ways. Sometimes this helps us engage with the issues we face; but sometimes it simply causes confusion. In the emerging church conversation, for instance, ‘post-Christendom’ is often used as if it were a synonym for post-modernity. Understanding and engaging with post-modernity is undoubtedly important, but referring to this as ‘post-Christendom’ does not aid clarity of thinking. The transition from modernity to post-modernity and from Christendom to post- Christendom confronts us with a cultural and missional ‘double whammy’. These shifts overlap, complement and reinforce each other in various ways, so we do need to explore their inter-relationship and dual impact. But post-Christendom is not the same as post- modernity. Post-Christendom presents different challenges and opportunities. The first book in the ‘After Christendom’ series offered a definition of post-Christendom: the culture that emerges as the Christian faith loses coherence within a society that has been definitively shaped by the Christian story and as the institutions that have been developed to express Christian convictions decline in influence. -
Nini, Bloodshed, and La Marescialla D'ancre
28 Nini, bloodshed, and La marescialla d’Ancre Alexander Weatherson (This article originally appeared in Donizetti Society Newsletter 88 (February 2003)) An odd advocate of so much operatic blood and tears, the mild Alessandro Nini was born in the calm of Fano on 1 November 1805, an extraordinary centre section of his musical life was to be given to the stage, the rest of it to the church. It would not be too disrespectful to describe his life as a kind of sandwich - between two pastoral layers was a filling consisting of some of the most bloodthirsty operas ever conceived. Maybe the excesses of one encouraged the seclusion of the other? He began his strange career with diffidence - drawn to religion his first steps were tentative, devoted attendance on the local priest then, fascinated by religious music - study with a local maestro, then belated admission to the Liceo Musicale di Bologna (1827) while holding appointments as Maestro di Cappella at churches in Montenovo and Ancona; this stint capped,somewhat surprisingly - between 1830 and 1837 - by a spell in St. Petersburg teaching singing. Only on his return to Italy in his early thirties did he begin composing in earnest. Was it Russia that introduced him to violence? His first operatic project - a student affair - had been innocuous enough, Clato, written at Bologna with an milk-and-water plot based on Ossian (some fragments remain), all the rest of his operas appeared between 1837 and 1847, with one exception. The list is as follows: Ida della Torre (poem by Beltrame) Venice 1837; La marescialla d’Ancre (Prati) Padua 1839; Christina di Svezia (Cammarano/Sacchero) Genova 1840; Margarita di Yorck [sic] (Sacchero) Venice 1841; Odalisa (Sacchero) Milano 1842; Virginia (Bancalari) Genova 1843, and Il corsaro (Sacchero) Torino 1847. -
Isabel Clara Eugenia and Peter Paul Rubens’S the Triumph of the Eucharist Tapestry Series
ABSTRACT Title of Document: PIETY, POLITICS, AND PATRONAGE: ISABEL CLARA EUGENIA AND PETER PAUL RUBENS’S THE TRIUMPH OF THE EUCHARIST TAPESTRY SERIES Alexandra Billington Libby, Doctor of Philosophy, 2013 Directed By: Professor Arthur K. Wheelock, Jr., Department of Art History and Archeology This dissertation explores the circumstances that inspired the Infanta Isabel Clara Eugenia, Princess of Spain, Archduchess of Austria, and Governess General of the Southern Netherlands to commission Peter Paul Rubens’s The Triumph of the Eucharist tapestry series for the Madrid convent of the Descalzas Reales. It traces the commission of the twenty large-scale tapestries that comprise the series to the aftermath of an important victory of the Infanta’s army over the Dutch in the town of Breda. Relying on contemporary literature, studies of the Infanta’s upbringing, and the tapestries themselves, it argues that the cycle was likely conceived as an ex-voto, or gift of thanks to God for the military triumph. In my discussion, I highlight previously unrecognized temporal and thematic connections between Isabel’s many other gestures of thanks in the wake of the victory and The Triumph of the Eucharist series. I further show how Rubens invested the tapestries with imagery and a conceptual conceit that celebrated the Eucharist in ways that symbolically evoked the triumph at Breda. My study also explores the motivations behind Isabel’s decision to give the series to the Descalzas Reales. It discusses how as an ex-voto, the tapestries implicitly credited her for the triumph and, thereby, affirmed her terrestrial authority. Drawing on the history of the convent and its use by the king of Spain as both a religious and political dynastic center, it shows that the series was not only a gift to the convent, but also a gift to the king, a man with whom the Infanta had developed a tense relationship over the question of her political autonomy. -
Music and the Jesuit “Way of Proceeding” in the German Counter-Reformation
journal of jesuit studies 3 (2016) 377-397 brill.com/jjs Music and the Jesuit “Way of Proceeding” in the German Counter-Reformation Alexander J. Fisher University of British Columbia [email protected] Abstract The present essay considers the Jesuits’ relationship to musical culture along the con- fessional frontier of Germany, where the immediate presence of religious difference led to an explicit marking of space and boundaries, not least through visual and aural media. While Jesuit reservations concerning the appropriate use of music were always present, individual churches and colleges soon developed ambitious musical practices aimed at embellishing the Catholic liturgy and stimulating religious affect. The pres- ent essay traces a gradual shift in Jesuit attitudes toward music between roughly 1580 and 1650, showing steady growth in the Society’s use of musical resources in churches, colleges, hymnbooks, processions, and theatrical productions in the confessionally- contested German orbit. Keywords Germany – Austria – church music – organ – devotion – Marian Congregations – hymns – catechism – theater – confessionalization The origins of the well-worn phrase “jesuita non cantat” (a Jesuit does not sing) remain obscure, but it is clear that recent decades have seen a new upsurge of scholarly interest in Jesuit music.1 It is especially instructive to 1 For example, Thomas D. Culley, S.J., Jesuits and Music: I. A Study of the Musicians Connect- ed with the German College in Rome during the 17th Century and of Their Activities in North- ern Europe (Rome-St. Louis: Jesuit Historical Institute-St. Louis University, 1970); T. Frank Kennedy, S.J., “Jesuits and Music: The European Tradition, 1547–1622” (PhD diss., University © fisher, 2016 | doi 10.1163/22141332-00303003 This is an open access article distributed under the terms of the Creative Commons Attribution- Noncommercial 4.0 Unported (CC-BY-NC 4.0) License. -
SCN Complete 73 1&2.Pdf (541.5Kb)
EVENTEENTH- ENTURY EWS SPRING - SUMMER 2015 Vol. 73 Nos. 1&2 Including THE NEO-LATIN NEWS Vol. 63, Nos. 1&2 SEVENTEENTH-CENTURY NEWS VOLUME 73, Nos. 1&2 SPRING-SUMMER, 2015 SCN, an official organ of the Milton Society of America and of the Milton Section of the Modern Language Association, is published as a double issue two times each year with the support of the English Departments of Texas A&M University. SUBMISSIONS: As a scholarly review journal, SCN publishes only commis- sioned reviews. As a service to the scholarly community, SCN also publishes news items. A current style sheet, previous volumes’ Tables of Contents, and other information all may be obtained via our home page on the World Wide Web. Books for review and queries should be sent to: Prof. Donald R. Dickson English Department 4227 Texas A&M University College Station, Texas 77843-4227 E-Mail: [email protected] http://www.english.tamu.edu/scn/ ISSN 0037-3028 SEVENTEENTH-CENTURY NEWS EDITOR DONALD R. DICKSON Texas A&M University ASSOCIATE EDITORS Michele Marrapodi, University of Palermo Patricia Marie García, University of Texas E. Joe Johnson, Clayton State University EDITORIAL ASSISTANTS Alexis L. Karlson, Texas A&M University Megan N. Pearson, Texas A&M University contents volume 73, nos. 1&2 ......................... spring-summer, 2015 Richard Rambuss, ed., The English Poems of Richard Crashaw. Review by John Mulryan ................................................................ 1 Kevin Killeen, ed., Thomas Browne. Review by Joseph L. Black ............ 4 J. R. Mulryne, The Guild and Guild Buildings of Shakespeare’s Stratford: Society: Religion, Education and Stage. Review by Scott K.