Heritage Value of Ancient Jain Caves and Monasteries Around Vaigai River of Madurai Region
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M.A. Indian Culture (Semester)
Placed at the meeting of Academic Council held on 26.03.2018 APPENDIX - AU MADURAI KAMARAJ UNIVERSITY (University with Potential for Excellence) M.A. Indian Culture (Semester) CHOICE BASED CREDIT SYSTEM REVISED SYLLABUS (With effect from the Academic Year 2018-2019) STRUCTURE OF THE SYLLABUS 1. Introduction Unity in diversity is the basic principle of Indian Culture. The uniqueness of Indian Culture is its spiritual foundation. Satya, Dharma, Shanthi, Prema and Ahimsa are the cultural traditions of ours, through which Moral and Spiritual upliftment of humanity is achieved. The Post Graduate Course in Indian Culture will be focusing on the Cultural Traditions and will be shaping the younger generation with Human Values. 2. Eligibility for Admission: Any graduate of Madurai Kamaraj University or of any university duly recognized by the Association of Indian Universities. Order of Preference: 1) A Graduate of Indian Culture 2) An Arts Graduate 3) A Science Graduate 2.1 Duration of the Programme : 2 Years 2.2. Medium of Instructions : English 3. Objectives of the Programme : Infuse the younger generation - To known about the richer Tradition and Culture of India. To inculcating ethical Spirit and Human values. To understand Character is the most precious gift ofEducation. To realize Unity in Diversity nature of India To create Secularist mind To create awareness about the Cultural monuments. To prepare for the Competitive Examinations and preferably for the Executive Officers in the H.R. and C.E. (Admn) Department. 4. Outcome of the programme Students know the Past Glory of our nation ,which in return make them confident in the world. -
Vol. No. 99 September, 2008 Print "Ahimsa Times "
AHIMSA TIMES - SEPTEMBER 2008 ISSUE - www.jainsamaj.org Page 1 of 22 Vol. No. 99 Print "Ahimsa Times " September, 2008 www.jainsamaj.org Board of Trustees Circulation + 80000 Copies( Jains Only ) Email: Ahimsa Foundation [email protected] New Matrimonial New Members Business Directory PARYUSHAN PARVA Paryushan Parva is an annual religious festival of the Jains. Considered auspicious and sacred, it is observed to deepen the awareness as a physical being in conjunction with spiritual observations Generally, Paryushan Parva falls in the month of September. In Jainisim, fasting is considered as a spiritual activity, that purify our souls, improve morality, spiritual power, increase knowledge and strengthen relationships. The purpose is to purify our souls by staying closer to our own souls, looking at our faults and asking for forgiveness for the mistakes and taking vows to minimize our faults. Also a time when Jains will review their action towards their animals, environment and every kind of soul. Paryashan Parva is an annual, sacred religious festivals of the Jains. It is celebrated with fasting reading of scriptures, observing silence etc preferably under the guidance of monks in temples Strict fasting where one has to completely abstain from food and even water is observed for a week or more. Depending upon one's capability, complete fasting spans between 8-31 days. Religious and spiritual discourses are held where tales of Lord Mahavira are narrated. The Namokar Mantra is chanted everyday. Forgiveness in as important aspect of the celebration. At the end of Fasting, al will ask for forgiveness for any violence or wrong- doings they may have imposed previous year. -
Jainism a Pictorial Guide to the Religion of Non-Violence
Flügel, Peter (1999) Review of Jainism - A Pictorial Guide to the Religion of Non-Violence by Kurt Titze (Delhi: Motilal Banarsidass, 1998). Here&Now4U . pp. 1-3 Dr. Peter Flügel on Jainism A Pictorial Guide to the Religion of Non-Violence by Kurt Titze with contributions by Klaus Bruhn Jyoti Prasad Jain Noel Q. King Vilas A. Sangave Delhi: Motilal Banarsidass, 1998. 267 pages, maps, pictures, appendices, indexes, RS 2500. ISBN: 81-208-1534-3. Kurt Titze, the author of this informative and beautifully produced volume on Jainism, is a free-lance writer, with a great admiration and sympathy for the Jain doctrine of radical non-violence, which inspired him to undertake personal visits to most of the Jain sacred sites in India over a period spanning more than three decades. The book is written from the perspective of a pilgrim, i.e. not as a academic piece of research, but as an attractive guide to be used by tourists, scholars, and devotees. By way of an imaginary journey through the subcontinent it introduces the reader to the serene beauty of the religious sites of the Jains which, in contrast to the majority of the places of worship in Hinduism, are often built in isolated mountain or desert locations, away from the buzzing life of the Indian cities (thus contributing to the peaceful atmosphere and the mystique of world renunciation surrounding them). A map at the beginning of each section offers initial orientation. The photographs taken on most sites by the author himself are accompanied by explanatory texts, which also provide useful travel information, anecdotes, personal impressions, and occasional notes on important ritual occasions. -
To Read/Download Judgment
WWW.LIVELAW.IN Writ Petition No.8310/2019 (PIL) - 1 - HIGH COURT OF MADHYA PRADESH, BENCH AT INDORE Division Bench : HON'BLE MR. JUSTICE S. C. SHARMA AND HON'BLE MR. JUSTICE SHAILENDRA SHUKLA Writ Petition No.8310/2019 (PIL) Aarsh Marg Seva Trust and Another Versus State of Madhya Pradesh and Others Counsel for the : Mr. Ashish S. Sharma, learned counsel for Parties the petitioners. Mr. Abhishek Tugnawat, learned Government Advocate for the respondents / State. Mr. Veer Kumar Jain, learned Senior Counsel with Ms. Vaishali Jain, learned counsel for the respondent No.6. Whether approved : Yes for reporting Law laid down : 1) Terapanthi is a sect of Jain religion, which carries out Jalabhishek to Jin Pratima, which is being performed since time immemorial by men in respect of idol of Bawangajaji (Tirthankar) only to ensure that the Rules of Brahmcharya are followed. The practice is integral to the temple and it is “essential religious practice” of the temple and in noway amounts to discrimination keeping in view Article 25 and 26 of the Constitution of India, which guarantees protection of the cherished liberties of faith, belief and worship to persons belonging to all religions in a secular polity. 2) Judicial review of religious practices ought not be undertaken, as the Court cannot impose its morality or rationality with respect to the form of worship of a deity. Doing so would negate the WWW.LIVELAW.IN Writ Petition No.8310/2019 (PIL) - 2 - freedom to practice one's religion according to one's faith and beliefs. It would amount to rationalising religion, faith and beliefs, which is outside the ken of Courts. -
1629119953-Jainism-2.Pdf
Jainism drishtiias.com/printpdf/jainism-2 Jainism is an ancient religion that is rooted in the philosophy that teaches the way to liberation and a path to spiritual purity and enlightenment through disciplined nonviolence to all living creatures. Origin Jainism came into prominence in 6th century B.C., when Lord Mahavira propagated the religion. There were 24 great teachers, the last of whom was Lord Mahavira. These twenty-four teachers were called Tirthankaras-people who had attained all knowledge (Moksha) while living and preached it to the people. The first Tirthankara was Rishabnatha. The word ‘Jain’ is derived from jina or jaina which means the ‘Conqueror’. Cause of Origin Hinduism had become rigid and orthodox with complex rituals and the dominance of Brahmanas. Varna system divided the society into 4 classes based on birth, where the two higher classes enjoy several privileges. Kshatriyas' reaction against the domination of the Brahmanas. Spread of new agricultural economy in north-eastern India due to the use of iron tools. Tenets of Jainism Belief in God: Jainism recognised the existence of god but placed them lower than Jina (Mahavira). It did not condemn the varna system but attempted to mitigate the evils of the varna order and the ritualistic Vedic religion. According to Mahavira, a person is born in higher or lower varna as the consequence of the sins or the virtues in the previous birth. Thus, Jainism believes in the transmigration of the soul and the theory of Karma. 1/5 Anekantavada: Emphasises that the ultimate truth and reality is complex, and has multiple- aspects i.e theory of plurality. -
Diwa Li and Jainism
October, 2016 Vol. No. 195 Ahimsa Times in World Over + 100000 The Only Jain E-Magazine Community Service for 14 Continuous Years Readership DIWA LI AND JAINISM Diwali has a very special significance in Jainism. It marks the anniversary of Nirvana of Mahavira's soul, the twenty fourth Jain Tirthankara of present cosmic age. It is celebrated at the same time as the Hindu festival of Diwali. Diwali marks the New Year for the Jain group and it likewise remembers the passing commemoration of their 24th Tirthankara Mahavira and his achievement of moksha. Mahavira attained Moksha on this day at Pavapuri on Oct. 15, 527 BCE, on Chaturdashi of Kartika, as confirmed by Tilyapannatti of Yativrashaba. Mahavira, the 24th Tirthankara of this era, revitalised Jain dharma. According to tradition, the chief disciple of Mahavira, Ganadhara Gautam Swami also attained complete knowledge (Kevala Jnana) on this day, thus making Diwali one of the most important Jain festivals. Mahavira attained his nirvana at the dawn of the amavasya (new moon). According to the Swetamber text Kalpasutra, many gods were present there, illuminating the darkness. The following night was pitch black without the light of the gods or the moon. To symbolically keep the light of their master's knowledge alive, 16 Gana-kings, 9 Malla and 9 Lichchhavi, of Kasi and Kosal, illuminated their doors. They said: "Since the light of knowledge is gone, we will make light of ordinary matter" (" Rc aW c, [ W cè Pःb ". Dipavali was mentioned in Jain books as the date of the nirvana of Mahavira. -
Rock CUT ARCHITECTURE)
1 TM Newspaper Analysis Programe WORKSHEeT -10 (UPSC PTcumMAINS-2020) (Rock CUT ARCHITECTURE) Rock Cut Architecture NEWSPAPER ANALYSIS PROGRAMME – WORK-SHEET Part - 10 Copyright © Aspire IAS All rights are reserved. No part of this document may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of Aspire lAS. 2 TM Newspaper Analysis Programe WORKSHEeT -10 (UPSC PTcumMAINS-2020) (Rock CUT ARCHITECTURE) Rock cut architecture of Bihar. Some of these caves, most of which The Rock-cut structures present the most trace back to the 3rd century BC during the rule of spectacular piece of ancient Indian art specimen. the Maurya Empire (322–185 BCE), bear Most of the rock-cut structures were closely Ashokan inscriptions. These caves from the time associated with various religions and religious of the great Indian emperor Ashoka and his activities. In the beginning, remarkable Buddhist grandson, Dasharatha speak volume of the policy and Jain rock-cut structures were built in areas of religious tolerance undertaken by the two such as Bihar in the east and Maharashtra in the emperors who were otherwise Buddhists. west. Numerous caves were excavated by the Different Jain sects also thrived under their rule. Buddhist monks for prayer and residence purposes. The best example of this is Chaityas The Barabar Caves, BIHAR (prayer halls) and viharas (monasteries). Inside The Barabar Caves are the oldest examples of these rock-cut structures, windows and balconies Buddhist rock-cut architecture. and gates were carved as huge arch shaped openings. -
Sacred Ensembles of Hoysalas
Sacred ensembles of Hoysalas March 11, 2021 Brief note on Hoysala architecture Architecture: The architecture of the Hoysalas is a hybrid of the nagara style of temple architecture of north India and the dravidian style from the South. The temples were built on platforms and had a star shaped plan. Sacred ensembles of the Hoysalas The sacred ensembles of the Hoysalas were far beyond temples for worship. They were extraordinary expressions of spiritual purpose and vehicles of spiritual practice and attainment. Set in the foothills of the hilly and forested terrain of the Western Ghats on sites of enduring sanctity, the sacred ensembles included grand and small Hindu temples designed on ancient treatises, Jaina temples, numerous secondary structures, intricate sculpture and iconography, temple dances and music, lakes and tanks, town planning with the sacred elements, and a relationship to the natural environment that was both material and symbolic.Following are the architectural marvels of Hoysalas A navaranga was usually included as a place for people to gather and participate in cultural programs such as music and dance performances, story-telling from mythology, and religious discourses. Mantapa that are pavilions or pillared halls of all sizes are a typical feature and occurred with temples and without. Kalyani or stepped wells are commonly found in the Hoysala sacred ensembles. These wells served as an important source of water and were an important architectural structure. Rathabeedi : The temple complex had rathabeedi or wide streets for processions and circumambulation of the deities on enormous chariots. Sacred Ensemble of the Hoysala at Belur Belur was the first capital city of the Hoysalas. -
Rock Art (Part-2)
Rock Art (Part-2) drishtiias.com/printpdf/rock-art-part-2 Rock Art (Part-I) Rock-Cut Architecture About: The rock-cut architecture is a type of Rock Art in which a structure is created by carving it out of solid natural rock. Cave temples and monasteries are found in many parts of India, but the largest and most famous artificial caves were excavated from Western Deccan region. It was constructed during the regime of the Satavahana rulers and their successors. Timeline: This architecture had three definite phases; The earliest dating from the 2nd century BC to 2nd century AD The second from the 5th to 7th century The last from the 7th to 10th century Significance: Rock-cut architecture occupies a very important place in the history of Indian Architecture as they present the most spectacular piece of ancient Indian art specimen. Most of the rock-cut structures were closely associated with various religions and religious activities. Numerous caves were excavated by the Buddhist monks for prayer and residence purposes. The rock-cut architecture differs from traditional buildings in many ways. It is more similar to sculpture than architecture, as structures were produced by cutting out solid rocks. The architectures are classified into Rock-Cut Caves and Rock-Cut Temple Architecture. 1/7 Rock-Cut Caves Mauryan period: The earliest rock-cut caves in India are attributed to the Mauryan period, mainly to Ashoka (273-232 BC) and his grandson Dasharath. Caves in this period were generally used as viharas, i.e. living quarters, by the Jain and Buddhist monks. -
Tamil Jains: Fluid Histories in Stone
Tamil Jains: Fluid histories in stone blogs.lse.ac.uk/southasia/2016/03/21/tamil-jains-fluid-histories-in-stone/ 2016-3-21 Tamil Jains, a minority indigenous to Tamil Nadu, face an uphill battle of protecting their unique heritage. The task has been undertaken disparately by the State, the community and NGOs. Mahima A Jain writes on the challenges of protecting Jain heritage and attempts to reshape the historical narrative. This is the second of two South Asia @ LSE articles by Mahima A Jain on the Tamil Jain community. Read her first piece ‘The Tamil Jains: A minority within a minority’ here. “When it is considered what time, what money, and labour must have been expended in cutting away the rock alone, which is of a darker colour, and much harder than the ordinary grey granite found in the South, — to say nothing of the labour required to shape the rock and carve it in this wondrous fashion, — it seems sad indeed that such a gem should be lost in so out of the way a place, where even the inhabitants ignore its very existence.” — Captain Edmund David Lyon’s reflection on Kazhugumalai in 1868. From the Big Temple in Thanjavur to the Airavatesvara temple in Darasuram and Arjuna’s Penance at Mahabalipuram, there is a long list of popular Hindu sites that have acquired primacy of position as architectural marvels. They showcase some of the best of South Indian art — the height of the Southern kingdoms of Cholas, Pandyas and Pallavas illustrated exquisitely in stone and standing tall for centuries. -
THE WORLD of CONQUERORS the History, Literature, Religion and Culture of the Jains
SUBJECT: THE WORLD OF CONQUERORS The history, literature, religion and culture of the Jains A thesis submitted to The Intercultural Open University Opeinde, The Netherlands By Dr Natubhai Shah For the doctoral degree In Jain Religion DEDICATION AS A MARK OF RESPECT AND DEVOTION TO AACAARYA VIJAY VALLABHSURISVARJI WHOSE VISION FOR THE JAIN COMMUNITY FOR EMPIRICAL AND SPIRITUAL EDUCATION HAS TRANSFORMED THOUSANDS OF YOUNG JAINS AS SUCCESSFUL CITIZENS OF THE WORLD 2 ABSTRACT ainism is the oldest extant religion in Eurasia but it is the least known in J the West. Although its teachings are as relevant in our own day as they were in the days of Mahavira who revived it more than two and half millennia ago, why this should be is almost certainly due to its small number of adherents in India: four millions plus (Jain leaders estimate twelve million and claim that it was much larger in earlier centuries of Common Era) out of a total population of nearly a billion. Jainism possesses a unique all-embracing precept from which all else flows: ahimsaa. Ahimsaa means ‘non-violence and reverence for all life’ a precept that forms the core of Jain theology; for Jains, both ascetic and lay, and it is the fundamental belief that governs their behaviour. This is supplemented by aparigraha (non-attachment to worldly possessions) and anenkaantavaada (multiplicity of views) This dissertation aims to analyse the role of Jain beliefs from their evolution in the mists of antiquity, through their reformulation by Mahavira, the last of the twenty four luminaries of Jainism in the sixth century BCE, and their historical influence on Jains and beyond up to our own times. -
Tamil Studies, Or Essays on the History of the Tamil People, Language
'^J'iiiDNVSoi^^ v/yaaAiNrtiwv" ^(?Aavaaiiiv> ^omMW -^llIBRARYd?/r. ^MEUNIVERy/A. vvlOSANCE o o \^my\^ ^OJUVJ-JO"^ ^OFCAIIFO/?^ ^OF-CAilFO/?^ ^^WE UNIVERi/^ ^lOSANCE o ^AUvHsni^ "^^^AHvaan^- ^tji^dkysoi^^ AWEUNIVER5'//. vvlOSANCElfj> ^lllBRARY6k. <rii33Nvsoi^ '^/ya3AiNn3WV %ojnvojo^ .^WEUNIVER% v^lOSANCElfj> ^^;OFCAL1FO/?^ 4sS ^, <rii30Nvsoi^ %a3AiNiiawv* ^<?Aavaaii-i^ ^IIIBRARY<9^ A^^lllBRARYQ^^ ^\^EUNIVER% ^lOSANCEl U-o ^ ^«!/0JITV3JO^ ^<!/0JnV3J0^ ^OF-CAIIFO% >;,OFCAIIFOP^ ^WEUNIVER% vvlOSANCEl o '^^Aavaaii-^'^ ^bvaaii^- <rji30Nvsoi^'^ C^ V<y lONvsoi^ %a3AiNn-3UV* ^<?AJivaaii^'^ ^^AHvaaii] ^ILIBRARYQ^ -.v^lLIBRARY6k, A\\EUNIVERS/A .vWSANCEli o = ;^ \oi\mi^'^ ^<tfOdllV3-JO^ ^TiiJOKVSOl^'^ ^OF-CALfFOMi^ .-A;OFCA[IFO/?^ .^WEUNIVERS-/// O .avaaiH^ %avHani^ <rii30Nvsoi=<^ \WEUNIVER5//, ^lOSANGElfj> 5^llIBRARY6>/\ ^lUBRARY i^ o o -< ^/5a3AINn]WV^ ^(tfOdllVDJO^ %QmH ,>\^EUNIVERS//i vvlOSANCElfx^ ^OFCAIIFO/?^ o tjLJ> o "^AddAINfl-dUV ^^Aav«aii-i^ LiBRARYQc. ^^•IIBRARYQ^ A\^EUNIVER5/A ^lOSANCEli OOr o ^<!/OJI7V3JO^ ^OFCAIIFO^^ ^OFCAIIFO/?^ aWEUNIVERS//, '^^AWaaiH'^ ^^Aavaaii-^^^ <r?]3ow.soi^'^ TAMIL STUDIES k \\ • MAP OF Ind|/\ W *|/ a u<-7 '^'^Ti /"**"" .h^'t^^iitu^yh ( D) \ \ TAMIL STUDIES OR ESSAYS ON THE HISTORY OF THE TAMIL PEOPLE, LANGUAGE, RELIGION AND LITERATURE BY M. SRINIVASA AIYANGAR, M.A. FIRST SERIES WITH MAP AND PLATE MADRAS AT THE GQARDIAN PRESS ' 1914 J[All rights reserved"} G. C. LOGANADHAM BROS, THE GUARDIAN PRESS, MADRAS D3 T3S7 To Tbe VConourable SIR HAROLD STUART, k.cy.o., C.s.i., i.c.s, /Aerober of Qouncil, /AadraS Tb'S 9olun)e 3s by Hind pern))SSion roost reSpectfutty Pedicatecf By ^bs ^utbor (Cs a bu")bte tribute of gratitude 2n5ien5io PREFACE A popular hand-book to the history, from original sources, of the Tamil people has been a want. In these essays an attempt has been made for the first time to put together the results of past researches, so as to present before the reader a complete bird's-eye view of the early history of Tamil culture and civilisation.