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Indian Archaeology 1972-73
INDIAN ARCHAEOLOGY 1972-73 —A REVIEW EDITED BY M. N. DESHPANDE Director General Archaeological Survey of India ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA NEW DELHI 1978 Cover Recently excavated caskets from Piprahwa 1978 ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA Price : Rs. 40.00 PRINTED AT NABA MUDRAN PRIVATE LTD., CALCUTTA, 700004 PREFACE Due to certain unavoidable reasons, the publication of the present issue has been delayed, for which I crave the indulgence of the readers. At the same time, I take this opportunity of informing the readers that the issue for 1973-74 is already in the Press and those for 1974-75 and 1975-76 are press-ready. It is hoped that we shall soon be up to date in the publication of the Review. As already known, the Review incorporates all the available information on the varied activities in the field of archaeology in the country and as such draws heavily on the contributions made by the organizations outside the Survey as well, viz. the Universities and other Research Institutions, including the Physical Research Laboratory, Ahmadabad and the Birbal Sahni Institute of Palaeobotany, Lucknow, and the State Departments of Archaeology. My grateful thanks are due to all contributors, including my colleagues in the Survey, who supplied the material embodied in the Review as also helped me in editing and seeing it through the Press. M. N. DESHPANDE New Delhi 1 October 1978 CONTENTS PAGE I. Explorations and Excavations ... ... ... ... ... ... ... 1 Andhra Pradesh, 1; Arunachal, 3; Bihar, 3; Delhi, 8; Gujarat, 9; Haryana, 12; Jammu and Kashmir, 13; Kerala, 14; Madhya Pradesh, 14; Maharashtra, 20; Mysore, 25; Orissa, 27; Punjab, 28; Rajasthan, 28; Tamil Nadu, 30; Uttar Pradesh, 33; West Bengal, 35. -
Hampi, Badami & Around
SCRIPT YOUR ADVENTURE in KARNATAKA WILDLIFE • WATERSPORTS • TREKS • ACTIVITIES This guide is researched and written by Supriya Sehgal 2 PLAN YOUR TRIP CONTENTS 3 Contents PLAN YOUR TRIP .................................................................. 4 Adventures in Karnataka ...........................................................6 Need to Know ........................................................................... 10 10 Top Experiences ...................................................................14 7 Days of Action .......................................................................20 BEST TRIPS ......................................................................... 22 Bengaluru, Ramanagara & Nandi Hills ...................................24 Detour: Bheemeshwari & Galibore Nature Camps ...............44 Chikkamagaluru .......................................................................46 Detour: River Tern Lodge .........................................................53 Kodagu (Coorg) .......................................................................54 Hampi, Badami & Around........................................................68 Coastal Karnataka .................................................................. 78 Detour: Agumbe .......................................................................86 Dandeli & Jog Falls ...................................................................90 Detour: Castle Rock .................................................................94 Bandipur & Nagarhole ...........................................................100 -
91 44 2744 2160 Email: [email protected] Web: (Formerly Hi Tours Mamallapuram Pvt Ltd)
Tel: + 91 44 2744 3260 / 2744 3360 / 2744 2460 Fax: 91 44 2744 2160 Email: [email protected] Web: www.travelxs.in (Formerly Hi Tours Mamallapuram Pvt Ltd) TOUR NAME: CENTRAL INDIA TOUR TOUR DAYS: 28 NIGHTS, 29 DAYS ROUTE : DELHI (ARRIVAL) – AGRA – ORCHHA – KHAJURAHO –SANCHI - UJJAIN - MANDU - MAHESHWAR – OMKARESHWAR - AJANTA - AURANGABAD - HYDERABAD – BIJAPUR – BADAMI – HAMPI – CHITRADURGA - SHARAVANBELAGOLA – BANGALORE TOUR LODGING INFO: 27 Nights Hotels, 01 Overnight Trains Accommodation will be provided on room with breakfast basis. For Lunch and dinner there would be an additional supplement. Our aforementioned quoted tour cost is based on Standard Category. Hotel list is as follows:- PLACES COVERED NUMBER OF NIGHTS STANDARD HOTELS DELHI 02 NIGHTS ASTER INN AGRA 02 NIGHTS ROYALE RESIDENCY ORCHHA 02 NIGHT SHEESH MAHAL KHAJURAHO 02 NIGHTS USHA BUNDELA SANCHI 02 NIGHTS GATEWAY RETREAT (MPTDC HOTEL) UJJAIN 02 NIGHTS SHIPRA RESIDENCY (MPTDC HOTEL) MANDU 03 NIGHTS MALWA RESORT (MPTDC HOTEL) MAHESHWAR 01 NIGHT NARMADA RESORT (MPTDC HOTEL) OMKARESHWAR 01 NIGHT NARMADA RESORT (MPTDC HOTEL) AJANTA 01 NIGHT FARDAPUR (MTDC HOTEL) AURANGABAD 01 NIGHT NEW BHARATI OVERNIGHT TRAIN 01 NIGHT HYDERABAD 02 NIGHTS HOTEL GOLKONDA BIJAPUR 01 NIGHT MADHUVAN INTERNATIONAL BADAMI 02 NIGHTS BADAMI COURT HAMPI 01 NIGHT HAMPI BOULDERS CHITRADURGA 01 NIGHT NAVEEN RESIDENCY SHARAVANBELAGOLA 01 NIGHT HOTEL RAGHU TOUR PACKAGE INCLUDES: - Accommodation on twin sharing basis. - Daily Buffet Breakfast. - All transfers / tours and excursions by AC chauffeur driven vehicle. - 2nd AC Sleeper Class Train ticket from Aurangabad - Hyderabad - All currently applicable taxes. TOUR PACKAGE DOES NOT INCLUDE: - Meals at hotels except those listed in above inclusions. - Entrances at all sight seeing spots. -
Shiva's Waterfront Temples
Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies. -
Ghfbooksouthasia.Pdf
1000 BC 500 BC AD 500 AD 1000 AD 1500 AD 2000 TAXILA Pakistan SANCHI India AJANTA CAVES India PATAN DARBAR SQUARE Nepal SIGIRIYA Sri Lanka POLONNARUWA Sri Lanka NAKO TEMPLES India JAISALMER FORT India KONARAK SUN TEMPLE India HAMPI India THATTA Pakistan UCH MONUMENT COMPLEX Pakistan AGRA FORT India SOUTH ASIA INDIA AND THE OTHER COUNTRIES OF SOUTH ASIA — PAKISTAN, SRI LANKA, BANGLADESH, NEPAL, BHUTAN —HAVE WITNESSED SOME OF THE LONGEST CONTINUOUS CIVILIZATIONS ON THE PLANET. BY THE END OF THE FOURTH CENTURY BC, THE FIRST MAJOR CONSOLIDATED CIVILIZA- TION EMERGED IN INDIA LED BY THE MAURYAN EMPIRE WHICH NEARLY ENCOMPASSED THE ENTIRE SUBCONTINENT. LATER KINGDOMS OF CHERAS, CHOLAS AND PANDYAS SAW THE RISE OF THE FIRST URBAN CENTERS. THE GUPTA KINGDOM BEGAN THE RICH DEVELOPMENT OF BUILT HERITAGE AND THE FIRST MAJOR TEMPLES INCLUDING THE SACRED STUPA AT SANCHI AND EARLY TEMPLES AT LADH KHAN. UNTIL COLONIAL TIMES, ROYAL PATRONAGE OF THE HINDU CULTURE CONSTRUCTED HUNDREDS OF MAJOR MONUMENTS INCLUDING THE IMPRESSIVE ELLORA CAVES, THE KONARAK SUN TEMPLE, AND THE MAGNIFICENT CITY AND TEMPLES OF THE GHF-SUPPORTED HAMPI WORLD HERITAGE SITE. PAKISTAN SHARES IN THE RICH HISTORY OF THE REGION WITH A WEALTH OF CULTURAL DEVELOPMENT AROUND ISLAM, INCLUDING ADVANCED MOSQUE ARCHITECTURE. GHF’S CONSER- VATION OF ASIF KHAN TOMB OF THE JAHANGIR COMPLEX IN LAHORE, PAKISTAN WILL HELP PRESERVE A STUNNING EXAMPLE OF THE GLORIOUS MOGHUL CIVILIZATION WHICH WAS ONCE CENTERED THERE. IN THE MORE REMOTE AREAS OF THE REGION, BHUTAN, SRI LANKA AND NEPAL EACH DEVELOPED A UNIQUE MONUMENTAL FORM OF WORSHIP FOR HINDUISM. THE MOST CHALLENGING ASPECT OF CONSERVATION IS THE PLETHORA OF HERITAGE SITES AND THE LACK OF RESOURCES TO COVER THE COSTS OF CONSERVATION. -
ANSWERED ON:25.11.2014 TOURIST SITES Singh Shri Rama Kishore
GOVERNMENT OF INDIA TOURISM LOK SABHA UNSTARRED QUESTION NO:403 ANSWERED ON:25.11.2014 TOURIST SITES Singh Shri Rama Kishore Will the Minister of TOURISM be pleased to state: (a) whether tourist sites have been categorised grade-wise in the country and if so, the details thereof; (b) the details of tourist sites covered under Buddhist circuit and developed as world heritage tourist sites during the last three years and the current year; (c) whether the Government has any tourism related proposals for Vaishali in Bihar including financial assistance; and (d) if so, the details thereof? Answer MINISTER OF STATE FOR TOURISM (INDEPENDENT CHARGE) (DR. MAHESH SHARMA) (a): Madam. At present there is no grade wise categorization of tourist sites. (b): The Ministry of Tourism has identified following three circuits to be developed as Buddhist Circuits in the country with the help of Central Government/State Government/Private stake holders: Circuit 1: The Dharmayatra or the Sacred Circuit - This will be a 5 to 7 days circuit and will include visits to Gaya (Bodhgaya), Varanasi (Sarnath), Kushinagar, Piparva (Kapilvastu) with a day trip to Lumbini in Nepal. Circuit 2: Extended Dharmayatra or Extended Sacred Circuit or Retracing Buddha's Footsteps - This will be a 10 to 15 day circuit and will include visits to Bodhgaya (Nalanda, Rajgir, Barabar caves, Pragbodhi Hill, Gaya), Patna (Vaishali, Lauriya Nandangarh, Lauriya Areraj, Kesariya, Patna Museum), Varanasi (Sarnath), Kushinagar, Piparva (Kapilvastu, Shravasti, Sankisa) with a day trip to Lumbini in Nepal. Circuit 3: Buddhist Heritage Trails (State Circuits). i. Jammu and Kashmir - Ladakh, Srinagar (Harwan, Parihaspora) and Jammu (Ambaran). -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
6. Art of Mauryan Period
ASHOKA THE GREAT : REPRESENTING THE ACME OF INDIAN CULTURE 1 ARTS OF THE MAURYAN PERIOD 3 Royal Palace 4 Pillars, Sculptures and Rock-cut Architecture 5 Pillars 5 LION CAPITAL, SARNATH 6 Bull Capital , Rampurva 8 Sculptures 9 DIDARGUNJ YAKSHINI 9 Yaksha, Parkham, Mathura 11 Rock Cut Cave- Lomus Rishi 12 Chaitya, karle 14 Stupas 15 Pottery 19 Coins 20 Donors and Patronage 21 ASHOKA THE GREAT : REPRESENTING THE ACME OF INDIAN CULTURE Ashoka occupies a unique place in the history of India. His policies of universal peace, non-violence and religious harmony find no parallel in the monarchs of the world. Ashoka stands out as a monarch who combined successful kingship with idealism and philosophy. Like other rulers, Ashoka too began his reign with war - the conquest of Kalinga. However, the mindless destruction of life and property in this war shattered him so greatly that he vowed never to wage any war again. Instead he adopted the policy of Dhamma Vijaya that is conquest through dhamma. Page !1 of !22 In his thirteenth major Rock Edict, Asoka states that true conquest is by piety (the quality of being religious or reverent) and virtue. Such a decision taken by a king, who lived in an era where military might was the measure of power, earned him a unique place in history. Ashoka was a true humanist. His policies were oriented towards the welfare of his people. His dhamma was based on social responsibility. Besides giving importance to respecting brahmins, and servants, obedience to elders, abstention from killing living beings, dhamma also asked people to live in religious harmony. -
Assistance to the Formulation of the Management Plan for Visitor Centres Under the Ajanta Ellora Conservation and Tourism Development Project (II) in India
Maharashtra Tourism Development Corporation, The Republic of India Assistance to the Formulation of the Management Plan for Visitor Centres under the Ajanta Ellora Conservation and Tourism Development Project (II) in India FINAL REPORT August 2010 JAPAN INTERNATIONAL COOPERATION AGENCY ORIENTAL CONSULTANTS CO., LTD. IDO JR 10-002 Maharashtra Tourism Development Corporation, The Republic of India Assistance to the Formulation of the Management Plan for Visitor Centres under the Ajanta Ellora Conservation and Tourism Development Project (II) in India FINAL REPORT August 2010 JAPAN INTERNATIONAL COOPERATION AGENCY ORIENTAL CONSULTANTS CO., LTD. PREFACE Japan International Cooperation Agency (JICA) conducted the Study on the Assistance to the Formulation of the Management Plan for Visitor Centres under the Ajanta Ellora Conservation and Tourism Development Project (II) in the Republic of India, and organized a study team headed by Mr. Yuuichi FUKUOKA of Oriental Consultants Co., Ltd. from March 2010 to August 2010. The study team held a series of discussions with the officials concerned of the Government of India, and conducted several field investigations. As a result of further studies in Japan, the present report was finalized. I hope that this report will contribute to the project and to the enhancement of friendly relations between our two countries. Finally, I wish to express my sincere appreciation to the officials concerned of the Government of the Republic of India for their close cooperation extended to the study team. August 2010 Shinichi YAMANAKA Chief Representative, JICA India Office Japan International Cooperation Agency SUMMARY SUMMARY 1. General This Summary is based on the main report which covers the findings and Operations and Management plans prepared by the JICA Study Team. -
Early Career and Different Achievements of Asoka
International Journal of Research in Social Sciences Vol. 7 Issue 9, September 2017, ISSN: 2249-2496 Impact Factor: 7.081 Journal Homepage: http://www.ijmra.us, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gage as well as in Cabell’s Directories of Publishing Opportunities, U.S.A Early career and different achievements of Asoka Manoj Malakar* Abstract Asoka was the greatest emperor in Mauriyan dynesty. He was a great patronage of Buddhism and art and architecture. This paper tries to high light about the early life and career of the great Mauryan emperor Asoka. There was lot of great emperor in Indian history, who wrote their name in golden letter in history and Asoka also one of among these rulers. Some different prominent writer had analysis about Asoka’s life and career. This paper tries to analyses how he (Asoka) began his career and got achievements during his region. This paper also tries to highlight Asoka’s Dhamma and his patronage of art and architecture during his region. This paper also tries to discuss Asoka’s patronage of Buddhism. He sent his own son and girl to Sri Lanka to spread Buddhism. Keywords: Career, Buddha Dhamma, Art and Architecture, Inscription. * Assistant Teacher & Faculty K.K.H.S.O.U. (Malaybari junior college study centre). 624 International Journal of Research in Social Sciences http://www.ijmra.us, Email: [email protected] ISSN: 2249-2496 Impact Factor: 7.081 Introduction Asoka was one of the greatest kings of India. -
Downloaded From
Address: Plot No. A-12,13, Flat No. 201, 2nd Floor, Ansal Building, Mukherjee Nagar, New Delhi, Delhi 110009 Phone No: 011-47354625/ 26, 9205274741/42, 011-49274400 Indian Art & Culture in English Buddhist Art and Architecture : Chaitya and Vihara In our previous video, we briefly took you through the history of Buddhism and also let you know about the architectural style during the spread of Buddhism. Fundamentals of Buddhism and Buddhist art, its defining principles, and notable examples from art history are talked about in these videos. Earlier we gave you an insight about the stupas and why were they important. Today we will tell you about the rest of the important features like Viharas and Chaityas. Throughout his life, Buddha spoke on the value of respect, peace, honesty, and wisdom to help others achieve a higher sense of consciousness. However, it wasn’t until after his death that artists depicted his teachings. The very first Buddhist artworks were stupas, filled with Buddha’s relics. The spiritual value of the stupas drove artists to create other statues and monuments that could serve as a place of worship and deep reflection for those looking to follow Buddha’s path. Viharas were monasteries constructed to shelter the monks. Viharas were dwelling places used by wandering monks during the rainy season but eventually they evolved into centers of learning and Buddhist architecture through the donations of wealthy lay Buddhists. Many Viharas, such as Nalanda, were world famous, and their Buddhist teachings were transmitted to other parts of Asia including China and Tibet, where Buddhism continued to flourish. -
79-20 Rorient 73 Z. 1-20.Indd
ROCZNIK ORIENTALISTYCZNY, T. LXXIII, Z. 1, 2020, (s. 119–153) DOI 10.24425/ro.2020.134049 RAJESH KUMAR SINGH (Ajanta Caves Research Programme, Dharohar, SML, Udaipur, India) ORCID: 0000-0003-4309-4943 The Earliest Two and a Half Shrine-antechambers of India Abstract The shrine antechamber is a standard component of the Indian temple architecture. It was originated in the Buddhist context, and the context was the rock-cut architecture of the Deccan and central India. The first antechamber was attempted in circa 125 CE in the Nasik Cave 17. It was patronised by Indrāgnidatta, a yavana, who possibly hailed from Bactria. The second antechamber was created in Bāgh Cave 2 in ca. late 466 CE. The patron remains unknown. The third antechamber was initiated in Ajanta Cave 16 within a few months. It was patronised by Varāhadeva, the Prime Minister of Vākāṭaka Mahārāj Hari Ṣeṇa. When the third antechamber was only half excavated, the plan was cancelled by the patron himself due to a sudden threat posed by the Alchon Hūṇs led by Mahā-Ṣāhi Khingila. The Nasik antechamber was inspired from Bactria, the Bāgh antechamber was inspired from the parrallels in the Greater Gandhāra region, whereas the Ajanta Cave 16 antechamber was inspired from Bāgh Cave 2. Keywords: Buddhist rock-cut architecture, Nasik caves, Bagh caves, Ajanta caves, shrine antechamber, central pillar, Gandhara, Alchon Hun Khingila, Vakataka Introduction This article shows how the earliest two and a half shrine-antechambers of India were developed. The shrine antechamber, as we know, is an integral part of the Indian temple architecture.