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An Antiquty of Jainism
Jainism : An Image of Antiquity Published by Shri Jain Swetamber Khartargachha Sangha, Kolkata An analytical study of the historicity, antiquity and originality Chaturmass Prabandh Samiti of the religion of Jainism of a global perspective Sheetal Nath Bhawan Gauribari Lane Kolkata - 700 004 c Dr. Lata Bothra Printed in October 2006 by : Dr. Lata Bothra Type Setting Jain Bhawan Computer Centre P-25, Kalakar Street Kolkata - 700 007 Phone : 2268-2655 Printed by Shri Bivas Datta Arunima Printing Works 81, Simla Street Kolkata - 700 006 Shri Jain Swetamber Khartargachha Sangha, Kolkata Chaturmas Prabandh Samiti Price Kolkata Rupees Fifty only continents of the worlds, regarding Jainism. Jainism is a religion which is basically revolving within the PREFACE centrifugal force of Non-violence (Ahimsa), Non- receipt (Aparigraha) and the multizonal view Through the centuries, Jainism has been the (Anekantvad), through which the concept of global mainstay of almost every religion practiced on this planet. tolerance bloomed forth. Culturally, the evidences put forward by the There was a time splendour of Jainism, as a archaeological remnants almost all over the world starting religion and an ethical lifestyle was highly prevalent in from Egypt and Babylon to Greece and Russia inevitably the early days of our continental history. The remnants prove that Jainism in its asceticism was practiced from of antiquity portray a vivid image of the global purview prehistoric days. For what reason, till today, the Jaina whereby one can conclude that Jainism in different researchers have not raised their voice and kept mum forms and images was observed in different parts of about these facts, is but a mystery to me. -
Module 1A: Uttar Pradesh History
Module 1a: Uttar Pradesh History Uttar Pradesh State Information India.. The Gangetic Plain occupies three quarters of the state. The entire Capital : Lucknow state, except for the northern region, has a tropical monsoon climate. In the Districts :70 plains, January temperatures range from 12.5°C-17.5°C and May records Languages: Hindi, Urdu, English 27.5°-32.5°C, with a maximum of 45°C. Rainfall varies from 1,000-2,000 mm in Introduction to Uttar Pradesh the east to 600-1,000 mm in the west. Uttar Pradesh has multicultural, multiracial, fabulous wealth of nature- Brief History of Uttar Pradesh hills, valleys, rivers, forests, and vast plains. Viewed as the largest tourist The epics of Hinduism, the Ramayana destination in India, Uttar Pradesh and the Mahabharata, were written in boasts of 35 million domestic tourists. Uttar Pradesh. Uttar Pradesh also had More than half of the foreign tourists, the glory of being home to Lord Buddha. who visit India every year, make it a It has now been established that point to visit this state of Taj and Ganga. Gautama Buddha spent most of his life Agra itself receives around one million in eastern Uttar Pradesh, wandering foreign tourists a year coupled with from place to place preaching his around twenty million domestic tourists. sermons. The empire of Chandra Gupta Uttar Pradesh is studded with places of Maurya extended nearly over the whole tourist attractions across a wide of Uttar Pradesh. Edicts of this period spectrum of interest to people of diverse have been found at Allahabad and interests. -
Indian-Serpent-Lore
00101402 00101402 00101402 Digitized with financial assistance from on 28 December, 2018 L' INDIAN SERPENT-LORE OR THE NAHAS IN HINDU LEGEND AND ART PLATE T. Nagaraja of A janta . {Frontispiece INDIAN SERPENT-LORE OE THE NAGAS IN HINDU LEGEND AND ART BY J. PH. VOGEL, P h.D., Profttior o f Sanskrit and Indian Archfeology in the University o f Leyden, Holland, Late Superintendent, Archaeological Survey o f India. JVITH THIRTY PLATES ARTHUR PROBSTHAIN 41 GREAT RUSSELL STREET, LONDON, W.C. 1926 f f 1 ‘ J S,. I V ’ j; I PRINTED BY STEPHEN AUSTIN & SONS, LTD.. PORE STREET, HERTFORD. TO MY FBIEND AND TEACHER, C. C. UHLENBECK, THIS VOLUME IS DEDICATED. ERRATUM. On pp. 49 ff. instead of Ka^yapa read KaSyapa. PEEFACE JT is with grateful acknowledgment that I dedicate this volume to my friend and colleague, Professor C. C. Uhlenbeck, Ph.D., who, as my guru at the University of Amsterdam, was the first to introduce me to a knowledge of the mysterious Naga world as revealed in the archaic prose of the Paushyafarvan. In the summer of the year 1901 a visit to the Kulu valley brought me face to face with people who still pay reverence to those very serpent-demons known from early Indian literature. In the course of my subsequent wanderings through the Western Himalayas, which in their remote valleys have preserved so many ancient beliefs and customs, I had ample opportunity for collecting information regarding the worship of the Nagas, as it survives up to the present day. Other nations have known or still practise this form of animal worship. -
Iasbaba 60 Day Plan 2020 –History Week 7 and 8
IASBABA 60 DAY PLAN 2020 –HISTORY WEEK 7 AND 8 60 DAYS PROGRAMME-2020 IASBABA IASBABA 60 DAY PLAN 2020 –HISTORY WEEK 7 AND 8 Q.1) Which of the following statement about Lakhudiyar rock paintings is/are correct? 1. The paintings depicted of man, animal and geometric patterns are in white, black and red ochre. 2. Hand-linked dancing human figures without superimposition are striking feature of these paintings. 3. Wavy lines, rectangle-filled geometric designs, and groups of dots can also be seen here. Select the correct answer using the code given below: a) 1 and 2 only b) 3 only c) 1 and 3 only d) 1, 2 and 3 Q.1) Solution (c) Statement 1 Statement 2 Statement 3 Correct Incorrect Correct Lakhudiyar rock shelters on Humans are represented in A long-snouted banks of the River Suyal at stick-like forms. One of the animal, a fox and a Lakhudiyar, Uttarakhand bear interesting scenes depicted here multiple legged lizard prehistoric paintings. is of hand-linked dancing are the main animal Lakhudiyar literally means one human figures. There is some motifs. Wavy lines, lakh caves. The paintings here superimposition of paintings. rectangle-filled can be divided into three The earliest are in black; over geometric designs, categories: man, animal and these are red ochre paintings and groups of dots geometric patterns in white, and the last group comprises can also be seen here. black and red ochre. white paintings. Q.2) Match the following pairs: Arts of The Indus Valley Material used 1. Dancing Girl A. -
Indian Serpent Lore Or the Nagas in Hindu Legend And
D.G.A. 79 9 INDIAN SERPENT-LOEE OR THE NAGAS IN HINDU LEGEND AND ART INDIAN SERPENT-LORE OR THE NAGAS IN HINDU LEGEND AND ART BY J. PH. A'OGEL, Ph.D., Profetsor of Sanskrit and Indian Archirology in /he Unircrsity of Leyden, Holland, ARTHUR PROBSTHAIN 41 GREAT RUSSELL STREET, LONDON, W.C. 1926 cr," 1<A{. '. ,u -.Aw i f\0 <r/ 1^ . ^ S cf! .D.I2^09S< C- w ^ PRINTED BY STEPHEN AUSTIN & SONS, LTD., FORE STREET, HERTFORD. f V 0 TO MY FRIEND AND TEACHER, C. C. UHLENBECK, THIS VOLUME IS DEDICATED. PEEFACE TT is with grateful acknowledgment that I dedicate this volume to my friend and colleague. Professor C. C. Uhlenbeck, Ph.D., who, as my guru at the University of Amsterdam, was the first to introduce me to a knowledge of the mysterious Naga world as revealed in the archaic prose of the Paushyaparvan. In the summer of the year 1901 a visit to the Kulu valley brought me face to face with people who still pay reverence to those very serpent-demons known from early Indian literature. In the course of my subsequent wanderings through the Western Himalayas, which in their remote valleys have preserved so many ancient beliefs and customs, I had ample opportunity for collecting information regarding the worship of the Nagas, as it survives up to the present day. Other nations have known or still practise this form of animal worship. But it would be difficult to quote another instance in which it takes such a prominent place in literature folk-lore, and art, as it does in India. -
Rare Jaina Sculptures of State Museum, Lucknow
Rare Jaina Sculptures of State Museum, Lucknow Brijesh Rawat1 1. Department of History, Dr. Shakuntala Misra National Rehabilitation University, Lucknow, India (Email: [email protected]) Received: 15 October 2014; Accepted: 01 November 2014; Revised: 20 November 2014 Heritage: Journal of Multidisciplinary Studies in Archaeology 2 (2014): 890-895 Abstract: This paper highlights the importance of selected exhibited objects in the State Museum, Lucknow in parlance with the Jain sculptural art in ancient India. A handful of sculptures are noteworthy for their rarity and peculiarities which are discussed in terms of iconographical characteristics and art styles. ‘Jina’ are great, courteous and lenient souls and according to Jain traditions they are called Tirthankaras. Various references in ancient literature have been examined minutely to point out the process of coining of Jain divinities and religious beliefs. Keywords: Lucknow, State Museum, Jainism, Sculptures, Tirthankaras, Iconography, Puranas Introduction The state museum of Lucknow is one of the biggest and the oldest multipurpose serving museum in India. Presently the State Museum is situated in "Geological Garden Compound Banarasi Bagh". It was founded in 1863 AD in Sikheche wali Kotthi. After 20 years it was announced to be a regional museum and was shifted to Lal Baradari near Chhatar Manzil. In 1885 AD, famous archaeologist Dr. A. Furer was appointed as the secretary of this museum. In 1950, it was named as 'State Museum, Lucknow’. Due to increase of articles, need was felt for constructing a new building for museum which was inaugurated by the then prime minister Pt. Jawahar Lal Nehru on 12th May, 1963. -
Problems of Chronology in Gandhāran Art
Rienjang and Stewart (eds) Problems of Chronology in Gandhāran Art Edited by Wannaporn Rienjang Peter Stewart Problems of Chronology in Gandhāran Art Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. -
UPSC Civil Services Prelims: Past 10 Years' Questions and Answers (2010 to 2019) Ancient Indian History, Medieval Indian History and Indian Art & Culture
UPSC Civil Services Prelims: Past 10 Years' Questions and Answers (2010 to 2019) Ancient Indian History, Medieval Indian History and Indian Art & Culture Subject No. of Ancient Indian History 14 Medieval Indian History 22 Art & Culture 46 TOTAL 82 Ancient Indian History Medieval Indian History Art & Culture SNo. Year Subject Topic Question Answer 1 2010 Culture Religious Why did Buddhism start declining in India in the early medieval A Philosophy times ? 1. Buddha was by that time considered as one of the incarnations of Vishnu and thus became a part of Vaishnavism. 2. The invading tribes from Central Asia till the time of last Gupta king adopted Hinduism and persecuted Buddhists. 3. The Kings of Gupta dynasty were strongly opposed to Buddhism. Which of the statements given above is/are correct ? (a) 1 only (b) 1 and 3 only (c) 2 and 3 only (d) 1, 2 and 3 2 2010 Culture Cave There are only two known examples of cave paintings of the Gupta A Architecture period in ancient India. One of these is paintings of Ajanta caves. Where is the other surviving example of Gupta paintings ? (a) Bagh Caves (b) Ellora Caves (c) Lomas Rishi Cave (d) Nasik Caves 3 2010 Medieval Bhakti Sufi Among the following, who was not a proponent of bhakti cult ? A Movements (a) Nagarjuna (b) Tukaram (c) Tyagaraja (d) Vallabhacharya 4 2011 Culture Religious The Jain philosophy holds that the world is created and maintained A Philosphy by: (a) Universal Law (b) Universal Truth (c) Universal Faith (d) Universal Soul 5 2011 Ancient India maintained its early cultural contacts and trade links with C Southeast Asia across the Bay of Bengal. -
Problems of Chronology in Gandhāran Art
Problems of Chronology in Gandhāran Art Proceedings of the First International Workshop of the Gandhāra Connections Project, University of Oxford, 23rd-24th March, 2017 Edited by Wannaporn Rienjang Peter Stewart Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978 1 78491 855 2 ISBN 978 1 78491 856 9 (e-Pdf) © Archaeopress and the individual authors 2018 All rights reserved. No part of this book may be reproduced or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Holywell Press, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Acknowledgements ������������������������������������������������������������������������������������������������������������������������iii Note on orthography ���������������������������������������������������������������������������������������������������������������������iii Contributors �����������������������������������������������������������������������������������������������������������������������������������iii Introduction ������������������������������������������������������������������������������������������������������������������������������������ 1 Wannaporn Rienjang and Peter Stewart Numismatic evidence and the date of Kaniṣka I ���������������������������������������������������������������������������� 7 Joe Cribb -
10.1: Literature: Sanskrit, Pali, Prakrit and Tamil 10.2: Scientific and Technical Treatises Author: Dr
Subject: History Lesson: Cultural development Course Developers : 10.1: Literature: Sanskrit, Pali, Prakrit and Tamil 10.2: Scientific and technical treatises Author: Dr. Shonaleeka Kaul Assistant Professor, Department of History, University of Delhi 10.3: Understanding Indian art: changing perspectives Author: Dr. Parul Pandya Dhar Associate Professor, Department of History, University of Delhi 10.4: Art and architecture: patronage 10.5: The Mauryan phase: monumental architecture, stone sculpture and terracottas Author: Dr. Snigdha Singh Associate Professor, Miranda House, University of Delhi 10.6: The early stupa: Sanchi,Bharhut, Amaravati and Nagarjunakonda 10.7: The rock-cut cave: Western Ghats, Udayagiri and Khandagiri 10.8: Sculpture: regional styles (up to c. 300 CE): Gandhara, Mathura and Amaravati Author: Dr. Devika Rangachari Post-Doctoral Fellow, Department of History, University of Delhi, and writer 10.9: Rock cut caves: architecture, sculpture, painting 10.10: Temple architecture, c. 300 - 750 CE 10.11: Ancient Indian sculpture, c. 300 - 700 CE Author: Sanjukta Datta Ph.D Scholar, Department of History, University of Delhi Language Editor: Veena Sachdev Production Editor: Ashutosh Kumar Assistant Professor, Lady Shri Ram College, University of Delhi NOTE: The dates in modern historical writings are generally given according to the Christian calendar. In recent years, the use of AD (Anno Domini) and BC (Before Christ) has to some extent been replaced by BCE (Before Common Era) and CE (Common Era). Both usages are acceptable, -
Jain Journal 2014-2015.Pmd
3 4 JAIN JOURNAL : VOL-XLIX, NO. 1-IV JULY 2014-JUNE 2015 A Quarterly on Jainology JAIN JOURNAL Vol. XLIX No. I-IV July 2014-June 2015 Rupees Twenty Copyright of research articles, book reviews etc. published in the Jain Journal is reserved. A Peer Reviewed Research Quarterly All contributions, which must be type-written, and correspondence Vol. 49 No. 1-4 July 2014-June 2015 regarding contributions, and book-reviews should be addressed to the Editor, Jain Journal, P-25 Kalakar Street, Kolkata-700 007. For advertisement and subscription please write to the Secretary, Jain Bhawan, P-25 Kalakar Street, Kolkata-700007. E-mail : [email protected] Website : www.jainbhawan.in Subscription : for one year : Rs. 500.00 Life membership : India : Rs. 5000.00 Cheques must be drawn in favour of only Jain Bhawan payable at Kolkata Phone No : (033) 2268 2655. Published by Satya Ranjan Banerjee on behalf of Jain Bhawan from P-25 Kalakar Street, Kolkata-700 007, and composed by Jain Bhawan Computer Centre and printed by him at Arunima Printing Works, 81 Simla Street, Kolkata-700 006. JAIN BHAWAN CALCUTTA Editor : Dr Satya Ranjan Banerjee Joint Editor : Dr Anupam Jash 5 6 JAIN JOURNAL : VOL-XLIX, NO. 1-IV JULY 2014-JUNE 2015 Contents NEED OF THE DAY-COMPARATIVE STUDY OF INDIC-RELIGIONS 7 Prof. Sagarmal Jain KARUNA AND THE SIGNIFICANCE OF ITS 12 SOCIAL INPLEMENTATION Dulichand Jain Editorial Board : TRANSMIGRATION, EVOLUTION AND 19 JAIN KARMA DOCTRINE 1. Dr. Satyaranjan Banerjee Dr. Subhash C. Jain 2. Dr. Sagarmal Jain IMPACT OF JAINISM ON ENVIRONMENTAL 3. -
History of Jainism
A HISTORY OF THE JAINS ASHIM KUMAR ROY 1984 First Published 1984 GITANJALI PUBLISHING HOUSE 2/12 Vikram Vihar Lajpat Nagar IV, New Delhi-110024 Ashim Kumar Roy GITANJALI PUBLISHING HOUSE NEW DELHI PRINTED BY RISE PRESS PRINTERS DESIGNERS PUBLISHERS 902/290 SHALAMAR INDUSTRIAL AREA P O NEW SUBZI MANDI DELHI 110033 INTRODUCTION In the sixth century BC Buddhism had just been founded. The Vedic religion was almost getting extinct and Hinduism as we know it today was at a nebulous stage. Jainism at that time was not only a mature and living religion but also one claiming a hoary antiquity. All its tenets had fully developed by that time and these tenets have remained almost unchanged all these 2500 years. Jainism is thus the oldest living religion of India. But age alone is not what gives importance to Jainism. This religion is important because it has greatly influenced practically all-religious thinking of India. If, as is thought by many, the spirit of Indian religious life was 'life and world negating' it might be said that it was mainly due to the influence of Jainism and similar other religions of that time on Indian thought. It also shows the triumph of the Jain spirit over the 'life and world affirming' attitude of the Vedic people who failed to divert the main stream of Indian religious thinking from pessimism to an optimistic and joyous path. The aversion to the killing of animals, the belief that all ascetics are holy people (and conversely that a person in order to be holy should be an ascetic), the theory of the transmigration of the soul, and that 'getting born in this world is itself a punishment' all these are parts of Hindu thinking.