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Nalanda University: a University for the 21St Century
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Nalanda University: A University for the 21st Century Anjana Sharma The name Nalanda is an icon for cross-cultural interactions and intra-regional connectivity around the globe. Located in Bihar, India, near the site where the Buddha attained enlightenment, the centre of learning at Nalanda was a major hub for educational and intellectual exchange and the creation and dissemination of knowledge among Asian societies from the fifth to the twelfth centuries CE. It received students from across Asia, stimulated intellectual, scientific, and religious dialogues, and dispatched missionaries and scholars to the leading Buddhist centres of Asia. Later generations have called this centre of learning “Nalanda University” and described it as the world’s first educational institution of higher learning. When after an eight hundred year existence it was destroyed by an act of war, Nalanda lived on for another eight hundred years only in the shared cultural memory of India and Asian countries. It stood as a living symbol of a time of an inter connected Asia, of an Asia that did not then define itself against the paradigms of the emergent and monolithic model of higher education that holds sway today. Uncomfortable though this fact may be, what we have to accept today is faultlines created by the overwhelming force of multiple colonialisms—across Asian countries—that have altered the way we establish universities and has given to us today, what can only be decribed unflatteringly, as an imitative Asian model of the university. -
Shiva's Waterfront Temples
Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies. -
Washington Buddhist Vihara Winter2008
Quarterly Newsletter of the Washington Buddhist Vihara Winter2008 -Dedication- This issue of The Washington Buddhist is dedicated to commemorate Arahant Sanghamitta, whose day we celebrated on Sunday March 23, 2008. When Emperor Asoka (3rd Century B.C.) was crown prince, he married a beautiful princess and had two children: Prince Mahinda and Princess Sanghamitta. Both of these royal children joined the Sangha. Emperor Asoka sent his own son, Ven. Mahinda, as a missionary to Sri Lanka, where his mission was very successful. Among his new converts was Princess Anula (Sotapanna) who requested ordination. Ven. Mahinda sent for his sister, Ven.Sanghamitta. King Asoka cordially sent Ven. Sanghamitta with ten other learned bhikkhunis to give ordination to the Sri Lankan princess and her retinue. Ven.Sanghamitta is considered the first bhikkhuni to carry the ordination lineage to Sri Lanka, where the lineage was well established. In 433 A.D. the Sri Lankan lineage went to establish the bhikkhuni lineage in China; this lineage has been kept alive up to present. History tells us that Ven. Sanghamitta carried a branch taken from the south side of the Bodhi tree, the tree under which the Buddha achieved enlightenment, to Sri Lanka. This tree has the longest recorded history of any tree in the world. The Bodhi tree can still be seen in Anuradhapura, Sri Lanka today, and is one of the most valued and respected Buddhist treasures. 2 N E W S The L E T T E R Vol. 40. Issue 1. Spring 2008 Table of Contents The Washington Buddhist Dedication 2 The Washington Buddhist is Table of Contents 3 published bi-annually at the Vihara Schedule 4 Washington Buddhist Vihara, 5017 Notes and News 5 16th St., NW, Washington, DC Silence in Buddhism 20011,Vihara U.S.A. -
Adopt a Heritage Project - List of Adarsh Monuments
Adopt a Heritage Project - List of Adarsh Monuments Monument Mitras are invited under the Adopt a Heritage project for selecting/opting monuments from the below list of Adarsh Monuments under the protection of Archaeological Survey of India. As provided under the Adopta Heritage guidelines, a prospective Monument Mitra needs to opt for monuments under a package. i.e Green monument has to be accompanied with a monument from the Blue or Orange Category. For further details please refer to project guidelines at https://www.adoptaheritage.in/pdf/adopt-a-Heritage-Project-Guidelines.pdf Please put forth your EoI (Expression of Interest) for selected sites, as prescribed in the format available for download on the Adopt a Heritage website: https://adoptaheritage.in/ Sl.No Name of Monument Image Historical Information Category The Veerabhadra temple is in Lepakshi in the Anantapur district of the Indian state of Andhra Virabhadra Temple, Pradesh. Built in the 16th century, the architectural Lepakshi Dist. features of the temple are in the Vijayanagara style 1 Orange Anantpur, Andhra with profusion of carvings and paintings at almost Pradesh every exposed surface of the temple. It is one of the centrally protected monumemts of national importance. 1 | Page Nagarjunakonda is a historical town, now an island located near Nagarjuna Sagar in Guntur district of Nagarjunakonda, 2 the Indian state of Andhra Pradesh, near the state Orange Andhra Pradesh border with Telangana. It is 160 km west of another important historic site Amaravati Stupa. Salihundam, a historically important Buddhist Bhuddist Remains, monument and a major tourist attraction is a village 3 Salihundum, Andhra lying on top of the hill on the south bank of the Orange Pradesh Vamsadhara River. -
Evidence from Ancient Indian Art
Antiquity of Sailing Ships of the IndianOcean: Evidence from ancient Indian art Dr. Alok Tripathi Underwater Archaeology Wing Archaeological Survey of India ndia has an exceptionally varied and rich art heritage. Varieties of themes depicted in art throw light on various aspects of human history. A number of ships, including sailing ships, have been found depicted in ancient Indian art in the form of terracotta models, Ibas-reliefs, seals, sealing and plaques, paintings on pots and walls, sculptural panels, represen- tation on coins, etc. These representations of ships are in different art media and are widely spread in time, from prehistoric period to the recent past, and space. Such representations in art reveal useful information about the use of sails and development of sailing ships through the ages. The ancient Indian art tradition was not confined to India but also spread as far as Southeast Asia. A systematic study of these representations may help to reconstruct the long maritime history in the Indian Ocean. Although, archaeological explorations and excavations conducted in India so far have not yielded many ancient boats or ships, some of the excavated structures have been identified as evidence of maritime activities during the ancient period. In the absence of sufficient archae- ological evidence it is difficult to reconstruct the long maritime history of the subcontinent having the most prominent position in the Indian Ocean. Systematic study of archaeological evidence, literary references and the study of ancient representations may contribute signifi- cantly to the understanding of the evolution and development of shipping and shipbuilding technology. Representations of ships and boats in Indian art also provide a continuous histo- ry of shipping in India from the Mesolithic to the recent period.(1) Some of the depictions exhibit the actual picture of ships of those days. -
Government of India Ministry of Culture Lok Sabha Unstarred Question No.3721 to Be Answered on 19.03.2018
GOVERNMENT OF INDIA MINISTRY OF CULTURE LOK SABHA UNSTARRED QUESTION NO.3721 TO BE ANSWERED ON 19.03.2018 PROJECTS OF CULTURAL IMPORTANCE IN ANDHRA PRADESH 3721: SHRI RAM MOHAN NAIDU KINJARAPU: Will the Minister of CULTURE be pleased to state: a) the projects or schemes that the Ministry of Culture has undertaken in Andhra Pradesh during the last three years; b) whether the Government is aware that there are many sites of cultural importance in the district of Srikakulam in Andhra Pradesh; and c) if so, the details thereof along with the steps taken/being taken for their development? ANSWER MINISTER OF STATE (IC) FOR CULTURE AND MINISTER OF STATE FOR ENVIRONMENT, FOREST AND CLIMATE CHANGE (DR MAHESH SHARMA) (a): Ministry of Culture has a number of Schemes formulated for promotion and preservation of various art forms and culture in the country. The Ministry, however, does not have any State specific scheme for promotion of art forms and culture. Ministry of Culture has provided funds for (a) setting up of Model Library to State Regional Library, Guntur and to Regional Library, Rajmundry under National Mission on Libraries and (b) funds have been provided for setting up of Padamshree Kalluri Subbarao Memorial District Archaeological Museum, Anantpur. (b) & (c): There are five centrally protected monuments located in the district of Srikakulam of Andhra Pradesh, namely (i) Mukhalingeshwara, Bhimeswara Temple, Mukhalingam, (ii) Sri Someshwara Temple, Mukhalingam, (iii) Ancient Buddhist site at Kalingapatnam, (iv) Buddhist remains on the hill, Salihundam, (v) Eastern portion of Salihundam hill containing Buddhist remains, Salihundam. Regular maintenance, preservation and conservation works of protected monuments of Archaeological Survey of India in Srikakulam district is undertaken as per the availability of funds and manpower. -
Early Career and Different Achievements of Asoka
International Journal of Research in Social Sciences Vol. 7 Issue 9, September 2017, ISSN: 2249-2496 Impact Factor: 7.081 Journal Homepage: http://www.ijmra.us, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gage as well as in Cabell’s Directories of Publishing Opportunities, U.S.A Early career and different achievements of Asoka Manoj Malakar* Abstract Asoka was the greatest emperor in Mauriyan dynesty. He was a great patronage of Buddhism and art and architecture. This paper tries to high light about the early life and career of the great Mauryan emperor Asoka. There was lot of great emperor in Indian history, who wrote their name in golden letter in history and Asoka also one of among these rulers. Some different prominent writer had analysis about Asoka’s life and career. This paper tries to analyses how he (Asoka) began his career and got achievements during his region. This paper also tries to highlight Asoka’s Dhamma and his patronage of art and architecture during his region. This paper also tries to discuss Asoka’s patronage of Buddhism. He sent his own son and girl to Sri Lanka to spread Buddhism. Keywords: Career, Buddha Dhamma, Art and Architecture, Inscription. * Assistant Teacher & Faculty K.K.H.S.O.U. (Malaybari junior college study centre). 624 International Journal of Research in Social Sciences http://www.ijmra.us, Email: [email protected] ISSN: 2249-2496 Impact Factor: 7.081 Introduction Asoka was one of the greatest kings of India. -
Downloaded From
Address: Plot No. A-12,13, Flat No. 201, 2nd Floor, Ansal Building, Mukherjee Nagar, New Delhi, Delhi 110009 Phone No: 011-47354625/ 26, 9205274741/42, 011-49274400 Indian Art & Culture in English Buddhist Art and Architecture : Chaitya and Vihara In our previous video, we briefly took you through the history of Buddhism and also let you know about the architectural style during the spread of Buddhism. Fundamentals of Buddhism and Buddhist art, its defining principles, and notable examples from art history are talked about in these videos. Earlier we gave you an insight about the stupas and why were they important. Today we will tell you about the rest of the important features like Viharas and Chaityas. Throughout his life, Buddha spoke on the value of respect, peace, honesty, and wisdom to help others achieve a higher sense of consciousness. However, it wasn’t until after his death that artists depicted his teachings. The very first Buddhist artworks were stupas, filled with Buddha’s relics. The spiritual value of the stupas drove artists to create other statues and monuments that could serve as a place of worship and deep reflection for those looking to follow Buddha’s path. Viharas were monasteries constructed to shelter the monks. Viharas were dwelling places used by wandering monks during the rainy season but eventually they evolved into centers of learning and Buddhist architecture through the donations of wealthy lay Buddhists. Many Viharas, such as Nalanda, were world famous, and their Buddhist teachings were transmitted to other parts of Asia including China and Tibet, where Buddhism continued to flourish. -
Reclaiming Buddhist Sites in Modern India: Pilgrimage and Tourism in Sarnath and Bodhgaya
RECLAIMING BUDDHIST SITES IN MODERN INDIA: PILGRIMAGE AND TOURISM IN SARNATH AND BODHGAYA RUTIKA GANDHI Bachelor of Arts, University of Lethbridge, 2014 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfilment of the Requirements for the Degree MASTER OF ARTS Department of Religious Studies University of Lethbridge LETHBRIDGE, ALBERTA, CANADA ©Rutika Gandhi, 2018 RECLAIMING BUDDHIST SITES IN MODERN INDIA: PILGRIMAGE AND TOURISM IN SARNATH AND BODHGAYA RUTIKA GANDHI Date of Defence: August 23, 2018 Dr. John Harding Associate Professor Ph.D. Supervisor Dr. Hillary Rodrigues Professor Ph.D. Thesis Examination Committee Member Dr. James MacKenzie Associate Professor Ph.D. Thesis Examination Committee Member Dr. James Linville Associate Professor Ph.D. Chair, Thesis Examination Committee Dedication This thesis is dedicated to my beloved mummy and papa, I am grateful to my parents for being so understanding and supportive throughout this journey. iii Abstract The promotion of Buddhist pilgrimage sites by the Government of India and the Ministry of Tourism has accelerated since the launch of the Incredible India Campaign in 2002. This thesis focuses on two sites, Sarnath and Bodhgaya, which have been subject to contestations that precede the nation-state’s efforts at gaining economic revenue. The Hindu-Buddhist dispute over the Buddha’s image, the Saivite occupation of the Mahabodhi Temple in Bodhgaya, and Anagarika Dharmapala’s attempts at reclaiming several Buddhist sites in India have led to conflicting views, motivations, and interpretations. For the purpose of this thesis, I identify the primary national and transnational stakeholders who have contributed to differing views about the sacred geography of Buddhism in India. -
Journal of the Oxford Centre for Buddhist Studies, Vol. 2, May 2012
VOLUME 2 (MAY 2012) ISSN: 2047-1076! ! Journal of the ! ! Oxford ! ! ! Centre for ! ! Buddhist ! ! Studies ! ! ! ! ! ! ! ! ! ! The Oxford Centre for ! Buddhist Studies A Recognised Independent http://www.ocbs.org/ Centre of the University of Oxford! JOURNAL OF THE OXFORD CENTRE FOR BUDDHIST STUDIES May Journal of the Oxford Centre for Buddhist Studies Volume May : - Published by the Oxford Centre for Buddhist Studies www.ocbs.org Wolfson College, Linton Road, Oxford, , United Kingdom Authors retain copyright of their articles. Editorial Board Prof. Richard Gombrich (General Editor): [email protected] Dr Tse-fu Kuan: [email protected] Dr Karma Phuntsho: [email protected] Dr Noa Ronkin: [email protected] Dr Alex Wynne: [email protected] All submissions should be sent to: [email protected]. Production team Operations and Development Manager: Steven Egan Production Manager: Dr Tomoyuki Kono Development Consultant: Dr Paola Tinti Annual subscription rates Students: Individuals: Institutions: Universities: Countries from the following list receive discount on all the above prices: Bangladesh, Burma, Laos, India, Nepal, Sri Lanka, ailand, Cambodia, Vietnam, In- donesia, Pakistan, all African Countries For more information on subscriptions, please go to www.ocbs.org/journal. Contents Contents List of Contributors Editorial. R G Teaching the Abhidharma in the Heaven of the irty-three, e Buddha and his Mother. A Burning Yourself: Paticca. Samuppāda as a Description of the Arising of a False Sense of Self Modeled on Vedic Rituals. L B A comparison of the Chinese and Pāli versions of the Bala Samyukta. , a collection of early Buddhist discourses on “Powers” (Bala). -
Ancient - Art and Culture
ANCIENT - ART AND CULTURE CAVE ARCHITECTURE: First known example - mauryan age Ashoka - stupas and chaitya halls lost their original form Prominent - chaitya halls with inscriptions of Asoka and Dasaratha CAVES: SUDAMA / NYAGODH CAVE: Barabar hills Ashoka to Ajivikas Rectangular chamber connected to circular chamber Earliest example of rock cut method - exact translation of Wood carving on stone LOMASA RISHI CAVE: Nagarjuni hills Mauryan period Frieze of elephants BHAJA CAVE: Oldest deccan cave Deep upsidal wall Octagonal pillars Curved ribs- barrel vaulting of wooden buildings Gate- façade like a gable End - small stupa KARLE CAVE: Great chaitya hall Pillars - square stepped plinth Capitals of horses/elephants to support roof which has ribs to Represent barrel vaulting Gate - carvings and large window Sangharama - monastery ELLORA CAVE: Cut by the buddhists ELEPHANTA CAVE: Trimurthi of shiva Culture-Architecture Page 1 ELEPHANTA CAVE: Trimurthi of shiva CAVE TEMPLE OF MANDAGAPATTU: Built by Mahendravarman I PANCHA PANDAVA CAVE: Mamallapuram Bas relief ARJUNA PENACE: Also known as descent of ganga Built by pallavas UDAYAGIRI AND KANDHAGIRI CAVES OF ORISSA Built by jains Hathi gumpha, rani gumpha and ganesha gumpha caves • Rock cut caves - barabar and nagarjuni hills - earlest example is sudama cave • Nagarjuni hills - 3 caves discovered - dedicated to monks of ajivika sect by dasaratha(grandson of Asoka) - largest cave is Gopi cave or milkmaid's cave - reactangular hall with barrel vaulted roof and with -
Association of Buddhist Studies
JIABS Journal of the International Association of Buddhist Studies Volume 36 / 37 2013 / 2014 (2015) The Journal of the International EDITORIAL BOARD Association of Buddhist Studies (ISSN 0193-600XX) is the organ of the International Association of KELLNER Birgit Buddhist Studies, Inc. As a peer- STRAUCH Ingo reviewed journal, it welcomes scholarly Joint Editors contributions pertaining to all facets of Buddhist Studies. JIABS is published yearly. BUSWELL Robert CHEN Jinhua The JIABS is now available online in open access at http://journals.ub.uni- COLLINS Steven heidelberg.de/index.php/jiabs. Articles COX Collett become available online for free 24 months after their appearance in print. GÓMEZ Luis O. Current articles are not accessible on- HARRISON Paul line. Subscribers can choose between VON HINÜBER Oskar receiving new issues in print or as PDF. JACKSON Roger Manuscripts should preferably be JAINI Padmanabh S. submitted as e-mail attachments to: KATSURA Shōryū [email protected] as one single file, complete with footnotes and references, KUO Li-ying in two different formats: in PDF-format, LOPEZ, Jr. Donald S. and in Rich-Text-Format (RTF) or MACDONALD Alexander Open-Document-Format (created e.g. by Open Office). SCHERRER-SCHAUB Cristina SEYFORT RUEGG David Address subscription orders and dues, SHARF Robert changes of address, and business correspondence (including advertising STEINKELLNER Ernst orders) to: TILLEMANS Tom Dr. Danielle Feller, IABS Assistant-Treasurer, IABS Department of Slavic and South Asian Studies (SLAS) Cover: Cristina Scherrer-Schaub Anthropole University of Lausanne Font: “Gandhari Unicode” CH-1015 Lausanne, Switzerland designed by Andrew Glass E-mail: [email protected] (http://andrewglass.org/fonts.php) Web: http://www.iabsinfo.net © Copyright 2015 by the Subscriptions to JIABS are USD 65 per International Association of year for individuals and USD 105 per Buddhist Studies, Inc.