Evolution of Eyepieces
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Official Publication of the Optometric Historical Society
Official Publication of the Optometric Historical Society Hindsight: Journal of Optometry History publishes material on the history of optometry and related topics. As the official publication of the Optometric Historical Society, Hindsight: Journal of Optometry History supports the purposes and functions of the Optometric Historical Society. The purposes of the Optometric Historical Society, according to its by-laws, are: ● to encourage the collection and preservation of materials relating to the history of optometry, ● to assist in securing and documenting the recollections of those who participated in the development of optometry, ● to encourage and assist in the care of archives of optometric interest, ● to identify and mark sites, landmarks, monuments, and structures of significance in optometric development, and ● to shed honor and recognition on persons, groups, and agencies making notable contributions toward the goals of the society. Officers and Board of Trustees of the Optometric Historical Society (with years of expiration of their terms on the Board in parentheses): President: John F. Amos (2015), email address: [email protected] Vice-President: Alden Norm Haffner (2014) Secretary-Treasurer: Chuck Haine (2016) Trustees: Jerry Abrams (2013) Arol Augsburger (2013) Irving Bennett (2016) Jay M. Enoch (2014) Morton Greenspoon (2015) Alfred Rosenbloom (2015) The official publication of the Optometric Historical Society, published quarterly since its beginning, was previously titled: Newsletter of the Optometric Historical Society, 1970-1991 (volumes 1-22), and Hindsight: Newsletter of the Optometric Historical Society, 1992-2006 (volumes 23-37). Use of the current title, Hindsight: Journal of Optometry History, began in 2007 with volume 38, number 1. On the cover: An image of the Chambers-Inskeep Ophthalmometer when it was introduced in 1899, from the May 24, 1899 issue of Jewelers Review (volume 32, page 652). -
Articles Articles
Articles Articles ALEXI BAKER “Precision,” “Perfection,” and the Reality of British Scientific Instruments on the Move During the 18th Century Résumé Abstract On représente souvent les instruments scientifiques Early modern British “scientific” instruments, including du 18e siècle, y compris les chronomètres de précision, precision timekeepers, are often represented as static, comme des objets statiques, à l’état neuf et complets en pristine, and self-contained in 18th-century depictions eux-mêmes dans les descriptions des débuts de l’époque and in many modern museum displays. In reality, they moderne et dans de nombreuses expositions muséales were almost constantly in physical flux. Movement and d’aujourd’hui. En réalité, ces instruments se trouvaient changing and challenging environmental conditions presque constamment soumis à des courants physiques. frequently impaired their usage and maintenance, Le mouvement et les conditions environnementales especially at sea and on expeditions of “science” and difficiles et changeantes perturbaient souvent leur exploration. As a result, individuals’ experiences with utilisation et leur entretien, en particulier en mer et mending and adapting instruments greatly defined the lors d’expéditions scientifiques et d’exploration. Ce culture of technology and its use as well as later efforts sont donc les expériences individuelles de réparation at standardization. et d’adaptation des instruments qui ont grandement contribué à définir la culture de la technologie. In 1769, the astronomer John Bradley finally the calculation of the distance between the Earth reached the Lizard peninsula in Cornwall and the Sun. Bradley had not needed to travel with his men, instruments, and portable tent as far as many of his Transit counterparts, but observatory after a stressful journey. -
As the Dome of Twilight Sinks Below The
As the dome of twilight sinks below the horizon, a mechanical corps de ballet starts a slow-motion pirouette with each dancer keeping the unblinking eye of a telescope locked on a single spot in the heavens. Shutters open and ancient photons, ending a journey that may have started before the earth was born, collide with sensors that store an electron to mark that photon's arrival. With the dance in motion the directors sit back to watch the show; another imaging session has begun... Image by Marcus Stevens A Full and Proper Kit An introduction to the gear of astro-photography The young recruit is silly – 'e thinks o' suicide; 'E's lost his gutter-devil; 'e 'asn't got 'is pride; But day by day they kicks him, which 'elps 'im on a bit, Till 'e finds 'isself one mornin' with a full an' proper kit. Rudyard Kipling Like the young recruit in Kipling's poem 'The 'Eathen', a deep-sky imaging beginner starts with little in the way of equipment or skill. With 'older' imagers urging him onward, providing him with the benefit of the mistakes that they had made during their journey and allowing him access to the equipment they've built or collected, the newcomer gains the 'equipment' he needs, be it gear or skills, to excel at the art. At that time he has acquired a 'full and proper kit' and ceases to be a recruit. This paper is a discussion of hardware, software, methods and actions that a newcomer might find useful. It is not meant to be an in-depth discussion of all forms of astro-photography; that would take many books and more knowledge than I have available. -
The Microscope Parts And
The Microscope Parts and Use Name:_______________________ Period:______ Historians credit the invention of the compound microscope to the Dutch spectacle maker, Zacharias Janssen, around the year 1590. The compound microscope uses lenses and light to enlarge the image and is also called an optical or light microscope (vs./ an electron microscope). The simplest optical microscope is the magnifying glass and is good to about ten times (10X) magnification. The compound microscope has two systems of lenses for greater magnification, 1) the ocular, or eyepiece lens that one looks into and 2) the objective lens, or the lens closest to the object. Before purchasing or using a microscope, it is important to know the functions of each part. Eyepiece Lens: the lens at the top that you look through. They are usually 10X or 15X power. Tube: Connects the eyepiece to the objective lenses Arm: Supports the tube and connects it to the base. It is used along with the base to carry the microscope Base: The bottom of the microscope, used for support Illuminator: A steady light source (110 volts) used in place of a mirror. Stage: The flat platform where you place your slides. Stage clips hold the slides in place. Revolving Nosepiece or Turret: This is the part that holds two or more objective lenses and can be rotated to easily change power. Objective Lenses: Usually you will find 3 or 4 objective lenses on a microscope. They almost always consist of 4X, 10X, 40X and 100X powers. When coupled with a 10X (most common) eyepiece lens, we get total magnifications of 40X (4X times 10X), 100X , 400X and 1000X. -
How Do the Lenses in a Microscope Work?
Student Name: _____________________________ Date: _________________ How do the lenses in a microscope work? Compound Light Microscope: A compound light microscope uses light to transmit an image to your eye. Compound deals with the microscope having more than one lens. Microscope is the combination of two words; "micro" meaning small and "scope" meaning view. Early microscopes, like Leeuwenhoek's, were called simple because they only had one lens. Simple scopes work like magnifying glasses that you have seen and/or used. These early microscopes had limitations to the amount of magnification no matter how they were constructed. The creation of the compound microscope by the Janssens helped to advance the field of microbiology light years ahead of where it had been only just a few years earlier. The Janssens added a second lens to magnify the image of the primary (or first) lens. Simple light microscopes of the past could magnify an object to 266X as in the case of Leeuwenhoek's microscope. Modern compound light microscopes, under optimal conditions, can magnify an object from 1000X to 2000X (times) the specimens original diameter. "The Compound Light Microscope." The Compound Light Microscope. Web. 16 Feb. 2017. http://www.cas.miamioh.edu/mbi-ws/microscopes/compoundscope.html Text is available under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) license. - 1 – Student Name: _____________________________ Date: _________________ Now we will describe how a microscope works in somewhat more detail. The first lens of a microscope is the one closest to the object being examined and, for this reason, is called the objective. -
Binocular and Spotting Scope Basics
Binocular and Spotting Scope Basics A good pair of binoculars is a must for most for bird monitoring projects. Certainly, you can observe birds and other wildlife without the aid of binoculars, such as at a feeder, but with them you will see more detail. Binoculars don't have to cost you a lot of money, but should adequately magnify birds for identification. Many 7 x 35 or 8 x 42 power binoculars are affordable and good for bird watching. They should be easy to use and comfortable for you. You can buy binoculars through sporting goods stores, catalogs, and the Internet. How to use binoculars Binoculars are an extension of your eyes. First, use your naked eye to find the birds you are observing. Once you have detected movement and can see the wildlife, use binoculars to see details of a bird’s “field marks.” Everyone’s eyes are different, so before you raise the binoculars, you must calibrate them for your eyes. How to Calibrate Binoculars 1. Binoculars hinge at the center between the two large “barrels,” allowing the eyepieces to fit the width of your eyes (Illustration A). Pivot the hinged barrels so you see a single circle-shaped image, rather than a double-image when looking through them. If the barrels are as close together as they go and you still see two images, you may need to find another pair. The distance between the eyepieces is called the “interpupillary distance.” It is too large if you see two images. The number on the hinge post (angle) will always be the same for your eyes, no matter which binocular you use (A). -
A Guide to Smartphone Astrophotography National Aeronautics and Space Administration
National Aeronautics and Space Administration A Guide to Smartphone Astrophotography National Aeronautics and Space Administration A Guide to Smartphone Astrophotography A Guide to Smartphone Astrophotography Dr. Sten Odenwald NASA Space Science Education Consortium Goddard Space Flight Center Greenbelt, Maryland Cover designs and editing by Abbey Interrante Cover illustrations Front: Aurora (Elizabeth Macdonald), moon (Spencer Collins), star trails (Donald Noor), Orion nebula (Christian Harris), solar eclipse (Christopher Jones), Milky Way (Shun-Chia Yang), satellite streaks (Stanislav Kaniansky),sunspot (Michael Seeboerger-Weichselbaum),sun dogs (Billy Heather). Back: Milky Way (Gabriel Clark) Two front cover designs are provided with this book. To conserve toner, begin document printing with the second cover. This product is supported by NASA under cooperative agreement number NNH15ZDA004C. [1] Table of Contents Introduction.................................................................................................................................................... 5 How to use this book ..................................................................................................................................... 9 1.0 Light Pollution ....................................................................................................................................... 12 2.0 Cameras ................................................................................................................................................ -
Astrophotography Tales of Trial & Error
Astrophotography Tales of Trial & Error Dave & Marie Allen AVAC 13th April 2001 Contents Photos Through Camera Lens magnification Increasing 1 Star trails 2 Piggy back Photos Through the Telescope 3 Prime focus 4 Photo through the eyepiece 5 Eyepiece projection Camera Basics When the photograph is being exposed, Light directed to viewfinder the light is directed onto the film. The viewfinder is completely black. Usual photographic rules apply: Less light ! Longer exposures Higher f number ! Longer exposures Light directed to film Star Motion Stars rise and set – just like the Sun in the daytime. The motion of the stars can cause problems for astrophotography Star Motion Stars rise and set – just like the Sun in the daytime. The motion of the stars can cause problems for astrophotography Star Motion Stars rise and set – just like the Sun in the daytime. The motion of the stars can cause problems for astrophotography Star Motion Stars rise and set – just like the Sun in the daytime. The motion of the stars can cause problems for astrophotography Star Motion Stars rise and set – just like the Sun in the daytime. The motion of the stars can cause problems for astrophotography Tracking the motion of the stars during the exposure is called “guiding”. Requires a polar aligned mount and periodic corrections to keep the subject stationary relative to the camera. Done using slow motion controls – or more often with dual axis correctors. Guiding Photography Technique Guiding Required? Star trails No Piggy back Yes Prime focus Yes Photo through the -
Philosophical Transactions (A)
INDEX TO THE PHILOSOPHICAL TRANSACTIONS (A) FOR THE YEAR 1889. A. A bney (W. de W.). Total Eclipse of the San observed at Caroline Island, on 6th May, 1883, 119. A bney (W. de W.) and T horpe (T. E.). On the Determination of the Photometric Intensity of the Coronal Light during the Solar Eclipse of August 28-29, 1886, 363. Alcohol, a study of the thermal properties of propyl, 137 (see R amsay and Y oung). Archer (R. H.). Observations made by Newcomb’s Method on the Visibility of Extension of the Coronal Streamers at Hog Island, Grenada, Eclipse of August 28-29, 1886, 382. Atomic weight of gold, revision of the, 395 (see Mallet). B. B oys (C. V.). The Radio-Micrometer, 159. B ryan (G. H.). The Waves on a Rotating Liquid Spheroid of Finite Ellipticity, 187. C. Conroy (Sir J.). Some Observations on the Amount of Light Reflected and Transmitted by Certain 'Kinds of Glass, 245. Corona, on the photographs of the, obtained at Prickly Point and Carriacou Island, total solar eclipse, August 29, 1886, 347 (see W esley). Coronal light, on the determination of the, during the solar eclipse of August 28-29, 1886, 363 (see Abney and Thorpe). Coronal streamers, observations made by Newcomb’s Method on the Visibility of, Eclipse of August 28-29, 1886, 382 (see A rcher). Cosmogony, on the mechanical conditions of a swarm of meteorites, and on theories of, 1 (see Darwin). Currents induced in a spherical conductor by variation of an external magnetic potential, 513 (see Lamb). 520 INDEX. -
The Plumbers Telescope-English
240.BLT KLAUS HÜNIG than 10mm. Use sandpaper to smooth the hole and then roughen the inside of the plug The Plumber’s Telescope to provide a good base for the glue. Remove Kit for an astronomical refracting telescope with Put a small amount of glue evenly all dust and loose plastic bits. 30x magnification, fromusing any 40mm local drain DIY pipes store around the inner side of the end with the Step 8: tags, again without drops or strings. Apply a generous amount of glue onto the Push the eyepiece into the holder from disk holding the eyepiece and fit it into the the tag side and slide it into place by socket plug so that the hole in the disk sits pushing it onto the work surface so it is centrally over the hole in the plug. Again flush with the six tags. take care that no glue gets onto the surface of the lens. After the glue has set, push the plug into the second push-fit coupling. This •Achromatic objective lens, finishes the construction of the eyepiece Ø 40mm, f +450mm holder. •Colour corrected Plössl eyepiece, 15mm, f +15mm Step 5: D. The final assembly Ø Open the 11mm central hole in Part C Step 9: •Tripod adapter (without tripod) Remove the rubber seal from the open end of (blind) using a sharp knife and then •Indestructible HT tubing Shopping list for the DIY store: remove the part from the cardboard. the eyepiece holder. Then fit the eyepiece Fold the six tags backwards and glue the holder on the open end of the objective lens •Shows Moon craters, phases tube. -
James Short and John Harrison: Personal Genius and Public Knowledge
Science Museum Group Journal James Short and John Harrison: personal genius and public knowledge Journal ISSN number: 2054-5770 This article was written by Jim Bennett 10-09-2014 Cite as 10.15180; 140209 Research James Short and John Harrison: personal genius and public knowledge Published in Autumn 2014, Issue 02 Article DOI: http://dx.doi.org/10.15180/140209 Abstract The instrument maker James Short, whose output was exclusively reflecting telescopes, was a sustained and consistent supporter of the clock and watch maker John Harrison. Short’s specialism placed his work in a tradition that derived from Newton’s Opticks, where the natural philosopher or mathematician might engage in the mechanical process of making mirrors, and a number of prominent astronomers followed this example in the eighteenth century. However, it proved difficult, if not impossible, to capture and communicate in words the manual skills they had acquired. Harrison’s biography has similarities with Short’s but, although he was well received and encouraged in London, unlike Short his mechanical practice did not place him at the centre of the astronomers’ agenda. Harrison became a small part of the growing public interest in experimental demonstration and display, and his timekeepers became objects of exhibition and resort. Lacking formal training, he himself came to be seen as a naive or intuitive mechanic, possessed of an individual and natural ‘genius’ for his work – an idea likely to be favoured by Short and his circle, and appropriate to Short’s intellectual roots in Edinburgh. The problem of capturing and communicating Harrison’s skill became acute once he was a serious candidate for a longitude award and was the burden of the specially appointed ‘Commissioners for the Discovery of Mr Harrison’s Watch’, whose members included Short. -
“Precision,” “Perfection,” and the Reality of British Scientific Instruments on the Move During the 18Th Century Alexi Baker
Document generated on 09/29/2021 11:28 a.m. Material Culture Review “Precision,” “Perfection,” and the Reality of British Scientific Instruments on the Move During the 18th Century Alexi Baker Volume 74-75, 2012 Article abstract Early modern British “scientific” instruments, including precision timekeepers, URI: https://id.erudit.org/iderudit/mcr74_75art01 are often represented as static, pristine, and self-contained in 18th-century depictions and in many modern museum displays. In reality, they were almost See table of contents constantly in physical flux. Movement and changing and challenging environmental conditions frequently impaired their usage and maintenance, especially at sea and on expeditions of “science” and exploration. As a result, Publisher(s) individuals’ experiences with mending and adapting instruments greatly defined the culture of technology and its use as well as later efforts at standardization. National Museums of Canada ISSN 0316-1854 (print) 0000-0000 (digital) Explore this journal Cite this article Baker, A. (2012). “Precision,” “Perfection,” and the Reality of British Scientific Instruments on the Move During the 18th Century. Material Culture Review, 74-75, 14–29. All rights reserved © National Museums of Canada, 2011 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research.