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Den Himmel Stützen! Prozeß, Kognition, Macht, Geschlecht - Soziologische Reflexionen Zum Jung- Paläolithikum Hennings, Lars
www.ssoar.info Den Himmel stützen! Prozeß, Kognition, Macht, Geschlecht - soziologische Reflexionen zum Jung- Paläolithikum Hennings, Lars Veröffentlichungsversion / Published Version Monographie / monograph Empfohlene Zitierung / Suggested Citation: Hennings, L. (2014). Den Himmel stützen! Prozeß, Kognition, Macht, Geschlecht - soziologische Reflexionen zum Jung-Paläolithikum. Berlin. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-383212 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Basic Digital Peer Publishing-Lizenz This document is made available under a Basic Digital Peer zur Verfügung gestellt. Nähere Auskünfte zu den DiPP-Lizenzen Publishing Licence. For more Information see: finden Sie hier: http://www.dipp.nrw.de/lizenzen/dppl/service/dppl/ http://www.dipp.nrw.de/lizenzen/dppl/service/dppl/ Den Himmel stützen! Prozeß, Kognition, Macht, Geschlecht – soziologische Reflexionen zum Jung-Paläolithikum Lars Hennings Berlin 2014 Den Himmel stützen! Prozeß, Kognition, Macht, Geschlecht – soziologische Reflexionen zum Jung-Paläolithikum Lars Hennings Jede Form des Kopierens – Text und Abbildungen – ist untersagt. Alle Rechte vorbehalten. Berlin 2014 ISBN 978-1-291-84271-5 29.04.14 frei > www.LarsHennings.de [email protected] 3 Inhaltsverzeichnis Kasten A: Zeiträume .....................................................................4 Annäherung an eine Soziologie der Steinzeit ................................................5 Grundlagen .........................................................................................8 -
The Middle Stone Age of East Africa and the Beginnings of Regional Identity
Journal of Worm Prehistory, Vol. 2, No. 3. 1988 The Middle Stone Age of East Africa and the Beginnings of Regional Identity J. Desmond Clark ~ The history of research into the Middle Stone Age of East Africa and the present state of knowledge of this time period is examined for the region as a whole, with special reference to paleoenvironments. The known MSA sites and occurrences are discussed region by region and attempts are made to fit them into a more precise chronological framework and to assess their cultural affinities. The conclusion is reached that the Middle Stone Age lasted for some 150,000 years but considerably more systematic and in-depth research is needed into this time period, which is now perceived as of great significance since it appears to span the time of the evolution of anatomically Modern humans in the continent, perhaps in Last Africa. KEY WORDS: Middle Stone Age; Sangoan/Lupemban; long chronology; Archaic Homo sapiens; Modern H. sapiens. • . when we eventually find the skulls of the makers of the African Mousterian they will prove to be of non-Homo sapiens type, although probably not of Neanderthal type, but merely an allied race of Homo rhodesiensis. The partial exception.., of the Stillbay culture group is therefore explicable on the grounds that Homo sapiens influence was already at work. (Leakey, 1931, p. 326) The other view is that the cradle of the Aurignacian races lies hidden somewhere in the Sahara area, probably in the south-east, and that an early wave of movement carried one branch of the stock via Somaliland and the Straits of Bab el-Mandeb into Arabia, and thence to some unknown secondary centre of distribution in Asia. -
LILY COX-RICHARD Sculptures the Size of Hailstones 17 February - 12 May 2018
LCR: In this show, I’m using found objects and sculptures I’ve made and The 2018 Cell Series is generously supported by trying to put them in positions where they can slip between multiple McGinnis Family Fund of Communities Foundation of Texas systems. In addition to lightning rods and scrap copper, I’m working on with additional funding from new sculptures that could fit in your hand. The “hail scale” is used to Susie and Joe Clack measure the size of hailstones by comparing them to common objects like Gene and Marsha Gray a walnut, golf ball, or teacup: hailstones the size of ____. Your earlier Amy and Patrick Kelly questions about context are really important here—what might be enor- mous for a hailstone might be a very modest size for a sculpture. Talking Sally and Robert Porter about the weather is often considered banal, but lately, the weather has been urgently claiming a lot more space for discussion. What happens when we ignore an important conversation or dismiss small talk (or small Past Cell Series artists: sculptures)? I’m interested in zooming in on details and giving them a lot DENNY PICKETT - 2008 | JEFFREY BROSK - 2009 | RANDY BACON - 2009 of space and attention. JOHN FROST - 2009 | NANCY LAMB - 2010 | JOHN ROBERT CRAFT - 2010 TERRI THORNTON - 2010 | ANNE ALLEN - 2011 | WILL HENRY - 2011 The sculptures the size of hailstones will sit on a large plaster plinth that ERIC ZIMMERMAN - 2011 | BILL DAVENPORT - 2012 | JUSTIN BOYD - 2012 has woven basket forms embedded in it, forming niches and craters. Often CAROL BENSON - 2012 | KANA HARADA - 2013 | BRAD TUCKER - 2013 pedestals and plinths are made to blend into their surroundings; but of ANTHONY SONNENBERG - 2013 | CHRIS SAUTER - 2014 course, they can never disappear. -
Sunt Bark Powder: Alternative Retanning Agent for Shoe Upper Leather Manufacture
International Journal of Advance Industrial Engineering E-ISSN 2320 –5539 ©2018 INPRESSCO®, All Rights Reserved Available at http://inpressco.com/category/ijaie/ Research Article Sunt Bark Powder: Alternative Retanning Agent for Shoe Upper Leather Manufacture * ^* # M.H Abdella , A.E Musa and S.B Ali #Department of Leather Engineering, School of Industrial Engineering and Technology, Sudan University of Science and Technology, Khartoum – Sudan ^Department of Leather Technology, College of Applied and Industrial Sciences, University of Bahri, Khartoum – Sudan Received 01 April 2018, Accepted 01 June 2018, Available online 05 June 2018, Vol.6, No.2 (June 2018) Abstract The retanning process is a very important step in leather manufacturing because it overcomes some of the disadvantages of chrome tannage and it can contributes to further stabilization of collagen fibers and good handle of leather, such as fullness, softness, elasticity and so on. In order to meet customers’ requirements, a wide variety of retanning agents are used in retanning process viz. vegetable tan and phenolic synthetic/organic tanning materials. Sunt bark, widely distributed in Sudan, has been evaluated for its utilization in the retanning of the leathers. In the present investigation, sunt bark powder has been used for the retanning of wet blue leathers. The effectiveness sunt bark in retanning of wet blue leathers has been compared with wattle retanning. The organoleptic properties of the leathers viz. softness, fullness, grain smoothness, grain tightness (break), general appearance, uniformity of dyeing of sunt bark retanned leather have been evaluated in comparison with wattle retanned leathers. Sunt retanning resulted in leathers with good grain tightness. -
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This is an Open Access publication. Visit our website for more OA publication, to read any of our books for free online, or to buy them in print or PDF. www.sidestone.com Check out some of our latest publications: ANALECTA PRAEHISTORICA LEIDENSIA 45 98163_APL_45_Voorwerk.indd I 16/07/15 13:00 98163_APL_45_Voorwerk.indd II 16/07/15 13:00 ANALECTA PRAEHISTORICA LEIDENSIA PUBLICATION OF THE FACULTY OF ARCHAEOLOGY LEIDEN UNIVERSITY EXCERPTA ARCHAEOLOGICA LEIDENSIA EDITED BY CORRIE BAKELS AND HANS KAMERMANS LEIDEN UNIVERSITY 2015 98163_APL_45_Voorwerk.indd III 16/07/15 13:00 Series editors: Corrie Bakels / Hans Kamermans Editor of illustrations: Joanne Porck Copyright 2015 by the Faculty of Archaeology, Leiden ISSN 0169-7447 ISBN 978-90-822251-2-9 Subscriptions to the series Analecta Praehistorica Leidensia can be ordered at: P.J.R. Modderman Stichting Faculty of Archaeology P.O. Box 9514 NL-2300 RA Leiden The Netherlands 98163_APL_45_Voorwerk.indd IV 16/07/15 13:00 Contents The stable isotopes 13C and 15N in faunal bone of the Middle Pleistocene site Schöningen (Germany): statistical modeling 1 Juliette Funck Thijs van Kolfschoten Hans van der Plicht ‘Trapping the past’? Hunting for remote capture techniques and planned coastal exploitation during MIS 5 at Blombos Cave and Klasies River, South Africa 15 Gerrit L. Dusseldorp Geeske H.J. Langejans A Late Neolithic Single Grave Culture burial from Twello (central Netherlands): environmental setting, burial ritual and contextualisation 29 Lucas Meurkens Roy van Beek Marieke Doorenbosch Harry -
Homo Aestheticus’
Conceptual Paper Glob J Arch & Anthropol Volume 11 Issue 3 - June 2020 Copyright © All rights are reserved by Shuchi Srivastava DOI: 10.19080/GJAA.2020.11.555815 Man and Artistic Expression: Emergence of ‘Homo Aestheticus’ Shuchi Srivastava* Department of Anthropology, National Post Graduate College, University of Lucknow, India Submission: May 30, 2020; Published: June 16, 2020 *Corresponding author: Shuchi Srivastava, Assistant Professor, Department of Anthropology, National Post Graduate College, An Autonomous College of University of Lucknow, Lucknow, India Abstract Man is a member of animal kingdom like all other animals but his unique feature is culture. Cultural activities involve art and artistic expressions which are the earliest methods of emotional manifestation through sign. The present paper deals with the origin of the artistic expression of the man, i.e. the emergence of ‘Homo aestheticus’ and discussed various related aspects. It is basically a conceptual paper; history of art begins with humanity. In his artistic instincts and attainments, man expressed his vigour, his ability to establish a gainful and optimistictherefore, mainlyrelationship the secondary with his environmentsources of data to humanizehave been nature. used for Their the behaviorsstudy. Overall as artists findings was reveal one of that the man selection is artistic characteristics by nature suitableand the for the progress of the human species. Evidence from extensive analysis of cave art and home art suggests that humans have also been ‘Homo aestheticus’ since their origins. Keywords: Man; Art; Artistic expression; Homo aestheticus; Prehistoric art; Palaeolithic art; Cave art; Home art Introduction ‘Sahityasangeetkalavihinah, Sakshatpashuh Maybe it was the time when some African apelike creatures to 7 million years ago, the first human ancestors were appeared. -
HYBRID BEINGS and REPRESENTATION of POWER in the PREHISTORIC PERIOD PREHISTORİK DÖNEMDE KARIŞIK VARLIKLAR VE GÜCÜN TEMSİLİ Sevgi DÖNMEZ
TAD, C. 37/ S. 64, 2018, 97-124. HYBRID BEINGS AND REPRESENTATION OF POWER IN THE PREHISTORIC PERIOD PREHISTORİK DÖNEMDE KARIŞIK VARLIKLAR VE GÜCÜN TEMSİLİ Sevgi DÖNMEZ Makale Bilgisi Article Info Başvuru:31 Ocak 2018 Recieved: January 21, 2018 Kabul: 29 Haziran 2018 Accepted: June 29, 2018 Abstract A great change in humankind's cognitive and symbolic world with the start of the Upper Paleolithic period around 40 thousand B.C.E. Depicted works of art describing hybrid creatures have emerged during the Upper Paleolithic period in parallel with emergence of hunter cultures. Ancient forms of Shamanism, a popular belief system among hunter cultures, had an effect on emergence of these hybrid figures. Imitation of the strong and the intelligent within the animal kingdom and the humankind's thirst for merging developing its physical and intellectual capacity with this power are among the main dynamics behind emergence of hybrid figures. The humankind of the Upper Paleolithic period, which has seen the world with a sense of permeability among species and an animalistic sensitivity and vigor, had a cognitive world within which things and humans must have been at the same level and forming a unity. During breakage of this unity and a sense of "togetherness," the hunter tries to balance the fear and suspense caused by prohibition of violence against those that exist at the same level and spiritual unity with mythical thinking. Prohibition of violence gave way to a cognitive status that identifies with the prey. This new symbolic consciousness which has emerged during the Upper Paleolithic period has tried to find a balance between controlling the suspense and fear caused by violence directed against the strong and the wild and the strength of the victim. -
The Black Wattle in Hawaii and Recommend the Same for Publication As Bulle Tin No
HAWAII AQRICULTVRAL EXPERIMENT STA'I'IO!i. :J. G. SI\IITH, SPECIAJ:, AGENT IN CHARGE. BULLETIN No. 11. ·THE BLACK·WATTLE (Acacia c!eCUt'f,ens) IN HAWAII. BY JARED G. SMITH, SPECIAL AGENT IN CHARGE, HAWAII AGRICULTURAL EXPERIMENT STATION. UNDER THE. _Sl,l'ERVISION .. OJ' OF'F_ICE OF EXPERIMENT STP.TIONS, U.S. !)epartment ofAgriculture. WASHINGTON: :: ·--<: ;,: .. '~. -- .'. GOVERN~IENT PRI)'<TING. OFFICE: 1996. 863 HAWAII AGRICULTURAL EXPERIMENT STATION. J. G. SMITH, SPECIAL AGENT IN CHARGE. BULLETIN No. 11. 'THE BLACK WATTLE (Acacia decurrens) IN HA\VAII. BY JARED G. SMITH, SPECIAL AGENT IN CHARGE, HAWAII AGRICULTURAL EXPERIMENT STATION. UNDER THE SUPERVISION OF OFFICE OF EXPERIMENT STATIONS, U. S. Department ofAgriculture. WASHINGTON: GOVERNMENT PRINTING OFFICE. I 9 06. HAWAII AGRICULTURAL EXPERIMENT STATION, HONOLULU. [Under the supervision of A. C. TRuE; Director of the Office of Experiment Stations, United States Department of Agriculture.] STATION STAFF. JARED G. SMITH, Special, Agent in Charge. D. L. VAN DINE, Entomotogist. EDMUND C. SHOREY, Chemist. J.E. HIGGINS, Horticulturist. F. G. KRAUSS, In Charge of Rice Investigations. Q. Q. BRADFORD, Farm Foreman. C. R; BLACOW; In Charge ofTobacco Experiments (P. 0., Paauilo, Hawaii). \2) LETTER OF TRANSMITl'AL. HONOLULU, HAWAII, January 1, 1906. Sm: I have the honor to transmit herewith a paper on The Black Wattle in Hawaii and recommend the same for publication as Bulle tin No. 11 of the Hawaii Agricultural Experiment Station. Very respectfully, JARED G. SMITH, Special Agent in Charge, Hawaii Agricultural Experiment Station. Dr. A. C. TRUE, Director, Office of Experiment Stations, U.S. Department of Agriculture, Washington, D. 0. -
Les Matières Colorantes Au Début Du Paléolithique Supérieur : Sources, Transformations Et Fonctions Hélène Salomon
Les matières colorantes au début du Paléolithique supérieur : sources, transformations et fonctions Hélène Salomon To cite this version: Hélène Salomon. Les matières colorantes au début du Paléolithique supérieur : sources, transforma- tions et fonctions. Archéologie et Préhistoire. Université Bordeaux 1, 2009. Français. tel-02430482 HAL Id: tel-02430482 https://hal.archives-ouvertes.fr/tel-02430482 Submitted on 7 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. N◦ d’ordre : 3971 THÈSE présentée à L’UNIVERSITÉ BORDEAUX 1 ÉCOLE DOCTORALE :SCIENCES ET ENVIRONNEMENTS par Hélène SALOMON POUR OBTENIR LE GRADE DE DOCTEUR Spécialité : Préhistoire LES MATIÈRES COLORANTES AU DÉBUT DU PALÉOLITHIQUE SUPÉRIEUR S OURCES, TRANSFORMATIONS ET FONCTIONS Soutenue publiquement le 22 décembre 2009 Après avis de : M. Pierre Bodu Chargé de Recherche CNRS ArcScAn-Nanterre Rapporteur M. Marcel Otte Professeur de préhistoire Université de Liège Rapporteur Devant la commission d’examen formée de : M. Pierre Bodu Chargé de Recherche, CNRS ArcScAn-Nanterre Rapporteur M. Francesco d’Errico Directeur de Recherche CNRS PACEA, Université Bordeaux 1 Examinateur M. Jean-Michel Geneste Conservateur du Patrimoine, Directeur du CNP Périgueux et PACEA Universiré Bordeaux 1 Directeur de thèse M. -
Curriculum Vitae
H A I N E S G A L L E R Y DAVID NASH Born in Surrey, England, 1945 Lives and works in Blaenau Ffestiniog, North Wales, UK EDUCATION 1965 Kingston College of Art, UK 1970 Chelsea School of Art, London, UK SELECTED SOLO EXHIBITIONS 2019 David Nash: 200 Seasons, Towner Art Gallery, Eastbourne, UK David Nash: Trees, Galerie Lelong & Co., Paris, France David Nash: Sculpture through the Seasons, National Museum Cardiff, Wales 2018 Tout jaune, Galerie Simon Blais, Montreal, Canada Columns, Galerie Lelong & Co., Paris, France David Nash: Nature to Nature, Fondation Fernet-Branca, Saint-Louis, France David Nash: Wood, Metal, Pigment, Annely Judah Fine Art, London, UK First The Tree, Then The Shape, Museum Lothar Fischer, Neumarkt in der Oberpfalz, Germany 2017 With Space in Mind, Tremenheere Sculpture Gardens, Penzance, UK New Beginnings, Alan Cristea Gallery, London, UK David Nash, Galeria Simon Blais, Montreal, Canada David Nash, Galeria Alvaro Alcazar, Madrid, Spain Art Project, Krauhuegel & Art and Church, Kollegienkirche, Salzburg, Austria Tree Seasons, Plas Glyn-y-Weddw, Gwynedd, Wales 2016 David Nash: Columns, Peaks and Torso, Galerie Lelong, Paris, France 2015 With Space in Mind, Alan Cristea Gallery, London, UK Three Black Humps, Coalbrookdale Museum of Iron, Shropshire, UK King & Queen I, Keepers House The Royal Academy, London, UK 2014 David Nash Stencil Prints, Abbot’s Room, Kloster Schoenthal, Switzerland David Nash: Prints and Multiples, Galerie Lelong, Paris, France David Nash, Kukje Gallery, Seoul, South Korea David Nash: From -
Symbolic Territories in Pre-Magdalenian Art?
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/321909484 Symbolic territories in pre-Magdalenian art? Article in Quaternary International · December 2017 DOI: 10.1016/j.quaint.2017.08.036 CITATION READS 1 61 2 authors, including: Eric Robert Muséum National d'Histoire Naturelle 37 PUBLICATIONS 56 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: An approach to Palaeolithic networks: the question of symbolic territories and their interpretation through Magdalenian art View project Karst and Landscape Heritage View project All content following this page was uploaded by Eric Robert on 16 July 2019. The user has requested enhancement of the downloaded file. Quaternary International 503 (2019) 210e220 Contents lists available at ScienceDirect Quaternary International journal homepage: www.elsevier.com/locate/quaint Symbolic territories in pre-Magdalenian art? * Stephane Petrognani a, , Eric Robert b a UMR 7041 ArscAn, Ethnologie Prehistorique, Maison de l'Archeologie et de l'Ethnologie, Nanterre, France b Departement of Prehistory, Museum national d'Histoire naturelle, Musee de l'Homme, 17, place du Trocadero et du 11 novembre 75116, Paris, France article info abstract Article history: The legacy of specialists in Upper Paleolithic art shows a common point: a more or less clear separation Received 27 August 2016 between Magdalenian art and earlier symbolic manifestations. One of principal difficulty is due to little Received in revised form data firmly dated in the chronology for the “ancient” periods, even if recent studies precise chronological 20 June 2017 framework. Accepted 15 August 2017 There is a variability of the symbolic traditions from the advent of monumental art in Europe, and there are graphic elements crossing regional limits and asking the question of real symbolic territories existence. -
Wattle and Daub
Wattle and Daub ”The greatest part of our building in the cities and good towns of England consisteth only of timber, for as yet few of the houses of the communalty (except here and there in the west country towns) are made of stone….’these english’, quoth he [a Spaniard of Queen Mary’s day] , 'have their houses made of sticks and dirt, but they fare commonly so well as the king”. William Harrison, Description of England, 1587 Wattle and daub is the term for the panels of woven wood and mud used to fill between the timbers of many of the Museum’s buildings. This combination of materials has been used since at least the Bronze Age; fragmentary remains of daub-like mixtures bearing wattle imprints often survive in the archaeological record having been ‘fired’ as a building burnt down and waterlogged remains of wattle panels occasionally survive also. Brick nogging might also have been used to fill in between the timbers but this was also sometimes used to replace earlier wattle and daub. Evidence for the previous existence for wattle and daub panels may come from marks left on the main timbers by daub, and from auger holes drilled into the upper timber of the panel and grooves cut into the lower where the uprights for the wattle were fitted in. Timber framing with wattle and daub panels was the dominant form of building construction in many parts of England and Wales from the mid 12th century. It was common in some areas until the late 18th century and was used into the 19th century for lower status housing.