Wattle and Daub (KS2)
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LILY COX-RICHARD Sculptures the Size of Hailstones 17 February - 12 May 2018
LCR: In this show, I’m using found objects and sculptures I’ve made and The 2018 Cell Series is generously supported by trying to put them in positions where they can slip between multiple McGinnis Family Fund of Communities Foundation of Texas systems. In addition to lightning rods and scrap copper, I’m working on with additional funding from new sculptures that could fit in your hand. The “hail scale” is used to Susie and Joe Clack measure the size of hailstones by comparing them to common objects like Gene and Marsha Gray a walnut, golf ball, or teacup: hailstones the size of ____. Your earlier Amy and Patrick Kelly questions about context are really important here—what might be enor- mous for a hailstone might be a very modest size for a sculpture. Talking Sally and Robert Porter about the weather is often considered banal, but lately, the weather has been urgently claiming a lot more space for discussion. What happens when we ignore an important conversation or dismiss small talk (or small Past Cell Series artists: sculptures)? I’m interested in zooming in on details and giving them a lot DENNY PICKETT - 2008 | JEFFREY BROSK - 2009 | RANDY BACON - 2009 of space and attention. JOHN FROST - 2009 | NANCY LAMB - 2010 | JOHN ROBERT CRAFT - 2010 TERRI THORNTON - 2010 | ANNE ALLEN - 2011 | WILL HENRY - 2011 The sculptures the size of hailstones will sit on a large plaster plinth that ERIC ZIMMERMAN - 2011 | BILL DAVENPORT - 2012 | JUSTIN BOYD - 2012 has woven basket forms embedded in it, forming niches and craters. Often CAROL BENSON - 2012 | KANA HARADA - 2013 | BRAD TUCKER - 2013 pedestals and plinths are made to blend into their surroundings; but of ANTHONY SONNENBERG - 2013 | CHRIS SAUTER - 2014 course, they can never disappear. -
Sunt Bark Powder: Alternative Retanning Agent for Shoe Upper Leather Manufacture
International Journal of Advance Industrial Engineering E-ISSN 2320 –5539 ©2018 INPRESSCO®, All Rights Reserved Available at http://inpressco.com/category/ijaie/ Research Article Sunt Bark Powder: Alternative Retanning Agent for Shoe Upper Leather Manufacture * ^* # M.H Abdella , A.E Musa and S.B Ali #Department of Leather Engineering, School of Industrial Engineering and Technology, Sudan University of Science and Technology, Khartoum – Sudan ^Department of Leather Technology, College of Applied and Industrial Sciences, University of Bahri, Khartoum – Sudan Received 01 April 2018, Accepted 01 June 2018, Available online 05 June 2018, Vol.6, No.2 (June 2018) Abstract The retanning process is a very important step in leather manufacturing because it overcomes some of the disadvantages of chrome tannage and it can contributes to further stabilization of collagen fibers and good handle of leather, such as fullness, softness, elasticity and so on. In order to meet customers’ requirements, a wide variety of retanning agents are used in retanning process viz. vegetable tan and phenolic synthetic/organic tanning materials. Sunt bark, widely distributed in Sudan, has been evaluated for its utilization in the retanning of the leathers. In the present investigation, sunt bark powder has been used for the retanning of wet blue leathers. The effectiveness sunt bark in retanning of wet blue leathers has been compared with wattle retanning. The organoleptic properties of the leathers viz. softness, fullness, grain smoothness, grain tightness (break), general appearance, uniformity of dyeing of sunt bark retanned leather have been evaluated in comparison with wattle retanned leathers. Sunt retanning resulted in leathers with good grain tightness. -
9. a Fixed Abode: Neolithic Houses in County Carlow TJ O’Connell and Nial O’Neill
9. A fixed abode: Neolithic houses in County Carlow TJ O’Connell and Nial O’Neill Illus. 1—Location of the sites at Russellstown and Busherstown, Co. Carlow (based on the Ordnance Survey Ireland map). The type of evidence that archaeologists uncover for Neolithic settlement in Ireland can come in a variety of forms, ranging from small-scale temporary sites to larger, more permanent enclosed landscapes such as the Céide fields in County Mayo. Neolithic buildings form one part of this mosaic of settlement evidence. The remains of two Early Neolithic rectangular houses were excavated in the townlands of Russellstown and Busherstown, Co. Carlow, by Headland Archaeology Ltd in 2006 on behalf of Carlow County Council and the NRA.1 This work was undertaken in advance of construction works for the N9/N10 Kilcullen–Waterford Road Scheme: Prumpelstown to Powerstown (Illus. 1). Their identification and excavation provide important additions to our knowledge of this site type in a part of the country where they have not been documented previously. Prior to the discovery of these buildings, evidence of Neolithic settlement in County Carlow was limited to a number of impressive funerary monuments, such as Kernanstown Portal Tomb (Record of Monuments and Places no. CW007-010), known locally as Brownshill Dolmen, and the Baunogenasraid Linkardstown-type burial tomb (CW008- 031001). Both the Russellstown and Busherstown sites were located within a 3.5 km radius of Brownshill Dolmen and within 5 km of the Baunogenasraid tumulus. Although it cannot 85 Dining and Dwelling be proven at present, the likelihood that those involved in building these tombs may have lived in one or both of the houses under discussion cannot be discounted. -
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This is an Open Access publication. Visit our website for more OA publication, to read any of our books for free online, or to buy them in print or PDF. www.sidestone.com Check out some of our latest publications: ANALECTA PRAEHISTORICA LEIDENSIA 45 98163_APL_45_Voorwerk.indd I 16/07/15 13:00 98163_APL_45_Voorwerk.indd II 16/07/15 13:00 ANALECTA PRAEHISTORICA LEIDENSIA PUBLICATION OF THE FACULTY OF ARCHAEOLOGY LEIDEN UNIVERSITY EXCERPTA ARCHAEOLOGICA LEIDENSIA EDITED BY CORRIE BAKELS AND HANS KAMERMANS LEIDEN UNIVERSITY 2015 98163_APL_45_Voorwerk.indd III 16/07/15 13:00 Series editors: Corrie Bakels / Hans Kamermans Editor of illustrations: Joanne Porck Copyright 2015 by the Faculty of Archaeology, Leiden ISSN 0169-7447 ISBN 978-90-822251-2-9 Subscriptions to the series Analecta Praehistorica Leidensia can be ordered at: P.J.R. Modderman Stichting Faculty of Archaeology P.O. Box 9514 NL-2300 RA Leiden The Netherlands 98163_APL_45_Voorwerk.indd IV 16/07/15 13:00 Contents The stable isotopes 13C and 15N in faunal bone of the Middle Pleistocene site Schöningen (Germany): statistical modeling 1 Juliette Funck Thijs van Kolfschoten Hans van der Plicht ‘Trapping the past’? Hunting for remote capture techniques and planned coastal exploitation during MIS 5 at Blombos Cave and Klasies River, South Africa 15 Gerrit L. Dusseldorp Geeske H.J. Langejans A Late Neolithic Single Grave Culture burial from Twello (central Netherlands): environmental setting, burial ritual and contextualisation 29 Lucas Meurkens Roy van Beek Marieke Doorenbosch Harry -
The Black Wattle in Hawaii and Recommend the Same for Publication As Bulle Tin No
HAWAII AQRICULTVRAL EXPERIMENT STA'I'IO!i. :J. G. SI\IITH, SPECIAJ:, AGENT IN CHARGE. BULLETIN No. 11. ·THE BLACK·WATTLE (Acacia c!eCUt'f,ens) IN HAWAII. BY JARED G. SMITH, SPECIAL AGENT IN CHARGE, HAWAII AGRICULTURAL EXPERIMENT STATION. UNDER THE. _Sl,l'ERVISION .. OJ' OF'F_ICE OF EXPERIMENT STP.TIONS, U.S. !)epartment ofAgriculture. WASHINGTON: :: ·--<: ;,: .. '~. -- .'. GOVERN~IENT PRI)'<TING. OFFICE: 1996. 863 HAWAII AGRICULTURAL EXPERIMENT STATION. J. G. SMITH, SPECIAL AGENT IN CHARGE. BULLETIN No. 11. 'THE BLACK WATTLE (Acacia decurrens) IN HA\VAII. BY JARED G. SMITH, SPECIAL AGENT IN CHARGE, HAWAII AGRICULTURAL EXPERIMENT STATION. UNDER THE SUPERVISION OF OFFICE OF EXPERIMENT STATIONS, U. S. Department ofAgriculture. WASHINGTON: GOVERNMENT PRINTING OFFICE. I 9 06. HAWAII AGRICULTURAL EXPERIMENT STATION, HONOLULU. [Under the supervision of A. C. TRuE; Director of the Office of Experiment Stations, United States Department of Agriculture.] STATION STAFF. JARED G. SMITH, Special, Agent in Charge. D. L. VAN DINE, Entomotogist. EDMUND C. SHOREY, Chemist. J.E. HIGGINS, Horticulturist. F. G. KRAUSS, In Charge of Rice Investigations. Q. Q. BRADFORD, Farm Foreman. C. R; BLACOW; In Charge ofTobacco Experiments (P. 0., Paauilo, Hawaii). \2) LETTER OF TRANSMITl'AL. HONOLULU, HAWAII, January 1, 1906. Sm: I have the honor to transmit herewith a paper on The Black Wattle in Hawaii and recommend the same for publication as Bulle tin No. 11 of the Hawaii Agricultural Experiment Station. Very respectfully, JARED G. SMITH, Special Agent in Charge, Hawaii Agricultural Experiment Station. Dr. A. C. TRUE, Director, Office of Experiment Stations, U.S. Department of Agriculture, Washington, D. 0. -
Curriculum Vitae
H A I N E S G A L L E R Y DAVID NASH Born in Surrey, England, 1945 Lives and works in Blaenau Ffestiniog, North Wales, UK EDUCATION 1965 Kingston College of Art, UK 1970 Chelsea School of Art, London, UK SELECTED SOLO EXHIBITIONS 2019 David Nash: 200 Seasons, Towner Art Gallery, Eastbourne, UK David Nash: Trees, Galerie Lelong & Co., Paris, France David Nash: Sculpture through the Seasons, National Museum Cardiff, Wales 2018 Tout jaune, Galerie Simon Blais, Montreal, Canada Columns, Galerie Lelong & Co., Paris, France David Nash: Nature to Nature, Fondation Fernet-Branca, Saint-Louis, France David Nash: Wood, Metal, Pigment, Annely Judah Fine Art, London, UK First The Tree, Then The Shape, Museum Lothar Fischer, Neumarkt in der Oberpfalz, Germany 2017 With Space in Mind, Tremenheere Sculpture Gardens, Penzance, UK New Beginnings, Alan Cristea Gallery, London, UK David Nash, Galeria Simon Blais, Montreal, Canada David Nash, Galeria Alvaro Alcazar, Madrid, Spain Art Project, Krauhuegel & Art and Church, Kollegienkirche, Salzburg, Austria Tree Seasons, Plas Glyn-y-Weddw, Gwynedd, Wales 2016 David Nash: Columns, Peaks and Torso, Galerie Lelong, Paris, France 2015 With Space in Mind, Alan Cristea Gallery, London, UK Three Black Humps, Coalbrookdale Museum of Iron, Shropshire, UK King & Queen I, Keepers House The Royal Academy, London, UK 2014 David Nash Stencil Prints, Abbot’s Room, Kloster Schoenthal, Switzerland David Nash: Prints and Multiples, Galerie Lelong, Paris, France David Nash, Kukje Gallery, Seoul, South Korea David Nash: From -
Wattle and Daub
Wattle and Daub ”The greatest part of our building in the cities and good towns of England consisteth only of timber, for as yet few of the houses of the communalty (except here and there in the west country towns) are made of stone….’these english’, quoth he [a Spaniard of Queen Mary’s day] , 'have their houses made of sticks and dirt, but they fare commonly so well as the king”. William Harrison, Description of England, 1587 Wattle and daub is the term for the panels of woven wood and mud used to fill between the timbers of many of the Museum’s buildings. This combination of materials has been used since at least the Bronze Age; fragmentary remains of daub-like mixtures bearing wattle imprints often survive in the archaeological record having been ‘fired’ as a building burnt down and waterlogged remains of wattle panels occasionally survive also. Brick nogging might also have been used to fill in between the timbers but this was also sometimes used to replace earlier wattle and daub. Evidence for the previous existence for wattle and daub panels may come from marks left on the main timbers by daub, and from auger holes drilled into the upper timber of the panel and grooves cut into the lower where the uprights for the wattle were fitted in. Timber framing with wattle and daub panels was the dominant form of building construction in many parts of England and Wales from the mid 12th century. It was common in some areas until the late 18th century and was used into the 19th century for lower status housing. -
Mud-Brick Architecture
UCLA UCLA Encyclopedia of Egyptology Title Mud-Brick Architecture Permalink https://escholarship.org/uc/item/4983w678 Journal UCLA Encyclopedia of Egyptology, 1(1) Author Emery, Virginia L. Publication Date 2011-02-19 Peer reviewed eScholarship.org Powered by the California Digital Library University of California MUD-BRICK ARCHITECTURE عمارة الطوب اللبن Virginia L. Emery EDITORS WILLEKE WENDRICH Editor-in-Chief Area Editor Material Culture University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Emery, 2011, Mud-Brick Architecture. UEE. Full Citation: Emery, Virginia L., 2011, Mud-Brick Architecture. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0026w9hb 1146 Version 1, February 2011 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0026w9hb MUD-BRICK ARCHITECTURE عمارة الطوب اللبن Virginia L. Emery Ziegelarchitektur L’architecture en brique crue Mud-brick architecture, though it has received less academic attention than stone architecture, was in fact the more common of the two in ancient Egypt; unfired brick, made from mud, river, or desert clay, was used as the primary building material for houses throughout Egyptian history and was employed alongside stone in tombs and temples of all eras and regions. Construction of walls and vaults in mud-brick was economical and relatively technically uncomplicated, and mud-brick architecture provided a more comfortable and more adaptable living and working environment when compared to stone buildings. على الرغم أن العمارة بالطوب اللبن تلقت إھتماما أقل من العمارة الحجرية من قِبَل المتخصصين، فقد كانت في الواقع تلك العمارة ھي اﻷكثر شيوعا في مصر القديمة، وكان الطوب اللبن (أوالنيء) المصنوع من الطمي أو الطين الصحراوي مستخدما كمادة بناء بدائية للمنازل على مدار التاريخ المصري واستخدمت إلى جانب الحجارة في المقابر والمعابد في جميع المناطق وخﻻل جميع الفترات. -
Die Neolitisches Tellsiedlung in Gălăbnik by Juraj Pavúk
The Prehistoric Society Book Reviews DIE NEOLITISCHES TELLSIEDLUNG IN GĂLĂBNIK BY JURAJ PAVÚK AND ANETA BAKAMSKA Mitteilungen der Prähistorischen Kommission 91. Wien: Verlag der Österreichischen Akademie der Wissenschaften. 2021. 435pp, 153 figures, 81 photos, pb, €169.00 This volume neatly bookends two of the principal features of the Aegean–Balkan–Carpathian (‘ABC’) Neolithic – the endless debates over typo-chronology and the immense richness of settlement finds. In the former, the tell stratigraphy of Argissa Magula, in Thessaly, Greece, casts a long shadow over Balkan Neolithic studies. Vladimir Milojčić’ sequence of five stages for the Early and Middle Neolithic (Aceramic; Monochrome; Proto-Sesklo; Pre-Sesklo; and Sesklo) is largely responsible for three issues for the spread of the Balkan Neolithic: the existence of an aceramic stage in Greece and the Balkans as well as in the Near East, the existence of a monochrome stage without painted pottery in the Balkans and the possibility of a threefold division of the Early Neolithic in the Balkans. While we cannot state for certain that all three possibilities have been conclusively falsified for the Balkans, this is now the most likely interpretation of the mass of new site evidence accumulated since Milojčić’ excavations in the 1950s. Unfortunately, the third dubious possibility is the basis for Pavúk and Bakamska’s otherwise impressive monograph on the site of Gălăbnik. Moreover, throughout post-Milojčić discussions of Greek and Balkan Neolithic chronology, there has been a virtually unchallenged equation between ‘pots’ and ‘people’ that has long since been discarded in other regions of Europe and beyond. Welcome to the Balkan Neolithic! The Gălăbnik volume, dedicated to the late Mikhail Chohadzhiev, is divided into two parts. -
Adobe: an Ancient Folk Technology by Peter Nabokov
Adobe: An Ancient Folk Technology By Peter Nabokov In the ancient world, Arabs mixed sand, clay, water, and a vegetal binding Peter Nabokov is a Research Associate for the material to make al-tob. The Spanish, principally because of contact with the Museum ofthe American Indian. He has writ ten extensively, his most recent work being, Arabic Moors of North Mrica, knew the process and called it adobe. When they Native American Testimony: An Anthology of arrived in the New World, the Spanish colonists found that the Indians in the Indian and White Relations. Forthcoming works Southwest had been using the same process for centuries. Today, we still know it include Native American Architecture to be by its Spanish name: adobe. published in 1982 by Oxford University Press with Robert Easton; and Indian Running, a It is not surprising that the Spanish and Indians shared an affinity for building study ofritual and athletics throughout the with adobe. The basic materials used to make it were common to both Americas, to bepublished this fall by Capra continents. In addition, it had unique qualities that made it an ideal building Press. material for arid climates. During the day, adobe absorbed the heat of the sun, leaving the house interior much cooler than the outside. As the outside air cooled in the evening, the walls reflected the stored heat into the houses, taking the chill off the night air. Adobe was also an infinitely adaptable construction medium: it could be shaped in many forms to meet a wide range of social, cultural, and physical housing needs. -
How to Build a Mississippian House: a Study of Domestic Architecture in West – Central Alabama
HOW TO BUILD A MISSISSIPPIAN HOUSE: A STUDY OF DOMESTIC ARCHITECTURE IN WEST – CENTRAL ALABAMA by CAMERON HAWKINS LACQUEMENT A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the Graduate School of the University of Alabama TUSCALOOSA, ALABAMA 2004 Submitted by Cameron H. Lacquement in partial fulfillment of the requirements for the degree of Master of Arts specializing in Anthropology. Accepted on behalf of the Faculty of the Graduate School by the thesis committee: _________________________________ Keith P. Jacobi, Ph.D. ____________________________ Richard A. Krause, Ph.D. ____________________________ Kathryn S. Oths, Ph.D. ____________________________ Richard R. Polhemus, Ph.D. ____________________________ Vernon J. Knight, Jr., Ph.D. Chairperson ________________________ Date ____________________________ Michael D. Murphy, Ph.D. Department Chairperson ________________________ Date ____________________________ Ronald W. Rogers, Ph.D. Dean of the Graduate School ii Acknowledgments I am indebted to a number of individuals for their assistance in completing this thesis project. I would like to extend special gratitude to Vernon J. Knight Jr. for his support and guidance throughout this project. Without him, it would not have been possible. I also would like to thank the members of my thesis committee, Keith P. Jacobi, Richard A. Krause, Kathryn S. Oths, and Richard R. Polhemus for their encouragement and direction during my project. I am also indebted to Kenneth J. Fridley, Professor and Chair of the University of Alabama’s Civil and Environmental Engineering Department, who was not an official member of my committee, yet treated me as one of his own students. -
'Analysis of a Possible Prehistoric
OS Grid Ref: TQ 57045 39336 ‘Analysis Of A Possible Prehistoric Tumulus And Related Monuments – Rusthall, Kent’ By Nigel T Stapple BSc (Hons) – Landscape investigator, WKDArchaeology March 2019 Photo: SW view of the Rusthall ‘Tumulus’ - Tunbridge Wells Golf Club (Jan 2019) Disclaimer: This review is not intended as a definitive statement as to the validity of the proposed archaeology. It merely offers one possible interpretation of the landscape features in the absence of an unequivocal modern context. More so, this review is not presented as an academic paper nor implied as such. The views expressed are the authors own and subject to broad interpretation. All research & photos ©N T Stapple unless otherwise stated. Introduction Preliminary research began back in 2017 at two areas of interest in Rusthall. The author became intrigued be an isolated sandstone outcrop close to the junction of Rusthall Road and Langton Road, near the house known as ‘Dingly Dell’. Surviving in a heavily modified post medieval landscape, its presence, in the modern landscape, seemed unusual. Measuring approximately 5m x 1.5m x 1m, above ground, it showed clear evidence of being quarried. Given its form and size the author postulated that it may have in fact been the remains of a former standing stone, preserved in antiquity. This hypothesis was later backed up by confirmation of a large pit found at the western end of the stone and visible as a parch mark in 2018. [Fig 1.]. This was thought to be a ‘slot’ for the ‘standing’ stone. Figure 1: Rusthall 'Standing Stone' - Summer 2018 Information regarding the stone had previously been presented to Kent County Council (KCC) representatives and the stone is documented in several of the authors earlier reviews of on-going research.