Report to Economic Development Committee from Toronto Arts Council
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Crystal Reports
Collection Analysis Sanders Corner Elementary 1-800-245-9540 FAX: 1-800-369-5490 Email: [email protected] web site: www.mackin.com 3505 County Rd 42 West, Burnsville, MN 55306-3804 Collection Analysis Summary Sanders Corner Elementary Thank you for using Mackin's free Collection Analysis service. We will be contacting you to review the analysis and consult with you about free solutions to improve your collection. In the meantime, here is a summary of your analysis. In putting the analysis together, we first indicate the average age and number of titles in each part of your collection, then we compare it to a brand new "exemplary" collection that would meet size standards for the number of students in your school. You should then be able to see some of the potential problem areas in your collection and where the collection may fall short of standards. Obviously, what is exemplary for one school may not be completely right for another school, but this does give us a good starting point. You know better than we how your collection is used, so please adapt these recommendations as you see fit. The following summaries highlight the areas that seem the most in need of attention in the report on the next few pages. Please look at your report closely to determine detailed size, age and weeding needs. v With the information you supplied, we were able to successfully categorize 100% of your MARC records. v Throughout the collection, the average date of publication is 2006 or 15 years old. v The average age is 5 years older than recommended. -
MANGAARD C.V 2019 (6Pg)
ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany. -
The Haverfordian, Vols. 31-33, 1909-12
•TACK. ^-^ CLASS 3-t3-^^ BOOK 44JRr<^-r THE LIBRARY v.3|-32. OF HAVERFORD COLLEGE (haverforo, pa.) the qift of '3»U^ JS' MO. ^ 19»i» ACCESSION NO. G ^3 1C| ,:f- THE HAVERFORDIAN Voltune 31 Haverford College 1910 (,^^ 1 BBBiaBBKBB Jr % HM/ERF^ MARCH 1909 : 1 The Haverfordian Jambs Whitall. loto. Editor-in-Chief ASSOCIATE EDITORS: E. N'elson Edwards, iqio Georor A. Kbrbaugh, iqio Harrison S. Hires. 1910 Christophfr'D. Morlev, 1910 Lucius R. Shbro. ion BUSINESS MANAGERS: Harrison S. Hirks, iqio (mgr.) Wilmer J. Youxr,. ton (asst. mcr.) Price, per year Si . 00 Single Copies $015 The Havbrfordian is published on the tenth of each month during the College year. Its purpose is to foster the litfrar>' spirit among the undergraduates and to pro\-iile an organ for the discussion of questions relative to college life and policy. To these ends, cntributions ore invited and will be considered solely on their merits. Matter intended for insertion should r^ach the Editornot later than the twenty-sixth of the nvjnth preceding the date of issue. Entcnd at the Havcrford Post-ORice, for tnunminioo through the ma'ls as ucond-clats matter. CONTENTS To Her CD. Morley, loio i The Madrid Ateneo William Wistar Comfort, 1894 2 The Two Princesses Charles Wharton Stork. 1902 6 Episodes in the Life of an Irish Waitress C. D. Morley, 1910 7 The Prodigal V. F. Schocpperle, 191 n Two J. Whitall. 1910 12 Daily Except Christmas R. L. M. Underhill, 1901 14 A Memory E. P. Allin?on, 1910 18 Editorials 19 Alumni N'otes 24 Exrn.\.\oi:s 26 Vol XXXI Haverford, Pa., March, 1909 No. -
Accelerated Reader Quiz List - Reading Practice Quiz Book Title Author Points No
Accelerated Reader Quiz List - Reading Practice Quiz Book Title Author Points No. Level 945 EN 12 Dancing Princesses, The Littledale, Freya 3.8 0.5 11101 16th Century Mosque, A MacDonald, Fiona 7.7 1.0 EN 8251 18-Wheelers Maifair, Linda 5.2 1.0 EN 661 EN 18th Emergency, The Byars, Betsy 4.7 4.0 116316 1918 Flu Pandemic, The Krohn, Katherine 4.6 0.5 EN 523 EN 20,000 Leagues under the Sea Verne, Jules 10.0 28.0 900355 2061: Photographing Mars (MH Edition) Brightfield, Richard 4.6 0.5 EN 904851 20th Century African American Singers Sigue, Stephanie 6.6 1.0 EN (SF Edition) 12260 21st Century in Space, The Asimov, Isaac 7.1 1.0 EN 166 EN 4B Goes Wild Gilson, Jamie 4.6 4.0 8252 4X4's and Pickups Donahue, A.K. 4.2 1.0 EN 971 EN 50 Below Zero Munsch, Robert 2.0 0.5 9001 500 Hats of Bartholomew Cubbins, The Seuss, Dr. 4.0 1.0 EN 413 EN 89th Kitten, The Nilsson, Eleanor 4.7 2.0 11001 A-is for Africa Onyefulu, Ifeoma 4.5 0.5 EN 17601 Abe Lincoln: Log Cabin to White House North, Sterling 8.4 4.0 EN 127685 Abe's Honest Words Rappaport, Doreen 4.9 0.5 EN 101 EN Abel's Island Steig, William 5.9 3.0 900378 Aboard the Underground Railroad (MH Otfinoski, Steven 6.2 0.5 EN Edition) 86635 Abominable Snowman Doesn't Roast Dadey, Debbie 4.0 1.0 EN Marshmallows, The 815 EN Abraham Lincoln Stevenson, Augusta 3.5 3.0 42301 Abraham Lincoln Welsbacher, Anne 5.0 0.5 Accelerated Reader Quiz List - Reading Practice Quiz Book Title Author Points No. -
Bulletin of the Center for Children's Books
ILLINOI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. Bulletin of the Center for Children's Books THE UNIVERSITY OF CHICAGO * GRADUATE LIBRARY SCHOOL Volume 34 JULY-AUGUST, 1981 Number 11 New Titles for Children and Young People Aaseng, Nathan. Pete Rose; Baseball's Charlie Hustle. Lerner, 1981. 79-27377. ISBN 0- 8225-0480-4. 48p. illus. with photographs. $5.95. Like most biographies of sports figures, this is a medley of boyhood interest in Ad sports, experiences as a rookie player, the ups and downs of a professional career, 3-5 and action sequences or establishment of records. This hasn't the hyperbole that weakens many books about sports heroes, although it has a fair share of admiration, both for Rose's ability as a baseball player and for the aggressiveness that won him the nickname of "Charlie Hustle." The text is continuous, with neither table of contents nor index to give access to facts; there are no statistical tables included, but the book ends with photographs and statistics for each of the fifteen players who have had three thousand hits. Ahlberg, Janet. Funnybones; written by Janet and Allan Ahlberg. Greenwillow, 1981. 79- 24872. Trade ed. ISBN 0-688-80238-9; Library ed. ISBN 0-688-84238-0. 29p. illus. Trade ed. $8.95; Library ed. $8.59. What happens in the story is of less importance than the basic situation and the R way in which the story's told, in a book in comic strip format. -
A City "... Waiting for the Sunrise " : Toronto in Song and Sound*
A City "... Waiting for the Sunrise " : Toronto in Song and Sound* Michael J. Doucet Abstract: One aspect of urban culture is examined to evaluate Toronto's position within the urban hierarchy, namely, the production of songs and sounds about the city. Although much music has been performed and created in Toronto over the years, and many songs have been urritten about a variety of features of life in the city, the musical images of Toronto remain largely unknown beyond its borders—even to many of the city's own residents. If Toronto is a "world-class city," the evidence for such a claim would have to be found on other dimensions than the one explored here. No one ever wrote / A single note / About Toronto. — Johnny Wayne and Frank Shuster (19%) I find that lately, I'm missing old Toronto, Where bass is strong and drums are full of fire. — from the Lenny Breau song "New York City" (1987) No nation can exist by the balance sheet alone. Stories, song, dance, music, art and the rest are the lifeblood of a country, the cultural images defining a people just as surely as their geography and the gross national product. — Robert Lewis, editor of Maclean's (19%) Interestingly, though, we don't seem to have an immediately identifiable style. The last time anyone spoke about a 'Toronto Sound' [former Mayor] Alan Lamport was booting hippies out of Yorkville. Unlike a Nashville or Manchester, there isn't any one thing that makes you say 'That's Toronto' -- Bob Mackowycz, writer and broadcaster (1991) Toronto itself doesn't have a distinctive civic culture. -
Depaul Jazz Workshop Dana Hall, Director
Ronald Caltabiano, DMA, Dean Tuesday, March 10, 2020 • 7:00 PM DEPAUL JAZZ WORKSHOP Dana Hall, director Mary A. Dempsey and Philip H. Corboy Jazz Hall 2330 North Halsted Street • Chicago Tuesday, March 10, 2020 • 7:00 PM Dempsey Corboy Jazz Hall DEPAUL JAZZ WORKSHOP Dana Hall, director PROGRAM TO BE SELECTED FROM THE FOLLOWING: Victor Feldman; arr. Earl MacDonald Joshua Jackie McLean; arr. Earl MacDonald Appointment in Ghana Brooks Bowman; arr. Earl MacDonald East of the Sun (and West of the Moon) John Birks ‘Dizzy’ Gillespie; arr. Earl MacDonald Woody ’n’ You Charlie Parker; arr. Marty Paich Donna Lee Clark Sommers Chance Encounter DEPAUL JAZZ WORKSHOP • MARCH 10, 2020 BIOGRAPHIES Born in Brooklyn, New York, drummer Dana Hall has been an important musician on the international music scene since 1992. After completing his education in aerospace engineering at Iowa State University, he received his Bachelor of Music degree from William Paterson College in Wayne, New Jersey and, in 1999, his Masters degree in composition and arranging from DePaul University in Chicago, Illinois. He is presently a distinguished Special Trustees Fellow completing his PhD in ethnomusicology at the University of Chicago. Mr. Hall previously taught at the University of Illinois at Urbana-Champaign before joining DePaul University as Associate Professor of Jazz Studies and Ethnomusicology in 2012. The list of exceptional artists that Mr. Hall has performed, toured, and/or recorded with directly reflects the diverse and varied approaches of his music-making in -
Theatre and Transformation in Contemporary Canada
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by YorkSpace Theatre and Transformation in Contemporary Canada Robert Wallace The John P. Robarts Professor of Canadian Studies THIRTEENTH ANNUAL ROBARTS LECTURE 15 MARCH 1999 York University, Toronto, Ontario Robert Wallace is Professor of English and Coordinator of Drama Studies at Glendon College, York University in Toronto, where he has taught for over 30 years. During the 1970s, Prof. Wallace wrote five stage plays, one of which, No Deposit, No Return, was produced off- Broadway in 1975. During this time, he began writing theatre criticism and commentary for a range of newspapers, magazines and academic journals, which he continues to do today. During the 1980s, Prof. Wallace simultaneously edited Canadian Theatre Review and developed an ambitious programme of play publishing for Coach House Press. During the 1980s, Prof. Wallace also contributed commentary and reviews to CBC radio programs including Stereo Morning, State of the Arts, The Arts Tonight and Two New Hours; for CBC-Ideas, he wrote and produced 10 feature documentaries about 20th century performance. Robert Wallace is a recipient of numerous grants and awards including a Canada Council Aid to Artists Grant and a MacLean-Hunter Fellowship in arts journalism. His books include The Work: Conversations with English-Canadian Playwrights (1982, co-written with Cynthia Zimmerman), Quebec Voices (1986), Producing Marginality: Theatre 7 and Criticism in Canada (1990) and Making, Out: Plays by Gay Men (1992). As the Robarts Chair in Canadian Studies at York (1998-99), Prof. Wallace organized and hosted a series of public events titled “Theatre and Trans/formation in Canadian Culture(s)” that united theatre artists, academics and students in lively discussions that informed his ongoing research in the cultural formations of theatre in Canada. -
Friend & Ally Reports
Friend & Ally Reports Canadian Labour Congress Canadian Health Coalition LEGISLATIVE VICTORIES LEGISLATIVE VICTORIES LEGISLATIVE VICTORIES PANDEMIC PRIORITIES The COVID-19 pandemic exposed deep • The Canada Recovery Sickness Benefit which disparities and vulnerabilities in our economy provides up to four weeks of paid sick leave to and society. We have had an unprecedented all Canadians who are unable to work opportunity to persuade governments to embrace because they are sick or must self-isolate bold solutions to address the systemic gaps this due to COVID-19. pandemic has revealed. • The Canada Recovery Caregiving Benefit While our advocacy is ongoing, the rapid which provides support to Canadians who changes and upheaval caused by the pandemic must stay home from work in order to provide required swift action by the Congress to see care to children or support to other dependents decision makers implement changes to address who must stay home. the impacts caused by Covid-19. The Congress mobilized activists across the country to take tens- • The Canada Emergency Student Benefit. of-thousands of actions to help achieve political priorities. • The Safe Restart Agreement which includes financial support for testing, contact tracing Since March 2020, the CLC has won several and data management; health care system important legislative and campaign victories to capacity; vulnerable populations; child care support working families during the COVID-19 for returning workers; personal protective pandemic, including: equipment for workers; and Pan-Canadian sick leave. • The Canada Emergency Response Benefit. • Financial support for municipal governments. • The Canada Emergency Wage Subsidy. • Convinced Canada’s big banks and credit • Enhanced access to Employment Insurance unions to cut credit card interest rates and benefits; a uniform eligibility requirement for permit mortgage and loan payment deferrals benefits; a minimum entitlement of 26 weeks of regular benefits; and a minimum benefit rate of • Convinced the Canadian Pharmacists $500 per week. -
SITE SPECIFIC PRACTICES and CITY RENEWAL the Geo-Politics of Hotel Installations in Urban Spaces by MICHELLE H VEITCH a Thesis S
SITE SPECIFIC PRACTICES AND CITY RENEWAL The Geo-Politics of Hotel Installations in Urban Spaces BY MICHELLE H VEITCH A thesis submitted to the Department of Art in conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada February, 2010 Copyright © Michelle H Veitch, 2010 Dedication I dedicate this dissertation to my deceased father Richard Thomas Veitch whose unwavering work ethic and personal integrity inspired me to achieve my goals and ambitions in life. I am grateful for all the ways that he supported my decisions and accomplishments with his patience, commitment and respect which he offered open heartedly until his untimely passing. Abstract This dissertation examines site specific works produced in hotel buildings by exploring the multiple and contending narratives which gave meaning to city spaces where divergent communities lived, worked and socialized. I analyze the ways in which artists altered urban sites on a visual, sensorial and perceptual levels by focusing on installations produced in three hotels from 1980 to the present: the Embassy Hotel in London, Ontario, and the Cameron House and the Gladstone Hotel in Toronto, Ontario. By facilitating critical interventions in these architectural spaces, artists responded to the conflicting agendas of varying constituencies—from city planners and artists to hotel owners and residents. These commercial establishments, which combined bars, cafés, performance venues, galleries and room rentals, demonstrate the ways in which art and cultural production reflect broader social patterns and urban life: economic shifts, questions of diversity, activist struggles, consumerism, unemployment, and community. In addition to providing spaces for creative practices and art installations, the hotels each went through a series of renovations, transforming the once derelict buildings where low income tenants formerly resided into gentrified buildings, thus changing the social, symbolic and historical significance of the architectural sites. -
Liz Magor B. 1948, Winnipeg, Canada Lives and Works in Vancouver
Liz Magor b. 1948, Winnipeg, Canada Lives and works in Vancouver Education 1970–1971Vancouver School of Art, Vancouver 1968–1970Parsons School of Design, New York, USA 1966–1968University of British Columbia, Vancouver Selected Solo Exhibitions 2021 I Have Wasted My Life, Andrew Kreps Gallery, New York, USA 2020 Downer, Catriona Jeffries, Vancouver One Bedroom Apartment, Esker Foundation, Calgary, Canada 2019 Xhilaration, Marcelle Alix, Paris, France TIMESHARE, 500 Capp Street Foundation, San Francisco, USA BLOWOUT, Carpenter Center for the Arts, Cambridge, USA; The Renaissance Society, Chicago, USA 2017 Previously..., Andrew Kreps Gallery, New York, USA you, you, you, The Modern and Contemporary Art Museum of Nice, Nice, France; Kunstverein in Hamburg, Hamburg, Germany; Migros Museum für Gegenwartskunst, Zurich, Switzerland 2016 The Blue One Comes in Black, Centre d’art contemporain d’Ivry - le Crédac, Ivry-sur-Seine, France Humidor, Marcelle Alix, Paris, France Habitude, Musée d’art contemporain de Montréal, Montreal, Canada Catriona Jeffries, Vancouver 2015 Susan Hobbs Gallery, Toronto, Canada Surrender, Art Gallery of Ontario, Toronto, Canada Six Ways to Sunday #06, Peep-Hole, Milan, Italy 2014 Liz Magor: A Thousand Quarrels, Presentation House Gallery, Vancouver 2013 No Fear, No Shame, No Confusion, Triangle France, Marseille, France 2012 I is being This, Catriona Jeffries, Vancouver 2011 Susan Hobbs Gallery, Toronto, Canada 2009 Military Through the Ages, Agnes Etherington Art Centre, Kingston, Canada Storage Facilities, Kenderdine -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.