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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
The Haverfordian, Vols. 31-33, 1909-12
•TACK. ^-^ CLASS 3-t3-^^ BOOK 44JRr<^-r THE LIBRARY v.3|-32. OF HAVERFORD COLLEGE (haverforo, pa.) the qift of '3»U^ JS' MO. ^ 19»i» ACCESSION NO. G ^3 1C| ,:f- THE HAVERFORDIAN Voltune 31 Haverford College 1910 (,^^ 1 BBBiaBBKBB Jr % HM/ERF^ MARCH 1909 : 1 The Haverfordian Jambs Whitall. loto. Editor-in-Chief ASSOCIATE EDITORS: E. N'elson Edwards, iqio Georor A. Kbrbaugh, iqio Harrison S. Hires. 1910 Christophfr'D. Morlev, 1910 Lucius R. Shbro. ion BUSINESS MANAGERS: Harrison S. Hirks, iqio (mgr.) Wilmer J. Youxr,. ton (asst. mcr.) Price, per year Si . 00 Single Copies $015 The Havbrfordian is published on the tenth of each month during the College year. Its purpose is to foster the litfrar>' spirit among the undergraduates and to pro\-iile an organ for the discussion of questions relative to college life and policy. To these ends, cntributions ore invited and will be considered solely on their merits. Matter intended for insertion should r^ach the Editornot later than the twenty-sixth of the nvjnth preceding the date of issue. Entcnd at the Havcrford Post-ORice, for tnunminioo through the ma'ls as ucond-clats matter. CONTENTS To Her CD. Morley, loio i The Madrid Ateneo William Wistar Comfort, 1894 2 The Two Princesses Charles Wharton Stork. 1902 6 Episodes in the Life of an Irish Waitress C. D. Morley, 1910 7 The Prodigal V. F. Schocpperle, 191 n Two J. Whitall. 1910 12 Daily Except Christmas R. L. M. Underhill, 1901 14 A Memory E. P. Allin?on, 1910 18 Editorials 19 Alumni N'otes 24 Exrn.\.\oi:s 26 Vol XXXI Haverford, Pa., March, 1909 No. -
Accelerated Reader Quiz List - Reading Practice Quiz Book Title Author Points No
Accelerated Reader Quiz List - Reading Practice Quiz Book Title Author Points No. Level 945 EN 12 Dancing Princesses, The Littledale, Freya 3.8 0.5 11101 16th Century Mosque, A MacDonald, Fiona 7.7 1.0 EN 8251 18-Wheelers Maifair, Linda 5.2 1.0 EN 661 EN 18th Emergency, The Byars, Betsy 4.7 4.0 116316 1918 Flu Pandemic, The Krohn, Katherine 4.6 0.5 EN 523 EN 20,000 Leagues under the Sea Verne, Jules 10.0 28.0 900355 2061: Photographing Mars (MH Edition) Brightfield, Richard 4.6 0.5 EN 904851 20th Century African American Singers Sigue, Stephanie 6.6 1.0 EN (SF Edition) 12260 21st Century in Space, The Asimov, Isaac 7.1 1.0 EN 166 EN 4B Goes Wild Gilson, Jamie 4.6 4.0 8252 4X4's and Pickups Donahue, A.K. 4.2 1.0 EN 971 EN 50 Below Zero Munsch, Robert 2.0 0.5 9001 500 Hats of Bartholomew Cubbins, The Seuss, Dr. 4.0 1.0 EN 413 EN 89th Kitten, The Nilsson, Eleanor 4.7 2.0 11001 A-is for Africa Onyefulu, Ifeoma 4.5 0.5 EN 17601 Abe Lincoln: Log Cabin to White House North, Sterling 8.4 4.0 EN 127685 Abe's Honest Words Rappaport, Doreen 4.9 0.5 EN 101 EN Abel's Island Steig, William 5.9 3.0 900378 Aboard the Underground Railroad (MH Otfinoski, Steven 6.2 0.5 EN Edition) 86635 Abominable Snowman Doesn't Roast Dadey, Debbie 4.0 1.0 EN Marshmallows, The 815 EN Abraham Lincoln Stevenson, Augusta 3.5 3.0 42301 Abraham Lincoln Welsbacher, Anne 5.0 0.5 Accelerated Reader Quiz List - Reading Practice Quiz Book Title Author Points No. -
Bulletin of the Center for Children's Books
ILLINOI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. Bulletin of the Center for Children's Books THE UNIVERSITY OF CHICAGO * GRADUATE LIBRARY SCHOOL Volume 34 JULY-AUGUST, 1981 Number 11 New Titles for Children and Young People Aaseng, Nathan. Pete Rose; Baseball's Charlie Hustle. Lerner, 1981. 79-27377. ISBN 0- 8225-0480-4. 48p. illus. with photographs. $5.95. Like most biographies of sports figures, this is a medley of boyhood interest in Ad sports, experiences as a rookie player, the ups and downs of a professional career, 3-5 and action sequences or establishment of records. This hasn't the hyperbole that weakens many books about sports heroes, although it has a fair share of admiration, both for Rose's ability as a baseball player and for the aggressiveness that won him the nickname of "Charlie Hustle." The text is continuous, with neither table of contents nor index to give access to facts; there are no statistical tables included, but the book ends with photographs and statistics for each of the fifteen players who have had three thousand hits. Ahlberg, Janet. Funnybones; written by Janet and Allan Ahlberg. Greenwillow, 1981. 79- 24872. Trade ed. ISBN 0-688-80238-9; Library ed. ISBN 0-688-84238-0. 29p. illus. Trade ed. $8.95; Library ed. $8.59. What happens in the story is of less importance than the basic situation and the R way in which the story's told, in a book in comic strip format. -
Depaul Jazz Workshop Dana Hall, Director
Ronald Caltabiano, DMA, Dean Tuesday, March 10, 2020 • 7:00 PM DEPAUL JAZZ WORKSHOP Dana Hall, director Mary A. Dempsey and Philip H. Corboy Jazz Hall 2330 North Halsted Street • Chicago Tuesday, March 10, 2020 • 7:00 PM Dempsey Corboy Jazz Hall DEPAUL JAZZ WORKSHOP Dana Hall, director PROGRAM TO BE SELECTED FROM THE FOLLOWING: Victor Feldman; arr. Earl MacDonald Joshua Jackie McLean; arr. Earl MacDonald Appointment in Ghana Brooks Bowman; arr. Earl MacDonald East of the Sun (and West of the Moon) John Birks ‘Dizzy’ Gillespie; arr. Earl MacDonald Woody ’n’ You Charlie Parker; arr. Marty Paich Donna Lee Clark Sommers Chance Encounter DEPAUL JAZZ WORKSHOP • MARCH 10, 2020 BIOGRAPHIES Born in Brooklyn, New York, drummer Dana Hall has been an important musician on the international music scene since 1992. After completing his education in aerospace engineering at Iowa State University, he received his Bachelor of Music degree from William Paterson College in Wayne, New Jersey and, in 1999, his Masters degree in composition and arranging from DePaul University in Chicago, Illinois. He is presently a distinguished Special Trustees Fellow completing his PhD in ethnomusicology at the University of Chicago. Mr. Hall previously taught at the University of Illinois at Urbana-Champaign before joining DePaul University as Associate Professor of Jazz Studies and Ethnomusicology in 2012. The list of exceptional artists that Mr. Hall has performed, toured, and/or recorded with directly reflects the diverse and varied approaches of his music-making in -
INDEPENDENT PRODUCTION AGREEMENT (“AGREEMENT”) Between
INDEPENDENT PRODUCTION AGREEMENT (“AGREEMENT”) between THE ALLIANCE OF CANADIAN CINEMA, TELEVISION AND RADIO ARTISTS (“ACTRA”) and THE CANADIAN MEDIA PRODUCERS ASSOCIATION (“CMPA”) and ASSOCIATION QUEBECOISE DE LA PRODUCTION MEDIATIQUE (“AQPM”) (COLLECTIVELY, “THE ASSOCIATIONS”) covering PERFORMERS IN INDEPENDENT PRODUCTION January 1, 2016, to December 31, 2018 © 2016 ACTRA, Canadian Media Producers Association, and Association Québécoise de la Production Médiatique IPA 1 January 2016 – 31 December 2018 ACTRA and the CMPA/AQPM CONTENTS PART A – ARTICLES OF GENERAL APPLICATION A1 Recognition and Application .................................................................................... 1 A101 Bargaining Unit ........................................................................................... 1 A104 Administration of Agreement ...................................................................... 2 A106 Rights of Producer ...................................................................................... 2 A107 Preservation of Bargaining Rights ............................................................... 2 A108 General Provisions ..................................................................................... 3 A2 Exclusions and Waivers ........................................................................................... 4 A201 Performer definition ................................................................................... 4 A205 Consent to Waive Minimum Fees ............................................................... -
Clowns: North Fort Myers ‘College’ Graduates Class Clowns
Post Comments, share Views, read Blogs on CaPe-Coral-daily-Breeze.Com Next APE ORAL phase C C Everblades finish regular season, playoffs await DAILY BREEZE —SPORTS WEATHER: partly Sunny • Tonight: partly cloudy • Tuesday: Partly sunny— 2A cape-coral-daily-breeze.com Vol. 48, No. 79 Monday, April 6, 2009 50 cents First-time Downtown Street Market vendors share their love of art By CONNOR HOLMES everybody should have art that back on the water as he recov- [email protected] they enjoy,” Jim said. “Rich ered. For Jim and Abe Schantz, people can afford art, but the “A friend suggested I start owners of local father-son fram- everyday man should be able to collecting nautical art,” he said. ing company “Florida have art also.” Jim and Abe also own Framing,” Saturday marked Being of Native-American “Nautical Art,” a company in their first time at the ever-popu- heritage, Jim said giving back is their hometown of Glenview, lar Downtown Street Market on a big part of his philosophy on Ill., where they stay seasonally. Southeast 47th Terrace, though life. The Schantzes displayed and the two have been framing and So is being kind to the envi- sold their work Saturday among enjoying nautical art for a num- ronment; Jim prides Florida over 80 vendors of antiques, ber of years. Framing as being a “green” and artwork, gifts and collectables, The two had set up their “Eco-friendly” framing compa- but that didn’t keep them from booth in the morning sun from ny. selling or giving away 50 about 8 a.m. -
(“Agreement”) Covering FREELANCE WRITERS of THEATRICAL FILMS
INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN MEDIA PRODUCTION ASSOCIATION (“CMPA”) and ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE (“AQPM”) (the “Associations”) March 16, 2015 to December 31, 2017 © 2015 WRITERS GUILD OF CANADA and CANADIAN MEDIA PRODUCTION ASSOCIATION and the ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 15 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 23 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 41 Article A11 Payments p. 43 Article A12 Administration Fee p. 50 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 51 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 53 Section B: Conditions Governing Engagement p. 54 Article B1 Conditions Governing Engagement for all Program Types p. 54 Article B2 Optional Bibles, Script/Program Development p. 60 Article B3 Options p. 61 Section C: Additional Conditions and Minimum Compensation by Program Type p. 63 Article C1 Feature Film p. 63 Article C2 Optional Incentive Plan for Feature Films p. 66 Article C3 Television Production (Television Movies) p. -
Report to Economic Development Committee from Toronto Arts Council
REPORT TO ECONOMIC DEVELOPMENT COMMITTEE FROM TORONTO ARTS COUNCIL SUBJECT: 2002 ANNUAL GRANTS REPORT TABLE OF CONTENTS Purpose...................................................................................................................................1 2002 City of Toronto Budget Allocation.......................................................................................1 2002 Grants Summary ..............................................................................................................1 Loan Fund................................................................................................................................1 Method of Grants Evaluation .....................................................................................................2 TAC Foundation – Allocation for Grants .....................................................................................2 Statement of Revenue, Expenses & Program Balances as at December 31, 2002 ........................3 Grant Lists: · Annual Activity Grants...................................................................................................4 · Project Grants ..............................................................................................................9 Appeals list ..............................................................................................................................14 Annual Activity Grants...............................................................................................................15 -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Experimental Vs. Narrative Films
VolVol 22 IssueIssue 1010 January 1998 FundingFunding Co-ProductionsCo-Productions WorkingWorking HistoryHistory aa MarketMarket ofof 16mm 16mm DistributionDistribution EducatorsEducators onon ExperimentalExperimental vs.vs. Narrative Narrative FilmsFilms Plus:Plus: The The CreationCreation ofof an an Icon,Icon, the the MTVMTV LogoLogo Table of Contents January 1998 Vol. 2, . No. 10 4 Editor’s Notebook Where there is a will, a way can sometimes be created... 5 Letters: [email protected] PRODUCING RESULTS 6 Funding Co-Productions:A Complicated But Tasty Recipe Michael Hirsh explains firsthand the recipe for success that has NELVANA’s co-productions filling the air- ways on both sides of the Atlantic and beyond. 9 Working the Floor at International Program Markets Dominic Schreiber relates tips from the pros on how to attend a market and make the most of it for you and your property. 13 The Unnatural History of Independent Animated Films on 16mm Once upon a time there was a world without video tape...Karl Cohen takes us back in time to the days when 16mm film reigned. 19 A Literary Draw: Storyopolis Wendy Jackson interviews Fonda Snyder, co-founder of Storyopolis, a unique company which is a sym- biosis of a bookstore, art gallery, development think tank and production company. 22 Liquid Light Studios Says,“Olé!” to Mexico’s Pronto Julie Pesusich, of Liquid Light Studios, discusses the formation of a startup CGI company and their cur- rent co-production with Mexican director Jorge Ramirez-Suarez. OTHER ARTICLES 26 The Creation of an Icon: MTV In a personal memoir, Candy Kugel describes how she and a small team created an icon that would one day take the world by storm. -
Télécharger La Brochure Du MIPTV 2011 De Téléfilm
MIPTV11 Exhibitor Guide Guide des exposants Table of Contents / Table des matières Index 02 Genres & Areas of Activity / Genres & Secteurs d’activité Index 08 Countries Sought for Coproduction / Pays de coproduction recherchés Canada Pavilion / Pavillon du Canada 14 Producers and Distributors / Producteurs et distributeurs Organized and Financed by / Coordonné et financé par 84 Telefilm Canada / Téléfilm Canada Principal Partners / Partenaires principaux 86 Ontario Media Development Corporation / Société de développement de l’industrie des médias de l’Ontario 87 British Columbia Film Major Partner / Partenaire majeur 88 Canada Media Fund / Fonds des médias du Canada Contributor Partner / Partenaire contributeur 89 Canadian Media Production Association Silver Sponsor / Commanditaire argent 90 National Bank of Canada / Banque Nationale du Canada 2 Genres Documentary / Entertainment / Fiction / New Media Factual Non Scripted Programs Scripted Programs Content Others Youth Programs 9 Story Enterprises ◼ ◼ ◼ ◼ ◼ 1976◼ Productions◼ A71 Productions ◼ ◼ ◼ ◼ ◼ ABM ◼(Au Bon Moment)◼ Amberwood Entertainment ◼ ◼ ◼ ◼ Agence◼ Claude◼ Girard Anaïd Productions ◼ ◼ ◼ ◼ ◼ Agent ◼of Change◼ Media Animiki See ◼ ◼ ◼ ◼ ◼ ◼ Alcina◼ Pictur Digital Production es ◼ ◼ ◼ ◼ ◼ ◼ ◼ Bejuba! Entertainment ◼ Amérique Film BFS Film & Television ◼ ◼ ◼ ◼ Angel◼ Entertainment◼ Productions ◼ Bogeydom Licensing ◼ ◼ ◼ ◼ ◼ ◼ Breakthrough Entertainment ◼ Breakout Entertainment ◼ ◼ ◼ ◼ ◼ ◼ Buffalo Gal Pictures ◼ Caged Angel Films BuzzTaxi Communications ◼ ◼ ◼ ◼ ◼ Cinegrapheternational◼