DOCSLIB.ORG

Télécharger La Brochure Du MIPTV 2011 De Téléfilm

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Télécharger La Brochure Du MIPTV 2011 De Téléfilm MIPTV11 Exhibitor Guide Guide des exposants Table of Contents / Table des matières Index 02 Genres & Areas of Activity / Genres & Secteurs d’activité Index 08 Countries Sought for Coproduction / Pays de coproduction recherchés Canada Pavilion / Pavillon du Canada 14 Producers and Distributors / Producteurs et distributeurs Organized and Financed by / Coordonné et financé par 84 Telefilm Canada / Téléfilm Canada Principal Partners / Partenaires principaux 86 Ontario Media Development Corporation / Société de développement de l’industrie des médias de l’Ontario 87 British Columbia Film Major Partner / Partenaire majeur 88 Canada Media Fund / Fonds des médias du Canada Contributor Partner / Partenaire contributeur 89 Canadian Media Production Association Silver Sponsor / Commanditaire argent 90 National Bank of Canada / Banque Nationale du Canada 2 Genres Documentary / Entertainment / Fiction / New Media Factual Non Scripted Programs Scripted Programs Content Others Youth Programs 9 Story Enterprises ◼ ◼ ◼ ◼ ◼ 1976◼ Productions◼ A71 Productions ◼ ◼ ◼ ◼ ◼ ABM ◼(Au Bon Moment)◼ Amberwood Entertainment ◼ ◼ ◼ ◼ Agence◼ Claude◼ Girard Anaïd Productions ◼ ◼ ◼ ◼ ◼ Agent ◼of Change◼ Media Animiki See ◼ ◼ ◼ ◼ ◼ ◼ Alcina◼ Pictur Digital Production es ◼ ◼ ◼ ◼ ◼ ◼ ◼ Bejuba! Entertainment ◼ Amérique Film BFS Film & Television ◼ ◼ ◼ ◼ Angel◼ Entertainment◼ Productions ◼ Bogeydom Licensing ◼ ◼ ◼ ◼ ◼ ◼ Breakthrough Entertainment ◼ Breakout Entertainment ◼ ◼ ◼ ◼ ◼ ◼ Buffalo Gal Pictures ◼ Caged Angel Films BuzzTaxi Communications ◼ ◼ ◼ ◼ ◼ Cinegrapheternational◼ ◼ Cargo Film and Releasing ◼ ◼ ◼ ◼ ◼ ◼ CineVedas◼ CCI Entertainment ◼ ◼ ◼ ◼ ◼ Television◼ International◼ Cirrus Communications ◼ ◼ ◼ ◼ ◼ Doppelgänger◼ Pictures◼ Conexion Entertainment ◼ ◼ ◼ ◼ Angel◼ Entertainment◼ Group ◼ Bogeydom Licensing David Brady Productions ◼ ◼ ◼ Bogeydom◼ ◼ LicenEcstasy◼ ◼ Film DHX Media ◼ ◼ ◼ EMA◼ ◼ FilFilm ◼One Distributors◼ Dimestore Productions ◼ ◼ ◼ ◼ ◼ ◼ Filmarto◼ / BBR Distribution360 ◼ Filmoption◼ InternationalFilmoption◼ ◼ ◼ ◼ International◼ Dom Vetro & Associates ◼ ◼ ◼ ◼ ◼ ◼ ◼ Epitome Pictures ◼ ◼ ◼ ◼ ◼ ◼ ◼ FarMore Distribution ◼ ◼ ◼ ◼ ◼ ◼ Film One Distributors ◼ ◼ ◼ ◼ Autres Fiction / Factuel médias Émissions Émissions jeunesse scénarisées scénarisées Émissions non Documentaire / Divertissement / Contenu nouveaux 3 Genres Areas of Activity / Secteurs d’activité Production Production Services Acquisition Distribution New Media & Mobile Animation Others STAND PAGE 1976◼ Productions◼ ◼ ◼ ◼ ◼ ◼ 02.10 14 9 Story Enterprises ABM◼ (Au◼ Bon Moment)◼ ◼ ◼ ◼ ◼ 00.01 15 A71 Productions Agence◼ ◼Claude ◼Girard ◼ ◼ ◼ ◼ 02.10 16 Amberwood Entertainment Agent◼ of◼ Change◼ Media◼ ◼ ◼ ◼ 00.01 17 Anaïd Productions Alcina◼ Pictures◼ ◼ ◼ ◼ ◼ ◼ 02.10 18 Animiki See Digital Production Amérique◼ ◼ Film ◼ ◼ ◼ ◼ ◼ 00.01 19 Bejuba! Entertainment Angel◼ Entertainment◼ ◼ ◼ ◼ ◼ ◼ 02.10 20 BFS Film & Television Bogeydom Licensing Productions Breakout◼ ◼ Entertainment◼ ◼ ◼ ◼ ◼ 00.01 21 Breakthrough Entertainment Caged◼ Angel◼ Films◼ ◼ ◼ ◼ 02.10 22 Buffalo Gal Pictures Cinegraphe◼ ◼ ◼ ◼ ◼ ◼ 02.10 23 BuzzTaxi Communications Television◼ ◼ In ◼ ◼ ◼ ◼ 02.10 24 Cargo Film and Releasing Doppelgänger◼ ◼ Pictures◼ ◼ ◼ ◼ 02.10 25 CCI Entertainment Eagle◼ Vision◼ ◼ ◼ ◼ ◼ 02.10 26 Cirrus Communications ◼ ◼ ◼ ◼ ◼ ◼ 00.01 27 Conexion Entertainment Bogeydom Licensing Group ◼ ◼ ◼ ◼ ◼ ◼ ◼ 00.01 28 David Brady Productions EMA◼ Films◼ ◼ ◼ ◼ ◼ ◼ 02.10 29 DHX Media Film◼ Market◼ Accessors◼ ◼ ◼ ◼ ◼ 02.10 30 Dimestore Productions Filmarto◼ ◼ / BBR ◼ ◼ ◼ ◼ ◼ 02.10 31 Distribution360 Filmoption◼ ◼ International◼ ◼ ◼ ◼ ◼ 00.01 32 Dom Vetro & Associates ◼ ◼ ◼ ◼ ◼ ◼ ◼ 00.01 33 Epitome Pictures ◼ ◼ ◼ ◼ ◼ ◼ ◼ 02.10 34 FarMore Distribution ◼ ◼ ◼ ◼ 02.10 35 Film One Distributors PAGE Autres KIOSQUE et mobile Services de Production production Acquisition Animation Distribution Nouveaux médias 4 Genres Documentary / Entertainment / Fiction / New Media Factual Non Scripted Programs Scripted Programs Content Others Youth Programs Force Four Entertainment ◼ ◼ ◼ ◼ 1976 Productions◼ General Purpose ◼ ◼ ◼ ◼ ABM (Au Bon Momen Entertainment t) ◼ Guru Studio ◼ ◼ Agence Claude Girard ◼ H Gagnon Distribution Agent ◼of Change Media ◼ Hulo Films ◼ ◼ ◼ Alcina Pictures ◼ ID Communications ◼ ◼ ◼ Amérique◼ Film ◼ Kelen Content ◼ ◼ ◼ Angel Entertainment La Presse Télé ◼ ◼ ◼ ◼ ◼ Breakout Entertainment◼ Liberty Music Trax ◼ ◼ ◼ ◼ ◼ Caged Angel◼ Films marblemedia ◼ ◼ ◼ ◼ ◼ Cinegrapheternational◼ Markham Street Films ◼ ◼ ◼ ◼ ◼ ◼ CineVedas◼ Microtainment / ◼ ◼ ◼ Television International Docutainment Media ◼ Mundovision ◼ ◼ ◼ ◼ Doppelgänger Pictures◼ ◼ National Screen Institute ◼ Angel Entertainment Nerd Corps Entertainment ◼ ◼ Bogeydom◼ ◼ LicenEcstasy Film Octapixx Worldwide ◼ ◼ EMA◼ ◼ FilFilm One Distributors◼ ODD1 ◼ ◼ ◼ ◼ ◼ Filmarto◼ / BBR Omni Film Productions Filmoption InternationalFilmoption◼ ◼ International Partners in Motion ◼ ◼ ◼ ◼ Picture Box Distribution ◼ ◼ ◼ ◼ Portfolio International ◼ ◼ ◼ ◼ ◼ Primevista Television ◼ ◼ Productions Nova Média ◼ ◼ Autres Fiction / Factuel médias Émissions Émissions jeunesse scénarisées scénarisées Émissions non Documentaire / Divertissement / Contenu nouveaux 5 Genres Areas of Activity / Secteurs d’activité Production Production Services Acquisition Distribution New Media & Mobile Animation Others STAND PAGE 1976◼ Productions 00.01 36 Force Four Entertainment ◼ 00.01 37 General Purpose ABM (Au Bon Moment) Entertainment Agence◼ ◼Claude ◼Girard ◼ ◼ 00.01 38 Guru Studio Agent of Change◼ Media◼ ◼ 02.10 39 H Gagnon Distribution Alcina◼ Pictures◼ ◼ 02.10 40 Hulo Films Amérique◼ Film ◼ ◼ ◼ 02.10 41 ID Communications Angel◼ Entertainment◼ ◼ ◼ ◼ ◼ 00.01 42 Kelen Content Breakout◼ Entertainment◼ ◼ ◼ 00.01 43 La Presse Télé Caged Angel◼ Films ◼ 00.01 44 Liberty Music Trax Cinegraphe◼ ◼ ◼ 02.10 45 marblemedia Television◼ ◼ In ◼ 00.01 46 Markham Street Films Doppelgänger◼ ◼ Pictures ◼ ◼ 02.10 47 Microtainment / Docutainment Media Eagle◼ Vision ◼ ◼ 02.10 48 Mundovision ◼ ◼ 02.10 49 National Screen Institute ◼ ◼ ◼ ◼ 02.10 50 Nerd Corps Entertainment EMA Films ◼ ◼ 00.01 51 Octapixx Worldwide Film Market Accessors ◼ 00.01 52 ODD1 Filmarto◼ ◼ / BBR ◼ ◼ 02.10 53 Omni Film Productions Filmoption◼ ◼ International◼ ◼ 00.01 54 Partners in Motion ◼ ◼ ◼ 02.10 55 Picture Box Distribution ◼ ◼ ◼ 00.01 56 Portfolio International ◼ ◼ ◼ ◼ 02.10 57 Primevista Television ◼ ◼ 02.10 58 Productions Nova Média PAGE Autres KIOSQUE et mobile Animation Services de Production production Acquisition Distribution Nouveaux médias 6 Genres Documentary / Entertainment / Fiction / New Media Factual Non Scripted Programs Scripted Programs Content Others Youth Programs Pure TV Entertainment ◼ ◼ ◼ 1976 Productions International ◼ Radar Station Pictures ◼ ◼ ABM ◼(Au Bon Moment)◼ ◼ Radio-Canada ◼ ◼ ◼ ◼ Agence Claude◼ Girard ◼ Rebel Media Ventures ◼ ◼ ◼ Agent of Change Media International ◼ SI Entertainment ◼ ◼ ◼ ◼ ◼ ◼ Alcina Pictures◼ Skywriter Media and ◼ ◼ ◼ ◼ Amérique◼ Fi Entertainment Group lm Sound Venture International ◼ ◼ ◼ ◼ ◼ Angel◼ Entertainment◼ Sphère Média International ◼ ◼ ◼ Breakout Entertainment ◼ ◼ ◼ Stingray Digital ◼ Caged Angel Films Sudden Storm Entertainment ◼ ◼ Cinegrapheternational◼ ◼ Summerhill Entertainment ◼ ◼ ◼ CineVedas◼ ◼ Temple Street Productions ◼ ◼ ◼ Television International◼ ◼ ToonBox Entertainment ◼ ◼ ◼ ◼ Doppelgänger Pictures◼ ◼ TroisDeuxUn Productions ◼ ◼ Angel◼ Entertainment◼ Turbulent Bogeydom◼ ◼ LicenEcstasy◼ Film TVA Films EMA◼ ◼ FilFilm One Distributors ◼ ◼ ◼ ◼ ◼ Up North Entertainment ◼ Filmarto / BBR Visual Education Centre ◼ ◼ ◼ Filmoption InternationalFilmoption◼ International WestWind Pictures ◼ ◼ ◼ ◼ ◼ Wizard Hat Productions ◼ ◼ ◼ ◼ Wone Woman Works ◼ ◼ ◼ Productions ◼ Yowza Digital ◼ ◼ Zoot Pictures ◼ ◼ ◼ Autres Fiction / Factuel médias Émissions Émissions jeunesse scénarisées scénarisées Émissions non Documentaire / Divertissement / Contenu nouveaux 7 Genres Areas of Activity / Secteurs d’activité Production Production Services Acquisition Distribution New Media & Mobile Animation Others STAND PAGE 1976◼ Productions◼ ◼ ◼ 02.10 59 Pure TV Entertainment International (Au◼ Bon ◼Moment) ◼ ◼ 00.01 60 Radar Station Pictures Agence◼ Claude Girard ◼ ◼ ◼ 02.10 61 Radio-Canada Agent◼ ◼ ◼ ◼ ◼ ◼ 00.01 62 Rebel Media Ventures of Change Media International Alcina◼ Pictures◼ ◼ ◼ ◼ 00.01 63 SI Entertainment Améri◼ ◼ ◼ ◼ ◼ 02.10 64 Skywriter Media and que Film Entertainment Group Angel◼ Entertainment ◼ 00.01 65 Sound Venture International Breakout◼ Entertainment◼ 02.10 66 Sphère Média International Caged Angel Films◼ ◼ ◼ 02.10 67 Stingray Digital Cinegraphe◼ ◼ 00.01 68 Sudden Storm Entertainment Television◼ In ◼ ◼ 00.01 69 Summerhill Entertainment Doppelgänger◼ Pictures ◼ ◼ 00.01 70 Temple Street Productions Eagle◼ Vision◼ ◼ 02.10 71 ToonBox Entertainment ◼ ◼ ◼ 00.01 72 TroisDeuxUn Productions ◼ 00.01 73 Turbulent EMA Films ◼ 00.01 74 TVA Films Film◼ Market Accessors◼ ◼ 02.10 75 Up North Entertainment Filmarto / BBR ◼ 02.10 76 Visual Education Centre Filmoption◼ International 02.10 77 WestWind Pictures ◼ ◼ 00.01 78 Wizard Hat Productions ◼ ◼ ◼ 00.01 79 Wone Woman Works Productions ◼ ◼ ◼ 02.10 80 Yowza Digital ◼ ◼ 02.10 81 Zoot Pictures PAGE Autres KIOSQUE et mobile Animation Services de Production production Acquisition Distribution Nouveaux médias 8 Index Countries Sought for Coproduction All Countries / Tous les pays 60 Radar Station Pictures 38 Guru Studio 62 Rebel Media Ventures International 63 SI Entertainment Asian Countries / 64 Skywriter Media Pays asiatiques and Entertainment Group Stingray Digital
Load more

Recommended publications
  • PROGRAM November 18-20, 2015 THANKS to the 2015 Children, Youth & Media Conference Sponsors
    Toronto PROGRAM November 18-20, 2015 THANKS tO tHe 2015 ChIlDrEn, YoUtH & MeDiA CoNfErEnCe sponsors MAIN SPONSOR PRESTIGE SPONSORS EXCELLENCE SPONSORS 2 SPECIAL THANKS Youth Media Alliance would like to warmly thank its 2015 Children, Youth & Media Conference advisory committee: NATALIE DUMOULIN / 9 Story Media Group MARTHA SEPULVEDA / RACHEL MARCUS / Guru Studio Breakthrough Entertainment MICHELLE MELANSON CUPERUS / CLAUDIA SICONDOLFO Radical Sheep Productions JULIE STALL / Portfolio Entertainment LYNN OLDERSHAW / Kids’ CBC TRAVIS WILLIAMS / Mercury Filmworks MIK PERLUS / marblemedia SUZANNE WILSON / TVO Kids JAMIE PIEKARZ / Corus Entertainment And the volunteers: KELLY LYNNE ASHTON, KAYLA LATHAM, HENRIKA LUONG, TATIANA MARQUES, JAYNA RAN and MARCELA LUCIA ROJAS. TABLE OF CONTENTS Words from Chair .............................................................................p. 4 Words from Executive Director ............................................................p. 5 Schedule and Venue ..........................................................................p. 6 General Conference ..........................................................................p. 8 Workshop with Sheena Macrae ............................................................p. 12 Workshop with Linda Schuyler .............................................................p. 12 Prix Jeunesse Screening ....................................................................p. 13 Speakers’ Biographies .......................................................................p.
    [Show full text]
  • 2010-3-19:Layout 1.Qxd
    Vol. 3 No. 24 Mar. 19, 2010 Founder’s Day previews InsideASU See page 4. THE PRESIDENT’S ASU to hold Honors Day CORNER Convocation on March 26 With the theme of “Honor- dean of the ASU Graduate entation of ing the Best and the Brightest,” School from September 1997 to the Civil Albany State University will September 1999. Rights recognize the outstanding aca- In October 1999 he joined Movement demic achievement of students Indiana University as a scholar in Albany and present scholarships during and executive director of the and South- the annual Honors Day Convo- Organization of American His- west Geor- cation set for 10 a.m. Friday, torians. In his role with the gia. Dr. Everette J. Freeman March 26, in the HPER Gym- OAH, Dr. Formwalt supervised Dr. Spring is for nasium. a staff of 20 and collaborated Formwalt Lee Formwalt During the Honors Day with numerous national histori- graduated renewal Convocation, the Teacher of the cal and humanities organiza- cum laude with a bachelor’s de- Year, Researcher of the Year tions. His successes include gree in history from the When it comes to our and Staff Person of the Year increasing membership by 20 Catholic University of America success as a university, it’s awards will also be presented. percent, increasing the annual in 1971. He earned a master’s vital that we understand the The keynote speaker for the budget by 67 percent, raising degree in history from the Uni- importance of reaching be- Honors Day Convocation will more than $1 million with the versity of Massachusetts in yond the confines of our be Dr.
    [Show full text]
  • Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
    Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Materials Challenged in Oregon 1979
    Materials Challenged in Oregon 1979 - July 2015 Based on published reports from the American Library Association, the Oregon Intellectual Freedom Clearinghouse (OIFC) and other news sources L e v e Author/ Other Title & Publisher Date, Reason & Outcome Description of Material l This rap album was the first music work to be prosecuted under obscenity law. The Broward County (Florida) District Court decision was As Nasty as They overturned & the album was Wanna Be, Luke Challenged at the Multnomah ruled not to be obscene in 1992 Skywalker County Library in 1995. Reason: by the 11th Circuit Court of 2 Live Crew Records(recording) obscene and vulgar lyrics Retained. Appeals. A Challenged in 2011 in a public library by an individual. Reason: Secrets of Boys, The promotes sexual activity, smoking, and all other titles by drinking, taking drugs & other this author; Harper high risk behavior for teens. Hailey Abbott writes romance Abbott, Hailey Collins Requested removal; retained. novels for teenagers. YA Parents challenged the use of this program in a 12th grade class in Growing Up in the Age Redmond 1994. Reason: does not A news program on AIDS and ABC News of AIDS emphasize abstinence AIDS education A In this graphic novel, the Lone Wolves are Space Marines from the Space Wolf chapter. No one knows where they Challenged at the Multnomah come from or where they go, County Library in 2005. Reason: but when the soldiers of the concern that the content would Slovak Regiment of the Lone Wolves, Games contribute to hate, bad feelings and Imperial Guard need them Abnett, Dan Workshop.
    [Show full text]
  • Crystal Reports
    Collection Analysis Sanders Corner Elementary 1-800-245-9540 FAX: 1-800-369-5490 Email: [email protected] web site: www.mackin.com 3505 County Rd 42 West, Burnsville, MN 55306-3804 Collection Analysis Summary Sanders Corner Elementary Thank you for using Mackin's free Collection Analysis service. We will be contacting you to review the analysis and consult with you about free solutions to improve your collection. In the meantime, here is a summary of your analysis. In putting the analysis together, we first indicate the average age and number of titles in each part of your collection, then we compare it to a brand new "exemplary" collection that would meet size standards for the number of students in your school. You should then be able to see some of the potential problem areas in your collection and where the collection may fall short of standards. Obviously, what is exemplary for one school may not be completely right for another school, but this does give us a good starting point. You know better than we how your collection is used, so please adapt these recommendations as you see fit. The following summaries highlight the areas that seem the most in need of attention in the report on the next few pages. Please look at your report closely to determine detailed size, age and weeding needs. v With the information you supplied, we were able to successfully categorize 100% of your MARC records. v Throughout the collection, the average date of publication is 2006 or 15 years old. v The average age is 5 years older than recommended.
    [Show full text]
  • Margarethe Ulvik Brings Her Rich Dreams to Life 2—The Record—TOWNSHIPS WEEK— June 7-14, 1996 THEATRE Centaur: Friedman Family Fortune Flounders by Eyal Dattel Though
    D *hg Arts and Entertainment Magazine fiecord June 7-14, 1996 ' g . tV’l ............... ' MB SBips»l* ..Jfâ*® , *: jri 53&K t i*-, || BEATON PERRY PHOTO: RECORD Margarethe Ulvik brings her rich dreams to life 2—The Record—TOWNSHIPS WEEK— June 7-14, 1996 THEATRE Centaur: Friedman Family Fortune flounders By Eyal Dattel though. Fortune, which starts designer Barbra Matis and a Fiddler-inspired episode. Special to the Record For the Record off as a weak situation drama, lighting designer Howard Men­ Joan Orenstein (The Stone soon develops itself into an Angel) is only able to offer limi­ MONTREAL — It has been delsohn, whose warm lights this account of a tightly knit interesting study of parent- contrast the cold conflicts on ted support as the ironically quite a remarkable 27th sea­ Jewish family crumbling from child conflicts and strains. stage. cold but doting mother who, in son for Montreal’s Centaur atop their Westmount home. fact, singlehandedly runs her Theatre. Many meaty words are The set itself is a richly Centaur’s artistic director exchanged and Gow’s play has textured Westmount home in household. Her Annabelle does The Stone Angel kicked it off Maurice Podbrey probably a lively sense of humor. Alas, schemes of browns. It shows a not even hint at the range and with a bang before the compa­ thought he was on the road to the words and humor are offset classical, highly sophisticated talent which Orenstein ny received glowing notices for discovery when he chose this by the play’s inconsistencies. milieu surrounded by artwork possesses.
    [Show full text]
  • Grade 7: Module 1: Unit 2 Overview This Work Is Licensed Under a Creative Commons Attribution-Noncommercial-Sharealike 3.0 Unported License
    Grade 7: Module 1: Unit 2 Overview This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Exempt third-party content is indicated by the footer: © (name of copyright holder). Used by permission and not subject to Creative Commons license. GRADE 7: MODULE 1: UNIT 2: OVERVIEW Case Study: Survival in Sudan In this second unit, students are introduced to the concept of theme in a novel. As students will analyze how the author of A Long Walk to Water both used and they complete A Long Walk to Water, students will continue to collect textual elaborated on historical facts. Part 1 of the end of unit assessment (which takes evidence to answer the question “How do individuals survive in challenging place over two lessons) is the first draft of a literary analysis essay requiring textual environments?” In addition, students will be reading informational texts that support to discuss the topic of survival in Southern Sudan during and after the provide more information about the context of the novel. Close reading of the second civil war in the 1980s. Part 2 of the end of unit assessment is the final draft selected informational text and novel will prepare students for the mid-unit of the student essay. assessment and the two-part end of unit assessment. For the mid-unit assessment, Guiding Questions And Big Ideas • How do individuals survive in challenging environments? • How do culture, time, and place influence the development of identity? • How does reading from different texts about the same topic build our understanding? • How does juxtaposing multiple characters help authors develop and contrast their points of view? • Individual survival in challenging environments requires both physical and emotional resources.
    [Show full text]
  • English Performance Envelopes & Production Incentive
    Home Français Feedback Corporate website Papo & Yo SalesAn interactive: Denmark, fable Finland, in whichFrance, the Germany, primal relationshipNetherlands, between Norway, parentSlovenia, and Sweden, child is brilliantlyWorldwide allegorized (excluding in the taleUSA) of a monster and his small friend. Average Minute Launch Video Audience: 1,805,000 Appendices English Performance Envelopes & Production Incentive Program Notice SECTIONS ON THIS PAGE Funding Lists Convergent Stream Drama Documentary Variety & Performing Arts English Performance Children & Youth Envelopes & Production Incentive Program French Performance Envelopes and Regional French Incentive Program Francophone Minority DRAMA Program Aboriginal Program English POV Program Convergent 2nd Platform / Diverse Languages Project Title Applicant(s) Region Platform Content Type Program Envelope Funding ($) Program Drama Versioning Program English Development 18 To Life II (13- 18 To Life II Productions inc / MTL TV Digital PE CBC $4,022,698 Envelopes 25) Sound Venture 18 Productions Distribution EPI $1,000,000 French Selective Inc. Development Total $5,022,698 French Regional Development Program Being Erica lll (1- Being Erica III Productions TO TV Rich & PE CBC $6,599,996 Francophone Minority 13) Limited Substantial Program (Development) Digital Media Aboriginal Program (Development) The Bionic Crimson Clay Media Ltd. SK TV Digital PE APTN (English) $144,600 Experimental Stream - Bannock Boys II Distribution Development and Marketing (7-12) Experimental Stream - Production Blackstone I (2-9) Blackstone Cycle I Ltd. AB TV Rich & PE APTN (English) $1,015,000 Substantial Performance Envelope Digital Media Calculations Internet Website PE APTN (English) $146,919 Audience Data Sources Total $1,161,919 The Borgias I Borgias Productions Inc. TO TV Video On PE BRAVO! $1,100,000 Financing Sources : Definitions (101-109) Demand By the Rapids IV Ista Films IV Inc.
    [Show full text]
  • Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in Re
    Electronically Filed Docket: 14-CRB-0010-CD/SD (2010-2013) Filing Date: 12/29/2017 03:37:55 PM EST Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS 2010-2013 CABLE ROYALTY YEARS VOLUME I OF II WRITTEN TESTIMONY AND EXHIBITS Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Alesha M. Dominique D.C. Bar No. 990311 Mitchell Silberberg & Knupp LLP 1818 N Street NW, 8th Floor Washington, DC 20036 (202) 355-7917 (Telephone) (202) 355-7887 (Facsimile) [email protected] [email protected] [email protected] Attorneys for MPAA-Represented Program Suppliers December 29, 2017 Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF MPAA-REPRESENTED PROGRAM SUPPLIERS FOR 2010-2013 CABLE ROYALTY YEARS The Motion Picture Association of America, Inc. (“MPAA”), its member companies and other producers and/or distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations who have agreed to representation by MPAA (“MPAA-represented Program Suppliers”),1 in accordance with the procedural schedule set forth in Appendix A to the December 22, 2017 Order Consolidating Proceedings And Reinstating Case Schedule issued by the Copyright Royalty Judges (“Judges”), hereby submit their Written Direct Statement Regarding Distribution Methodologies (“WDS-D”) for the 2010-2013 cable royalty years2 in the consolidated 1 Lists of MPAA-represented Program Suppliers for each of the cable royalty years at issue in this consolidated proceeding are included as Appendix A to the Written Direct Testimony of Jane Saunders.
    [Show full text]
  • INDEPENDENT PRODUCTION AGREEMENT ("Agreement")
    -·- ·· -·--- ---------- INDEPENDENT PRODUCTION AGREEMENT ("Agreement") covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the "Guild") and The CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION ("CFTPA") and THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TELJ~:VISION DUQUEBEC ("APFTQ") (the "Associations") January 1, 2010 to December 31, 20 II © 2010 WRITERS GUILD OF CANADA and CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION AND THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TELEVISION DU QUEBEC. TABLE OF CONTENTS Section A: General -AU Productions p. Article AI Recognition, Application and Term p. Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 16 Article AS Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p.22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p.24 Article A8 Story Editors and Story Consultants p.29 Article A9 Credits p. 30 Article AIO Security for Payment p.42 Article All Payments p.44 Article Al2 Administration Fee p.52 Article Al3 Insurance and Retirement Plan, Deductions from Writer's Fees p. 52 Article Al4 Contributions and Deductions from Writer's Fees in the case of Waivers p.54 Section 8: Conditions Governing Engagement p.55 Article 81 Conditions Governing Engagement for all Program Types p.55 Article 82 Optional Bibles, Script/Program Development p. 61 Article 83 Options p.62 Section C: Additional Conditions and Minimum Compensation by Program Type p.63 Article Cl Feature Film p.63 Article C2 Optional Incentive Plan for Feature Films p.
    [Show full text]
  • V I T O V I S C O
    VITO VISCOMI – LOS ANGELES 323-314-5448 [email protected] KATHY A ROCCHIO – VANCOUVER 604-506-3460 [email protected] COLLECTIVE PERSONAL CREDITS FOR PARTNERS Vito Viscomi WGA/WGC WRITER SKETCH/REALITY MTV MOVIE AWARDS ’06 Writer Tenth Planet/MTV LAST LAUGH ’05 and ‘06 Writer Tenth Planet/COMEDY CENTRAL BLUE COLLAR TV Writer/Co-Prod WB VIVA LA BAM Writer MTV NICK & JESSICA VARIETY HOUR Writer ABC Variety Special JACKASS Writer MTV JACKASS: THE MOVIE Writer MTV Films I’M WITH BUSEY Writer Jimco/Comedy Central SMOKING GUN Writer Court-TV special BOMBITTY OF ERRORS Co-EP MTV pilot ANIMAL PRANKSTERS Writer Stone-Stanley/Animal Planet special THE ANDY DICK SHOW Senior Writer MTV series THE TOM GREEN SHOW Writer MTV series THE VACANT LOT Writer/Creator Lorne Michaels/COMEDY CENTRAL TALK THE HOWARD STERN SHOW Senior Producer CBS-TV THE LATE EDITION Supervising Producer CNBC SITCOM THE ROAMING GNOME Co-EP, Creator USA Studios/Pilot APARTMENT 2F Story Editor/Writer MTV ANIMATION KID VS. KAT Writer Studio B / YTV / Jetix RICKY SPROCKET Writer Studio B / Teletoon / Nicktoons MR. MEN Writer Cartoon Network ROLLBOTS Story Editor/Writer Amberwood/YTV BEING IAN Story Editor/Writer Studio B/YTV WEIRD YEARS Writer Lenz Entertainment/YTV AMAZING ADRENALINI BROS. Writer Studio B/YTV MONSTER BUSTER CLUB Writer Marathon/YTV BARNYARD Add’l Writing Steve Oedekerk Feature YAKKITY YAK Story Editor/Writer Studio B/Nicktoons/Teletoon THE GODTHUMB Writer Steve Oedekerk, DVD release DIRK DERBY Writer Steve Oedekerk/Nicktoons JOHN CALLAHAN’S QUADS Writer Nelvana YVON OF THE YUKON Writer Studio B/YTV Canada Vito Viscomi continued… RUGRATS GO WILD Add’l Writing Klasky Csupo Feature AWARDS/HONORS ELAN AWARDS (Canada) ‘Being Ian’ – Best Writing – WINNER GOLDEN ROSE AWARD (International) 'The Vacant Lot' - Outstanding Comedy Series - Finalist.
    [Show full text]
  • Rapport Annuel 2009–2010 Annuel Rapport CTF Annual Report 2009–2010 Rapport Annuel Du FCT 2009–2010 Rapport Annual Report CTF
    rapport annuel 2009–2010 annuel rapport CTF annual report 2009–2010 rapport annuel du FCT annual report 2009–2010 BAILLEURS DE FONDS Le Fonds canadien de télévision (FCT) est appuyé Le FCT remercie tous ses bailleurs de fonds de leur appui par le ministère du Patrimoine canadien et par constant à la production canadienne dans l’industrie de la les entreprises de distribution de radiodiffusion télévision et des médias numériques. En 2009-2010, le FCT du Canada. a bénéficié de l’apport financier des organismes suivants : PRÉFACE La publication du Rapport annuel 2009-2010 du Fonds n’y a pas de données relatives aux médias numériques canadien de télévision vise à communiquer à ses pour la période antérieure à l’exercice 2008-2009, car le intervenants des informations clés sur l’industrie. Le programme n’existait pas avant cet exercice. Les parts rapport contient des renseignements détaillés sur les d’auditoire décrites dans les tableaux de données ont été résultats de financement du FCT pour l’exercice 2009-2010, arrondies. Ainsi, lorsqu’on indique une part de 0 %, cela allant du 1er avril 2009 au 31 mars 2010 et présente l’analyse signifie que le taux d’activités serait inférieur à 1 %. Les des auditoires canadiens pour l’année de radiodiffusion sources de financement sont définies en annexe. Lorsque 2008-2009. Bien que les références aux prix, ventes et des distinctions régionales sont établies, les villes de autres formes de reconnaissance mettent en vedette des Toronto (TOR) et de Montréal (MTL) sont considérées productions couronnées de succès en 2009 ou 2010, comme des régions distinctes en raison du volume celles-ci peuvent avoir bénéficié de l’apport financier du particulièrement important de productions qu’elles FCT avant l’exercice 2009-2010.
    [Show full text]