Of Italy Unification
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Rough Guide to Naples & the Amalfi Coast
HEK=> =K?:;I J>;HEK=>=K?:;je CVeaZh i]Z6bVaÒ8dVhi D7FB;IJ>;7C7B<?9E7IJ 7ZcZkZcid BdcYgV\dcZ 8{ejV HVc<^dg\^d 8VhZgiV HVciÉ6\ViV YZaHVcc^d YZ^<di^ HVciVBVg^V 8{ejVKiZgZ 8VhiZaKdaijgcd 8VhVaY^ Eg^cX^eZ 6g^Zcod / AV\dY^EVig^V BVg^\a^Vcd 6kZaa^cd 9WfeZ_Y^_de CdaV 8jbV CVeaZh AV\dY^;jhVgd Edoojda^ BiKZhjk^jh BZgXVidHVcHZkZg^cd EgX^YV :gXdaVcd Fecf[__ >hX]^V EdbeZ^ >hX]^V IdggZ6ccjco^ViV 8VhiZaaVbbVgZY^HiVW^V 7Vnd[CVeaZh GVkZaad HdggZcid Edh^iVcd HVaZgcd 6bVa[^ 8{eg^ <ja[d[HVaZgcd 6cVX{eg^ 8{eg^ CVeaZh I]Z8Vbe^;aZ\gZ^ Hdji]d[CVeaZh I]Z6bVa[^8dVhi I]Z^haVcYh LN Cdgi]d[CVeaZh FW[ijkc About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections, and you should be able to find whatever you need in one of them. The introductory colour section is designed to give you a feel for Naples and the Amalfi Coast, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The guide chapters cover the region in depth, each starting with a highlights panel, introduction and a map to help you plan your route. Contexts fills you in on history, books and film while individual colour sections introduce Neapolitan cuisine and performance. Language gives you an extensive menu reader and enough Italian to get by. 9 781843 537144 ISBN 978-1-84353-714-4 The book concludes with all the small print, including details of how to send in updates and corrections, and a comprehensive index. -
1 Lgbtgaily Tours & Excursions
LGBT 1 OurOur Tour. YourLGBT Pride. Philosophy We have designed a new product line for a desire to be part of the colorful battle for human LGBT publicum, offering more than a simple pride with friends from all over the world, Iwe travel! If you are looking for a special itinerary have the perfect solution for you. in Italy discovering beautiful landscapes and uncountable art and cultural wonders, or if you We want to help in creating a rainbow world. and now choose your LGBT experience... Follow us on: www.GailyTour.com @GailyTour @gailytour Largo C. Battisti, 26 | 39044 - Egna (BZ) - ITALY Tel. (+39) 0471 806600 - Fax (+39) 0471 806700 VAT NUMBER IT 01652670215 Our History & Mission Established in 1997 and privately owned, Last addition to the company’s umbrella is the providing competitive travel services. Ignas Tour has been making a difference to office in Slovakia opened in 2014, consolidating Trust, reliability, financial stability, passion and our client’s group traveling experiences for two Ignas Tour's presence in the Eastern European attention to details are key aspects Ignas Tour decades. market and expanding and diversifying even is known for. In 1999 opening of a sister company in more the product line. The company prides itself on a long-term vision Hungary, adding a new destination to the Ignas Tour maintains an uncompromising and strategy and keeps in sync with the latest company’s portfolio. Since 2001 IGNAS TOUR commitment to offer the highest standards market trends in order to develop new products is also part of TUI Travel plc. -
Timeline / Before 1800 to After 1930 / ITALY
Timeline / Before 1800 to After 1930 / ITALY Date Country Theme 1800 - 1814 Italy Cities And Urban Spaces In the Napoleonic age, monumental architecture is intended to celebrate the glory of the new regime. An example of that is the Foro Bonaparte, in the area around the Sforza’s Castle in Milan (a project by Giovanni Antonio Antolini). 1800s - 1850s Italy Travelling The “Grand Tour” falls out of vogue; it used to be a period of educational travel, popular among the European aristocrats in the 17th and 18th centuries. Its primary destination was Italy. In the second half of the 19th century, vanguard artists no longer looked at Roman antiquities and Renaissance for inspiration. 1807 - 1837 Italy Cities And Urban Spaces In Milan, Luigi Cagnola completes the construction of the Arch of Peace, started during the Napoleonic age and inspired by the Arc du Carrousel in Paris. The stunning architectures of the Napoleonic age use arches, obelisks and allegorical groups of Roman and French classical inspiration. 1809 Italy Music, Literature, Dance And Fashion Giacomo Leopardi (1798–1837), philosopher, scholar and one of the greatest Italian poets of all times, writes his first poem. 1815 - 1816 Italy Rediscovering The Past Antonio Canova, acting on behalf of Pope Pio VII, recovers from France several pieces of art belonging to the Papal States, which had been brought to Paris by Napoleon, including the Villa Borghese’s archaeological collection. 1815 - 1860 Italy Political Context Italian “Risorgimento” (movement for national unification). 1815 Italy Political Context The Congress of Vienna decides the restoration of pre-Napoleonic monarchies: Kingdom of Sardinia (Piedmont, Genoa, Sardinia); Kingdom of Two Sicilies (Southern Italy and Sicily), the Papal States (part of Central Italy), Grand Duchy of Tuscany and other smaller states. -
The Unification of Italy and Germany
EUROPEAN HISTORY Unit 10 The Unification of Italy and Germany Form 4 Unit 10.1 - The Unification of Italy Revolution in Naples, 1848 Map of Italy before unification. Revolution in Rome, 1848 Flag of the Kingdom of Italy, 1861-1946 1. The Early Phase of the Italian Risorgimento, 1815-1848 The settlements reached in 1815 at the Congress of Vienna had restored Austrian domination over the Italian peninsula but had left Italy completely fragmented in a number of small states. The strongest and most progressive Italian state was the Kingdom of Sardinia-Piedmont in north-western Italy. At the Congress of Vienna this state had received the lands of the former Republic of Genoa. This acquisition helped Sardinia-Piedmont expand her merchant fleet and trade centred in the port of Genoa. There were three major obstacles to unity at the time of the Congress of Vienna: The Austrians occupied Lombardy and Venetia in Northern Italy. The Papal States controlled Central Italy. The other Italian states had maintained their independence: the Kingdom of Sardinia, also called Piedmont-Sardinia, the Kingdom of the Two Sicilies (ruler by the Bourbon dynasty) and the Duchies of Tuscany, Parma and Modena (ruled by relatives of the Austrian Habsburgs). During the 1820s the Carbonari secret society tried to organize revolts in Palermo and Naples but with very little success, mainly because the Carbonari did not have the support of the peasants. Then came Giuseppe Mazzini, a patriotic writer who set up a national revolutionary movement known as Young Italy (1831). Mazzini was in favour of a united republic. -
Public Politics/Personal Authenticity
PUBLIC POLITICS/PERSONAL AUTHENTICITY: A TALE OF TWO SIXTIES IN HOLLYWOOD CINEMA, 1986- 1994 Oliver Gruner Thesis submitted for the degree of Ph.D. University of East Anglia School of Film and Television Studies August, 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. 1 TABLE OF CONTENTS Introduction 5 Chapter One “The Enemy was in US”: Platoon and Sixties Commemoration 62 Platoon in Production, 1976-1982 65 Public Politics/Personal Authenticity: Platoon from Script to Screen 73 From Vietnam to the Sixties: Promotion and Reception 88 Conclusion 101 Chapter Two “There are a lot of things about me that aren’t what you thought”: Dirty Dancing and Women’s Liberation 103 Dirty Dancing in Production, 1980-1987 106 Public Politics/Personal Authenticity: Dirty Dancing from Script to Screen 114 “Have the Time of Your Life”: Promotion and Reception 131 Conclusion 144 Chapter Three Bad Sixties/ Good Sixties: JFK and the Sixties Generation 146 Lost Innocence/Lost Ignorance: Kennedy Commemoration and the Sixties 149 Innocence Lost: Adaptation and Script Development, 1988-1991 155 In Search of Authenticity: JFK ’s “Good Sixties” 164 Through the Looking Glass: Promotion and Reception 173 Conclusion 185 Chapter Four “Out of the Prison of Your Mind”: Framing Malcolm X 188 A Civil Rights Sixties 191 A Change -
Italian: Repubblica Italiana),[7][8][9][10] Is a Unitary Parliamentary Republic Insouthern Europe
Italy ( i/ˈɪtəli/; Italian: Italia [iˈtaːlja]), officially the Italian Republic (Italian: Repubblica italiana),[7][8][9][10] is a unitary parliamentary republic inSouthern Europe. Italy covers an area of 301,338 km2 (116,347 sq mi) and has a largely temperate climate; due to its shape, it is often referred to in Italy as lo Stivale (the Boot).[11][12] With 61 million inhabitants, it is the 5th most populous country in Europe. Italy is a very highly developed country[13]and has the third largest economy in the Eurozone and the eighth-largest in the world.[14] Since ancient times, Etruscan, Magna Graecia and other cultures have flourished in the territory of present-day Italy, being eventually absorbed byRome, that has for centuries remained the leading political and religious centre of Western civilisation, capital of the Roman Empire and Christianity. During the Dark Ages, the Italian Peninsula faced calamitous invasions by barbarian tribes, but beginning around the 11th century, numerous Italian city-states rose to great prosperity through shipping, commerce and banking (indeed, modern capitalism has its roots in Medieval Italy).[15] Especially duringThe Renaissance, Italian culture thrived, producing scholars, artists, and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. Italian explorers such as Polo, Columbus, Vespucci, and Verrazzano discovered new routes to the Far East and the New World, helping to usher in the European Age of Discovery. Nevertheless, Italy would remain fragmented into many warring states for the rest of the Middle Ages, subsequently falling prey to larger European powers such as France, Spain, and later Austria. -
Final Thesis
AN EXAMINATION OF INDIVIDUAL DIFFERENCES IN ITALIAN AND AMERICAN FASHION CULTURES: PAST, PRESENT, AND PROJECTIONS FOR THE FUTURE BY: MARY LOUISE HOTZE TC 660H PLAN II HONORS PROGRAM THE UNIVERSITY OF TEXAS AT AUSTIN MAY 10, 2018 ______________________________ JESSICA CIARLA DEPARTMENT OF TEXTILES AND APPAREL SUPERVISING PROFESSOR ______________________________ ANTONELLA DEL FATTORE-OLSON DEPARTMENT OF FRENCH AND ITALIAN SECOND READER TABLE OF CONTENTS Abstract…………………………………………….…………………………………………….…………………………………… 3 Acknowledgements………………………………………….…………………………………………….…………..……….. 4 Introduction………………………………………….…………………………………………….…………………….…….…. 5 Part 1: History of Italian Fashion……...……...……..……...……...……...……...……...……...……...... 9 – 47 AnCiEnt Rome and thE HoLy Roman EmpirE…………………………………………………….……….…... 9 ThE MiddLE AgEs………………………………………….……………………………………………………….…….. 17 ThE REnaissanCE……………………………………….……………………………………………………………...… 24 NeoCLassism to RomantiCism……………………………………….…………………………………….……….. 32 FasCist to REpubLiCan Italy……………………………………….…………………………………….……………. 37 Part 2: History of American Fashion…………………………………………….……………………………… 48 – 76 ThE ColoniaL PEriod……………………………………….……………………………………………………………. 48 ThE IndustriaL PEriod……………………………………….……………………………………………………….…. 52 ThE CiviL War and Post-War PEriod……………………………………….……………………………………. 58 ThE EarLy 20th Century……………………………………….………………………………………………….……. 63 ThE Mid 20th Century……………………………………….…………………………………………………………. 67 ThE LatE 20th Century……………………………………….………………………………………………………… 72 Part 3: Discussion of Individual -
Italian Republic Day
ITALIAN REPUBLIC DAY This program received funding assistance from the Australian Government Department of Health and Ageing under the Community Partners Program Frecce tricolore Tricoloured flyover Frecce tricolore dall’Altare della Patria Tricoloured flyover emerging from l’Altare della Patria Bandiera italiana, con scorcio dell’Altare della Patria Italian flag with a glimpse of Altare della Patria Parata delle Forze Armate The Armed Forces' parade Bersagliere Special detail (No Australian equivalent) Consegna della corona al Milite Ignoto Laying of the wreath for the unknown soldier Parata delle Forze Armate The Armed Forces parade Banda militare Military band Sfilata dei Bersaglieri The Bersaglieri Parade Sfilata dell’Esercito The Army Parade Sfilata delle Forze Armate The Armed Forces parade Guardia della Finanza Federal Police Sfilata delle Forze Armate The Armed Forces Parade Consegna della bandiera al Capo della Repubblica Flag handover to the Italian president La tradizionale parata per la Festa della Repubblica si tiene in via dei Fori Imperiali a Roma. Nel viale che collega il Colosseo e piazza Venezia sfilano circa 7.100 tra militari e civili, 200 cavalli, 160 automezzi, 90 motociclette. Alla parata, che inizia alle ore 10, assistono tutte le maggiori autorita' politiche, a cominciare ovviamente dal Presidente della Repubblica. Il Capo dello Stato, in mattinata, intorno alle ore 9 depone una corona di alloro sulla Tomba del Milite Ignoto. Dalle ore 15 alle ore 19, invece, presso i giardini del Quirinale, si tengono i concerti da parte dei complessi bandistici della Marina militare, dell'arma dei Carabinieri, dell'Aeronautica militare, della Polizia di Stato, della Guardia di finanza e dell'Esercito italiano. -
Table of Contents
A periodic pubblication from the Italian Trade Volume 12 Issue1 .it italian trade 1 Table of contents 22. CREDITS EDITORIALS 24. “Italy and Miami: a long lasting bond of friendship”: a message from Tomas Regalado, Mayor of the City of Miami 26. “The US Southeast, a thriving market for Italian companies”: a message from Gloria Bellelli, Consul General of Italy in Miami 28. “The United States of America, a strategic market for Italian food industry”: a message from Gian Domenico Auricchio, President of Assocamerestero 30. “25 years supporting Italy and its businesses”: a message from Gianluca Fontani, President of Italy-America Chamber of Commerce Southeast SPECIAL EDITORIAL CONTRIBUTIONS 32. “Andrea Bocelli, when simplicity makes you the greatest”, interview with Andrea Bocelli, Italian classical crossover tenor, recording artist, and singer-songwriter. 40. “Santo Versace, Style is the Man!”, interview with Santo Versace, President of Gianni Versace Spa 47. “Italians in Miami: a unique-of-its-kind community”, by Antonietta Di Pietro Italian Instructor in the Department of Modern Languages at Florida International University 53. “Italy and the US: a strong relationship” by Andrea Mancia e Simone Bressan, Journalists and Bloggers THE “MADE IN ITALY AMBASSADOR AWARD” WINNERS 58. “Buccellati, a matter of generations”, interview with Andrea Buccellati, President and Creative Director of Buccellati Spa 63. “The Made in Italy essence” interview with Dario Snaidero, CEO of Snaidero USA INTRODUCING “THE BEST OF ITALY GALA NIGHT” 69. “The Best of Italy Gala Night” Program THE PROTAGONISTS OF “THE BEST OF ITALY GALA NIGHT” 76. “Alfa Romeo, Return of a legend”, by Alfa Romeo 82. -
Italian Fashion & Innovation
Italian Fashion & Innovation Derek Pante Azmina Karimi Morgan Taylor Russell Taylor Introduction In Spring 2008, the Italia Design team researched the fashion industry in Italy, and discussed briefly how it fits into Italy’s overall innovation. The global public’s perception of Italy and Italian Design rests to some degree on the visibility and success of Fashion Design. The fashion and design industries account for a large percentage of Milan’s total economic output— as Milan goes economically, so goes Italy (Foot, 2001). Fashion Design clearly contributes to “brand Italia,” as well as to Italian culture generally. Yet, fashion is not our focus in this study: innovation and design is. Fashion’s goals are not the same as design. For one, fashion operates on “style,” design works on “language,” and style to a serious designer is usually the opposite of good design. Yet to ignore the area possibly creates a blind spot. With the resource this year of some students with great interest in this area it was decided that we should begin to investigate how fashion in Italy contributes to innovation, and how fashion in Milan and other centers in the North of Italy sustain “Creative Centers” where measurable agglomeration (a sign of innovation) occurs. Delving into Italian Fashion allowed us to rethink certain paradigms. For one, how we look at Florence as a design center. Florence has very little Industrial Design and, because of the city’s UNESCO World Heritage designation, has very little contemporary architectural culture. This reality became clear after four years of returning to the Renaissance city. -
Edmondo De Amicis] [Illustration: "THE BOY HAD WALKED TEN
[Illustration: Cuore Edmondo De Amicis] [Illustration: "THE BOY HAD WALKED TEN MILES."--Page 123.] CUORE (HEART) AN ITALIAN SCHOOLBOY'S JOURNAL _A Book for Boys_ BY EDMONDO DE AMICIS _TRANSLATED FROM THE THIRTY-NINTH ITALIAN EDITION_ BY ISABEL F. HAPGOOD NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS COPYRIGHT, 1887, 1895 and 1901. BY THOMAS Y. CROWELL & COMPANY COPYRIGHT, 1915. 第 1 页 共 185 页 BY ISABEL F. HAPGOOD Printed in the United States of America AUTHOR'S PREFACE THIS book is specially dedicated to the boys of the elementary schools between the ages of nine and thirteen years, and might be entitled: "The Story of a Scholastic Year written by a Pupil of the Third Class of an Italian Municipal School." In saying written by a pupil of the third class, I do not mean to say that it was written by him exactly as it is printed. He noted day by day in a copy-book, as well as he knew how, what he had seen, felt, thought in the school and outside the school; his father at the end of the year wrote these pages on those notes, taking care not to alter the thought, and preserving, when it was possible, the words of his son. Four years later the boy, being then in the lyceum, read over the MSS. and added something of his own, drawing on his memories, still fresh, of persons and of things. Now read this book, boys; I hope that you will be pleased with it, and that it may do you good. -
Pius Ix and the Change in Papal Authority in the Nineteenth Century
ABSTRACT ONE MAN’S STRUGGLE: PIUS IX AND THE CHANGE IN PAPAL AUTHORITY IN THE NINETEENTH CENTURY Andrew Paul Dinovo This thesis examines papal authority in the nineteenth century in three sections. The first examines papal issues within the world at large, specifically those that focus on the role of the Church within the political state. The second section concentrates on the authority of Pius IX on the Italian peninsula in the mid-nineteenth century. The third and final section of the thesis focuses on the inevitable loss of the Papal States within the context of the Vatican Council of 1869-1870. Select papal encyclicals from 1859 to 1871 and the official documents of the Vatican Council of 1869-1870 are examined in light of their relevance to the change in the nature of papal authority. Supplementing these changes is a variety of seminal secondary sources from noted papal scholars. Ultimately, this thesis reveals that this change in papal authority became a point of contention within the Church in the twentieth century. ONE MAN’S STRUGGLE: PIUS IX AND THE CHANGE IN PAPAL AUTHORITY IN THE NINETEENTH CENTURY A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of History by Andrew Paul Dinovo Miami University Oxford, OH 2004 Advisor____________________________________________ Dr. Sheldon Anderson Reader_____________________________________________ Dr. Wietse de Boer Reader_____________________________________________ Dr. George Vascik Contents Section I: Introduction…………………………………………………………………….1 Section II: Primary Sources……………………………………………………………….5 Section III: Historiography……...………………………………………………………...8 Section IV: Issues of Church and State: Boniface VIII and Unam Sanctam...…………..13 Section V: The Pope in Italy: Political Papal Encyclicals….……………………………20 Section IV: The Loss of the Papal States: The Vatican Council………………...………41 Bibliography……………………………………………………………………………..55 ii I.