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Canova's George Washington
CANOVA’S GEORGE WASHINGTON EXHIBITION ADDRESSES CANOVA’S ONLY WORK FOR UNITED STATES May 23 through September 23, 2018 In 1816, the General Assembly of North Carolina commissioned a full-length statue of George Washington to stand in the rotunda of the State Capitol, in Raleigh. Thomas Jefferson, believing that no American sculptor was up to the task, recommended Antonio Canova (1757– 1822), then one of Europe’s most celebrated artists. The first and only work Canova created for the United States, the statue depicted the nation’s first president in ancient Roman garb—all’antica armor—per Jefferson’s urging, drafting his farewell address to the states. It was unveiled to great acclaim in 1821. Tragically, a decade later, a fire swept through the State Capitol, reducing the statue to a few charred fragments. On May 23, The Frick Collection presents Canova’s George Washington, an exhibition that examines the history of the artist’s lost masterpiece. The show brings together for the first time all of the objects connected to the creation of the sculpture— including a remarkable life-sized Antonio Canova, Modello for George Washington (detail), 1818, modello that has never before left Italy—and tells the extraordinary plaster, Gypsotheca e Museo Antonio Canova, Possagno, Italy; photo Fabio Zonta, Fondazione Canova onlus, Possagno transatlantic story of this monumental work. The life-size modello, above, provides the closest idea of what the destroyed marble would have looked like. It is shown in the Frick’s Oval Room—alone—to replicate the effect it would have had in the rotunda of North Carolina’s State Capitol. -
Chapter One: Introduction
CHANGING PERCEPTIONS OF IL DUCE TRACING POLITICAL TRENDS IN THE ITALIAN-AMERICAN MEDIA DURING THE EARLY YEARS OF FASCISM by Ryan J. Antonucci Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History Program YOUNGSTOWN STATE UNIVERSITY August, 2013 Changing Perceptions of il Duce Tracing Political Trends in the Italian-American Media during the Early Years of Fascism Ryan J. Antonucci I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Ryan J. Antonucci, Student Date Approvals: Dr. David Simonelli, Thesis Advisor Date Dr. Brian Bonhomme, Committee Member Date Dr. Martha Pallante, Committee Member Date Dr. Carla Simonini, Committee Member Date Dr. Salvatore A. Sanders, Associate Dean of Graduate Studies Date Ryan J. Antonucci © 2013 iii ABSTRACT Scholars of Italian-American history have traditionally asserted that the ethnic community’s media during the 1920s and 1930s was pro-Fascist leaning. This thesis challenges that narrative by proving that moderate, and often ambivalent, opinions existed at one time, and the shift to a philo-Fascist position was an active process. Using a survey of six Italian-language sources from diverse cities during the inauguration of Benito Mussolini’s regime, research shows that interpretations varied significantly. One of the newspapers, Il Cittadino Italo-Americano (Youngstown, Ohio) is then used as a case study to better understand why events in Italy were interpreted in certain ways. -
The Unification of Italy and Germany
EUROPEAN HISTORY Unit 10 The Unification of Italy and Germany Form 4 Unit 10.1 - The Unification of Italy Revolution in Naples, 1848 Map of Italy before unification. Revolution in Rome, 1848 Flag of the Kingdom of Italy, 1861-1946 1. The Early Phase of the Italian Risorgimento, 1815-1848 The settlements reached in 1815 at the Congress of Vienna had restored Austrian domination over the Italian peninsula but had left Italy completely fragmented in a number of small states. The strongest and most progressive Italian state was the Kingdom of Sardinia-Piedmont in north-western Italy. At the Congress of Vienna this state had received the lands of the former Republic of Genoa. This acquisition helped Sardinia-Piedmont expand her merchant fleet and trade centred in the port of Genoa. There were three major obstacles to unity at the time of the Congress of Vienna: The Austrians occupied Lombardy and Venetia in Northern Italy. The Papal States controlled Central Italy. The other Italian states had maintained their independence: the Kingdom of Sardinia, also called Piedmont-Sardinia, the Kingdom of the Two Sicilies (ruler by the Bourbon dynasty) and the Duchies of Tuscany, Parma and Modena (ruled by relatives of the Austrian Habsburgs). During the 1820s the Carbonari secret society tried to organize revolts in Palermo and Naples but with very little success, mainly because the Carbonari did not have the support of the peasants. Then came Giuseppe Mazzini, a patriotic writer who set up a national revolutionary movement known as Young Italy (1831). Mazzini was in favour of a united republic. -
The Unification of Italy
New Dorp High School Social Studies Department AP Global Mr. Hubbs & Mrs. Zoleo The Unification of Italy While nationalism destroyed empires, it also built nations. Italy was one of the countries to form from the territories of the crumbling empires. After the Congress of Vienna in 1815, Austria ruled the Italian provinces of Venetia and Lombardy in the north, and several small states. In the south, the Spanish Bourbon family ruled the Kingdom of the Two Sicilies. Nevertheless, between 1815 and 1848, increasing numbers of Italians were no longer content to live under foreign rulers. Amid growing discontent, two leaders appeared—one was idealistic, the other practical. They had different personalities and pursued different goals. But each contributed to the Unification of Italy. The Movement for Unity Begins In 1832, an idealistic 26-year-old Italian named Guiseppe Mazzini organized a nationalist group called, Young Italy. Similarly, youth were the leaders and custodians of the nineteenth century nationalist movements. The Napoleonic Wars were lead principally by younger men. Napoleon was 35 years of age when crowned Emperor. As nationalism spread across Europe the pattern continued. People over 40 were excluded from Mazzini's organization. During the violent year of 1848, revolts broke out in eight states on the Italian Peninsula. Mazzini briefly headed a republican government in Rome. He believed that nation-states were the best hope for social justice, democracy, and peace in Europe. However, the 1848 rebellions failed in Italy as they did elsewhere in Europe. The foreign rulers of the Italian states drove Mazzini and other nationalist leaders into exile. -
LIBERTY ARCHITETTURE E DECORAZIONI DELLA BELLE ÉPOQUE Di Marilù Miranda
LE MAPPE DEL TESORO Venti itinerari alla scoperta del patrimonio culturale di Palermo e della sua provincia Soprintendenza per i Beni culturali e ambientali di Palermo LIBERTY ARCHITETTURE E DECORAZIONI DELLA BELLE ÉPOQUE di Marilù Miranda REGIONE SICILIANA Assessorato dei Beni culturali e dell’Identità siciliana PO FESR Sicilia 2007-2013 Linea d’intervento 3.1.1.1. “Investiamo nel vostro futuro” Progetto LE MAPPE DEL TESORO. Venti itinerari alla scoperta del patrimonio culturale di Palermo e della sua provincia. progetto di: Ignazio Romeo R.U.P.: Claudia Oliva Soprintendente: Maria Elena Volpes Liberty. Architetture e decorazioni della Belle époque di: Marilù Miranda ricerche bibliografiche, documentarie ed iconografiche: Concetta Giannilivigni con Notizie su architetti, pittori e scultori di Francesca Buffa e Marina Mancino e un testo di Antonino Aurelio Piazza fotografie di: Fulvio Miranda (pag. 4, 7, 8, 9, 10, 12, 13, 25, 26, 27, 28, 42, 43, 48, 49, 50, 51, 54-55 sup., 58, 63, 64); Diletta Di Simone (pag. 11, 14, 15, 30, 31, 32, 34, 35, 36, 37, 38, 39, 44 d., 45, 54-55 inf.); Mario Fazio (cop., pag. 20, 21, 22, 23, 24, 47, 53, 56, 59); Dario Di Vincenzo (pag. 17, 18, 19, 41, 44 s., 46). si ringraziano: Leonardo Artale, Maria Reginella cura redazionale: Ignazio Romeo e Maria Concetta Picciurro grafica e stampa: Ediguida srl Le mappe del tesoro : venti itinerari alla scoperta del patrimonio culturale di Palermo e della sua provincia. - Palermo : Regione siciliana, Assessorato dei beni culturali e dell’identità siciliana, Dipartimento dei beni culturali e dell’identità siciliana. – v. -
Il Secondo Concorso Per Il Parlamento Di Ernesto Basile. Analisi E Ricostruzione Congetturale
42° Convegno Internazionale dei Docenti delle Discipline della Rappresentazione Congresso della Unione Italiana per il Disegno Il secondo concorso per il Parlamento di Ernesto Basile. Analisi e ricostruzione congetturale Fabrizio Avella Abstract Lo studio si inquadra nel settore delle ricostruzioni congetturali di progetti a partire da disegni di archivio. Nel caso specifico, si tratta del progetto di Ernesto Basile per il secondo concorso per il Parlamento del Regno d’Italia, conclusosi nel 1889. È un progetto molto maturo, premiato dalla Commissione giudicatrice ex aequo insieme ad altri quattro, e conclude la fase dei concorsi romani (1882-89), segnata da un linguaggio classicista che permea i progetti per le sedi istituzionali. I disegni originari dell’opera, non realizzata, sono conservati presso la Dotazione Basile-Ducrot del Dipartimento di Architettura dell’Università di Palermo, e sono stati utilizzati per il rilievo, la vettoria- lizzazione, l’analisi e la modellazione tridimensionale. Sono stati elaborati modelli analogici, volti ad offrire una lettura grafica in grado di enucleare aspetti compositivi, e modelli con finalità descrittiva per visualizzare spazi e volumi. Parole chiave storia del disegno, ricostruzione congetturale, tecniche di rappresentazione. doi.org/10.3280/oa-548.90 1622 Introduzione Il progetto per il secondo concorso per il Parlamento del Regno d’Italia (1888-89) può essere considerato uno più importanti della produzione di Ernesto Basile e si inserisce nella produzione romana dei progetti di concorso per le nuove sedi istituzionali del giovane Re- gno d’Italia. Il “moderno classicismo” [Sessa 2002] che li caratterizza, è declinato, di volta in volta, in base ad esigenze linguistiche e funzionali. -
I Progetti Di Ernesto Basile Per Le Sedi Della Cassa Di Risparmio Di Palermo E Messina: Una Svolta Ideologica
45 I PROGETTI DI ERNESTO BASILE PER LE SEDI DELLA CASSA DI RISPARMIO DI PALERMO E MESSINA: UNA SVOLTA IDEOLOGICA Nunzia Donato* Il decreto istitutivo della Cassa Centrale di luppo sociale dell’isola. Nel 1873, undici anni dopo Risparmio Vittorio Emanuele II per le province sici- l’inaugurazione, la Cassa lasciò i locali della Zecca liane venne firmato il 21 ottobre 1861 dal generale per trovare più adeguata sede presso il vicino palaz- Ignazio Genova Di Pettinengo, luogotenente genera- zo delle Reali Finanze, costruito nel 1840 in luogo le del re nelle province siciliane dopo la loro annes- delle vecchie carceri della Vicaria, su progetto di sione al Regno d’Italia a seguito del plebiscito del 4 Emanuele Palazzotto7. «Ma presto, con l’estendersi novembre 18601. Un nuovo decreto luogotenziale, il dei servizi, diventa indilazionabile la necessità di tra- 14 novembre 1861, provvide ad eleggere i primi cin- sferire gli uffici in sede più idonea»8, tanto che venne que amministratori della Cassa, nelle persone del acquistato, l’1 febbraio 1887, parte del convento dei senatore Romualdo Trigona principe di S. Elia, con il Padri Mercedari Scalzi, prospettante lungo la via dei ruolo di presidente, e dei deputati Francesco Crispi e Cartari, nel rione dei Lattarini9. Domenico Peranni, del commerciante Paolo Briuccia Nel dicembre 1885 era già stato redatto dall’ingegne- e del professore Giovanni Bruno, quali consiglieri2. re Felice Giarrusso, progettista interno all’Ufficio Domenica 19 gennaio 1862 ebbe luogo la cerimonia Tecnico del Comune, la seconda variante del Piano di inaugurazione della Cassa di Risparmio, la quale Regolatore di Risanamento della città di Palermo, aprì gli sportelli al pubblico soltanto il 16 febbraio, con le indicazioni specifiche di quelli che l’ammini- nell’unica saletta ad essa destinata nel palazzo della strazione comunale considerava provvedimenti Regia Zecca, in piazza Marina3. -
Unification of Italy 1792 to 1925 French Revolutionary Wars to Mussolini
UNIFICATION OF ITALY 1792 TO 1925 FRENCH REVOLUTIONARY WARS TO MUSSOLINI ERA SUMMARY – UNIFICATION OF ITALY Divided Italy—From the Age of Charlemagne to the 19th century, Italy was divided into northern, central and, southern kingdoms. Northern Italy was composed of independent duchies and city-states that were part of the Holy Roman Empire; the Papal States of central Italy were ruled by the Pope; and southern Italy had been ruled as an independent Kingdom since the Norman conquest of 1059. The language, culture, and government of each region developed independently so the idea of a united Italy did not gain popularity until the 19th century, after the Napoleonic Wars wreaked havoc on the traditional order. Italian Unification, also known as "Risorgimento", refers to the period between 1848 and 1870 during which all the kingdoms on the Italian Peninsula were united under a single ruler. The most well-known character associated with the unification of Italy is Garibaldi, an Italian hero who fought dozens of battles for Italy and overthrew the kingdom of Sicily with a small band of patriots, but this romantic story obscures a much more complicated history. The real masterminds of Italian unity were not revolutionaries, but a group of ministers from the kingdom of Sardinia who managed to bring about an Italian political union governed by ITALY BEFORE UNIFICATION, 1792 B.C. themselves. Military expeditions played an important role in the creation of a United Italy, but so did secret societies, bribery, back-room agreements, foreign alliances, and financial opportunism. Italy and the French Revolution—The real story of the Unification of Italy began with the French conquest of Italy during the French Revolutionary Wars. -
Images Re-Vues, 13 | 2016 the Deceptive Surface: Perception and Sculpture’S “Skin” 2
Images Re-vues Histoire, anthropologie et théorie de l'art 13 | 2016 Supports The Deceptive Surface: Perception and Sculpture’s “Skin” Illusion de surface : percevoir la « peau » d’une sculpture Christina Ferando Electronic version URL: http://journals.openedition.org/imagesrevues/3931 DOI: 10.4000/imagesrevues.3931 ISSN: 1778-3801 Publisher: Centre d’Histoire et Théorie des Arts, Groupe d’Anthropologie Historique de l’Occident Médiéval, Laboratoire d’Anthropologie Sociale, UMR 8210 Anthropologie et Histoire des Mondes Antiques Electronic reference Christina Ferando, “The Deceptive Surface: Perception and Sculpture’s “Skin””, Images Re-vues [Online], 13 | 2016, Online since 15 January 2017, connection on 30 January 2021. URL: http:// journals.openedition.org/imagesrevues/3931 ; DOI: https://doi.org/10.4000/imagesrevues.3931 This text was automatically generated on 30 January 2021. Images Re-vues est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International. The Deceptive Surface: Perception and Sculpture’s “Skin” 1 The Deceptive Surface: Perception and Sculpture’s “Skin” Illusion de surface : percevoir la « peau » d’une sculpture Christina Ferando This paper was presented at the Institute of Fine Arts, New York University, as part of the symposium “Surfaces: Fifteenth – Nineteenth Centuries” on March 27, 2015. Many thanks to Noémie Étienne, organizer of the symposium, for inviting me to participate and reflect on the sculptural surface and to Laurent Vannini for the translation of this article into French. Images Re-vues, 13 | 2016 The Deceptive Surface: Perception and Sculpture’s “Skin” 2 1 Sculpture—an art of mass, volume, weight, and density. -
(1757-1822) This Month's Essay Discusses the Life and Works Of
ANTONIO CANOVA (1757-1822) By James J. Boitano, PhD This month’s essay discusses the life and works of arguably the greatest exponent of neoclassical sculpture. He was internationally famous during his lifetime, and was regarded as the most brilliant sculptor in Europe. He was especially known and praised for his marble sculptures of nude figures, making the stone figures appear life-like, graceful, and delicate. Antonio Canova was born in 1757 to Pietro Canova, a stonecutter, and Maria Angela Zardo Fantolini in Possagno, a village near Treviso in the Veneto (Republic of Venice). In 1761, Pietro died and Antonio’s mother soon remarried (1762), after which he was put into the care of his paternal grandfather, Pasino Canova. Pasino was a stonemason, owner of a quarry, and a sculptor specializing in altars with statues and low reliefs in the Baroque style. It was Pasino who guided Antonio into the art of sculpting. Around the age of nine, Antonio began making clay Self-portrait, 1792 models and carving marble from his grandfather’s quarry. He executed two small shrines of Carrara marble, which still exist today. He continued perfecting his skill while he was employed in the quarry. Eventually, his precocious talent attracted the attention of Giovanni Falier (a Venetian senator at the time), who became his life-long patron. In 1768, Falier arranged for him to enter the workshop as the apprentice of Giuseppe Bernardi, called Torretti, at Pagnano di Asolo. Because of Toretti’s subsequent move to Venice, Antonio was able to study life-drawing at the Accademia in Venice and ancient sculpture from the collection of casts in the Palazzo Farsetti. -
Enjoy Your Visit!!!
declared war on Austria, in alliance with the Papal States and the Kingdom of the Two Sicilies, and attacked the weakened Austria in her Italian possessions. embarked to Sicily to conquer the Kingdom of the Two Sicilies, ruled by the But Piedmontese Army was defeated by Radetzky; Charles Albert abdicated Bourbons. Garibaldi gathered 1.089 volunteers: they were poorly armed in favor of his son Victor Emmanuel, who signed the peace treaty on 6th with dated muskets and were dressed in a minimalist uniform consisting of August 1849. Austria reoccupied Northern Italy. Sardinia wasn’t able to beat red shirts and grey trousers. On 5th May they seized two steamships, which Austria alone, so it had to look for an alliance with European powers. they renamed Il Piemonte and Il Lombardo, at Quarto, near Genoa. On 11th May they landed at Marsala, on the westernmost point of Sicily; on 15th they Room 8 defeated Neapolitan troops at Calatafimi, than they conquered Palermo on PALAZZO MORIGGIA the 29th , after three days of violent clashes. Following the victory at Milazzo (29th May) they were able to control all the island. The last battle took MUSEO DEL RISORGIMENTO THE DECADE OF PREPARATION 1849-1859 place on 1st October at Volturno, where twenty-one thousand Garibaldini The Decade of Preparation 1849-1859 (Decennio defeated thirty thousand Bourbons soldiers. The feat was a success: Naples di Preparazione) took place during the last years of and Sicily were annexed to the Kingdom of Sardinia by a plebiscite. MODERN AND CONTEMPORARY HISTORY LABORATORY Risorgimento, ended in 1861 with the proclamation CIVIC HISTORICAL COLLECTION of the Kingdom of Italy, guided by Vittorio Emanuele Room 13-14 II. -
Perienced Harassment, Discrimination, and Unfair Treatment
10 REVIEWS perienced harassment, discrimination, and unfair treatment, and were seen as a source of cheap labor by native born workers as well as American entrepreneurs who hired them. Although scholars and readers might not agree about the division of politics, history, art, and culture into two different volumes, this work remains a contribution to the field of research concerning Italian-American experiences after 1945 when the United States emerged as a superpower with global commitments, and relations between the United States and Italy changed as Italy became part of NATO and a member of the European Union. Postwar changes led to changes in Italian emigration to the US as the Italians who migrated were entrepreneurs or elite professional migrants. This “new” emigration of the post-World War II era needed to be studied as it was very different from the original “new” emigration of the late 1800s and early 1900s when Italian migrants were discriminated against, frowned upon, and considered a menace to American society and culture. Patrizia Famà Stahle College of Coastal Georgia Nunzio Pernicone and Fraser Ottanelli. Assassins Against the Old Order: Italian Anar- chists’ Violence in Fin de Siècle Europe. Urbana: U of Illinois P, 2018. Michele Presutto. La rivoluzione dietro l’angolo. Gli anarchici italiani e la Rivoluzione messicana 1910–1914. Italy: Editoriale Umbra (1 febbraio 2017). (A shorter version of the book in English was published as “Revolution Just around the Corner: Italian Ameri- can Radicals and the Mexican Revolution, 1910–1914,” Italian American Review [Winter 2017] 7.1: 8–40). Assassins Against the Old Order and La rivoluzione dietro l’angolo look at the uses and consequences of violence as a revolutionary tactic among Italian anarchists within the con- text of worldwide movements.