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Il Settore Tessile-Abbigliamento
JUNIOR FASHION IN 2019-2020 Notes by CONFINDUSTRIA MODA - Centro Studi for The preliminary balance-sheet for 2019 According to preliminary estimates by Centro Studi of Confindustria Moda for SMI, total Junior Fashion is turnover of Junior Fashion (understood as fabric and knit clothing for children in the 0 to 14 forecast to have closed the year 2019 age range, including intimate apparel and accessories) saw a continuation of the positive with a 3.5% increase in turnover. trend. Even though the rhythms were more subdued than those that typified the year 2018, industry sales should close the year 2019 with a +3.5% increase and thus top the 3 billion euro mark. The value of production (a variable which, you will recall, aims to quantify the value of domestic production net marketing of imported products) is expected to close down, with a -2.6% estimated loss. Table 1 – The Italian Junior Clothing Industry (2014-2019*)(1) (Millions euro at current value) 2014 2015 2016 2017 2018 2019* Sales 2.642 2.687 2.762 2.861 2.980 3.083 % Var. 1,7 2,8 3,6 4,2 3,5 Value of Production 1.029 980 977 969 943 918 % Var. -4,8 -0,3 -0,7 -2,8 -2,6 Exports 947 997 1.041 1.102 1.196 1.269 Var. % 5,3 4,4 5,9 8,5 6,1 Imports 1.675 1.787 1.777 1.787 1.974 2.119 % Var. 6,7 -0,6 0,6 10,4 7,4 Trade Balance -728 -790 -737 -685 -777 -850 End Consumption 4.284 4.256 4.246 4.236 4.155 4.083 % Var. -
PITTI UOMO 96 Presents Men’S Fashion & Lifestyle Collections for S/S 2020
U 96 PITTI UOMO 96 Presents Men’s fashion & lifestyle collections for S/S 2020 itti Uomo 96, the leading global trade fair dedicated to The Pitti Special Click menswear and contemporary lifestyles, will be held in The theme of the Pitti Immagine summer fairs PFlorence which was held at Fortezza da Basso from June Something Special Clicks into place every six months at the Pitti Immagine fairs 11-14, 2019, confirmed itself as a global crossroads of trends, when the research carried out by brands and the Pitti team into new projects, novelties and launches of new projects for men's fashion and events and international names faces off with the research of buyers, journalists, lifestyle. A total of 30,000 visitors and over 18,500 buyers arrived influencers and visitors from all over the world. The resulting sparks produce an in Florence from 100 foreign countries, for an edition full of energy always new energy and emotions together with a certain “X Factor” that made each encounter a success and made people eager to come to Florence in order to and optimism. Some important markets such as France, Turkey, see, learn and try to understand. This is The Pitti Special Click, the theme of this Hong Kong, Belgium and Russia were performing well, whereas summer’s fairs which sums up the energy that circulates around the Fortezza and buyers from China, Germany, Spain, Japan and those of Italian suddenly finds a direction. The Main Forecourt of the Fortezza da Basso was once buyers were slightly down. Germany ranked first in the top 15 again transformed through the set design curated by lifestyler Sergio Colantuoni. -
Sustainable Fashion in Italy
SUSTAINABLE FASHION IN ITALY Commissioned by the Netherlands Enterprise Agency SUSTAINABLE FASHION IN ITALY A GUIDE FOR DUTCH FASHION ENTREPRENEURS CONTENTS: 1 UN sustainable development goals and two words about sustainability 3 2 To identify the most sustainable fibers we must know them 5 Environmental consequences caused by the use of yarns 6 Global fibers production 1900>2017 + 2017 7 Cotton 8 Other natural vegetable fibers 11 Silk 12 Wool 14 Artificial fibers Viscose 16 Tencel 16 Syntethic fibers 17 3 How to build a sustainable brand 18 4 Italian sustainable lists 20 Italian textile producers 21 Top Italian sustainable brands 26 New Italian sustainable fashion designers 28 5 Italian exhibitions 29 Exhibiting in the Italian fairs 32 Visiting the Italian fairs 32 How fairs have included sustainability 32 Italian special fashion events 33 6 Roads to access the Italian market 34 7 Most important buyers 35 8 Conclusions 36 Contacts 38 2 SUSTAINABLE DEVELOPMENT GOALS GOAL 1: End poverty in all its forms everywhere GOAL 2: End hunger, achieve food security and improved nutrition and promote sustainable agriculture 1GOAL 3: Ensure healthy lives and promote well-being for all at all ages GOAL 4: Ensure inclusive and equitable quality education and promote life- long learning opportunities for all GOAL 5: Achieve gender equality and empower all women and girls GOAL 6: Ensure availability and sustainable management of water and sanitation for all GOAL 7: Ensure access to affordable, reliable, sustainable and modern en- ergy for all GOAL 8: Promote -
Final Thesis
AN EXAMINATION OF INDIVIDUAL DIFFERENCES IN ITALIAN AND AMERICAN FASHION CULTURES: PAST, PRESENT, AND PROJECTIONS FOR THE FUTURE BY: MARY LOUISE HOTZE TC 660H PLAN II HONORS PROGRAM THE UNIVERSITY OF TEXAS AT AUSTIN MAY 10, 2018 ______________________________ JESSICA CIARLA DEPARTMENT OF TEXTILES AND APPAREL SUPERVISING PROFESSOR ______________________________ ANTONELLA DEL FATTORE-OLSON DEPARTMENT OF FRENCH AND ITALIAN SECOND READER TABLE OF CONTENTS Abstract…………………………………………….…………………………………………….…………………………………… 3 Acknowledgements………………………………………….…………………………………………….…………..……….. 4 Introduction………………………………………….…………………………………………….…………………….…….…. 5 Part 1: History of Italian Fashion……...……...……..……...……...……...……...……...……...……...... 9 – 47 AnCiEnt Rome and thE HoLy Roman EmpirE…………………………………………………….……….…... 9 ThE MiddLE AgEs………………………………………….……………………………………………………….…….. 17 ThE REnaissanCE……………………………………….……………………………………………………………...… 24 NeoCLassism to RomantiCism……………………………………….…………………………………….……….. 32 FasCist to REpubLiCan Italy……………………………………….…………………………………….……………. 37 Part 2: History of American Fashion…………………………………………….……………………………… 48 – 76 ThE ColoniaL PEriod……………………………………….……………………………………………………………. 48 ThE IndustriaL PEriod……………………………………….……………………………………………………….…. 52 ThE CiviL War and Post-War PEriod……………………………………….……………………………………. 58 ThE EarLy 20th Century……………………………………….………………………………………………….……. 63 ThE Mid 20th Century……………………………………….…………………………………………………………. 67 ThE LatE 20th Century……………………………………….………………………………………………………… 72 Part 3: Discussion of Individual -
Italian Fashion & Innovation
Italian Fashion & Innovation Derek Pante Azmina Karimi Morgan Taylor Russell Taylor Introduction In Spring 2008, the Italia Design team researched the fashion industry in Italy, and discussed briefly how it fits into Italy’s overall innovation. The global public’s perception of Italy and Italian Design rests to some degree on the visibility and success of Fashion Design. The fashion and design industries account for a large percentage of Milan’s total economic output— as Milan goes economically, so goes Italy (Foot, 2001). Fashion Design clearly contributes to “brand Italia,” as well as to Italian culture generally. Yet, fashion is not our focus in this study: innovation and design is. Fashion’s goals are not the same as design. For one, fashion operates on “style,” design works on “language,” and style to a serious designer is usually the opposite of good design. Yet to ignore the area possibly creates a blind spot. With the resource this year of some students with great interest in this area it was decided that we should begin to investigate how fashion in Italy contributes to innovation, and how fashion in Milan and other centers in the North of Italy sustain “Creative Centers” where measurable agglomeration (a sign of innovation) occurs. Delving into Italian Fashion allowed us to rethink certain paradigms. For one, how we look at Florence as a design center. Florence has very little Industrial Design and, because of the city’s UNESCO World Heritage designation, has very little contemporary architectural culture. This reality became clear after four years of returning to the Renaissance city. -
Narratives of Italian Craftsmanship and the Luxury Fashion Industry: Representations of Italianicity in Discourses of Production
This is a repository copy of Narratives of Italian craftsmanship and the luxury fashion industry: representations of Italianicity in discourses of production. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/136104/ Version: Accepted Version Book Section: Dallabona, A orcid.org/0000-0002-1051-9389 (2014) Narratives of Italian craftsmanship and the luxury fashion industry: representations of Italianicity in discourses of production. In: Hancock II, JH, Muratovski, G, Manlow, V and Peirson-Smith, A, (eds.) Global Fashion Brands: Style, Luxury and History. Intellect , Bristol, UK , pp. 215-228. ISBN 9781783203574 © 2014 Intellect Ltd. This is an author produced version of a paper published in Global Fashion Brands: Style, Luxury and History. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Alice Dallabona University of Leeds Narratives of Italian craftsmanship and the luxury fashion industry: representations of Italianicity in discourses of production ABSTRACT In the last few years many luxury fashion labels like Gucci have emphasized, in their communication, the various types of craftsmanship involved in the creation of their pieces as a mean of providing history and additional value to their products. -
Balance ICEX. PITTI IMMAGINE UOMO Florencia 12-15 De
INFORME IF DE FERIAS 2018 PITTI IMMAGINE UOMO Florencia 12-15 de junio 2018 Oficina Económica y Comercial de la Embajada de España en Milán Este documento tiene carácter exclusivamente informativo y su contenido no podrá ser invocado en apoyo de ninguna reclamación o recurso. ICEX España Exportación e Inversiones no asume la responsabilidad de la información, opinión o acción basada en dicho contenido, con independencia de que haya realizado todos los esfuerzos posibles para asegurar la exactitud de la información que contienen sus páginas. INFORME IF DE FERIAS 5 de julio de 2018 Milán Este estudio ha sido realizado por Marina Sanz Muñoz Bajo la supervisión de la Oficina Económica y Comercial de la Embajada de España en Milán. Editado por ICEX España Exportación e Inversiones, E.P.E., M.P. NIPO: 060-18-044-9 IF PITTI IMMAGINE UOMO JUNIO 2018 Índice 1. Perfil de la Feria 4 1.1. Ficha técnica 4 1.2. Actividades de promoción por parte de la Ofecomes 4 2. Descripción y evolución de la Feria 6 2.1. Organización y expositores 6 2.2. Datos estadísticos de participación 8 2.3. Plano del recinto 10 2.4. Secciones de la feria 10 3. Tendencias y novedades presentadas 12 3.1. Tendencias clásicas 12 3.2. Tendencias vanguardistas 13 3.3. Tendencias informales 14 3.4. El mercado de confección masculina en Italia 15 4. Valoración 19 4.1. Del evento en su conjunto 19 4.2. De la participación española 19 4.3. Recomendaciones 20 5. Anexos 22 5.1. Asociaciones del sector textil en Italia 22 5.2. -
From July 16Th to October 9Th 2020 the New Pitti Immagine Website Hosts PITTI CONNECT: the Digital Platform Presenting the Summer Edition of Pitti Bimbo 91
From July 16th to October 9th 2020 the new Pitti Immagine website hosts PITTI CONNECT: the digital platform presenting the summer edition of Pitti Bimbo 91 An editorial look full of content, special projects, conversations and fashion feed to give to the exhibitors an original and exciting opportunity to show the new collections, with advanced networking tools and marketplaces. “The doors of Pitti Connect opened on Thursday 16 July”, says Agostino Poletto, General Manager of Pitti Immagine. “After months of hard work, we are presenting ourselves to the international fashion audience with a new online face. Until October 30th our special fairs are online, with the summer collections of brands and exhibiting companies, to date about 400 between Pitti Uomo, Bimbo and Filati - featuring key names on the international fashion scene - and with a program of digital projects to discover new points of view, to analyze and be inspired. We were looking for immediate solutions, we found long term opportunities: Pitti Connect has led to a great acceleration in the technological and virtual fields for our fairs and concretely represents the element of continuity that will carry us towards January 2021 when the physical and digital fairs will become completely integrated.” “Pitti Connect will also have an editorial format that is rich in content and special events” adds Lapo Cianchi, Pitti Immagine’s Communication & Special Events Director, which will render the atmosphere of the real fairs in the digital sphere, involving leading figures in fashion, artists and key people on the current cultural scene. A multi-faceted web magazine that we have rechristened THE BILLBOARD”. -
Italian Style: Fashion Since 1945
ITALIAN STYLE: FASHION SINCE 1945 FEBRUARY 7 – MAY 3, 2015 1219 SW PARK AVENUE, PORTLAND, OREGON 97205 503-226-2811 portlandartmuseum.org ITALIAN STYLE: FASHION SINCE 1945 FEBRUARY 7 – MAY 3, 2015 ABOUT THE EXHIBITION WHEN This major exhibition will be a glamorous, comprehensive look February 7 – May 3, 2015 at Italian Fashion from the end of the Second World War to the present day. The story is explored through the key individuals and WHERE Portland Art Museum organizations that have contributed to Italy’s reputation for quality and 1219 SW Park Avenue style. The exhibition will include both women’s fashion and menswear, Portland, OR 97205-2430 highlighting the exceptional techniques, materials, and expertise for which Italy has become renowned. ORGANIZER Organized by the Victoria and Albert Museum, London, Italian Style: Fashion Since 1945 will examine Italy’s dramatic transition and curated by Sonnet Stanfill, Curator of 20th Century from post-war devastation to a burgeoning industry facilitated by the and Contemporary Fashion at the V&A. landmark “Sala Bianca” catwalk shows held in Florence in the 1950s, propelling Italian fashion onto the world stage. HOST CURATOR Brian Ferriso During the 1950s and ‘60s several high-profile Hollywood films were The Marilyn H. and Robert B. Pamplin Jr. Director shot on location in Italy, which had an enormous impact on fashion as stars like Audrey Hepburn and Elizabeth Taylor became style HOURS ambassadors for Italian fashion, fueling a keen international appetite Tuesdays, Wednesdays, Saturdays and Sundays: 10 a.m.–5 p.m. for luxurious clothing made in Italy. Thursdays and Fridays: 10 a.m.–8 p.m. -
Reference Points
Editor in Chief Giuliano Deidda Issue #45 January/February 2017 STYLE Q&A THE TOPIC FASHION & CINEMA TREND ALWAYS LOOK MUSIC BOWS TO UNIFORM MAKES THE SEASON’S GUIDE What Are You FORWARD FASHION THE MAN BY WGSN Looking At A chat with Paul Smith on the occasion A relationship which has changed To each his uniform Traditional menswear meets of his return to Pitti Uomo a lot lately sportswear Page 14 Page 18 Page 20 Page 26 FASHION&CINEMA REFERENCE POINTS Jacket Dolce&Gabbana, shirt Salvatore Ferragamo, bow tie Lanieri An elegant tribute to a famous dance from 1990 inspired by fashion magazines. Page 42 TREND Formal 2.0 Roy Roger’s A new life for the menswear classics in the next Fall Winter season. Page 22 ACCESSORIES Paint Me Down Jude Law in Genius (Photo Courtesy of Eagle Pictures) f fashion as a system for a more cosmopolitan lifestyle. In the moment, recently seen in the film Tie Salvatore Ferragamo finds itself at a moment this panorama, each man’s personal Genius as (and not by chance) the writer From head to toe, the most of a certain confusion, style is free to broaden, in line with the Thomas Wolfe, and above all, as the lead characterful accessories of the theI masculine aesthetic on the other individual demands of a life made up of in the Paolo Sorrentino masterpiece, Spring Summer season. Page 50 hand lives in a most interesting business meetings and social functions. The Young Pope. The actor has, in the dimension of continual evolution. As As a result of this, men are more sure most brilliant way, taken on the most in the past, this change comes from of themselves and are not afraid to dare. -
Debut of BAD INFLUENCE at the 96Th Edition of Pitti Immagine Uomo Spring-Summer 2020 - Menswear Collection
REVENANT (English) – Survived; Survivor. | From the Latin Redivivus ‘restored, renewed.’ A person who returns after a long absence; Returned to a new life. Debut of BAD INFLUENCE at the 96th edition of Pitti Immagine Uomo Spring-Summer 2020 - Menswear Collection Changeable contrasts, oppositions and suggestive dichotomies, logical derivations that bring out new concepts: these are the creative themes defining Revenant’s Spring-Summer 2020 collection, entitled “Bad Influence”. The line will be presented for the first time at the 96th edition of Pitti Immagine Uomo in the Unconventional Pavilion, where the grittiness of luxury street style will be on display. In the collection, polar opposites encounter and collide, giving way to a new syntax where the classic is set against the contemporary, nature is set against the artificial and tradition against modernity. Bad Influence depicts an influence detached from moral judgement and expresses evident obstacles as well as a plurality of elements told through the ironic messages characterising the DNA of the brand. There is a wider range of graphics: the search for illustrations and evocations of artistic heritage characterise the collection where historic themes are brutally cut and pasted or re-developed with cutting-edge photographic content. A canvas depicting a still life opposed with Marihuana leaves and the artwork Ex-plosion, combining the sacred heart with an atomic mushroom cloud, are the symbols of the “bad influence” inspiring the collection. Poser is the famous Vincent Van Gogh self-portrait, reinterpreted with sunglasses, ready to be photographed, like a real celebrity. Liberty portrays the instantly recognisable Statue of Liberty, which expresses all the emancipation by brandishing a bunch of roses in honour of independence. -
Pitti Immagine Uomo 82° Pitti Immagine W 10° Calendar of the Events
PITTI IMMAGINE UOMO 82° PITTI IMMAGINE W 10° CALENDAR OF THE EVENTS The events bold printed are sole Pitti Immagine events and the events curved bold printed are joint productions MONDAY 18 JUNE 2012 Time Address 5.00 pm POLIMODA Aula Magna Lecture Hirofumi Kurino (participation only by registration on Scuderie Villa Favard www.polimoda.com 5.00 pm STEFANO RICCI Galleria degli Uffizi Fashion show 7.30 pm Mondadori presents MeMo : Museums and Man’s Fashion told in Palazzo Vecchio video-collections Vernissage (by invitation) 7.30 pm Firenze Made in Tuscany Magazine nr.23 presents Le Pagliere the photographic exhibition Africa’s Eyes by Andrea Zini Viale Machiavelli 24 (by invitation only) 8.00 pm STEFANO RICCI Galleria degli Uffizi Fashion show (by invitation only) 8.00 pm OFFICINE PANERAI Istituto di Scienze Militari presents the national preview of the Radiomir 1940 watch Aeronautiche Dinner by invitation TUESDAY 19 JUNE 2012 Time Address 9.30 am- MANAS Main Pavillon 11.00 am Breakfast@Manas Ground Floor Booth I/7 10.00 am- Don’t spread panic Main Pavilion 6.00 pm ANNAPURNA presents the t-shirt anticrisis Lower floor, Booth V1-3 Z1-2 10.30 am PITTI IMMAGINE UOMO 82 Main Pavillon Opening and award celebration Taste Lounge (only by invitation) Lower Floor 11.00 am- MASON’S Arena Strozzi 4.00 pm I Love Italia Booth B/8 – 12 1 11.30 am G INGLESE Sala delle Nazioni Meeting with the author of Green Italy, Ermete Realacci Booth 25 12.00 am- CRUCIANI Main Pavillon 1.00 pm Special guest: Vittorio Sgarbi Lower Floor Booth W/1 Press meeting 12.00