Sustainable Fashion in Italy

Total Page:16

File Type:pdf, Size:1020Kb

Sustainable Fashion in Italy SUSTAINABLE FASHION IN ITALY Commissioned by the Netherlands Enterprise Agency SUSTAINABLE FASHION IN ITALY A GUIDE FOR DUTCH FASHION ENTREPRENEURS CONTENTS: 1 UN sustainable development goals and two words about sustainability 3 2 To identify the most sustainable fibers we must know them 5 Environmental consequences caused by the use of yarns 6 Global fibers production 1900>2017 + 2017 7 Cotton 8 Other natural vegetable fibers 11 Silk 12 Wool 14 Artificial fibers Viscose 16 Tencel 16 Syntethic fibers 17 3 How to build a sustainable brand 18 4 Italian sustainable lists 20 Italian textile producers 21 Top Italian sustainable brands 26 New Italian sustainable fashion designers 28 5 Italian exhibitions 29 Exhibiting in the Italian fairs 32 Visiting the Italian fairs 32 How fairs have included sustainability 32 Italian special fashion events 33 6 Roads to access the Italian market 34 7 Most important buyers 35 8 Conclusions 36 Contacts 38 2 SUSTAINABLE DEVELOPMENT GOALS GOAL 1: End poverty in all its forms everywhere GOAL 2: End hunger, achieve food security and improved nutrition and promote sustainable agriculture 1GOAL 3: Ensure healthy lives and promote well-being for all at all ages GOAL 4: Ensure inclusive and equitable quality education and promote life- long learning opportunities for all GOAL 5: Achieve gender equality and empower all women and girls GOAL 6: Ensure availability and sustainable management of water and sanitation for all GOAL 7: Ensure access to affordable, reliable, sustainable and modern en- ergy for all GOAL 8: Promote sustained, inclusive and sustainable economic growth, full and productive employment and decent work for all GOAL 9: Build resilient infrastructure, promote inclusive and sustainable in- dustrialization and foster innovation GOAL 10: Reduce inequality within and among countries GOAL 11: Make cities and human settlements inclusive, safe, resilient and sustainable GOAL 12: Ensure sustainable consumption and production patterns GOAL 13: Take urgent action to combat climate change and its impacts GOAL 14: Conserve and sustainably use the oceans, seas and marine re- sources for sustainable development GOAL 15: Protect, restore and promote sustainable use of terrestrial eco- systems, sustainably manage forests, combat desertification, and halt and reverse land degradation and halt biodiversity loss GOAL 16: Promote peaceful and inclusive societies for sustainable develop- ment, provide access to justice for all and build effective, account- able and inclusive institutions at all levels GOAL 17: Strengthen the means of implementation and revitalize the Global Partnership for Sustainable Development 3 TWO WORDS TEXTILES AND FASHION ABOUT SUSTAINABILITY CAN HELP TO IMPROVE: Sustainability is a planetary goal and the UN the conditions of the planet: summed it up in the above declaration. • less use of water Some items directly or indirectly concern • less deforestation the world of Fashion and its impact on • lower pesticide use the planet. • less or no use of harmful chemicals The fashion industry is the second most pol- • lower CO2 emission luting one on the planet after gas/petroleum. • greater recycling of used garments It is one of those that exploit the workforce • more attention in the design phase more, especially in the third world. It is the cruelest against the animal world. the conditions of the insiders: • fairer wages • refusal to use child labor the conditions of the animals: • abolishing all the forms of cruelty related to the use of the fleece or the plumage. 4 TO IDENTIFY THE MOST SUSTAINABLE FIBERS 2WE MUST KNOW THEM Fibers and yarns belong to two macro-families: TEXTILE FIBERS NATURAL and MAN-MADE. The natural ones are divided into two main NATURAL FIBERS MAN-MADE FIBERS categories: VEGETABLE and ANIMAL. FROM MAN-MADE PRODUCTS can be: VEGETAL FROM ANIMAL NATURAL CELLULOSIC SYNTHETIC • FIBERS RAW ARTIFICIAL FIBERS POLYMERS (produced from cellulose and derivatives) MATERIAL • SYNTHETIC (produced from carbon derivatives). COTTON WOOL VISCOSE POLYAMIDE LINEN SILK CUPRO POLYESTER JUTE ACETATE ACRYLIC BAMBOO PINEAPPLE 5 CRADLE TO GATE ENVIROMENTAL IMPACT IIMPACT OF MATERIAL NATURAL FIBERS (contrary to what may be thought) are not exempt from problems CRADLE TO GATE ENVIROMENTAL IMPACT INDEX PER KG OF MATERIAL which adversely affect the environment. COW LEATHER SILK As long as their use was limited, environ- COTTON BAST FIBER mental problems were circumscribed to WOOL the machining zone. As soon as consump- SYNTHETIC LEATHER NYLON tion has become global, problems have MODAL grown exponentially. VISCOSE/RAYON ACRYLIC Source: Higg Materials Sustainability Index, ELASTANE/SPANDEX msi.higg.org. LYOCELL Data retrieved on 27 September 2017; Levi’s (2015); H&M (2017); BCG Analysis POLYESTER This graph, published by the Global POLYPROPYLENE Note: These results were calculated using the Higg MSI Tools provided by Fashion Agency in 2017, gives us an idea Sustainable Apparel Coalition. The Higg MSI Tools assess impacts of materials from of the environmental consequences of cradle- to-gate for a finished material (i.e. to the point at which materials are ready to be the use of yarns and confirms that, pro- assembled into a product). The Higg MSI scores provided herein are for a single Production stage within the portionally, the most polluting fibers are Higg MSI scope (e.g. fiber or Raw material) and do not provide a holistic view of the those of natural origin. Impacts involved with material production” Chemistry Abiotic Resource Depletion, Eutrophication Global Warming Water Scarcity Fossil Fuels Emissions of greenhouse gasses. Environmental damages of water Scoring currently qualitative. Depletion of natural resources Excessive richness of nutrients Prevalent in processing and man- use for human health, ecosystem Once methodology is more faster than they can be replen- in a lake or other body of water, ufacturing phases quality, and resources. mature, ecotoxicity and human ished. Prevalent in raw materials frequently due to runoff from the Prevalent in the raw materials and toxicity will be assessed quantita- and manufacturing (sundries and land, causing dense growth of processing phases tively in the MSI. Data collecting packaging) plant life and death of animal life is ongoing. Prevalent in the raw from lack of oxygen. materials and processing phases Prevalent in the raw materials phase Pulse- of-the- Fashion- Industr y_ 2017 by Global Fashion Agenda & Boston Consulting Group page 42 6 GLOBAL FIBER PRODUCTION 1900-2017 (MILLION MT) Natural fibers only marginally affect world consumption, in the global con- 125 text, as highlighted by the 2018 Textile Exchange Report. 100 75 50 25 0 1900 1925 1950 1975 2000 2017 SYNTHETICS COTTON MMCS OTHER PLANT-FIBERS WOOL DOWN SILK TOTAL 2018-Preferred-Fiber-Materials-Market-Report by Textile Exchange page 6 Some fibers have a bigger impact on GLOBAL FIBER PRODUCTION IN 2017 the environment than others. If we want to make a sustainable prod- OTHER PLANT BASED (-5.5%) WOOL ( 1%) uct, we need to focus our attention on DOWN (<1%) SILK (<1%) fibers, taking in high consideration how COTTON (-24.5%) much the fibers we are going to use will affect the global environment. MMCS (-6.3%) ~105 MILLION MT POLYESTER (-51%) OTHER SYNTHETICS (-5.7%) NYLON (-5.4%) 2018-Preferred-Fiber-Materials-Market-Report by Textile Exchange page 6 7 COTTON It is the most widely used natural fiber (80%). It makes up 24.5% of the total con- sumption of fibers. It is the most damaging textile fiber for the environment. Growing in more than 80 countries, it is one of the most widespread crops after wheat, rice, maize and soybean. It guarantees earnings to over 100 million farmers and 250 million workers. FOR THE PRODUCTION OF COTTON, WE USE: -3% of the world agricultural surface -25% of the consumption of insecticides -11% of pesticides. 8 TO MAKE A COTTON T-SHIRT, WE USE • 2,649.79 litres of water • 90 g of fertilisers • 50 grams of pesticides • 540 grams of fossil fuels AND WE PRODUCE: • 2.7 kg of CO2 • 50 grams of other gases. WASHING A T-SHIRT 50 TIMES PRODUCES • 8.3 kg of CO2 emissions. 9 IN ORDER TO REDUCE THE IMPACT OF ORGANIC COTTON THE NEGATIVE IMPACT OF COTTON, ON CLIMATE CHANGE WE CAN USE ORGANIC COTTON Organic Cotton allows: Using organic cotton is estimated a 46% reduction of gas emissions a to save (per year): 62% reduction of primary energy • 218 billion liters of water (equal to consumption 87,201 Olympic-size swimming pools), a 91% reduction of water consumed by • 288 million kw, equal to the light of irrigation. ten thousand 60 W bulbs for 55 years, • 92,5 million kg of carbon dioxide, The cotton fiber market was estimated at equal to a car traveling 13,572 times 23,100,000 MT in 2017. around the world, • 315,030 kg of pesticides, The Preferred Cotton segment • 40,9 million kg of fertilizers. (consisting of organic, fair trade, Cmia, UIC, Reel, Cotton Cleaner and E3) POTENTIAL ENVIRONMENTAL SAVINGS OF: FURTHERMORE, ORGANIC COTTON represents about 15% of the total cotton ENSURES THAT: fiber production. GLOBAL WARMING ACIDIFICATION OF LAND & WATER THERE’S NO USE OF GMO SEEDS EUTROPHICATION (SOIL EROSION) POTENTIAL BLUE WATER CONSUMPTION THERE’S NO USE OF TOXIC CHEMICALS PRIMARY ENERGY DEMAND Quick Guide to Organic Cotton June 2017 page 7 10 OTHER FIBERS such as Flax, Jute and Hemp, have a less negative impact - unfor- tunately, they are not very fashionating. Pineapple, Bamboo and some other fibers are very interesting from the environmental point of view, although still not very widely used. In addition to traditional fibres, some new yarns are being developed by Italian start-ups using industrial plant waste. Orange Fiber uses citrus juice byproducts, repurposing them to create beautiful, sensorial materials; it is formed from a silk-like cellulose yarn that can blend with other materials. When used in its purest form, the resulting 100% citrus textile features a soft and silky hand-feel, is lightweight, and can be opaque or shiny according to production needs.
Recommended publications
  • Joinus in FLORENCE! Editor’S Note
    77052 ISAKOS Winter 06 1/12/06 1:19 AM Page 1 ISAKOS newsletter The ISAKOS 6th Biennial Congress WINTER 2006 Volume 10, Issue 1 INSIDE THIS ISSUE Joinus IN FLORENCE! Editor’s Note ................................2 President’s Message ......................2 he Congress will bring together world leaders in arthroscopy, knee Traveling Fellowships......................3 surgery and orthopaedic sports Your Committees at Work ..............4 T medicine. Diverse and high quality 2007 Congress Awards..................6 presentations will include 200 scientific What are New Members Saying?....9 papers, discussions and debates, over 400 Teaching Center Spotlight ............10 electronic posters, technical exhibits, Workshop Series ..........................11 instructional course lectures and hands on workshops. Attendees from 70 different Current Concepts ........................12 countries are anticipated to attend the ISAKOS Meetings ......................17 ISAKOS Congress. In addition to the multi- ISAKOS Approved dimensional scientific program we hope Courses in Review........................18 you will attend the evening social events Maria Novella, is located near the Upcoming ISAKOS such as the Welcome Reception and Congress location, the Fortezza da Basso, Approved Courses ........................22 Farewell Banquet. and provides comfortable high-speed Florence is a city of sublime art trains with direct travel to Rome, Milan EDITOR and beauty, and casts a spell in a and Naples. Ronald M. Selby, MD, USA way few places can. Set in a valley on the The ISAKOS Congress will take place banks of the Arno, this captivating city is EDITORIAL BOARD within the Fortezza da Basso, a Medicean home to some of the most magnificent fortress built between 1533 and 1535 by Vladimir Bobic, MD FRCSEd, Renaissance masterpieces from United Kingdom Giuliano diSangallo.
    [Show full text]
  • Il Settore Tessile-Abbigliamento
    JUNIOR FASHION IN 2019-2020 Notes by CONFINDUSTRIA MODA - Centro Studi for The preliminary balance-sheet for 2019 According to preliminary estimates by Centro Studi of Confindustria Moda for SMI, total Junior Fashion is turnover of Junior Fashion (understood as fabric and knit clothing for children in the 0 to 14 forecast to have closed the year 2019 age range, including intimate apparel and accessories) saw a continuation of the positive with a 3.5% increase in turnover. trend. Even though the rhythms were more subdued than those that typified the year 2018, industry sales should close the year 2019 with a +3.5% increase and thus top the 3 billion euro mark. The value of production (a variable which, you will recall, aims to quantify the value of domestic production net marketing of imported products) is expected to close down, with a -2.6% estimated loss. Table 1 – The Italian Junior Clothing Industry (2014-2019*)(1) (Millions euro at current value) 2014 2015 2016 2017 2018 2019* Sales 2.642 2.687 2.762 2.861 2.980 3.083 % Var. 1,7 2,8 3,6 4,2 3,5 Value of Production 1.029 980 977 969 943 918 % Var. -4,8 -0,3 -0,7 -2,8 -2,6 Exports 947 997 1.041 1.102 1.196 1.269 Var. % 5,3 4,4 5,9 8,5 6,1 Imports 1.675 1.787 1.777 1.787 1.974 2.119 % Var. 6,7 -0,6 0,6 10,4 7,4 Trade Balance -728 -790 -737 -685 -777 -850 End Consumption 4.284 4.256 4.246 4.236 4.155 4.083 % Var.
    [Show full text]
  • PITTI UOMO 96 Presents Men’S Fashion & Lifestyle Collections for S/S 2020
    U 96 PITTI UOMO 96 Presents Men’s fashion & lifestyle collections for S/S 2020 itti Uomo 96, the leading global trade fair dedicated to The Pitti Special Click menswear and contemporary lifestyles, will be held in The theme of the Pitti Immagine summer fairs PFlorence which was held at Fortezza da Basso from June Something Special Clicks into place every six months at the Pitti Immagine fairs 11-14, 2019, confirmed itself as a global crossroads of trends, when the research carried out by brands and the Pitti team into new projects, novelties and launches of new projects for men's fashion and events and international names faces off with the research of buyers, journalists, lifestyle. A total of 30,000 visitors and over 18,500 buyers arrived influencers and visitors from all over the world. The resulting sparks produce an in Florence from 100 foreign countries, for an edition full of energy always new energy and emotions together with a certain “X Factor” that made each encounter a success and made people eager to come to Florence in order to and optimism. Some important markets such as France, Turkey, see, learn and try to understand. This is The Pitti Special Click, the theme of this Hong Kong, Belgium and Russia were performing well, whereas summer’s fairs which sums up the energy that circulates around the Fortezza and buyers from China, Germany, Spain, Japan and those of Italian suddenly finds a direction. The Main Forecourt of the Fortezza da Basso was once buyers were slightly down. Germany ranked first in the top 15 again transformed through the set design curated by lifestyler Sergio Colantuoni.
    [Show full text]
  • Italian Fashion & Innovation
    Italian Fashion & Innovation Derek Pante Azmina Karimi Morgan Taylor Russell Taylor Introduction In Spring 2008, the Italia Design team researched the fashion industry in Italy, and discussed briefly how it fits into Italy’s overall innovation. The global public’s perception of Italy and Italian Design rests to some degree on the visibility and success of Fashion Design. The fashion and design industries account for a large percentage of Milan’s total economic output— as Milan goes economically, so goes Italy (Foot, 2001). Fashion Design clearly contributes to “brand Italia,” as well as to Italian culture generally. Yet, fashion is not our focus in this study: innovation and design is. Fashion’s goals are not the same as design. For one, fashion operates on “style,” design works on “language,” and style to a serious designer is usually the opposite of good design. Yet to ignore the area possibly creates a blind spot. With the resource this year of some students with great interest in this area it was decided that we should begin to investigate how fashion in Italy contributes to innovation, and how fashion in Milan and other centers in the North of Italy sustain “Creative Centers” where measurable agglomeration (a sign of innovation) occurs. Delving into Italian Fashion allowed us to rethink certain paradigms. For one, how we look at Florence as a design center. Florence has very little Industrial Design and, because of the city’s UNESCO World Heritage designation, has very little contemporary architectural culture. This reality became clear after four years of returning to the Renaissance city.
    [Show full text]
  • First Proofs
    FIRST PROOFS TO BE CITED AS: Lavanga, Mariangela (2018). The role of Pitti Uomo trade fair in the menswear fashion industry. In Reggie Blaszczyk and Ben Wubs (Eds.), The Fashion Forecasters: A Hidden History of Color and Trend Prediction (pp. 191-209). London: Bloomsbury Academic Publishing. 10 THE ROLE OF THE PITTI UOMO TRADE FAIR IN THE MENSWEAR FASHION INDUSTRY Mariangela Lavanga enswear no longer lives in the shadow of women’s wear. According to a recent article from the Business of Fashion website, the growth of menswear has outpaced Mthat of women’s wear since at last 2011.1 Until the 1970s, male fashion in Europe mainly focused on tailoring and smaller-scale production of ready-to-wear, or confection, producing shirts, and underwear. One exception was the famous menswear tailoring industry in Leeds, England, which clothed British working-class and middle-class men in stylish suits for a century until its demise in the late twentieth century. London’s Savile Row traditionally set the trends for the high end of the industry. Aer the 1970s, men’s ready-to- wear and men’s haute couture start to grow elsewhere in Europe. Trends and styles in menswear change much more slowly than in women’s fashion; however, the pace of those changes is increasing. One of the world’s most important players for menswear is the international fashion trade fair Pitti Uomo in Florence, Italy. Pitti Uomo was established in 1972 under the umbrella of the non-prot organization Centro di Firenze per la Moda Italiana (CFMI-Florentine Centre for the Italian Fashion), which today is the holding of Pitti Immagine (ocially born in 1988).
    [Show full text]
  • The Secrets of Fresco Painting in the Italian Renaissance Art 2
    1 ...the secrets of fresco painting in the Italian Renaissance Art 2 A PROJECT FOR A UNIQUE EXHIBITION The Renaissance greatest masters : Giotto, Beato Angelico, Botticelli, Michelangelo, Raffaello, Leonardo..... are brought together in this special exhibition by a leading thread : the art of fresco painting. In the spotlight of the exhibition are the unique frescoes created in Antonio De Vito’s Florentine atelier, telling us the intriguing and spectacular story of the art of the fresco. De Vito's own interpretations of the works of these immense artists guide us to the discovery of their secrets. The exhibition offers a path that leads visitors to the discovery not only of the technical aspects of fresco painting, but also of the artistic concepts characteristic of the Renaissance. The uniqueness of this project lies in the fact that it presents real frescoes, detached from the walls with a special technique, giving the visitors the opportunity to see works that traditionally can be admired only on the spot where they were painted. 3 THE EXHIBITION Our project provides a variable number of fresco paintings depending on the available space. Preparatory cartoons and sketches will be displayed with some of the works. Each fresco is displayed with caption and photographs. The initial section displays a rich gallery of frescoes, supported by an introduction to the technique of fresco painting with texts, photographs and videos to illustrate the differents steps in painting. Besides the gallery, in a unique development, a second section offers an area set up full of various features recreating the atelier of a Renaissance painter.
    [Show full text]
  • Balance ICEX. PITTI IMMAGINE UOMO Florencia 12-15 De
    INFORME IF DE FERIAS 2018 PITTI IMMAGINE UOMO Florencia 12-15 de junio 2018 Oficina Económica y Comercial de la Embajada de España en Milán Este documento tiene carácter exclusivamente informativo y su contenido no podrá ser invocado en apoyo de ninguna reclamación o recurso. ICEX España Exportación e Inversiones no asume la responsabilidad de la información, opinión o acción basada en dicho contenido, con independencia de que haya realizado todos los esfuerzos posibles para asegurar la exactitud de la información que contienen sus páginas. INFORME IF DE FERIAS 5 de julio de 2018 Milán Este estudio ha sido realizado por Marina Sanz Muñoz Bajo la supervisión de la Oficina Económica y Comercial de la Embajada de España en Milán. Editado por ICEX España Exportación e Inversiones, E.P.E., M.P. NIPO: 060-18-044-9 IF PITTI IMMAGINE UOMO JUNIO 2018 Índice 1. Perfil de la Feria 4 1.1. Ficha técnica 4 1.2. Actividades de promoción por parte de la Ofecomes 4 2. Descripción y evolución de la Feria 6 2.1. Organización y expositores 6 2.2. Datos estadísticos de participación 8 2.3. Plano del recinto 10 2.4. Secciones de la feria 10 3. Tendencias y novedades presentadas 12 3.1. Tendencias clásicas 12 3.2. Tendencias vanguardistas 13 3.3. Tendencias informales 14 3.4. El mercado de confección masculina en Italia 15 4. Valoración 19 4.1. Del evento en su conjunto 19 4.2. De la participación española 19 4.3. Recomendaciones 20 5. Anexos 22 5.1. Asociaciones del sector textil en Italia 22 5.2.
    [Show full text]
  • From July 16Th to October 9Th 2020 the New Pitti Immagine Website Hosts PITTI CONNECT: the Digital Platform Presenting the Summer Edition of Pitti Bimbo 91
    From July 16th to October 9th 2020 the new Pitti Immagine website hosts PITTI CONNECT: the digital platform presenting the summer edition of Pitti Bimbo 91 An editorial look full of content, special projects, conversations and fashion feed to give to the exhibitors an original and exciting opportunity to show the new collections, with advanced networking tools and marketplaces. “The doors of Pitti Connect opened on Thursday 16 July”, says Agostino Poletto, General Manager of Pitti Immagine. “After months of hard work, we are presenting ourselves to the international fashion audience with a new online face. Until October 30th our special fairs are online, with the summer collections of brands and exhibiting companies, to date about 400 between Pitti Uomo, Bimbo and Filati - featuring key names on the international fashion scene - and with a program of digital projects to discover new points of view, to analyze and be inspired. We were looking for immediate solutions, we found long term opportunities: Pitti Connect has led to a great acceleration in the technological and virtual fields for our fairs and concretely represents the element of continuity that will carry us towards January 2021 when the physical and digital fairs will become completely integrated.” “Pitti Connect will also have an editorial format that is rich in content and special events” adds Lapo Cianchi, Pitti Immagine’s Communication & Special Events Director, which will render the atmosphere of the real fairs in the digital sphere, involving leading figures in fashion, artists and key people on the current cultural scene. A multi-faceted web magazine that we have rechristened THE BILLBOARD”.
    [Show full text]
  • Reference Points
    Editor in Chief Giuliano Deidda Issue #45 January/February 2017 STYLE Q&A THE TOPIC FASHION & CINEMA TREND ALWAYS LOOK MUSIC BOWS TO UNIFORM MAKES THE SEASON’S GUIDE What Are You FORWARD FASHION THE MAN BY WGSN Looking At A chat with Paul Smith on the occasion A relationship which has changed To each his uniform Traditional menswear meets of his return to Pitti Uomo a lot lately sportswear Page 14 Page 18 Page 20 Page 26 FASHION&CINEMA REFERENCE POINTS Jacket Dolce&Gabbana, shirt Salvatore Ferragamo, bow tie Lanieri An elegant tribute to a famous dance from 1990 inspired by fashion magazines. Page 42 TREND Formal 2.0 Roy Roger’s A new life for the menswear classics in the next Fall Winter season. Page 22 ACCESSORIES Paint Me Down Jude Law in Genius (Photo Courtesy of Eagle Pictures) f fashion as a system for a more cosmopolitan lifestyle. In the moment, recently seen in the film Tie Salvatore Ferragamo finds itself at a moment this panorama, each man’s personal Genius as (and not by chance) the writer From head to toe, the most of a certain confusion, style is free to broaden, in line with the Thomas Wolfe, and above all, as the lead characterful accessories of the theI masculine aesthetic on the other individual demands of a life made up of in the Paolo Sorrentino masterpiece, Spring Summer season. Page 50 hand lives in a most interesting business meetings and social functions. The Young Pope. The actor has, in the dimension of continual evolution. As As a result of this, men are more sure most brilliant way, taken on the most in the past, this change comes from of themselves and are not afraid to dare.
    [Show full text]
  • Debut of BAD INFLUENCE at the 96Th Edition of Pitti Immagine Uomo Spring-Summer 2020 - Menswear Collection
    REVENANT (English) – Survived; Survivor. | From the Latin Redivivus ‘restored, renewed.’ A person who returns after a long absence; Returned to a new life. Debut of BAD INFLUENCE at the 96th edition of Pitti Immagine Uomo Spring-Summer 2020 - Menswear Collection Changeable contrasts, oppositions and suggestive dichotomies, logical derivations that bring out new concepts: these are the creative themes defining Revenant’s Spring-Summer 2020 collection, entitled “Bad Influence”. The line will be presented for the first time at the 96th edition of Pitti Immagine Uomo in the Unconventional Pavilion, where the grittiness of luxury street style will be on display. In the collection, polar opposites encounter and collide, giving way to a new syntax where the classic is set against the contemporary, nature is set against the artificial and tradition against modernity. Bad Influence depicts an influence detached from moral judgement and expresses evident obstacles as well as a plurality of elements told through the ironic messages characterising the DNA of the brand. There is a wider range of graphics: the search for illustrations and evocations of artistic heritage characterise the collection where historic themes are brutally cut and pasted or re-developed with cutting-edge photographic content. A canvas depicting a still life opposed with Marihuana leaves and the artwork Ex-plosion, combining the sacred heart with an atomic mushroom cloud, are the symbols of the “bad influence” inspiring the collection. Poser is the famous Vincent Van Gogh self-portrait, reinterpreted with sunglasses, ready to be photographed, like a real celebrity. Liberty portrays the instantly recognisable Statue of Liberty, which expresses all the emancipation by brandishing a bunch of roses in honour of independence.
    [Show full text]
  • Pitti Immagine Uomo 82° Pitti Immagine W 10° Calendar of the Events
    PITTI IMMAGINE UOMO 82° PITTI IMMAGINE W 10° CALENDAR OF THE EVENTS The events bold printed are sole Pitti Immagine events and the events curved bold printed are joint productions MONDAY 18 JUNE 2012 Time Address 5.00 pm POLIMODA Aula Magna Lecture Hirofumi Kurino (participation only by registration on Scuderie Villa Favard www.polimoda.com 5.00 pm STEFANO RICCI Galleria degli Uffizi Fashion show 7.30 pm Mondadori presents MeMo : Museums and Man’s Fashion told in Palazzo Vecchio video-collections Vernissage (by invitation) 7.30 pm Firenze Made in Tuscany Magazine nr.23 presents Le Pagliere the photographic exhibition Africa’s Eyes by Andrea Zini Viale Machiavelli 24 (by invitation only) 8.00 pm STEFANO RICCI Galleria degli Uffizi Fashion show (by invitation only) 8.00 pm OFFICINE PANERAI Istituto di Scienze Militari presents the national preview of the Radiomir 1940 watch Aeronautiche Dinner by invitation TUESDAY 19 JUNE 2012 Time Address 9.30 am- MANAS Main Pavillon 11.00 am Breakfast@Manas Ground Floor Booth I/7 10.00 am- Don’t spread panic Main Pavilion 6.00 pm ANNAPURNA presents the t-shirt anticrisis Lower floor, Booth V1-3 Z1-2 10.30 am PITTI IMMAGINE UOMO 82 Main Pavillon Opening and award celebration Taste Lounge (only by invitation) Lower Floor 11.00 am- MASON’S Arena Strozzi 4.00 pm I Love Italia Booth B/8 – 12 1 11.30 am G INGLESE Sala delle Nazioni Meeting with the author of Green Italy, Ermete Realacci Booth 25 12.00 am- CRUCIANI Main Pavillon 1.00 pm Special guest: Vittorio Sgarbi Lower Floor Booth W/1 Press meeting 12.00
    [Show full text]
  • Moda. La Quattro-Giorni Fiorentina Di Pitti Uomo Rilancia Il Made in Italy
    Moda. La quattro-giorni fiorentina di Pitti Uomo rilancia il Made in Italy Dal 13 al 16 giugno, presso la Fortezza da Basso di Firenze si è svolta una tra le manifestazioni più importanti del sistema moda, ossia l’edizione Pitti Uomo 92. Da sempre, il Pitti è considerato un concentrato di novità, proposte stilistiche, creatività, internazionalizzazione, incontro di culture diverse e punto di riferimento globale per la dimensione lifestyle e lo scouting di qualità, ed anche l’edizione 2017 non ha deluso le aspettative. di Mariacristina La Rosa Anche quest’anno l’affluenza al Pitti Uomo è stata elevata. Si contano più di 30.000 visitatori tra italiani e stranieri, divisi tra buyers, press, bloggers e semplici appassionati di moda. Il Made in Italy si conferma un’eccellenza assoluta nel campo della moda e la voglia di partecipazione a questa manifestazione è sempre tanta. Alla chiusura dell’evento si sono registrati oltre 19.000 compratori: l’estero si conferma sui livelli dell’edizione precedente, mentre l’Italia è in flessione tra l’8 e il 9%. Ad incidere sul caldo della presenza italiana è stato senz’altro anche il grande sciopero dei mezzi pubblici, che ha costretto a modificare la pianificazione di molti appuntamenti previsti nel corso della quattro-giorni. Durante la conferenza stampa di apertura dell’evento, il Sindaco di Firenze Dario Nardella ha sottolineato l’importanza di Copyright 2018 © Scenari-Internazionali.com. Registrazione presso Tribunale di Reggio Emilia n. 986 del 27/05/2014. P. IVA. 02532400351. Moda. La quattro-giorni fiorentina di Pitti Uomo rilancia il Made in Italy simili manifestazioni sul territorio per favorire lo sviluppo economico.
    [Show full text]