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Il Delirio Amoroso
95496 Handel in Italy CD1 George Frideric Handel 1685–1759 Da quel giorno fatale (Il delirio amoroso) HWV99 1 Introduzione 4’43 2 Recitativo: Da quel giorno fatale 1’04 3 Aria: Un pensiero voli in ciel 8’35 4 Recitativo: Ma fermati pensier 1’12 5 Aria: Per te lasciai la luce 7’26 6 Recitativo: Non ti bastava ingrato 0’57 7 Aria: Lascia omai le brune vele 4’51 8 Recitativo: Ma siamo giunti in Lete 0’21 9 Entrée 1’55 10 Minuet e Arietta: In queste amene piagge serene 2’46 11 Recitativo: Sì disse Clori 0’22 12 Minuet 0’41 Ditemi, o piante HWV107 13 Recitativo: Ditemi, o piante 1’02 14 Aria: Il candore tolse al giglio 5’36 15 Recitativo: Ma la beltà del volto 0’44 16 Aria: Per formar sì vaga e bella pastorella 2’55 Care selve, aure grate HWV88 17 Recitativo: Care selve, aure grate 0’40 18 Aria: Ridite a Clori 2’51 19 Recitativo: Se cangiarsi potesse 0’40 20 Aria: Non ha forza nel mio petto 2’31 Allor ch’io dissi addio HWV80 21 Recitativo: Allor ch’io dissi addio 1’04 22 Aria: Son qual cerva ferita che fugge 2’47 23 Recitativo: Anzi se nacque il mio amoroso desio 0’49 24 Aria: Il dolce foco mio 3’08 Stefanie True soprano Contrasto Armonico Diego Nadra oboe · Nico Chaves recorder Joanna Huszcza · Enrique Gómez-Cabrero Fernandez · Antina Hugosson · James Hewitt violins Toni Arregui viola · Marta Semkiw cello & continuo · Chen Goldsobel double bass Marco Vitale harpsichord & conductor CD2 Un’alma innamorata HWV173 1 Recitativo: Un’alma innamorata 0’36 2 Aria: Quel povero core 7’11 3 Recitativo: E pur benché egli veda 0’24 4 Aria: Io godo, rido -
Statens Kunstfonds Årsberetning 2018
STATENS KUNSTFONDS ÅRSBERETNING 2018 BILAG OVERSIGT OVER ÅRETS TILDELINGER 3 Oversigt over årets tildelinger, 2018 Tildeling af hædersydelse ................................................................................................................................. 2 Legat- og Projektstøtteudvalget for Arkitektur ............................................................................................... 3 Legatudvalget for Billedkunst ........................................................................................................................... 6 Projektstøtteudvalget for Billedkunst ............................................................................................................ 16 Legatudvalget for Film .................................................................................................................................... 46 Legatudvalget for Kunsthåndværk og Design ................................................................................................ 47 Projektstøtteudvalget for Kunsthåndværk og Design ................................................................................... 52 Legatudvalget for Litteratur ........................................................................................................................... 60 Projektstøtteudvalget for Litteratur .............................................................................................................. 68 Legatudvalget for Musik .............................................................................................................................. -
Latin American Independence
CATALOGUE TWO HUNDRED EIGHTY-FOUR Latin American Independence WILLIAM REESE COMPANY 409 Temple Street New Haven, CT 06511 (203) 789-8081 A Note This catalogue traces the story of the collapse of the Spanish Empire in the New World and the establishment of independent countries in its wake. Arranged chrono- logically, it begins with the precursor revolutions in the French Caribbean islands and the takeover of Louisiana by the United States. The heart of the catalogue covers the revolutions in South and Central America between 1806 and the 1830s. Highspots include an association copy of Arrowsmith’s great atlas of 1816, a huge collection of early Buenos Aires imprints, some remarkable documents relating to the takeover of Louisiana by the U.S., the official printing of the 1821 Mexican Declaration of Independence, and a series of important broadsides relating to the 1820 revolution in Caracas. An index follows the final entry. Available on request are our recent catalogues: 276, The Caribbean; 277, The American West in the 19th Century; 278, World Trade: The First Age of Globalization; 279, Pacific Voyages; 281, Americana in PRINTING AND THE MIND OF MAN; 282, Recent Acquisitions in Americana; and 283, American Presidents. Some of our catalogues, as well as some recent topical lists, are now posted on the Internet at www.reeseco.com. A portion of our stock may be viewed via links at www. reeseco.com. If you would like to receive e-mail notification when catalogues and lists are uploaded, please e-mail us at [email protected] or send us a fax, specifying whether you would like to receive the notifications in lieu of or in addition to paper catalogues. -
Georg Friedrich Händel (1685-1759)
Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella -
INFORMATION to USERS the Quality of This Reproduction Is Dependent Upon the Quality of the Copy Submitted
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter &ce, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE RELATIONSHIPS AMONG A VARIATION OF IMMEDIATE RECALL TASKS AND MEASURES OF LI WRITING, L2 ACHIEVEMENT, AND COGNITIVE STRATEGY USE IN STUDENTS OF HIGH SCHOOL SPANISH DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Lee Wilberschied, B.A., M.A. -
Background Dates for Popular Music Studies
1 Background dates for Popular Music Studies Collected and prepared by Philip Tagg, Dave Harker and Matt Kelly -4000 to -1 c.4000 End of palaeolithic period in Mediterranean manism) and caste system. China: rational philoso- c.4000 Sumerians settle on site of Babylon phy of Chou dynasty gains over mysticism of earlier 3500-2800: King Menes the Fighter unites Upper and Shang (Yin) dynasty. Chinese textbook of maths Lower Egypt; 1st and 2nd dynasties and physics 3500-3000: Neolithic period in western Europe — Homer’s Iliad and Odyssey (ends 1700 BC) — Iron and steel production in Indo-Caucasian culture — Harps, flutes, lyres, double clarinets played in Egypt — Greeks settle in Spain, Southern Italy, Sicily. First 3000-2500: Old Kingdom of Egypt (3rd to 6th dynasty), Greek iron utensils including Cheops (4th dynasty: 2700-2675 BC), — Pentatonic and heptatonic scales in Babylonian mu- whose pyramid conforms in layout and dimension to sic. Earliest recorded music - hymn on a tablet in astronomical measurements. Sphinx built. Egyp- Sumeria (cuneiform). Greece: devel of choral and tians invade Palestine. Bronze Age in Bohemia. Sys- dramtic music. Rome founded (Ab urbe condita - tematic astronomical observations in Egypt, 753 BC) Babylonia, India and China — Kung Tu-tzu (Confucius, b. -551) dies 3000-2000 ‘Sage Kings’ in China, then the Yao, Shun and — Sappho of Lesbos. Lao-tse (Chinese philosopher). Hsai (-2000 to -1760) dynasties Israel in Babylon. Massilia (Marseille) founded 3000-2500: Chinese court musician Ling-Lun cuts first c 600 Shih Ching (Book of Songs) compiles material from bamboo pipe. Pentatonic scale formalised (2500- Hsia and Shang dynasties (2205-1122 BC) 2000). -
Boston Symphony Orchestra Concert Programs, Season 22,1902-1903, Trip
ACADEMY OF MUSIC, PHILADELPHIA. Boston Symplpy OicHestia Mr. WILHELM GERICKE, Conductor. Eighteenth Season in Philadelphia. PROGRAMME OF THE FOURTH CONCERT SECOND SERIES, WEDNESDAY EVENING, FEBRUARY 18, AT 8.15 PRECISELY. With Historical and Descriptive Notes by Philip Hale. Published by C. A, ELLIS, Manager. K») ME S S R S . CHICKERING & SONS PIANOFORTE MAKERS Invite CriticaJ Inspection of Their Latest Production The Quarter Grand (TV The Smallest Grand Embodying Modern Principles Ever Made RETAIL WAREROOMS 791 TREMONT STREET, BOSTON 1' presented m Philadelphia by JOHN WANAMAKER. (D BOStOn , ACADEMY OF MUSIC, Symphony I PH,LADEI-PHIA •**J ? "r J <j* Twenty-second Season, 1902-J903. Orchestra Eighteenth Season in Philadelphia. Mr. WILHELM GERICKE, Conductor. FOURTH CONCERT, SECOND SERIES, WEDNESDAY EVENING, FEBRUARY 18, AT 8.15 PRECISELY. PROGRAMME, u n Taneieff ....... Overture, L'Orestie n Mozart Recitative and Aria, " Nie soil mit Rosen," from f Titus (Clarinet obbligato, Mr. V. Lebailly.) u tt R. Strauss . Tone-poem, Death and Transfiguration u Mendelssohn . Arioso, But the Lord is mindful of his own," " from " St. Paul u Beethoven . Symphony No. 3, in E-flat major, Eroica," Op. 55 I. Allegro con brio. II. Marcia funebre : Adagio assai. III. Scherzo : Allegro vivace. Trio. IV. Finale : Allegro molto. SOLOIST: Madame SCHUMANN-HEINK. There will be an intermission of ten minutes before the symphony. (3) Our NewSmall Grand — We especially invite the critical attention of artists and lovers of the beautiful in pianos to our NEW SMALL GRAND, which represents the latest and highest development in that field of piano manufacture A request by mail will bring you price and terms. -
Los Himnos Nacionales. Música Y Letras En Creaciones Cargadas De Significado
Los himnos nacionales. Música y letras en creaciones cargadas de significado Por Juan María Veniard, para la Academia del Plata. Trabajo leído en sesión ordinaria del 4 de octubre de 2017. Un himno nacional es una composición musical con o sin letra entonada, destinada a lograr por parte de un pueblo adhesión a su propio Estado. Es también un símbolo que lo representa institucionalmente ante el concierto de las naciones como los otros símbolos que lo distinguen, la bandera y el escudo patrio, que pueden presentar elementos simbólicos y tener antigua tradición. El himno nacional consta, generalmente, de letra, la cual muchas veces está inflamada de patriotismo, pero la música es de características internacionalistas, esto es: música académica occidental –en cuanto a su estructura y lenguaje– que no reconoce fronteras. Ciertamente, en algunos, se percibe un origen, como puede ser germánico, francés o italiano, del mismo modo que se lo percibe en la música académica respectiva. La letra, en versos rimados, es obligadamente en el idioma nacional. En la época en que fueron creados estos himnos, la letra se constituyó en el elemento fundamental y la música tuvo un carácter subsidiario. Pero, con el tiempo, la música fue tomando relevancia. La letra pudo presentar variadas finalidades: didáctica, presentando los valores que deben adornar al individuo nacional; dogmática: inflamando al pueblo amor a la patria, al rey o al sistema político; histórica, recordando los hechos sobresalientes que la adornan; y aun geopolítica, señalando los términos de la nación. De modo que muchas veces es heroica y puede presentar cierta agresividad para con supuesto enemigo (en nuestro himno: “el vil invasor…”). -
Arianna Fabbricatore-Les Réc
Sì canta l’empia… Sì canta Sì canta l’empia… Renaissance et Opéra / Rinascimento e Opera sous la direction de / a cura di Camillo Faverzani € 35 LIM Libreria Musicale Italiana Ce volume a été publié grâce au soutien de Commission de la Recherche de l’Université Paris 8 Laboratoire d’Études Romanes–EA4385 de l’Université Paris 8 Realizzato con il contributo del Dipartimento di Lingue, letterature e culture straniere dell’Università degli Studi di Bergamo In copertina: Annibale Carracci, Rinaldo e Armida (c. 1601), dettaglio. Napoli, Museo Nazionale di Capodimonte. Redazione, grafica e layout: Ugo Giani © 2016 Libreria Musicale Italiana srl, via di Arsina 296/f, 55100 Lucca [email protected] www.lim.it Tutti i diritti sono riservati. Nessuna parte di questa pubblicazione potrà essere riprodot- ta, archiviata in sistemi di ricerca e trasmessa in qualunque forma elettronica, meccani- ca, fotocopiata, registrata o altro senza il permesso dell’editore, dell’autore e del curatore. ISBN 978-88-7096-849-1 Sì canta l’empia… Renaissance et Opéra / Rinascimento e Opera sous la direction de / a cura di Camillo Faverzani Séminaires / Seminari «L’Opéra narrateur» 2013–2014 (Saint-Denis, Université Paris, Paris, Institut National d’Histoire de l’Art) Libreria Musicale Italiana Sommaire / Sommario Camillo Faverzani In voce viva e versi queti Avant-Propos ix Premessa xv L’Arioste et le Furieux L’Ariosto e il Furioso Théa Picquet Une réécriture du Roland furieux de l’Arioste : l’opéra de Vivaldi 3 Fanny Eouzan Les folies de Roland entre opera buffa et dramma eroicomico, réécritures de Carlo Francesco Badini et Nunziato Porta 21 Gabriella Asaro Le Roland furieux des Guerres d’Italie à la Seconde Guerre mondiale : La follia di Orlando de Goffredo Petrassi 43 Nicole Botti «Mi restano le lagrime». -
This Deleuzian Century Faux Titre Etudes De Langue Et Littérature Françaises
This Deleuzian Century Faux Titre Etudes de langue et littérature françaises Series Editors Keith Busby M.J. Freeman† Sjef Houppermans et Paul Pelckmans VOLUME 400 The titles published in this series are listed at brill.com/faux This Deleuzian Century Art, Activism, Life Edited by Rosi Braidotti Rick Dolphijn LEIDEN | BOSTON Cover illustration: Denis Sinyakov, photographer, www.denissinyakov.com Library of Congress Control Number: 2015933470 issn 0167-9392 isbn 978-90-42-03916-2 (paperback) isbn 978-94-01-21198-7 (e-book) Copyright 2014 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill nv incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill nv provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, ma 01923, usa. Fees are subject to change. This book is printed on acid-free paper. Acknowledgments As the editors of This Deleuzian Century, we wish to specially thank the following persons for hosting the National Symposium on Deleuze Scholarship: Andrej Radman, Sjoerd van Tuinen, Henk Oosterling, Frans- Willem Korsten, Arjen Kleinherenbrink and Anneke Smelik. Our gratitude to Denis Sinyakov for donating the striking photograph on the book cover. Many thanks to Christa Stevens from Rodopi for her editorial assistance in the preparation of this volume; to Sophie Chapple for helping with the copy editing process, and especially to Goda Klumbyte and Toa Maes for general assistance. -
Olly Murs Never Been Better Mp3, Flac, Wma
Olly Murs Never Been Better mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Never Been Better Country: UK & Europe Released: 2014 Style: Pop Rock MP3 version RAR size: 1448 mb FLAC version RAR size: 1672 mb WMA version RAR size: 1583 mb Rating: 4.4 Votes: 596 Other Formats: AA TTA AIFF DMF DTS MIDI MOD Tracklist Hide Credits Did You Miss Me? Arranged By [Horns] – Jason Evigan, Nick SeeleyBacking Vocals – Jacob LuttrellEngineer [Assistant] – Issaiah Tejada*Engineer [For Mix] – John 1 HanesEngineer, Instruments [All Other], Producer, Producer [Vocals], Programmed 3:16 By – Jason EviganGuitar – Pierre Luc Rioux*Mixed By – Serban GheneaProducer [Vocals, Additional] – Dan BookStrings – Nick SeeleyWritten-By – Jason Evigan, Olly Murs, Sean Douglas Wrapped Up Arranged By [Strings Transcribed By] – Pete WhitfieldArranged By [Strings], Instruments [All Other], Producer – Steve RobsonBacking Vocals – Claude KellyCello – Nick Trygstad, Simon Turner Engineer – Sam MillerEngineer 2 [Additional] – Joe Kearns, Serge NudelEngineer [For Mix] – John HanesFeaturing – 3:05 Travie McCoy*Guitar – Luke PotashnickMixed By – Serban GheneaProgrammed By [Additional] – Josh WilkinsonViolin – Paulette Bayley, Pete Whitfield, Sarah Brandwood-SpencerWritten-By – Claude Kelly, Olly Murs, Steve Robson, Travie McCoy* Beautiful To Me Acoustic Guitar, Backing Vocals, Electric Guitar, Instrumentation By [Additional], Percussion, Piano, Producer – Martin Johnson Bass – Brandon PaddockEngineer – Brandon Paddock, Kyle Moorman, Martin Johnson Engineer [Assistant] -
“Miss Jenny Taggart, London.” “Scottish Soprano with Piano” Recorded London, Wednesday, 25Th
1 JENNY TAGGART “Miss Jenny Taggart, London.” “Scottish soprano with piano” Recorded London, Wednesday, 25th. January 1911 ab13145e Cam’ ye by Athol1? (James Hogg; Niel Gow, jnr.) HMV 3876(s/s) ab13146e Cam’ ye by Atholl? (James Hogg; Niel Gow, jnr.) HMV unissued ab13147e Jock o’ Hazeldean (Walter Scott; trad) HMV unissued ab13148e Jock o’ Hazeldean (Walter Scott; trad) HMV unissued ab13149e My heart is sair for somebody (John Clunie, Hector McNeil) HMV 3895(s/s), HMVCa. l0036(s/s) ab13150e Gin a body (Comin’ thro’ the rye) (Robert Burns; Robert Brenner) HMV 3878(s/s), B-333 ab13151e O whistle and I’ll come tae ye my lad (Robert Burns; trad) HMV unissued 4766f Angus MacDonald (Fred E Weatherly; Joseph L. Roeckel) HMV test(12”) Recorded London, Monday, 27th. February 1911 y-13263e Oh, whistle and I’ll come tae ye, my lad (Robert Burns, trad. arr. Bruce) HMV 3877(s/s) 4833f Angus MacDonald (Fred E. Weatherly; Joseph L Roeckel) HMV unissued(12”) 4834f Angus MacDonald (Fred E. Weatherly; Joseph L. Roeckel) HMV unissued(12”) Recorded London, ca September 1912 Ma bonnie Tammie ( - ) ColRena 2031 Within a mile of Edinburgh toon (James Hook; Herbert Daykin) ColRena 2031 Jock o’ Hazeldean (Walter Scott; trad) ColRena 2032 They’re far, far awa’ (James Booth) ColRena 2032 Charlie is my darling (James Hogg; trad) ColRena 2033 My ain wee hoose (Mrs. Wilson; David Robert Munro) ColRena 2033 Angus MacDonald (Fred E. Weatherly; Joseph L. Roeckel) ColRena 2034 My ain folk (Wilfred Mills; Laura G. Lemon) ColRena 2034 NOTE: Other records by this artist of of no Scots interest.