Il Delirio Amoroso
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Georg Friedrich Händel (1685-1759)
Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella -
Boston Symphony Orchestra Concert Programs, Season 22,1902-1903, Trip
ACADEMY OF MUSIC, PHILADELPHIA. Boston Symplpy OicHestia Mr. WILHELM GERICKE, Conductor. Eighteenth Season in Philadelphia. PROGRAMME OF THE FOURTH CONCERT SECOND SERIES, WEDNESDAY EVENING, FEBRUARY 18, AT 8.15 PRECISELY. With Historical and Descriptive Notes by Philip Hale. Published by C. A, ELLIS, Manager. K») ME S S R S . CHICKERING & SONS PIANOFORTE MAKERS Invite CriticaJ Inspection of Their Latest Production The Quarter Grand (TV The Smallest Grand Embodying Modern Principles Ever Made RETAIL WAREROOMS 791 TREMONT STREET, BOSTON 1' presented m Philadelphia by JOHN WANAMAKER. (D BOStOn , ACADEMY OF MUSIC, Symphony I PH,LADEI-PHIA •**J ? "r J <j* Twenty-second Season, 1902-J903. Orchestra Eighteenth Season in Philadelphia. Mr. WILHELM GERICKE, Conductor. FOURTH CONCERT, SECOND SERIES, WEDNESDAY EVENING, FEBRUARY 18, AT 8.15 PRECISELY. PROGRAMME, u n Taneieff ....... Overture, L'Orestie n Mozart Recitative and Aria, " Nie soil mit Rosen," from f Titus (Clarinet obbligato, Mr. V. Lebailly.) u tt R. Strauss . Tone-poem, Death and Transfiguration u Mendelssohn . Arioso, But the Lord is mindful of his own," " from " St. Paul u Beethoven . Symphony No. 3, in E-flat major, Eroica," Op. 55 I. Allegro con brio. II. Marcia funebre : Adagio assai. III. Scherzo : Allegro vivace. Trio. IV. Finale : Allegro molto. SOLOIST: Madame SCHUMANN-HEINK. There will be an intermission of ten minutes before the symphony. (3) Our NewSmall Grand — We especially invite the critical attention of artists and lovers of the beautiful in pianos to our NEW SMALL GRAND, which represents the latest and highest development in that field of piano manufacture A request by mail will bring you price and terms. -
Arianna Fabbricatore-Les Réc
Sì canta l’empia… Sì canta Sì canta l’empia… Renaissance et Opéra / Rinascimento e Opera sous la direction de / a cura di Camillo Faverzani € 35 LIM Libreria Musicale Italiana Ce volume a été publié grâce au soutien de Commission de la Recherche de l’Université Paris 8 Laboratoire d’Études Romanes–EA4385 de l’Université Paris 8 Realizzato con il contributo del Dipartimento di Lingue, letterature e culture straniere dell’Università degli Studi di Bergamo In copertina: Annibale Carracci, Rinaldo e Armida (c. 1601), dettaglio. Napoli, Museo Nazionale di Capodimonte. Redazione, grafica e layout: Ugo Giani © 2016 Libreria Musicale Italiana srl, via di Arsina 296/f, 55100 Lucca [email protected] www.lim.it Tutti i diritti sono riservati. Nessuna parte di questa pubblicazione potrà essere riprodot- ta, archiviata in sistemi di ricerca e trasmessa in qualunque forma elettronica, meccani- ca, fotocopiata, registrata o altro senza il permesso dell’editore, dell’autore e del curatore. ISBN 978-88-7096-849-1 Sì canta l’empia… Renaissance et Opéra / Rinascimento e Opera sous la direction de / a cura di Camillo Faverzani Séminaires / Seminari «L’Opéra narrateur» 2013–2014 (Saint-Denis, Université Paris, Paris, Institut National d’Histoire de l’Art) Libreria Musicale Italiana Sommaire / Sommario Camillo Faverzani In voce viva e versi queti Avant-Propos ix Premessa xv L’Arioste et le Furieux L’Ariosto e il Furioso Théa Picquet Une réécriture du Roland furieux de l’Arioste : l’opéra de Vivaldi 3 Fanny Eouzan Les folies de Roland entre opera buffa et dramma eroicomico, réécritures de Carlo Francesco Badini et Nunziato Porta 21 Gabriella Asaro Le Roland furieux des Guerres d’Italie à la Seconde Guerre mondiale : La follia di Orlando de Goffredo Petrassi 43 Nicole Botti «Mi restano le lagrime». -
Il Giardino Dei Sospiri Magdalena Kožená
Il giardino dei sospiri Magdalena Kožená COLLEGIUM 1704 · VÁCLAV LUKS Il giardino dei sospiri Leonardo Leo (1694-1744) Angelica e Medoro: Or ch’è dal sol difesa (composed after 1730) Benedetto Marcello (1686-1739) 15 Aria: Or ch’è dal sol difesa 7. 44 Arianna abbandonata (composed after 1727) 16 Recitative: Siedi, siedi ben mio 2.33 1 Prestissimo 2. 49 17 Aria: Che detto avranno mai 5. 19 2 Adagio assai 2. 07 3 In minuet. Presto 0. 50 George Frideric Handel (1685-1759) 4 Recitative: Dove, misera, dove 2. 37 Agrippina, HWV 6 (1709-1710) 5 Aria: Come mai puoi 11. 01 18 Sinfonia 3. 35 6 Recitative: Se fia che pensi, o caro 1. 09 7 Aria: Che dolce foco in petto 5. 56 George Frideric Handel (1685-1759) Qual ti riveggio, oh Dio, HWV 150 (1707) Leonardo Vinci (1690-1730) 19 Recitative: Qual ti riveggio, oh Dio 0. 40 Sinfonia from Maria dolorata (composed ca. 1723) 20 Aria: Empio mare, onde crudeli 7. 10 8 (Allegro) 2. 09 21 Recitative: Amor, che ascoso ne’ suoi vaghi lumi 0. 43 9 Largo 0. 25 22 Aria: Se la morte non vorrà 6. 55 10 (Minuet) 2. 06 23 Recitative: Questi dalla mia fronte 0. 56 24 Aria: Si muora, si muora 8. 40 Francesco Gasparini (1661-1727) 25 Recitative: Ecco, gelide labbra 1. 04 Atalia (1696) 11 Aria: Ombre, cure sospetti 5. 09 * digital-only bonus track. not available on digital DSD files Total playing time: 85. 27 Domenico Sarro (1679-1744): Introduzione from Didone abbandonata Magdalena Kožená, mezzo-soprano 12 (Allegro) * 1. -
THIS DOCUMENT IS COMPILED by ROBERT JOHANNESSON, Fader
THIS DOCUMENT IS COMPILED BY ROBERT JOHANNESSON, Fader Gunnars väg 11, S-291 65 Kristianstad, Sweden and published on my website www.78opera.com It is a very hard work for me to compile it (as a hobby), so if you take information from it, mention my website, please! The discographies will be updated about four times a year. Additions and completitions are always welcome! Contact me: [email protected] D'AILLY, Sven 1892, 1/1, Stockholm - 1969, 14/8, Stockholm. Bass. Debut 1912 Karlskrona. ISI, Berlin 1914 1. 4957 Tre vandrare (Herrmann) 4027, Bravo 1022?, Cezar 1902, Rekord 27 2. 4958 Mattinata (Leoncavallo) 4027, Bravo 1022?, Cezar 1902, Rekord 27 3. 4959 Asra (Rubinstein) 4028, Bravo 1023?, Cezar 1901, Rekord 28 4. 4960 Cloches de Corneville (Planquette): I en mörk och dyster skog 4028, Bravo 1023?, Cezar 1901, Rekord 28 Gramophone, Stockholm 1916-11-22 - 13155o Firenze (Lange-Müller) unpubl (private) Gramophone, Stockholm 1921-02-16 - 1107Am Cloches de Corneville (Planquette): I en mörk och dyster skog unpubl Gramophone, Stockholm 1921-02-17 5. 1120Am Petit Duc (Lecocq): Visan om puckelryggen X1318 Gramophone, Stockholm 1921-10-10 6. Bk57-1 Cloches de Corneville (Planquette): I en mörk och dyster skog X1318 Gramophone, Stockholm 1923-09-12 7. BT85-1 Röda rosor (Rygaard) X2021 (18-282099) - BT85-2 d:o unpubl - BT86-1 Det är förbi (Ribot) unpubl 8. BT86-2 d:o X2021 (18-282100) Gramophone, Stockholm 1923-09-21 - BT145-1 Den glade luffarn (-) unpubl - BT146-1 Mårtens beväringsvisa (Herr Lars fick en fästmö) (-) unpubl - BT146-2 d:o unpubl HMV, Stockholm 1925-05-27 - BT1586-1 Sjömannens julafton (w. -
Yhtenäistetty Georg Friedrich Händel
Suomen musiikkikirjastoyhdistyksen julkaisusarja 143 Yhtenäistetty Georg Friedrich Händel Teosten yhtenäistettyjen nimekkeiden ohjeluettelo Heikki Poroila Suomen musiikkikirjastoyhdistys Helsinki 2011 Julkaisija ja kustantaja Suomen musiikkikirjastoyhdistys 8 Heikki Poroila 2011 3. laitos 2011 (PDF) Tämä julkaisu on tarkistettu ja korjattu laitos vuonna 1990 ilmestyneestä teoksesta Yh- tenäistetty Georg Friedrich Händel (ISBN 951-8903-18-2) ja sen vuonna 1997 julkais- tusta toisesta, tarkistetusta ja korjatusta painoksesta (ISBN 951-8903-66-2). 01.4 POROILA , HEIKKI Yhtenäistetty Georg Friedrich Händel : teosten yhtenäistettyjen nimekkeiden ohjeluet- telo / Heikki Poroila. – 3. laitos (PDF). – Helsinki : Suomen musiikki-kirjastoyhdistys, 2011. – 66 s. – (Suomen musiikkikirjastoyhdistyksen julkaisusarja, ISSN 0784-0322 ; 143). – ISBN 978-952-5363-42-5 (PDF) ISBN 978-952-5363-42-5 Oodi Georg Friedrichille Meillä Suomessa on pidetty tiukasti kiinni Saksan Hallessa syntyneen Georg Friedrich Händelin (23.2. 1685 - 14.4.1759) nimen saksalaisesta kieliasusta, vaikka säveltäjä kiistatta eli ja vaikutti valtaosan elämäs- tään Englannin maaperällä George Frideric Handelina. Yhtä tiukassa tuntuu olevan pinnallinen kuva sävel- täjästä lähinnä Messiaan , juhlavien konserttojen ja kauniiden huilusonaattien luojana. Ylen tavallinen Händelin ja Johann Sebastian Bachin rinnastaminen tuntuu sekin perustuvan lähinnä yhtä- aikaiseen esiintymiseen musiikin historiassa (säveltäjät olivat tunnetusti lähes täydellisesti ikätovereita, mo- lemmat syntyivät 1685 -
Naples and the Emergence of the Tenor As Hero in Italian Serious Opera
NAPLES AND THE EMERGENCE OF THE TENOR AS HERO IN ITALIAN SERIOUS OPERA Dave William Ekstrum, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 201 8 APPROVED: Jeffrey Snider, Major Professor Peter Mondelli, Committee Member Stephen Morscheck, Committee Member Molly Fillmore, Interim Chair of the Division of Vocal Studies Benjamin Brand, Director of Graduate Studies of the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Ekstrum, Dave William. Naples and the Emergence of the Tenor as Hero in Italian Serious Opera. Doctor of Musical Arts (Performance), May 2018, 72 pp., 1 table, bibliography, 159 titles. The dwindling supply of castrati created a crisis in the opera world in the early 19th century. Castrati had dominated opera seria throughout the 18th century, but by the early 1800s their numbers were in decline. Impresarios and composers explored two voice types as substitutes for the castrato in male leading roles in serious operas: the contralto and the tenor. The study includes data from 242 serious operas that premiered in Italy between 1800 and 1840, noting the casting of the male leading role for each opera. At least 67 roles were created for contraltos as male heroes between 1800 and 1834. More roles were created for tenors in that period (at least 105), but until 1825 there is no clear preference for tenors over contraltos except in Naples. The Neapolitan preference for tenors is most likely due to the influence of Bourbon Kings who sought to bring Enlightenment values to Naples. -
7 June 2013 Page 1 of 11
Radio 3 Listings for 1 – 7 June 2013 Page 1 of 11 SATURDAY 01 JUNE 2013 Ancient Airs and Dances - Suite No.2 Dame Ethel Smyth, John Foulds, Donald Tovey, Thea CBC Vancouver Orchestra, Mario Bernardi (conductor) Musgrave, and the remarkable Viola Concerto by Stanley Bate. SAT 01:00 Through the Night (b01slnrx) John Shea presents a Prom given by the BBC Symphony 6:12 AM Orchestra under Jiri Belohlavek, including Smetana, Prokofiev Haydn, Joseph (1732-1809) SAT 17:00 Jazz Record Requests (b020tpnx) and Dvorak. Concerto for trumpet and orchestra in E flat major (Allegro; Alyn Shipton plays a selection of listeners' requests including Andante; Finale) () music from Miles Davis, plus vocals from Kurt Elling, big band 1:01 AM Geoffrey Payne (trumpet), Melbourne Symphony Orchestra, music from Woody Herman and small group jazz from Charlie Smetana, Bedrich [1824-1884] Michael Halasz (conductor) Haden's Quartet West. String Quartet no.1 in E minor 'From My Life' orch Szell BBC Symphony Orchestra, Jiri Belohlavek (conductor) 6:28 AM Bach, Johann Sebastian [1685-1750] SAT 18:00 Opera on 3 (b020tpsh) 1:30 AM Toccata in C minor BWV.911 for keyboard Tchaikovsky's Eugene Onegin Prokofiev, Sergey [1891-1953] Evgeni Koroliov (piano) Concerto no. 1 in D major Op.19 for violin and orchestra Launching our Royal Opera House, Covent Garden season Sara Vadim Gluzman (violin), BBC Symphony Orchestra, Jiri 6:39 AM Mohr-Pietsch introduces a performance of Tchaikovsky's tragic Belohlavek (conductor) Rubbra, Edmund (1901-1986) opera based on Pushkin's verse novel. Stuck on a country estate, Trio in one movement, Op.68 Tatyana shuns the local festivities, preferring to immerse 1:52 AM The Hertz Trio. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/69994 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Dramatic Figures in the Venetian Republic: Performance, Patronage, and Puppets by Melanie Zefferino Submitted in part fulfilment for the Degree of Doctor of Philosophy in the History of Art at the University of Warwick September 2014 This dissertation may be photocopied CONTENTS Acknowledgements i Abstract iii List of Tables iv List of Illustrations v Introduction 1 Definitions and Taxonomy 2 Scope of the Research, and Historical and Critical Approaches 4 Methodology, Literature Review, and Sources 7 Dissertation Structure 16 PART 1 – HIERATIC FIGURES AND EARLY INVENTIONS 19 I Dramatic Figures of the Middle Ages 20 The Influence from French Culture 22 Venice’s Porta da Mar: a Gate for Liturgical and Feast-day Drama 25 ‘Animated’ Sculptures for the Passio, Depositio, and Entombment of Christ 37 Marys, Marione, and Marionettes 49 II Puppets, Automata, and Theatres of the World 61 The Momarie 62 Puppetry and the Commedia dell’Arte 68 Ephemeral Theatres on the Ground and on Water 77 III Theatrical Feasts and Figures: from the Catajo Palace to Villa Contarini 84 Il Solimano, 1634 85 -
Stagione 2009 AGRIPPINA Compositore: Georg Friedrich Händel
CopertaToPrint_grp:v 21-09-2009 12:13 Pagina 1 6 La Fenice prima dell’Opera 2009 6 2009 Fondazione Stagione 2009 Teatro La Fenice di Venezia Lirica e Balletto Georg Friedrich Händel grippina grippina A A ändel H riedrich riedrich f eorg eorg g FONDAZIONE TEATRO LA FENICE DI VENEZIA CopertaToPrint_grp:v 21-09-2009 12:13 Pagina 2 foto © Michele Crosera Visite a Teatro Eventi Gestione Bookshop e merchandising Teatro La Fenice Gestione marchio Teatro La Fenice® Caffetteria Pubblicità Sponsorizzazioni Fund raising Per informazioni: Fest srl, Fenice Servizi Teatrali San Marco 4387, 30124 Venezia Tel: +39 041 786672 - Fax: +39 041 786677 [email protected] - www.festfenice.com FONDAZIONE AMICI DELLA FENICE STAGIONE 2009 Incontro con l’opera Teatro La Fenice - Sale Apollinee venerdì 16 gennaio 2009 ore 18.00 QUIRINO PRINCIPE Die tote Stadt Teatro La Fenice - Sale Apollinee venerdì 13 febbraio 2009 ore 18.00 LORENZO ARRUGA Roméo et Juliette Teatro La Fenice - Sale Apollinee venerdì 17 aprile 2009 ore 18.00 MASSIMO CONTIERO Maria Stuarda Teatro La Fenice - Sale Apollinee giovedì 14 maggio 2009 ore 18.00 LUCA MOSCA Madama Butterfly Teatro La Fenice - Sale Apollinee giovedì 18 giugno 2009 ore 18.00 GIORGIO PESTELLI Götterdämmerung Teatro La Fenice - Sale Apollinee mercoledì 2 settembre 2009 ore 18.00 GIANNI GARRERA La traviata Clavicembalo francese a due manuali copia dello Teatro La Fenice - Sale Apollinee strumento di Goermans-Taskin, costruito attorno lunedì 5 ottobre 2009 ore 18.00 alla metà del XVIII secolo (originale presso la Russell LORENZO BIANCONI Collection di Edimburgo). Agrippina Opera del M° cembalaro Luca Vismara di Seregno (MI); ultimato nel gennaio 1998. -
95496 Just a Few Years Before He Settled in London in 1712, Handel Exploited the Musical Benefits of Italy
95496 Just a few years before he settled in London in 1712, Handel exploited the musical benefits of Italy. Pamphili’s musicians. Pamphili himself, an amateur poet, wrote the libretto, which concerns This Italian period – c.1706 –10 – was relatively short but extremely productive. The psalm setting the delusional love of the nymph Chloris. She and Thyrsis typified the conventional pair of lovers Dixit Dominus is one bold masterpiece that Handel composed near the beginning of his stay. in pastoral scenes. Chloris dreams that she descends into Hades to bring back the dead Thyrsis. His travels in Italy, ranging between Florence, Venice, Rome and Naples, were to prove deeply When alive, Thyrsis never returned her love and he again rejects her in Hades, but nevertheless influential, as these important musical centres afforded Handel many opportunities to hear she takes him to the Elysian Fields. contemporary works, to make contacts with patrons and to meet celebrated composers such as Apollo e Dafne (CD6) is a secular cantata that Handel composed towards the end of his Alessandro and Domenico Scarlatti and Corelli. He produced a tremendous number of compositions Italian period, though it was probably completed in 1710 on his temporary return to Hamburg. in various genres – especially opera, instrumental music and secular cantatas. The last of these The anonymous text, based on part of Ovid’s Metamorphoses, tells of the god Apollo’s unrequited forms is perhaps the most significant in that many of the melodic ideas that distinguish the cantatas love for the nymph Daphne, who eventually transforms herself into a laurel tree to escape his would be recycled or developed by Handel in his mature dramatic works. -
Brochure 2019 Orizzontale
38° dalla fondazione ENTI SOSTENITORI Comune di Foligno Regione Umbria IN COPRODUZIONE CON IN COLLABORAZIONE CON Comune di Trevi FIE FEDERAZIONE ITALIANA ESCURSIONISMO L’entusiasmo che ha accompagnato la stagione concertistica 2018, la qualità e la diversicazione della proposta, la vicinanza dei Soci, melomani e appassionati, degli Enti Sostenitori e degli Sponsor hanno fatto sì che, ancora una volta, si determinasse una forte crescita delle presenze agli eventi promossi dagli Amici della Musica di Foligno: oltre 7.000 spettatori in 24 concerti. Un risultato particolarmente signicativo, non solo per la dinamica sviluppata negli ultimi anni (4.824 nel 2015, 5.368 nel 2016, 6.115 nel 2017), ma soprattutto se messo in relazione con i dati nazionali, ove i NON consumatori di cultura (% di popolazione > 6 anni) e, segnatamente, di concerti di musica classica, raggiungono l’incredibile percentuale del 92%. Questa controtendenza ci è di stimolo e costituisce il viatico con il quale ci apprestiamo a vivere e a sostenere la nuova stagione concertistica, articolata in 27 concerti di musica sinfonica, cameristica, lirica, jazz, blues, danza. E poi ancora i progetti musicali per gli studenti, le ambite masterclass di canto lirico, i laboratori di musicoterapia, il corso di guida all’ascolto, gli itinerari musicali. Ai giovani della Comunità Europea – non poteva essere altrimenti – è adato l’evento di presentazione della stagione, con un programma che celebra il 500° anniversario della morte di Leonardo da Vinci. Il celeberrimo violoncellista Giovanni Sollima anima il concerto di inaugurazione, insieme all’Orchestra da Camera di Mantova. I miti nella musica e nella leggenda saranno i protagonisti del concerto con l’attore Davide Riondino e il pianista Sandro De Palma.