The Ethnobotany of Chinchero, an Andean Community in Southern Peru

Total Page:16

File Type:pdf, Size:1020Kb

The Ethnobotany of Chinchero, an Andean Community in Southern Peru o. LDIANA any The Ethnobotany of Chinchero, an Andean Community in Southern Peru Christine Franqueniont Timothy Plowman Edward Franquemont Stoen R. King Christine Niezgoda Wade I) Calvin R. Sperling March 30, 1990 Publication 1408 PUBLISHED BY FIELD ML ISTORY 'nation for Contributors to Field iana Ability to jv submitted :rs before all m Museum of Natural I i 1 i mdard-weight, 8 /?- by 11-inch paper with wide n '\l-compatible computer using MS-DOS, also subm.: > & 4, Wang PC, Samna, Mien authors arc requested to submit a "Table of Contents, page. In IT i he text should be pn ,:ny) and "Literature Cited." he metric system (periods are not used after abbreviated measurements i : ecent issues of Fieldiana. Manual of Style (13th ed.), published by The I k and journal titles should be given in full. Where abb: :Jy should follow Botanico-Periodicum-Huntianum and :omic (botanical papers) or Serial Sources for the Biosis Data : >rmation Service. Names of botanical authors should follow the "Draft Index of Author <4 edition, or 77 cd in the t rm: >rado Island. Stanford University Press, Stanford, Calif., 943 pp. id T. D. Pennington. 1963. A comparison of montane and lowland nomy, and floristics. Journal of Ecology. 51: ina: Cultural patterns in visions, pp. 63-80. In Bro ton Publishers, The Hague, Netherlar dor, pp. 785-821. In Steward. J. H., ed.. Handbook ol vilizations. Bulletin 143, Bureau of American I Guatemala. Part II. Polypodiaceae. Fieldia (no! as "pi.. Pen and in!- OBLIGATION IS PRINTED ON ACID-FREE PAPER. FIELDIANA Botany NEW SERIES, NO. 24 The Ethnobotany of Chinchero, an Andean Community in Southern Peru Christine Franquemont fTimothy Plowman Institute of Economic Botany Department of Botany New York Botanical Garden Field Museum of Natural History Bronx, New York 10458 Chicago, Illinois 60605-2496 Edward Franquemont Steven R. King Christine Niezgoda Institute of Andean Studies Board on Agriculture Department of Botany P.O. Box 9307 National Research Council Field Museum of Natural History Berkeley, California 94709 Washington, D.C. 20418 Chicago, Illinois 60605-2496 Wade Davis Calvin R. Sperling Institute of Economic Botany Germplasm Services Laboratory New York Botanical Garden U.S. Department ofAgriculture Bronx, New York 10458 Agricultural Research Service Beltsville, Maryland 20705 Accepted November 1, 1988 Published March 30, 1990 Publication 1408 PUBLISHED BY FIELD MUSEUM OF NATURAL HISTORY 1 990 Field Museum of Natural History Library of Congress Catalog Card Number: 89-85570 ISSN 00 15-0746 PRINTED IN THE UNITED STATES OF AMERICA TIMOTHY PLOWMAN 1944_1989 We dedicate this volume with love and gratitude to Tim Plowman, who brought us all together and showed us the way Table of Contents 9. Schematic map of Chinchero 12 10. Mountain reflected in a pond on the pampa of Yanacona 13 PREFACE vii 1 1 . Puqpuq waterfall said to be inhabited ABSTRACT 1 by sirena (Sp.), the malignant female INTRODUCTION 1 spirit 15 CHINCHERO: THE SETTING, AN ANDEAN TOWN 1 2. Mother and daughter peeling potatoes 2 in house courtyard 16 LOCAL GEOGRAPHY 10 13. An ayni group accomplishing first METHODS 14 hoeing of potato field with attendant rit- CULTIVATED PLANTS IN CHINCHERO 19 ual 20 EXPLANATION OF FORMAT 14. Harvest of maway (irrigated) fields 21 Species Information 29 15. Tops of plants from maway (irrigated Informant Biographies 31 field) used as fodder 22 Note on Quechua (Qichuwa) Orthography 16. A woman adding to a pile of potatoes 32 being harvested by a group of people LIST OF CHINCHERO PLANTS working in minkha 23 Fungi 32 1 7. Anisette Huaman and his wife posing in Lichens 33 front of Anisette's household garden of Algae 34 herbs and ornamentals raised for use, Mosses (Musci) 34 sale, and curiosity 26 Liverworts (Hepaticae) 35 18. A ch'asti, an adolescent role in dance Ferns and Fern Allies 36 groups and fiestas, cleaning wheat 28 Gymnosperms 40 19. Woman displaying lisas (Ullucus tubero- Angiosperms 41 sus) for sale or barter in Chinchero Sun- CONCLUSION 107 day market 44 ACKNOWLEDGMENTS 107 20. Woman washing quinua (Chenopodium LITERATURE CITED 108 quinod) grains 50 INDEX OF LOCAL NAMES Ill 2 1 . Graciano Pumaaylli assembling stalks of for GENERAL INDEX . 1 22 huamanpito (Columellia obovata) use in basket-making 51 22. Graciano Pumaaylli using hands and List of Illustrations toe to begin weaving a basket 52 23. Nilda Callanaupa gathering the flowers of kiku (Bidens andicola ssp.) to use for 1 . The town of Chinchero, built on Inca a yellow dye 54 ruins 3 24. Children carrying kindling after a day 2. The site of a Sunday barter and com- with flocks or in fields 61 mercial market in Chinchero 4 25. Inflorescences of awarunkhu (Puya we- 3. Two teams of three men plowing with berbaueri), woody stems and leaves of chakitaqlla (Andean footplow) in field tayanqa (Baccharis tricuneata), and suy- above Lake Piuray 5 tu (probably Eupatorium volkensii) are 4. Map of Chinchero, showing location of gathered and burned and their ashes zones and communities 6 made into llipta. an alkaline admixture 5. A river cut dividing the western plains chewed with coca 68 and the eastern hills of Chinchero 7 26. Maria Huaman and daughter pulveriz- 6. A minkha labor group, assembled for ing ashes of plants to make llipta 69 the day, resting after harvesting potatoes 27. Liquid being added to the pulverized 8 ashes so that they may be shaped into 7. Members of an ayni group work togeth- patties of llipta 70 er, hoeing in a potato field, in a lifelong 28. Formed masses of llipta drying 71 relationship of labor exchange 9 29. Melchior Cusihuaman and neighbor lay- 8. An ayni group works together to con- ing bundles of thatch onto a new roof . 73 struct a new house . .11 30. Anisette Huaman thatching a roof 74 31. Simeona Jaimes using a gourd as ladle List of Tables to test chicha 75 32. Maria Livita straining boiled jora into a raki a of ichu (chicha jar) through layer i. wild plants forming part of diet 24 on a basket ... 76 (high-altitude grass spp.) 2. Origins of Chinchero cultigens 27 33. Oca (Oxalis tuberosd) cultivated for edi- 3. Minor cultivated plants . 29 ble tubers 90 34. Tools used to cultivate tubers are locally made, especially of chachaquma (Escal- lonia resinosa): plow (usually Eucalyp- tus), kutiq (hoe and potato hook), qha- suna (clod-breaker), and chakitaqlla (footplow) 97 VI Preface with Chinchero residents to establish a center for The goal of the Chinchero ethnobotanical proj- traditional culture located in Chinchero (C. Fran- ect was to document, from an interdisciplinary quemont, 1 982), a living museum designed to speak perspective bridging botany and anthropology, the for traditional Quechua life in dialogue with the flora of a human community whose boundaries Spanish-speaking school system oriented to coast- are political and cultural as well as geographic. The al culture. Segments of the project were dedicated project developed from the long-term research in to agricultural systems, textiles, fiestas, music, sto- this town in the high Peruvian Andes of two of us rytelling, and finally, plants. In 1982 we began a (C.F., E.F.) which began with an exploration of survey of the flora of the community of Chinchero the cognitive and practical worlds of Andean as an extension of the ongoing work toward cul- weavers (C. Franquemont & E. Franquemont, op. tural preservation. It was clear that low esteem for cit.). During a long period of association with traditional knowledge of the environment was Chinchero, we worked with members of the com- working to put the people of Chinchero at a dis- munity in support of a range of projects, including advantage with their more technologically ad- cultivation of potatoes, laying of pipes for a po- vanced compatriots in a number of ways. First, table water system, and activities of the school and prestigious wheat (in bread) and rice, both expen- the soccer league; in 1980 we took two cargos sive imported commodities, were replacing locally (sponsored the participation of two dance groups) grown foods such as quinua and even potatoes in for the town's annual celebration of the patron the Quechua diet. Second, farmers' need for cash saint (Spanish, fiesta patronat). and the consumption patterns of the larger re- Two problems illustrate our (C.F., E.F.) moti- gional economy caused changes in agricultural vations in studying the ethnobotany ofChinchero. strategies. Large areas of land were being planted A specific question arose in conversations with to barley rather than Andean tubers, since the Cus- Chinchero weavers. The town is home to one of co beer factory provided seed and guaranteed pur- the community-specific textile traditions that chase of harvests. Farmers were restricting the di- characterize the Cusco area (C. Franquemont, versity of their potato crops, in some cases 1979, 1986; E. Franquemont & C. Franquemont, influenced by government agricultural programs. 1986, 1987). Like many other researchers, we Many farmers sought short-term gains in ignoring wanted to understand the meaning of the woven the traditional seven-year rotation system, relying designs. Since the designs had names, an obvious on chemical fertilizers to maintain productivity. place to start was to translate those names. Several Third, the awe of modern medical technology such of the pal/ay (Quechua, 'design') names were said as injections and pills progressive and lifesaving also to be the names of plants. One plant, chili in some situations was devaluing the daily prac- chili, was particularly common; we were told that tice of herbal medicine long used to maintain the it grows "right around here anywhere," always fol- health of the community.
Recommended publications
  • T-1470.Pdf (630.9Kb)
    Universidad Mayor de San Andrés Facultad de Humanidades y Ciencias de la Educación Carrera de Lingüística e Idiomas Instituto de Estudios Bolivianos Lecturas espaciales aymaras: Una visión lingüística-enciclopédica de la cuenca del lago Poopó y el río Desaguadero” ASDI/SAREC La polisemia léxica aymara En la cuenca del lago Poopó, río Desaguadero y Titiqaqa (Tesis de licenciatura de Lingüística e Idiomas Mención L.N.) Postulante: Univ. Gumercindo Mamani Mamani Tutor: Lic. Zacarías Alavi Mamani. La Paz–Bolivia 2004 AGRADECIMIENTO Mis sinceros agradecimientos a todo los aymaras de la cuenca del lago Poopó, río Desaguadero y de cantón Ancoraimes, quienes brindaron la información lingüística que constituye la base del presente trabajo. Se agradece también al proyecto lecturas espaciales aymaras: Una visión lingüística-enciclopédica de la cuenca del lago Poopó y río Desaguadero ASDI/SAREC del IEB, proyecto que facilitó información lingüística. Es la ocasión para expresar mi gratitud a Lic. Zacarías Alavi, tutor de tesis. DEDICATORIA Dedico el trabajo a mi madre Modesta, a mis hermanas Lucia, Teodora, asimismo a mi hija, esposa y familia C O N T E N I D O Agradecimiento iii Dedicatoria iv Abreviaturas y símbolos ix C A P Í T U L O I 1. INTRODUCCIÓN 1.1 Planteamiento del problema 3 1.2. Formulación del problema 4 1.3. Objetivos 5 1.3.1. Objetivo general 5 1.3.2. Objetivos específicos 5 1.4. Hipótesis del estudio 5 1.5. Justificaciones 6 1.6. Alcances y limitaciones 8 C A P Í T U L O II 2. CONSIDERACIÓN TEÓRICA 2.1.
    [Show full text]
  • Dance for Mother Lake on the Arid Titiqaqa Plateau: Observations from Fieldwork Seasons 1993–2005
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Apollo 122 Dance for Mother Lake on the Arid Titiqaqa Plateau: Observations from Fieldwork Seasons 1993–2005 Mary Louise Stone Independent Scholar, New Mexico, USA and Qamasa Weaving Insights Community, La Paz, Bolivia Introduction In the Andes Mountains’ high Titiqaqa plateau in Peru and Bolivia, vast expanses of dry earth stretch to distant mountains punctuated only by ichu, a spiky bunch grass, and t'ola, shrubs like sagebrush. Yet a golden high altitude glow tinges everything, and close to the ground, cactus bloom in dayglow pink and orange. The high desert presents intense challenges, yet over the centuries Titiqaqa plateau farmers and herders developed diverse strategies of water engineering, hardy seeds and microclimates (Yampara 1992). One characteristic Titiqaqa adaptation, I postulate, reveals a ritual relation with water highlighted by dance pilgrimages to Mother Lake, the life force in waters and lakes (Pan-Andean Gathering of the Uru People of Water, Iruhito, Bolivia, 2004). Fundamental desert routes are used by multiethnic pilgrims to her holy site of Lake Titiqaqa and modern large- scale celebrations in Copacabana, Bolivia, and Puno, Peru, and have potential parallels in the remains of earlier state-sponsored pilgrimages of the Inka and Tiwanaku civilisations and even earlier Chiripa community Archaeological Review from Cambridge 34.1 Mary L. Stone | 123 gatherings (Bauer and Stanish 2001; Janusek 2008; Stanish 2003). Archaeological and ethnographic sources indicate that ritual activity involving the veneration of water has been important in this high desert plateau for millennia. In the renowned reciprocity of the Andes, many residents of the vast desert today unite, and may have united in the past, in large spiritual festivities to give art and dance pilgrimages to Mother Lake for her continued gift of life.
    [Show full text]
  • Chapter 8 Andean Entifications
    1 Chapter 8 Andean Entifications: Pachamamaq Ajayun, The Spirit of Mother Earth Guillermo Delgado-P. In memoriam Elías Delgado M., Eugenio Bermejillo, Rodolfo L. Meyer Qallarinapaq: To Begin In this article, my purpose is to foreground recent discussions on reontologizing the notion of “socionature” as a way of critiquing modern thought and practice, which subverted the original hylozoism of Andean peoples. The term “socionature” acknowledges a critique of anthropocentrism. As we know, the introduction of modes of ecocidal extractivist capitalism as an economic strategy of “accumulation by dispossession” legitimized the deontologization of nature by making it dispirited and deprived of agency. Such a process instigated disruptive colonialist “acts against nature”; the perpetrators were and are humans who, as inheritors, provoked and sustained ecocidal interventions on native peoples’ nature(s) considered alive. Nowadays, the Anthropocene scores recognition of such intrusion(s). A conscious retrieving of pluricultural and multinatural worlds 2 thus involves a rejection of the full commoditization of nature(s), an ethics that inspires a vibrant environmentalist consciousness that re- establishes dialogues with variants of radical Western deep ecology, Gaiastories, GMO critics, and indigenous thought regarding global warming today. This attitude, based on the assumption of many natures and one culture (rather than one nature and several cultures), is ethical (i.e., derived from ethics) in the sense that, as a grammar of the dignity of socionature, it proposes a larger spiritual and radical (that is, from the “roots”) reappraisal that hopefully re-evaluates humanity’s stance on “eARTh.” We find substrata of this decentering thinking and of issues of permanence on “eARTh” if we especially highlight parts of the world where indigenous cosmicentric and chorographic convictions were, and are, retained despite colonialism’s fury layered as anthropogenic heritage.
    [Show full text]
  • Una Aproximación a La Cosmovisión Andina
    Una aproximación a la cosmovisión andina 003_Pachakuteq_Dig.pdf 1 05/02/16 11:59 P ac Una aproximaciónha a la cosmovisión andina kute q Federico García y Pilar Roca Identidades Serie 003_Pachakuteq_Dig.pdf 1 05/02/16 12:01 © Fundación Editorial El perro y la rana, 2017 (digital) © Fundación Editorial El perro y la rana, 2013 © Federico García © Pilar Roca Centro Simón Bolívar, Torre Norte, piso 21, El Silencio, Caracas -Venezuela, 1010. Teléfonos: (0212) 7688300 / 7688399 Correos electrónicos [email protected] [email protected] Páginas web www.elperroylarana.gob.ve www.mincultura.gob.ve Redes sociales Facebook: Fundación Editorial Escuela El perro y la rana Twitter: @perroyranalibro Diseño de la colección Dileny Jiménez Hernán Rivera Edición: Alejandro Moreno Corrección: José Jenaro Rueda Diagramación: Jairo Noriega Hecho el Depósito Ley Depósito legal DC2017002383 ISBN 978-980-14-3218-0 La Colección Alfredo Maneiro, Política y sociedad, publica obras puntuales, urgentes, necesarias, capaces de desentrañar el significado de los procesos sociales que dictaminan el curso del mundo actual. Venezuela integra ese mundo en formación, de allí la importancia del pensamiento, la investigación, la crítica, la reflexión, y por ende, de las soluciones surgidas del análisis y la comprensión de nuestra realidad. Firmes propósitos animan a esta colección: por una parte, rendir homenaje a la figura de Alfredo Maneiro, uno de los principales protagonistas de los movimientos sociales y políticos que tuvieron lugar en Venezuela durante los duros y conflictivos años sesenta, y por la otra, difundir ediciones de libros en los cuales se abordan temas medulares de nuestro tiempo. Identidades: pretende indagar en la diversa gama de culturas ancestrales y populares latinoamericanas.
    [Show full text]
  • Cusco Guía Práctica Para Elviajero
    Machupicchu © Emilie Ristevski Cusco Guía práctica para elviajero para Guía práctica Cusco Ubicación Sierra suroriental del Perú Capital Cusco (3399 msnm) Altitud Mín.: 532 msnm (Pilcopata) Máx.: 6384 msnm (Nevado del Ausangate) Clima Temperatura Nov - Mar Mar - Jun Máx.: 20 ºC Mín.: 1 ºC Jun - Set Set - Nov ¿Cómo llegar? Vía terrestre Lima (vía Arequipa): 1650 km / 26 h Lima (vía Abancay): 1105 km / 21 h Arequipa: 610 km / 10 h Puno: 389 km / 7 h Vía aérea Lima-Cusco 1 h 15 min Arequipa-Cusco 1 h Puerto Maldonado-Cusco 55 min Vía ferrea Puno-Cusco: 384 km 10 h Cusco Capital de departamento Vía principal Capital de provincia Carretera asfaltada Capital de distrito Carretera afirmada Centro poblado Vía férrea Atractivo turístico Área natural protegida Lugar de interés Lago o laguna Aeropuerto Río Límite provincial Baños termales Baños termales de Baños termales del valle de Lares Cocalmayo de Aguas Calientes (Q’oñiunu) Santa Teresa Abra Málaga Machupicchu pueblo Hidroeléctrica Nevado Verónica Machupicchu Willoc Río Vilcanota Parque arqueológico Camino Inka de Ollantaytambo Pichingoto Ollantaytambo Pachar Museo Inkariy Salineras de Maras Urubamba Yucay Nevado Salkantay Moray Maras Laguna Humantay Mirador Raqchi Soraypampa Huarocondo Lag. Huaypo Killarumiyoq Anta Tarawasi Zurite Limatambo Ccaccahuara Mollepata Saqsaywaman Chonta Río ApurímacMirador de cóndores de Chonta Escala gráfica (km) 0 2 4 6 8 JUNÍN Carretera asfaltada Carretera afirmada Área natural protegida HUANCAVELICA Lares Mirador Tres Cruces Ankasmarka Urqo Museo Inkariy Paucartambo Yucay Río Vilcanota Calca Parque arqueológico Mirador Raqchi Lamay de Písac Huchuy Qosqo Chahuaytire Coya Chullpas de Ninamarca Chinchero Lag. Piuray Parque de la Papa Watoqto Taray Lag.
    [Show full text]
  • Información General Del Boleto Turístico
    INFORMACIÓN GENERAL DEL BOLETO TURÍSTICO El boleto turístico es un boleto de ingreso con el cual se tiene acceso a 16 lugares entre sitios arqueológicos, museos y el Centro Qosqo de Arte Nativo. El boleto se puede comprar de forma general y parcial. Los precios se detallas a continuación: BOLETO TURÍSTICO BOLETO TURÍSTICO BOLETO TURÍSTICO GENERAL PARCIAL Adulto extranjero S/ 130,00 S/ 70,00 Estudiante extranjero (De 18 a 25 años previa presentación S/ 70,00 S/ 70,00 del carnet vigente o tarjeta ISIC) Adulto nacional S/ 70,00 S/ 40,00 Estudiante nacional (Desde los 18 años previa presentación S/ 40,00 S/ 40,00 del carnet vigente o tarjeta ISIC) IMPORTANTE: - La Vigencia del boleto turístico completo es de 10 días. - Los niños pagan desde los 10 años de edad, de 10 a 17 años, pueden adquirir el boleto de estudiante previa presentación del documento de identidad (DNI, Pasaporte, etc.) - El Boleto Turístico no incluye servicio de guía y movilidad. - No existen boletos individuales para cada atractivo turístico, se debe adquirir el boleto general o parcial. El boleto turístico completo tiene una valides de 10 días, sin embargo también existe la posibilidad de comprarlo de forma parcial como se detalla a continuación: CIRCUITO 1 ATRACTIVOS TURÍSTICOS INCLUIDOS HORARIO DE ATENCIÓN VIGENCIA - Parque Arqueológico de Saqsayhuaman - Sitio Arqueológico de Qenqo De L - D de 07:00 a 18:00 1 Día - Grupo Arqueológico de Puka Pukara - Grupo Arqueológico de Tambomachay CIRCUITO 2 ATRACTIVOS TURÍSTICOS INCLUIDOS HORARIO DE ATENCIÓN VIGENCIA - Museo Histórico
    [Show full text]
  • Ethnobotanyofchi24fiel.Pdf
    o. LDIANA any The Ethnobotany of Chinchero, an Andean Community in Southern Peru Christine Franqueniont Timothy Plowman Edward Franquemont Stoen R. King Christine Niezgoda Wade I) Calvin R. Sperling March 30, 1990 Publication 1408 PUBLISHED BY FIELD ML ISTORY 'nation for Contributors to Field iana Ability to jv submitted :rs before all m Museum of Natural I i 1 i mdard-weight, 8 /?- by 11-inch paper with wide n '\l-compatible computer using MS-DOS, also subm.: > & 4, Wang PC, Samna, Mien authors arc requested to submit a "Table of Contents, page. In IT i he text should be pn ,:ny) and "Literature Cited." he metric system (periods are not used after abbreviated measurements i : ecent issues of Fieldiana. Manual of Style (13th ed.), published by The I k and journal titles should be given in full. Where abb: :Jy should follow Botanico-Periodicum-Huntianum and :omic (botanical papers) or Serial Sources for the Biosis Data : >rmation Service. Names of botanical authors should follow the "Draft Index of Author <4 edition, or 77 cd in the t rm: >rado Island. Stanford University Press, Stanford, Calif., 943 pp. id T. D. Pennington. 1963. A comparison of montane and lowland nomy, and floristics. Journal of Ecology. 51: ina: Cultural patterns in visions, pp. 63-80. In Bro ton Publishers, The Hague, Netherlar dor, pp. 785-821. In Steward. J. H., ed.. Handbook ol vilizations. Bulletin 143, Bureau of American I Guatemala. Part II. Polypodiaceae. Fieldia (no! as "pi.. Pen and in!- OBLIGATION IS PRINTED ON ACID-FREE PAPER. FIELDIANA Botany NEW SERIES, NO.
    [Show full text]
  • Universidad Indígena Intercultural, Red De Universidades: UINPI Ecuador, UAIIN Colombia Y URACCAN Nicaragua
    UNIVERSIDAD DE LAS REGIONES AUTONOMAS DE LA COSTA CARIBE NICARAGUENSE – URACCAN - NICARAGUA UNIVERSIDAD AUTONOMA INDIGENA INTERCULTURAL UAIIN - COLOMBIA UNIVERSIDAD AMAWTAY WASI - ECUADOR TESIS “La historia y el saber aymara para la revitalización de la identidad desde un currículo escolar propio en la región Puno – Perú” PARA OPTAR EL GRADO DE: MÁSTER EN GESTIÓN DEL DESARROLLO CON IDENTIDAD PARA EL BUEN VIVIR COMUNITARIO AUTOR: HENRY MARK MAMANI TUTOR: HENRY CABALLERO FULA Popayán, Colombia, agosto del 2011 1 Orgullo Aymara Soy un indio fornido de treinta años de acero forjado sobre el yunque de la meseta andina con los martillos fúlgidos del relámpago herrero y en la del sol, entraña de su fuego divino. El lago Titicaca templó mi cuerpo fiero en los pañales tibios de su agua cristalina me amamantó la ubre de un torvo ventisquero y fue mi cuna blanda la más pétrea colina. Las montañas membrudas educaron mis músculos me dio la tierra mía su roqueña cultura alegría las albas y murria los crepúsculos. Cuando surja mi raza que es la raza más rara nacerá el superhombre de progenie más pura para que sepa el mundo lo que vale el aymara. Dante Nava Con este poema: A Luz Marina Del Rodrigo, mi compañera de vida. A los otros, a fin de que puedan conocer esta cultura milenaria. Al aymara del Abya Yala que va olvidando su cultura. A los hijos ancestrales del Abya Yala (Tu andar y mi andar). 2 AGRADECIMIENTOS A la madre naturaleza, achachilas y ancestros que me heredaron esta grandiosa cultura, del cual me siento orgulloso.
    [Show full text]
  • Cosmovisión Andina
    PACHAYACHACHIQ – ESTUDIOS INKÁSICOS Cosmovisión Andina INKA PACHAQAWAY Jym Qhapaq Amaru 2012 WIRAQUCHA WILLKA WAS I 1er curso de cosmovisión INKA PACHAQAWAY Este curso está dedicado a los hijos del Tawantinsuyu, Los hijos de Madre Tierra, de Padre Sol y Madre Luna A los que portando Whipalas, caminan por la libertad De los pueblos originarios de Abya Yala. 519 años han resistido los pueblos del Abya yala Y los Guerreros del Arcoíris, de todas las sangres De todos los suyus de la Tierra, están caminando Junto al pachakuti que retorna el tiempo… El martirio de Tupaq Amaru II no fue en vano Los sueños de Arguedas están cumpliéndose Los runas re-aprenden la sabiduría ancestral ¡Kachkaniraqmi! INKA PACHAQAWAY – Cosmovisión andina. Jym Qhapaq Amaru. Primera edición. PACHAYACHACHIQ – Investigación y Estudios Inkásicos. Teléfono. 00511-5217640 / [email protected] AYLLU TAKI ONKOY Limaq Marka – Chinchaysuyupi - Tawantinsuyupi Pacha Puckuy Killa, Pisqawaranqa chunka isqunniyuq watapi Lima – Marzo del 2012. Apu Qun Illa Tiqsi Wiraqucha Pachayachachiq El ordenador del tetra cosmos, el tiempo y el espacio 1. (HUK KAQ) El origen de la cosmovisión La creencia en deidades sobrenaturales y la religiosidad humana es tan antigua que se remonta a los propios comienzos de la historia humana, ante el miedo y reverencia a lo sobrenatural y desconocido, en un comienzo lo sobrenatural era la vida y la muerte, el nacer y el morir, las fuerzas naturales de la naturaleza, como el rayo, la lluvia, el fuego, los terremotos, maremotos e inundaciones, tornados, truenos, la erupción de volcanes, las auroras boreales, los arcoíris y otros efectos naturales, así como la eterna pregunta de saber si hay vida más allá de la muerte, de donde se viene al nacer, si hay otros mundos aparte del nuestro.
    [Show full text]
  • Muyurina Y El Presente Profundo: Poéticas Andino-Amazónicas
    MUYURINA Y EL PRESENTE PROFUNDO: POÉTICAS ANDINO-AMAZÓNICAS Juan G. Sánchez Martínez Fredy A. Roncalla Editores HAWANSUYO MUYURINA Y EL PRESENTE PROFUNDO: POÉTICAS ANDINO-AMAZÓNICAS HAWANSUYO, poéticas indígenas y originarias - New York PAKARINA, Lima 2019 Muyurina y el presente profundo: poéticas andino-amazónicas © Juan G. Sánchez Martínez y Fredy A. Roncalla (Editores) © Hawansuyo, poéticas andinas y originarias - New York © Grupo Pakarina S.A.C. para su sello Pakarina Ediciones Panamerina Norte km 26,5, H- 8, Ofic. 201, Asociación Villa Cruz, Puente Piedra Telefono: (51) (1) 7195937 / (51) (1) 999427705 E-mail: [email protected] Direccion de edición : Dante Gonzalez Rosales Diseno de Caratula : Juan G. Sánchez Martínez y Fredy A. Roncalla Diagramacion interiores : Juan G. Sánchez Martínez y Fredy A. Roncalla Correccion de texto : Juan G. Sánchez Martínez y Fredy A. Roncalla Imagen de caratula : “Maguey”. Fotografía de Fredy Roncalla. Collages interiores: “Por amor al arte” de Fernando Pomalaza. Primera edicion digital, octubre 2019 ISBN: 978-612-4297-38-0 Esta publicacion puede reproducirse total o parcialmente para fines educativos y sin fines de lucro, siempre que se incluya de forma clara y visible el reconocimiento a la fuente. HECHO EN EL PERU MUYURINA Y EL PRESENTE PROFUNDO: POÉTICAS ANDINO-AMAZÓNICAS Juan G. Sánchez Martínez Fredy A. Roncalla Editores HAWANSUYO Poéticas indígenas y originarias MUYURINA ES UN KIPU INTERACTIVO CLICK en la tabla de contenidos para IR a cada uno de los capítulos CLICK también en los hyperlinks que encuentre en su lectura MUYURINA Y EL PRESENTE PROFUNDO Itinerario, Fredy A. Roncalla y Juan G. Sánchez Martínez ....................... 9 Presentación Fernando Pomalaza ............................................................
    [Show full text]
  • Pigott, Charles Maurice (2013) Voices of the Mountains: Language and Identity in Andeansongs
    Pigott, Charles Maurice (2013) Voices of the mountains: language and identity in Andeansongs. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/17358 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Voices of the Mountains Language and Identity in Andean Songs Charles Maurice Pigott Thesis submitted for the degree of PhD in Linguistics 2013 Department of Languages and Cultures of Africa School of Oriental and African Studies, University of London 1 Declaration I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own worK and has not been written for me, in whole or in part, by any other person. I also undertaKe that any quotation or paraphrase from the published or unpublished worK of another person has been duly acKnowledged in the worK which I present for examination.
    [Show full text]
  • 253T20200030 TC.Pdf
    UNIVERSIDAD NACIONAL DE SAN ANTONIO ABAD DEL CUSCO FACULTAD DE DERECHO Y CIENCIAS SOCIALES DEPARTAMENTO ACADÉMICO DE ARQUEOLOGÍA ESCUELA PROFESIONAL DE ARQUEOLOGÍA ESPACIOS SAGRADOS Y SIMBÓLICOS EN LA ARQUITECTURA DE LA HUACA DEL PERIÓDO INKA EN EL SITIO ARQUEOLÓGICO DE QESPIWARA EN LA MICROCUENCA DEL RÍO CHAKÁN- PARQUE ARQUEOLÓGICO DE SAQSAYWAMAN–CUSCO 2016 TESIS PRESENTADA POR: Bach. JAIME GUARDAPUCLLA ARAGÓN PARA OPTAR AL TÍTULO PROFESIONAL DE: LICENCIADO EN ARQUEOLOGÍA Asesora: Lic. ROSA ALICIA QUIRITA HUARACHA CUSCO – PERÚ 2020 Espacios sagrados y simbólicos en la arquitectura de la huaca del periodo inka en el sitio arqueológico de Qespiwara en la microcuenca del río Chakán- Parque Arqueológico de Saqsaywaman. PAS–Cusco 2016 ÍNDICE Introducción 1 Resumen 3 Capítulo I: Generalidades 4 1.1 Ubicación geográfica del sitio arqueológico de Qespiwara 4 1.2 Acceso 5 1.3 Medio geográfico 5 1.3.1 Clima 6 1.3.2 Temperatura 6 1.3.3 Medio geográfico y ambiental 7 1.4 Flora y fauna 7 1.5 Marco geológico 8 CAPÍTULO II: ANTECEDENTES DE LA INVESTIGACIÓN 9 2.1 Antecedentes arqueológicos 9 2.2 Antecedentes históricos 16 CAPÍTULO III: MARCO TEÓRICO Y METODOLOGÍA DE LA INVESTIGACIÓN 25 3.1 Marco teórico 25 3.2 Marco referencial 28 3.3 Marco conceptual 35 3.4 Metodologia de la investigación 40 3.4.1 Enfoque de investigación 40 3.4.2 Tipo de Investigación 41 3.4.3 Métodos de Investigación 42 3.4.3.1 Método hipotético deductivo 42 ii Espacios sagrados y simbólicos en la arquitectura de la huaca del periodo inka en el sitio arqueológico de Qespiwara en la microcuenca del río Chakán- Parque Arqueológico de Saqsaywaman.
    [Show full text]