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Daniel Boone MeTV PLUS can be seen on WCIU 26.5 • Xfinity 361 • RCN 30 • WOW 196 • Spectrum 188 EFFECTIVE 5/15/21 ALL TIMES CENTRAL MONDAY - FRIDAY SATURDAY SUNDAY 5:00a 5:00a The Saint The Saint Daniel Boone 5:30a 5:30a 6:00a Branded Branded 6:00a Burke's Law 6:30a The Guns of Will Sonnett The Guns of Will Sonnett 6:30a 7:00a 7:00a Here Come the Brides Daniel Boone Daniel Boone 7:30a 7:30a 8:00a Trackdown 8:00a Family Daniel Boone 8:30a Trackdown 8:30a 9:00a Mama's Family The Beverly Hillbillies 9:00a Cheyenne 9:30a Mama's Family The Beverly Hillbillies 9:30a 10:00a Mayberry R.F.D. The Beverly Hillbillies The Rebel 10:00a 10:30a Mayberry R.F.D. The Beverly Hillbillies The Rebel 10:30a 11:00a Petticoat Junction Trackdown 11:00a Cannon 11:30a Petticoat Junction Trackdown 11:30a 12:00p Green Acres 12:00p T.J. Hooker Thunderbirds 12:30p Green Acres 12:30p 1:00p Mayberry R.F.D. Fireball XL5 1:00p Matt Houston 1:30p Mayberry R.F.D. Joe 90 1:30p 2:00p Mama's Family Stingray 2:00p Mod Squad 2:30p Mama's Family Supercar 2:30p 3:00p Laverne & Shirley 3:00p The Rookies Highlander 3:30p Laverne & Shirley 3:30p 4:00p Bosom Buddies 4:00p Police Woman Highlander 4:30p Bosom Buddies 4:30p 5:00p Branded 5:00p The Streets of San Francisco Mission: Impossible 5:30p The Guns of Will Sonnett 5:30p 6:00p 6:00p Vega$ The Wild Wild West Mission: Impossible 6:30p 6:30p 7:00p 7:00p Hawaii Five-O The Wild Wild West 7:30p 7:30p 8:00p 8:00p Hawaii Five-O Cheyenne Sunday Night Cartoons 8:30p 8:30p 9:00p Trackdown 9:00p Hawaii Five-O 9:30p Trackdown 9:30p 10:00p The Rebel 10:00p Mission: Impossible The Wild Wild West 10:30p The Rebel 10:30p 11:00p 11:00p Toon In with Me The Big Valley The Wild Wild West 11:30p 11:30p 12:00a 12:00a Comedy Classics The Big Valley The Big Valley 12:30a 12:30a The Three Stooges, Laurel & Hardy 1:00a 1:00a The Little Rascals Iron Horse Cheyenne 1:30a 1:30a 2:00a Broken Arrow 2:00a Lost in Space Cheyenne 2:30a Broken Arrow 2:30a 3:00a 3:00a Space 1999 Cheyenne Iron Horse 3:30a 3:30a 4:00a The Cisco Kid 4:00a War of the Worlds Daniel Boone 4:30a The Cisco Kid 4:30a COLOT SUBJECT TO CHANGE.

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Nixon, in France,11
SEE STORY BELOW Becoming Clear FINAL Clearing this afternoon. Fair and cold tonight. Sunny., mild- Red Bulk, Freehold EIMTION er tomorrow. I Long Branch . <S« SeUdlf, Pass 3} Monmouth County's Home Newspaper for 90 Years VOL. 91, NO. 173 RED BANK, N. J., FRIDAY, FEBRUARY 28, 1969 26 PAGES 10 CENTS ge Law Amendments Are Urged TRENTON - A legislative lative commission investigat- inate the requirement that where for some of die ser- the Monmouth Shore Refuse lection and disposal costs in Leader J. Edward CrabieJ, D- committee investigating the ing the garbage industry. there be unanimous consent vices tiie authority offers if Disposal Committee' hasn't its member municipalities, Middlesex, said some of the garbage industry yester- Mr. Gagliano called for among the participating the town wants to and the au- done any appreciable work referring the inquiry to the suggested changes were left day heard a request for amendments to the 1968 Solid municipalttes in the selection thority doesn't object. on the problems of garbage Monmouth County Planning out of the law specifically amendments to a 1968 law Waste Management Authority of a disposal site. He said the The prohibition on any par- collection "because we feel Board. last year because it was the permitting 21 Monmouth Saw, which permits the 21 committee might never ticipating municipality con- the disposal problem is funda- The Monmouth Shore Ref- only way to get the bill ap- County municipalities to form Monmouth County municipal- achieve unanimity on a site. tracting outside the authority mental, and we will get the use Disposal Committee will proved by both houses of the a regional garbage authority.
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The Beverly Hillbillies: a Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968
Paul Henning; The Beverly Hillbillies: A Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968 The Beverly Hillbillies is an American situation comedy originally broadcast for nine seasons on CBS from 1962 to 1971, starring Buddy Ebsen, Irene Ryan, Donna Douglas, and Max Baer, Jr. The series is about a poor backwoods family transplanted to Beverly Hills, California, after striking oil on their land. A Filmways production created by writer Paul Henning, it is the first in a genre of "fish out of water" themed television shows, and was followed by other Henning-inspired country-cousin series on CBS. In 1963, Henning introduced Petticoat Junction, and in 1965 he reversed the rags The Beverly Hillbillies - Season 3 : A nouveau riche hillbilly family moves to Beverly Hills and shakes up the privileged society with their hayseed ways.Â The Beverly Hillbillies - Season 3 English Sub | Fmovies. Loading Turn off light Report. Loading ads You can also control the player by using these shortcuts Enter/Space M 0-9 F. Scroll down and click to choose episode/server you want to watch. - We apologize to all users; due to technical issues, several links on the website are not working at the moments, and re - work at some hours late. Watch The Beverly Hillbillies 3 Online. the beverly hillbillies 3 full movie with English subtitle. Stars: Buddy Ebsen, Donna Douglas, Raymond Bailey, Irene Ryan, Max Baer Jr, Nancy Kulp.Â "The Beverly Hillbillies" is a classic American comedy series that originally aired for nine seasons from 1962 to 1971 and was the first television series to feature a "fish out of water" genre.
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Crossroads Film and Television Program List
Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge.
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Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
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Highway Patrol the Facts of Life Hogan's Heroes the Twilight Zone the Jeffersons Carol Burnett and Friends M*A*S*H Svengoolie Cl
Daniel Boone EFFECTIVE 9/2/19 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a The Facts of Life The Beverly Hillbillies ALF 6:00a 6:30a Diff'rent Strokes The Beverly Hillbillies ALF 6:30a 7:00a The Beverly Hillbillies Bat Masterson Mystery Hunters (E/I) 7:00a 7:30a My Three Sons Bat Masterson Mystery Hunters (E/I) 7:30a 8:00a Leave It to Beaver Trackdown Beakman's World (E/I) 8:00a 8:30a Leave It to Beaver Trackdown Beakman's World (E/I) 8:30a 9:00a Have Gun, Will Travel Bill Nye, the Science Guy (E/I) 9:00a Perry Mason 9:30a Have Gun, Will Travel Bill Nye, the Science Guy (E/I) 9:30a 10:00a Saved by the Bell (E/I) 10:00a Matlock Maverick 10:30a Saved by the Bell (E/I) 10:30a 11:00a Saved by the Bell (E/I) 11:00a Diagnosis Murder Wagon Train 11:30a Saved by the Bell (E/I) 11:30a 12:00p 12:00p In the Heat of the Night The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Wanted: Dead or Alive 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p The Rifleman The Monkees 5:00p Charlie's Angels 5:30p The Rifleman The Monkees 5:30p 6:00p Mama's Family 6:00p The Three Stooges The Love Boat 6:30p The Jeffersons 6:30p 7:00p M*A*S*H M*A*S*H 7:00p Wonder Woman 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C.
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Metv Nat Sch 1Q14 Eff 12-28-13
NATIONAL PROGRAM SCHEDULE EFFECTIVE 12/28/2013 ALL TIMES CENTRAL - MOUNTAIN MONDAY - FRIDAY SATURDAY SUNDAY 5:00a Petticoat Junction Make Room for Daddy 5:00a Combat! 5:30a The Beverly Hillbillies Make Room for Daddy 5:30a 6:00a The Donna Reed Show H.R. Pufnstuf Family Affair 6:00a 6:30a I Love Lucy Land of the Lost Family Affair 6:30a 7:00a Leave It to Beaver GSA* E/I Green Hornet GSA* E/I Gomer Pyle 7:00a 7:30a Leave It to Beaver GSA* E/I Guns of Will Sonnett GSA* E/I Gomer Pyle 7:30a 8:00a Travel Thru History E/I Guns of Will Sonnett Travel Thru History E/I Petticoat Junction 8:00a Daniel Boone 8:30a Mystery Hunters E/I Branded Mystery Hunters E/I Petticoat Junction 8:30a 9:00a Safari E/I Branded Safari E/I Beverly Hillbillies 9:00a Perry Mason 9:30a Edgemont E/I The Rebel Edgemont E/I Beverly Hillbillies 9:30a 10:00a The Rebel Gilligan's Island 10:00a Ironside 10:30a Gilligan's Island 10:30a 11:00a Wagon Train 11:00a Hawaii Five-0 11:30a 11:30a The Brady Bunch Brunch 12:00p 12:00p Gunsmoke Gunsmoke 12:30p 12:30p 1:00p 1:00p Bonanza Bonanza The Love Boat 1:30p 1:30p 2:00p 2:00p The Big Valley Rawhide Remington Steele 2:30p 2:30p 3:00p Dragnet Wanted: Dead or Alive 3:00p The Streets of San Francisco 3:30p Adam-12 Wanted: Dead or Alive 3:30p 4:00p The Rifleman 4:00p Emergency! Cannon 4:30p The Rifleman 4:30p 5:00p The Rifleman 5:00p Emergency! The Rockford Files 5:30p The Rifleman 5:30p 6:00p M*A*S*H Batman 6:00p Kojak 6:30p M*A*S*H Batman 6:30p 7:00p 7:00p Wonder Woman 7:30p 7:30p Columbo 8:00p 8:00p See Primetime Breakout Below Star Trek: Original 8:30p 8:30p 9:00p 9:00p Thriller 9:30p Svengoolie 9:30p 10:00p The Twilight Zone Classic Horror & Sci-Fi Movie 10:00p The Alfred Hitchcock Hour 10:30p 10:30p Perry Mason 11:00p 11:00p Lost in Space The Fugitive 11:30p 11:30p The Untouchables 12:00a Get Smart Naked City 12:00a 12:30a Night Gallery Get Smart Naked City 12:30a 1:00a The Honeymooners Peter Gunn 1:00a The Alfred Hitchcock Hour 1:30a The Honeymooners Mr.
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Bill Dana Collection
Thousand Oaks Library American Radio Archives Bill Dana Collection Bill Dana (1924- ), a comedian and actor, may be best known as "José Jiménez" a popular character he created on The Steve Allen Show in the 1950s and continued to perform throughout his career, but he is also a successful screenwriter, author, cartoonist, producer, director, recording artist, inventor and stand-up comedian. While Dana's own papers are at the American Comedy Archives at Emerson College (Boston, MA), a collection of TV scripts from the Aaron Spelling production company and a smaller number of radio scripts were transferred to the American Radio Archives. TV The Bill Dana Show No. Air Date Title Notes 1-01 09-22-1963 You Gotta Have Heart 1-02 09-29-1963 The Hypnotist 1-03 10-06-1963 Jose the Playboy 1-04 10-13-1963 Jose the Opera Singer (The Opera Singer) 1-05 10-27-1963 Jose the Stockholder 1-06 11-03-1963 The Bank Hold-up 1-07 11-10-1963 Honeymoon Suite 1-08 11-17-1963 Jose, the Agent 1-09 11-24-1963 The Poker Game 1-10 12-01-1963 Jose, the Astronaut (The Astronaut) 1-11 12-08-1963 Mr. Phillips' Watch 2 copies 1-12 12-29-1963 Beauty and the Baby (The Beauty and the Baby) 1-13 01-05-1964 Jose and the Brat (The Brat) 2 copies 1-14 01-12-1964 Jose's Dream Girl 1-16 01-26-1964 The Masquerade Party (Masquerade Party) 1-17 02-02-1964 Jose's Four Amigos 1-21 03-01-1964 Party in Suite 15 (The Party in Suite 15) 1-22 03-15-1964 Jose, the Matchmaker 1-23 03-22-1964 Jose's Hot Dog Caper (The Hot Dog Caper) 1-24 04-05-1964 The Hiring of Jose 1-25 04-19-1964 Master
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Monmouth County?S Home Newspaper for 90 Years VOL 91, NO
Marlboro Denies Burnt Fly Dumping Variance \ SEE STORY BELOW Cloudy, Warm THEMILY FINAL Cloudy and warm today. Cloudy with showers likely to- Red Bank, Freehold EDITTGN night and again tomorrow. 7 Long Branch (See Details. Page S) Monmouth County?s Home Newspaper for 90 Years VOL 91, NO. 208 RED BANK, N.J., FRIDAY, APRIL 18, 1969 28 PAGES 10 CENTS •••••••a Quiz Nixon on Plane WASHINGTON (AP) - naissance plane over the Sea ation the United States might contained fewer bristling deal to play down the epi- President Nixon faced his of Japan last Tuesday. make and how future recon- words than in past incidents. sode. first public questioning today The protest, delivered at a naissance flights would be When the USS Pueblo was The timing of the U.S. pro- over the loss of an American 42-minute meeting at the protected.. captured 15 months ago, the test at Panmunjom was Navy plane to North Korean Panmunjom truce site earlier Until today's news confer- Johnson administration called pushed on the administration jets with many points about today, was the first official ence, broadcast live by ra- the seizure a "heinous crime" when North Korea called for his policy still hidden behind U.S. reaction since the plane dio and television, Nixon him- committed by "North Ko- a meeting of the military ar- a curtain of official silence. was downed and the 31 crew- self had not spoken publicly rean gangsters." mistice commission, the Prior to his 11:30 a.m. men apparently lost. about the incident Administration sources sug- group which has met there news conference
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CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries.
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432 up 3.22 Home Front 1 Pm Dow-Jones, Helpful Hints Stocks Page 9A BOCA RATON NEWS Page IB Vol
200 23432 Up 3.22 Home Front 1 pm Dow-Jones, Helpful Hints Stocks page 9A BOCA RATON NEWS page IB Vol. 15, No. 128 Thursday, June 4, 1970 20 Pages 10 Cents Quiet bitterness growing among blacks WASHINGTON (UPI) — "Black Americans today are more bitter and The ghetto mood as summer approaches frustrated than ever before. The situation is very dangerous. The right levels, in all parts of the nation. From intentions, bitterly critical of the Nixon black rage is at an even higher pitch spark could set off racial violence in Harlem in the East to Watts in the administration, determined to gain now than it was in 1965"—the year in any city in the country." West, from Detroit in the North to equality by whatever means which the Watts section of Los Angeles Augusta in the South, I found them necessary. erupted in a week-long riot that cost 34 Those words were spoken by angry, resentful, cynical about white lives and more than $50 million in Thomas Bradley, a Negro city coun- The vast majority of blacks whom I property damage. interviewed oppose any repetition of cilman in Los Angeles. They sum- "There's a greater sense of bit- marize expressions of anxiety and the rioting that brought many U.S. cities to the brink of chaos during the terness now," said Lewis Robinson, despair that are widespread in the who helps manage a development black communities of the United 1960s. They don't see any future in LEWIS ROBINSON . burning down their neighborhoods. program in the Hough area of L.A.
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Not for Publication ,Dimensions of Violence In
NOT FOR PUBLICATION ------------ ,DIMENSIONS OF VIOLENCE IN TELEVISION DRAMA A study of network programs transmitted October 1 through 7 in 1967 and 1968; conducted in October and November, 1968 for the ~ass Media Task' Force National Commission en the Causes and Prevention of Violence PROJECT STAFF Principal investigator: George --~rbner, Professor of Communications. Associate inves tigators: Marten Brouwer, Vis iting Professor of Communications.' Consultant on data processing, and supervisor of study of role re1a- .. tionships in violent encounters. Cedric C. Clark, Postdoctoral FeUo,,' in Corrrrnunications.. Supervisor of data processing. Special study of values and ethnic relationships in violence (not available for this report). Jay Haley, Director of Family Research, Child Guidance Clinic, Philadelphia. Special study of family relationships in the portrayal of violence (not avaUab1e for this report). Klaus Krippendorff, Assistant Professor of Communications. Supervisor of general methodology and computer programming. Special study of violent acts. ' Administrative Assistant and Staff Supervisor: Michael F. E1eey Technical Director: Vernon J. Wattenberger, Director of Facilities and Engineering Assistants: Barry Hampe, Supervisor of Film Laboratory Services John Massi, Supervisor of Broadcasting Laboratory Services CONTENTS PREVIEW 1 The task 1 Challenge and difficulties 1 Accomplishments 2 A 'bird's-eye view of the results 3 The extent of violence 4 The nature of violence 5 The people of violence 6 The world of violence 7 METHOD OF ANALYSIS 9 Selection of the television programs 10 Units of analysis and types of data generated 15 The recording of data 18 Reliability 19 Training of observers 20 Process of recording 21 Results 22 Analysis 24 Merging of categories 24 Effects of reliability 26 Effects of unitizing and conditional judgments 27 DIMENSIONS OF VIOLENCE 30 The extent of violence 32 Prevalence 33 Significance to the story 34.
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The Grapes of Wrath: a Retrospect on the Folkish Expression of Justice in Popular Culture and Family
The Grapes of Wrath: A Retrospect on the Folkish Expression of Justice in Popular Culture and Family by Neville Buch, member of the Classics Books Club, Brisbane Meet Up 25 April 2020 Figure 1: Cover of ‘The Grapes of Wrath’ by John Steinbeck, 1902-1968, By New York: Viking - image, page, Fair use, https://en.wikipedia.org/w/index.php?curid=5177527 The Grapes of Wrath: A Popular Culture Retrospect INTRODUCTION The story of rural folk migrating in times of poverty and social injustice seeped well into my childhood history, through three popular cultural forms of entertainment:- several television series in the 1960s, a series of comedy films from the late 1940s and 1950s, and a novel published in 1939 with a classic Hollywood movie the following year. There was in my own family history points of connection to the longer story, which I would only find out many years later. The story told here will move backwards in time, and the historical settings are different; that is the particular point I am making. Different histories are linked by a common theme, and in this case, we are considering the folkish expression on social justice. Retrospectively, we can also see how popular entertainment works to thin-out the social justice message. What starts as a serious educative process of informing the public on important social justice issues, in the end, becomes a mocking and light reflection on life- changing questions. By going backwards, we dig below the surface for the gold, rather than being satisfied in panning for the golden flakes.
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