Christine Jakobi- Mirwald
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Carl Barckhoff and the Barckhoff Church Organ Company
Volume 39, Number 4, 1995 Founded in 1956 CARL BARCKHOFF AND THE BARCKHOFF CHURCH ORGAN COMPANY Carl Barckhoff - about 1880 by Vernon Brown Reprinted from The Tracker, 22:4 (Summer, 1978) Carl Barckhoff, one of the foremost Midwest late 19th 1880, "the church filled with a fashionable and cultured and early 20th century organ builders, was born in audience," 2 Carl himself played. Cora Hawley, the Wiedenbruck, Westphalia, Germany, in 1849. His father, daughter of an influencial man in Salem, was the soprano organ builder Felix Barckhoff, brought the family to the soloist, and this marked the beginning of a romance United States in 1865, and in that same year the first between Barckhoff and Miss Hawley. Barckhoff organ was built in this country. The firm In 1881 Carl married Miss Hawley, and in 1882, having established at 1240 Hope Street, Philadelphia, was for a time obtained financial backing locally, he relocated the during the 1870's known as Felix Barckhoff & Sons, the sons Barckhoff Church Organ Company in Salem. The new being Carl and Lorenz. factory at 31 Vine Street "had an organ hall 35 feet high, Felix Barckhoff died in 1878, 1 and at about this same time which made it possible to construct the largest organs built Carl relocated the firm in Allegheny County, Pennsylvania, at that time. According to records, most of the men in an area which is today North Side Pittsburgh. An organ employed by Mr. Barckhoff had learned their trade in for the Presbyterian Church of Salem, Ohio was built in this Germany. -
Bavaria the Bavarians Emerged in a Region North of the Alps, Originally Inhabited by the Celts, Which Had Been Part of the Roman Provinces of Rhaetia and Noricum
Bavaria The Bavarians emerged in a region north of the Alps, originally inhabited by the Celts, which had been part of the Roman provinces of Rhaetia and Noricum. The Bavarians spoke Old High German but, unlike other Germanic groups, did not migrate from elsewhere. Rather, they seem to have coalesced out of other groups left behind by Roman withdrawal late in the 5th century AD. These peoples may have included Marcomanni, Thuringians, Goths, Rugians, Heruli, and some remaining Romans. The name "Bavarian" ("Baiuvari") means "Men of Baia" which may indicate Bohemia, the homeland of the Marcomanni. They first appear in written sources circa 520. Saint Boniface completed the people's conversion to Christianity in the early 8th century. Bavaria was, for the most part, unaffected by the Protestant Reformation, and even today, most of it is strongly Roman Catholic. From about 550 to 788, the house of Agilolfing ruled the duchy of Bavaria, ending with Tassilo III who was deposed by Charlemagne. Three early dukes are named in Frankish sources: Garibald I may have been appointed to the office by the Merovingian kings and married the Lombard princess Walderada when the church forbade her to King Chlothar I in 555. Their daughter, Theodelinde, became Queen of the Lombards in northern Italy and Garibald was forced to flee to her when he fell out with his Frankish over- lords. Garibald's successor, Tassilo I, tried unsuccessfully to hold the eastern frontier against the expansion of Slavs and Avars around 600. Tassilo's son Garibald II seems to have achieved a balance of power between 610 and 616. -
Pipedreams.Org for an Elaborate Photo Survey
PROGRAM NO. 0645 11/6/2006 HOWARD HANSON (1896-1981): Chorale and GAETANO LOVATI: Sonata in F for Two Organs Another Liszt List . exemplary scores by a titan Alleluia (1954) -Marion and David Craighead -Philip Swanton and Annerös Hulliger (1744 of the keyboard who liberated the organ in ways (1967 Austin/Asbury 1st United Methodist Bossart/Cloister Church, Muri, Switzerland) we are only beginning to fully appreciate. Church, Rochester, NY) Pro Organo CD-7046 Koch-Schwann CD-31284 HANSON: Concerto for Organ, Harp and Strings, ROBERT SCHUMANN: Canon in C, Op. 56, no. 1 FRANZ LISZT: Prelude & Fugue on the Name of Op. 22, no. 3 (1926) -Philadelphia Virtuosi -Stefan Johannes Bleicher (1888 Walcker/ City Bach (1856 version) -Yves Rechsteiner (1871 Chamber Orchestra/Daniel Spalding, conductor; Church, Winterthur, Switzerland) Oehms CD-543 Ladegast/Schwerin Cathedral, Germany) Joseph Jackson (2000 Reuter/1st Presbyterian SIGFRID KARG-ELERT: 2 Chorale-preludes, Op. Alpha CD-059 Church, Philadelphia, PA) Naxos CD-8.559251 65 (Lobe den Herren; Allein Gott in der Höh) - LISZT (arr. Harris): Eglogue, fr Années de Rudolf Berchtel (1928 Behmann/St. Martin's Pelerinage -Thomas Murray (1928 Skinner/ PROGRAM NO. 0647 11/20/2006 Church, Dornbirn, Austria) Edition Lade CD-041 Woolsey Hall, Yale University, New Haven, CT) Postcards from a Tour . some lively aural Gothic CD-49054 reminders of the fun we had during our recent visit Our PIPEDREAMS EuroTour in April/May 2006 LISZT: Hosannah -Zsuzsa Elekes (1981 Lobback/ to southern Germany and beyond. was a great success. Log onto our website Herz-Jesu Church, Bremerhaven-Lehe, Germany) www.pipedreams.org for an elaborate photo survey. -
Stuttgart 95, Devotional Music, and The
VEIL AND TONSURE : STUTTGART 95, DEVOTIONAL MUSIC, AND THE DISCURSIVE CONSTRUCTION OF GENDER IN THIRTEENTH-CENTURY DOUBLE HOUSES by LAUREN ELIZABETH PURCELL-JOINER A DISSERTATION Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy March 2017 DISSERTATION APPROVAL PAGE Student: Lauren Elizabeth Purcell-Joiner Title: Veil and Tonsure : Stuttgart 95, Devotional Music, and the Discursive Construction of Gender in Thirteenth-Century Double Houses This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Music and Dance by: Lori Kruckenberg Chairperson Marc Vanscheeuwijck Core Member Loren Kajikawa Core Member Lisa Wolverton Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2017 ii © 2017 Lauren Elizabeth Purcell-Joiner iii DISSERTATION ABSTRACT Lauren Elizabeth Purcell-Joiner Doctor of Philosophy School of Music and Dance March 2017 Title: Veil and Tonsure : Stuttgart 95, Devotional Music, and the Discursive Construction of Gender in Thirteenth-Century Double Houses This dissertation provides the first full-scale musicological study of Stuttgart 95, a thirteenth-century song book, formerly thought to be from the abbey of Weingarten. Upon further examination, it is clear that rather than a single unified corpus of Latin songs, the musical portions are composed of three separate layers. Furthermore, I argue that these layers were best understood as separate entities. This delineation between writing campaigns indicates that the original musical project likely constitutes a mostly intact collection, with only one or two folios missing from the beginning of the codex. -
Application of Link Integrity Techniques from Hypermedia to the Semantic Web
UNIVERSITY OF SOUTHAMPTON Faculty of Engineering and Applied Science Department of Electronics and Computer Science A mini-thesis submitted for transfer from MPhil to PhD Supervisor: Prof. Wendy Hall and Dr Les Carr Examiner: Dr Nick Gibbins Application of Link Integrity techniques from Hypermedia to the Semantic Web by Rob Vesse February 10, 2011 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF ENGINEERING AND APPLIED SCIENCE DEPARTMENT OF ELECTRONICS AND COMPUTER SCIENCE A mini-thesis submitted for transfer from MPhil to PhD by Rob Vesse As the Web of Linked Data expands it will become increasingly important to preserve data and links such that the data remains available and usable. In this work I present a method for locating linked data to preserve which functions even when the URI the user wishes to preserve does not resolve (i.e. is broken/not RDF) and an application for monitoring and preserving the data. This work is based upon the principle of adapting ideas from hypermedia link integrity in order to apply them to the Semantic Web. Contents 1 Introduction 1 1.1 Hypothesis . .2 1.2 Report Overview . .8 2 Literature Review 9 2.1 Problems in Link Integrity . .9 2.1.1 The `Dangling-Link' Problem . .9 2.1.2 The Editing Problem . 10 2.1.3 URI Identity & Meaning . 10 2.1.4 The Coreference Problem . 11 2.2 Hypermedia . 11 2.2.1 Early Hypermedia . 11 2.2.1.1 Halasz's 7 Issues . 12 2.2.2 Open Hypermedia . 14 2.2.2.1 Dexter Model . 14 2.2.3 The World Wide Web . -
Historic Organs of Southern Germany & Northern Switzerland
Gallery Organ, Rot an der Rot, Germany an der Rot, Gallery Organ, Rot AND present Historic Organs of Southern Germany & Northern Switzerland April 28 - May 11, 2006 With American Public Media’s PIPEDREAMS® host J. Michael Barone www.americanpublicmedia.org www.pipedreams.org National broadcasts of Pipedreams are made possible with funding from the National Endowment of the Arts, Mr. and Mrs. Wesley C. Dudley, the MAHADH Fund of the HRK Foundation, by the contributions of listeners to American Public Media stations, and by the Associated Pipe Organ Builders of America, APOBA, representing designers and creators of fine instruments heard throughout the country, on the Web at www.apoba.com, and toll-free at 800-473-5270. See and hear on the Internet 24-7 at www.pipedreams.org i Dear Pipedreams Friends and Tour Colleagues, Welcome aboard for another adventure in the realm of the King of Instruments. I'm delighted to have you with us. Our itinerary is an intense one, with much to see and hear, and our schedule will not be totally relaxed. I hope you are up to the challenge, and know that the rewards will make it all worthwhile. I'd been in and around Munich during my very first visit to Europe back about1970, and even had a chance to play the old organ (since replaced) in Benediktbeuron. This was a revelation to a young student who had never before laid hands on an old keyboard, nor thought about how one must phrase and the tempos one must adopt when playing into a voluminous room with a lengthy acoustic decay. -
Kibizz – März 2020
Kultur in Biberach kiwww.kibizz-bvd.debizzMärz 2020 Das Veranstaltungsmagazin für den Landkreis Biberach für den Landkreis Das Veranstaltungsmagazin Marlies Blume Fünf Stunden Live Funkenfeuer Kultur in Heggbach Biberacher Musiknacht Brauchtumspflege Zeit für Bauhaus Die Junghans max bill beweist, dass weniger wirklich mehr sein kann. Puristisch durch und durch, lenkt sie den Blick auf das Wesentliche: die Zeit. Die Original Bauhausuhr von Max Bill: JUNGHANS max bill Automatic mit mecha nischem Werk. max bill Automatic Stil leben. ssEn und rinkEn im andkrEis iBErach www.junghans.de E T L B ASIATISCH Hotel-Restaurant Klosterhof Café-Restaurant Badstube TG-Heim Restaurant Am Kurpark 1, 88422 Bad Buchau Adenauerallee 11, Biberach Goldener Star Deluxe Schloßbezirk 2, Gutenzell Telefon 07582/800-1247 Telefon 07351/5772171 Freiburger Str. 18 / Rißstraße 19 Telefon 07352/9233-0 www.badstube-badbuchau.de Mo.–Fr. 11.30–14 Uhr & ab 17.30 Uhr Biberach, Telefon 07351/5771218 www.klosterhof-gutenzell.de Kein Ruhetag Sa. Gruppen n. Vereinbarung Mo.–So. 11.30–14.30 Uhr Di.–Do. ab 17.30 Uhr So. 9.30–14.30 Uhr und 17.30–22.30 Uhr Fr.–So. ab 11.30–14 & ab 17.30 Uhr Gasthaus Sonne Montag Ruhetag Buchauer Straße 8, Oggelshausen ITALIENISCH BISTRO Telefon 07582/8698 ITALIENISCH Gasthaus zur Linde www.sonne-am-federsee.de Bistro Restaurant TopSpin Lindenplatz 5, Rot an der Rot Ristorante Küche von 11.30–14 Uhr & 17–21 Uhr La Stazione Grenzenstraße 4, Ochsenhausen Telefon 08395/1493 Dienstag Ruhetag Telefon 07352/9260 [email protected] Bahnhofstr. 26, Biberach www.topspin-ochsenhausen.de Fr.–Mi. -
PORAMBO-THESIS-2017.Pdf (3.907Mb)
Copyright by Allison Michelle Porambo 2017 The Thesis Committee for Allison Michelle Porambo Certifies that this is the approved version of the following thesis: A Personal Treasure: The Baltimore-Helmarshausen Psalter (Walters Art Museum MS W. 10) and its Originally-Intended Owner. APPROVED BY SUPERVISING COMMITTEE: Supervisor: Joan A. Holladay Jeffrey Chipps Smith A Personal Treasure: The Baltimore-Helmarshausen Psalter (Walters Art Museum MS W. 10) and its Originally-Intended Owner by Allison Michelle Porambo, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2017 Dedication For Joan A. Holladay and Robert and Elyse Porambo. Acknowledgements I would like to thank Dr. Lynley Anne Herbert, Robert and Nancy Hall Assistant Curator of Rare Books and Manuscripts at the Walters Art Museum in Baltimore, for allowing me to view and handle the Baltimore-Helmarshausen Psalter itself and look through the psalter’s curatorial files in the wake of a busy Holiday season. I must thank her additionally for photocopying some of these files and answering my questions about manuscript terminology. Next, I must thank my second reader, Dr. Jeffrey Chipps Smith, not only for reading through my thesis but for offering valuable and thought-provoking criticism. I owe my mother and father, Elyse and Robert Porambo, a great debt of gratitude for supporting me in countless ways— material, emotional, and mental— and for believing in me even when I did not believe in myself. -
Stoedtner O J 1 L.Pdf
Fotokatalog Photographic Catalogue Catalogo fotografico Source: http://www.khi.fi.it/5201080/Fotokataloge Stable URL: http://wwwuser.gwdg.de/~fotokat/Fotokataloge/Stoedtner_o_J_1_l.pdf Published by: Photothek des Kunsthistorischen Instituts in Florenz, Max-Planck-Institut http://www.khi.fi.it Deutsche Plastil~ . des Mittelalters DR. FRANZ STOEDTNER BERLIN Deutsche Plastik des Mittelalters von der Völkerwanderung . bis zur Reformation I1l 'Jtach der Jubiläumsausgabe (1935) meines Kataloges über "Deutsche Kunst", die aus dem Gesamtgebiet nur 3'/, Tausend ausgewählter Bilder gab. lasse ich jett in kurzen Abständen weitere vollständige Verzeichnisse folgen, die über Baukunst, Plastik und Malerei das nötige Handwerkszeug für den Unterricht darbieten und reiches. unbekanntes Studienmaterial ent· halten. Das erste Verzeichnis betrifft mein Lieblingsgebiet. die deutsche Plastik von der Völkerwanderung bis zur Reformation. Ich habe 'mich nicht auf unsere politischen Grenzen beschränkt, sondern ich gebe auch die Plastik jener Länder, die einstmals deutsch waren oder starke deutsche Beeinflussun gen erfahren haben. So Hndet man hier neben der niederländischen, bur gundischen auch die Schweizer Plastik (die des Elsass ganz selbstverständ• lich), dann die Tiroler und die Plastik der Ostmark (das frühere österreich), die böhmische und die Plastik in den Kolonisationsgebieten des deutschen Ritterordens und der Hansa. Das Verzeichnis beginnt mit der Kunst der Völker seit der großen Wan~ dcrung. geht dann vom Oberrhein (Schwaben) über Mittelrhein nach Fran· ken, Böhmen, BayerI.l mit Tirol und Ostmark. sett sich fort mit dem Nie derrhcin (einschließlich Niederlande) über Westfalen in das Niedersachsen- land und endet mit dem Nordosten. Den häßlichen und irreführenden Namen der Romanik oder romanischen Zeit lehne ich für unsere germanische und deutsche Plastik des Mittelalters ab. -
FSU ETD Template
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 The Renaissance Portrait Medal and the Court Context: On the Origins and Political Function of Pisanello's Invention Tanja L. Jones Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE THE RENAISSANCE PORTRAIT MEDAL AND THE COURT CONTEXT: ON THE ORIGINS AND POLITICAL FUNCTION OF PISANELLO‘S INVENTION By TANJA L. JONES A Dissertation submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2011 © The members of the committee approve the Dissertation of Tanja L. Jones defended on March 24, 2011. _______________________________________ Jack Freiberg Professor Directing Dissertation _______________________________________ David Stone University Representative _______________________________________ Paula Gerson Committee Member _______________________________________ Robert Neuman Committee Member Approved: _____________________________________ Adam Jolles, Chair, Department of Art History _____________________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and approved the above-named committee members. ii In memory of my wonderful parents, Joan Pelham Smith and Norman D. Jones iii ACKNOWLEDGEMENTS This project would not have been possible without the support of a great number of individuals and institutions. I am profoundly grateful to my major professor, Dr. Jack Freiberg, for his endless enthusiasm for this project and for holding me to the unfailing standard of scholarly excellence that is his guiding principle. Dr. Freiberg served as a constant source of inspiration, posing questions that challenged me and encouraged my efforts. -
Living Faith in Baroque Splendour Interesting
Kon rad - H ub er - St ra ß e CUltURAL LIFE IN THE TOWN INTERESTING SIGHTS OF THE GUELPHS Don't miss out on these Tradition and experience unite 1 5 Guided tours Festivals Basilica A stroll through the history of - Fasnet (Swabian-Alemannic carni- Weingarten's abbey and the town. val) (February/March) 1 May to October, 3 p.m. Saturdays. - Blutritt (Procession of the Holy Abteistraße Tourist-Information Meet: In the garden of the Stadt- Blood) (May) Sterngasse 2 Münsterplatz 3 6 HISTORY CLOSE ENOUGH TO TOUCH museum (Town Museum) in the - Guelph Festival (July) (square for public events) Schlössle, Scherzachstraße 1, time: - Town Festival (August) Stuttgart Four museums to discover Weingarten’s history about 1.5 hours, - Kite Festival (September) price: 4 EUR per person Motorway 8 Events Tübingen Town Museum in the Schlössle piety from churches and monas- Town Hall 4 Mostgässle Railway - Weingartener Spielzeit cultural Kirchstraße 2 LIVING faITH IN Visitors to the Schlössle can ex- teries. The collection ranges from Tourist Information in Weingar- Ferry festival (all year round) Ulm perience an exciting trip into the objects of devotion linked to the 3 Stadtgarten park 7 Augsburg BAROQUE SPLENDOUR ten also offers numerous topic 8 Fruchtkasten Border past through the multi-faceted veneration of the Holy Blood, - Art and Museum Night (June) and landscape related tours as (Library of the Airport DEUTSCHLAND Weingarten's treasures in the impressive atmosphere - Abbey Festival (August) history of Weingarten. Interactive Upper Swabian clerical habits, Kornhaus universities) well as children's tours. All tours 5 of the Basilica - Promenade concerts Löwen- (Alamannic Museum) 7 displays and audio installations pilgrimage statues and paraments, can also be booked all the year platz 81 cover the time from the rule of right up to Christmas cribs. -
Iconography: a Checklist of Some Useful Sources for Scholars and Students of Medieval Art and Drama
Western Michigan University ScholarWorks at WMU Early Drama, Art, and Music Medieval Institute 2002 Iconography: A Checklist of Some Useful Sources for Scholars and Students of Medieval Art and Drama Clifford Davidson Follow this and additional works at: https://scholarworks.wmich.edu/early_drama Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Medieval Studies Commons, Musicology Commons, and the Theatre History Commons WMU ScholarWorks Citation Davidson, Clifford, "Iconography: A Checklist of Some Useful Sources for Scholars and Students of Medieval Art and Drama" (2002). Early Drama, Art, and Music. 3. https://scholarworks.wmich.edu/early_drama/3 This Bibliography is brought to you for free and open access by the Medieval Institute at ScholarWorks at WMU. It has been accepted for inclusion in Early Drama, Art, and Music by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Iconography: A Checklist of Some Useful Sources for Scholars and Students of Medieval Art and Drama Compiled by Clifford Davidson Early Drama, Art, and Music Checklists Contents Preface 5-6 PART I: ICONOGAPHY 6-163 Iconography: Various Topics 6 Ages of Man 6 Allegory 7 Animals and Birds 8 Arbor Bonae and Arbor Mala; Trees of Life; Garden 11 Astrology/Signs 12 Castle of Virtue/Siege 12 Church-Synagogue 12 Cokaigne 13 Colors and Color Symbolism 13 Creed and Pater Noster 13 Daughters of God 14 Deadly Sins and Corresponding Virtues 15 Death 19 Fool 24 Davidson, Iconography: A Checklist 1 Fortune 25 Fountain of Life 25 Green Man 26 Grotesque 26 Husband-Wife/Erotic Women 26 Mirrors 27 Months and Seasons 27 Music 28 Nature 37 Pilgrimage 37 Plants 38 Romance 38 Royal 39 Senses/Memory 39 Seven Sacraments 40 Sponsus/Sponsa 41 Time 41 Wild Men/Satyrs 42 Miscellaneous Topics 42 Biblical Iconography 45 Fall of Lucifer 45 Hell 46 Old Testament Topics 48 Fall/Adam and Eve 50 Cain and Abel 52 Flood 54 Patriarchs and Prophets 55 Song of Songs 59 Blessed Virgin Mary 59 St.