Western Michigan University ScholarWorks at WMU Early Drama, Art, and Music Medieval Institute 2002 Iconography: A Checklist of Some Useful Sources for Scholars and Students of Medieval Art and Drama Clifford Davidson Follow this and additional works at: https://scholarworks.wmich.edu/early_drama Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Medieval Studies Commons, Musicology Commons, and the Theatre History Commons WMU ScholarWorks Citation Davidson, Clifford, "Iconography: A Checklist of Some Useful Sources for Scholars and Students of Medieval Art and Drama" (2002). Early Drama, Art, and Music. 3. https://scholarworks.wmich.edu/early_drama/3 This Bibliography is brought to you for free and open access by the Medieval Institute at ScholarWorks at WMU. It has been accepted for inclusion in Early Drama, Art, and Music by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Iconography: A Checklist of Some Useful Sources for Scholars and Students of Medieval Art and Drama Compiled by Clifford Davidson Early Drama, Art, and Music Checklists Contents Preface 5-6 PART I: ICONOGAPHY 6-163 Iconography: Various Topics 6 Ages of Man 6 Allegory 7 Animals and Birds 8 Arbor Bonae and Arbor Mala; Trees of Life; Garden 11 Astrology/Signs 12 Castle of Virtue/Siege 12 Church-Synagogue 12 Cokaigne 13 Colors and Color Symbolism 13 Creed and Pater Noster 13 Daughters of God 14 Deadly Sins and Corresponding Virtues 15 Death 19 Fool 24 Davidson, Iconography: A Checklist 1 Fortune 25 Fountain of Life 25 Green Man 26 Grotesque 26 Husband-Wife/Erotic Women 26 Mirrors 27 Months and Seasons 27 Music 28 Nature 37 Pilgrimage 37 Plants 38 Romance 38 Royal 39 Senses/Memory 39 Seven Sacraments 40 Sponsus/Sponsa 41 Time 41 Wild Men/Satyrs 42 Miscellaneous Topics 42 Biblical Iconography 45 Fall of Lucifer 45 Hell 46 Old Testament Topics 48 Fall/Adam and Eve 50 Cain and Abel 52 Flood 54 Patriarchs and Prophets 55 Song of Songs 59 Blessed Virgin Mary 59 St. Anne, Mother of the Virgin Mary 63 Blessed Virgin Mary—Early History 64 Death, Assumption, and Coronation of BVM 65 Miracles of Virgin 66 New Testament 68 Annunciation and Visitation 68 Infancy 69 Shepherds at the Nativity 71 Herod/Magi/Flight to Egypt/Holy Innocents 72 Holy Family/Christ in Temple 73 Davidson, Iconography: A Checklist 2 Baptism/St. John the Baptist 74 Ministry 75 Parables 77 Last Supper 77 The Passion 77 Judas 83 Wounds/Body and Image of Pity 83 Crucifixion/Cross 85 Planctus Mariae 88 Deposition/Pietà/Entombment 88 Easter Sepulcher 89 Harrowing 90 Resurrection 92 Appearances 93 Ascension 94 Pentecost 94 Antichrist 95 Last Judgment 96 The Trinity 100 Heaven 102 Angels 102 Devils 104 Purgatory 108 Apostles 109 Evangelists 110 Saints —Miscellaneous 110 Saints A–Z 118 Unofficial Saints 137 Relics 138 General Iconography 139 PART II: ART AND ARCHITECTURE 164-226 Brasses 164 Coins and Badges 166 Embroidery, Vestment, Tapestry, Painted Cloth 166 Glass, Stained and Painted 168 Ivories 181 Jewelry, Including Paxes 182 Davidson, Iconography: A Checklist 3 Manuscripts and Printed Books 182 Mosaics 195 Painting 196 Plate and Enamels 196 Sculpture, Including Alabasters 197 Seals 204 Woodcarving 205 Wall Painting 207 Miscellaneous 214 English Churches 222 Images and Iconoclasm 224 PART III: MUSIC 227-49 General 227 Music in Medieval and Renaissance Drama 243 PART IV: EARLY DRAMA 250-361 Liturgical Drama 250 Vernacular—English and Cornish 260 Miscellaneous 260 Brome Plays 280 Chester Plays 280 Coventry Plays 283 Cornish Plays 284 Digby Plays 286 Lincoln 287 London 288 N-Town Plays 288 Towneley Plays 290 York 294 Moralities—English 299 Interludes 305 Traditional Drama (“Folk Plays”) 306 Continental Drama 307 French 307 German 314 Italian 316 Spain and Mexico 319 Scandinavia 321 Davidson, Iconography: A Checklist 4 Low Countries 322 Central and Eastern Europe 324 Asian Theater 324 Miscellaneous 324 Drama in the Vernacular—General 329 PRODUCTION 332 Actors 332 Processions, Wagons, Entries 333 Puppets 337 Costume and Makeup 337 Production and Staging 340 Gesture 345 Theaters and Stages 347 Games 353 Feasts and Feasting 354 Entertainments and Masques 355 PART V: EDAM PUBLICATIONS available at http://scholarworks.wmich.edu/early_drama/1 Preface The checklist that is presented here represents a bibliography collected over the course of three decades, at first as a personal project and then in connection with the Early Drama, Art, and Music (EDAM) project which was sponsored by the Medieval Institute of Western Michigan University from 1976 to 2002. In its initial phase, the listing of items treating iconography was developed in order to ascertain the major scholarship in British art that might have relevance to the early drama of England. The focus was then on the York cycle and the visual milieu which surrounded the production of the plays in that city. As the project continued, the listing of iconography was expanded since a bibliography was required for the EDAM handbook, Drama and Art (1977). In its present form, however, the checklist should not be construed as a formal bibliography which attempts to cover all the most vital scholarship. It is a list which has grown, a little like Topsy, as individual entries have been noted on 3x5 cards and included in the “Recent Publications” section in The Early Drama, Art, and Music Review (formerly EDAM Newsletter). Nor, I should add, has it been possible to check the entries for absolute completeness of citation in every case. If errors are found in this list, they should be called to my attention. Nevertheless, since it is a list that has been useful to quite a number of researchers from this country and abroad who have used it at the Early Drama, Art, and Music office over the years, I feel that it can serve as a convenient source of information for both advanced scholars and graduate students. A word seems necessary concerning the final section of the current checklist. The index of Davidson, Iconography: A Checklist 5 publications issued under the aegis of the EDAM project by Medieval Institute Publications was prepared for the EDAM web site by Timothy Carlsen. Rather than introduce those items dealing with iconography into their appropriate places in the iconographic listing, I have decided that the entire index should be kept intact and reproduced in a separate section. The articles and books in the EDAM Monograph and Reference Series also will provide many additional references to scholarship beyond the items listed in the checklist, as will items in the EDAM Newsletter and its successor, The Early Drama, Art, and Music Review. In creating the checklist I am indebted to a large number of persons and institutions. Perhaps my greatest debt is to the Warburg Institute library and its remarkable catalogue, but I am also most deeply indebted to the library at my own institution, to the British Library, and to the libraries of the University of Michigan. Occasional visits to other collections such as the library of the Society of Antiquaries, the Bodleian Library, the Cambridge University Library, and the University of Minnesota Library have also been invaluable. Many scholars have submitted references and offprints, and to them I am most grateful. Clifford Davidson ICONOGRAPHY: VARIOUS TOPICS AGES OF MAN Paul Archambault. “The Ages of Man and the Ages of the World: A Study of Two Traditions,” Revue des études augustiniennes 12 (1966): 193–228. Burrow, J. A. The Ages of Man: A Study in Medieval Writing and Thought. 1986. Dal, Erik, and Povl Skårup. The Ages of Man and the Months of the Year. Copenhagen, 1980. Gaffney, Phyllis. “The Ages of Man in Old French Verse Epic and Romance,” Modern Language Review 85 (1990): 570–82. Hinkle, William. “The Cosmic and Terrestrial Cycles on the Virgin Portal of Notre-Dame,” Art Bulletin 49 (1967): 287–96. Jones, John Winter. “Observations on the Origin of the Division of Man’s Life into Stages,” Archaeologia 35 (1853): 167–89. McPherson, David. “ Exact Numbers in the Ages of Man: A Debate in Renaissance England,” Ben Jonson Journal 1 (1994): 77–103. Davidson, Iconography: A Checklist 6 Nelson, Alan H. “‘Of the Seuen Ages’: An Unknown Analogue of The Castle of Perseverance,” Comparative Drama 8 (1974): 125–38. Piggot, John, Jr. “Notes on the Polychromatic Decoration of Churches, with special reference to a wall painting discovered in Ingatestone Church,” Transactions of the Essex Archaeological Society 4 (1879): 138–43. Riché, Pierre, and Danièle Alexandre-Bidon. L’Enfance au Moyen Age. Paris, 1994. Rushforth, Gordon McN. “The Wheel of the Ten Ages of Life in Leominster Church,” Proceedings of the Society of Antiquaries (1914): 47–60. Sears, Elizabeth. The Ages of Man. Princeton University Press, 1986. Standen, Edith A. “The Twelve Ages of Man,” Metropolitan Museum of Art Bulletin 12 (1954): 241– 48. __________. “The Twelve Ages of Man: A Further Study of a Set of Early Sixteenth-Century Flemish Tapestries,” Metropolitan Museum Journal 2 (1969): 127–68. Waller, J. G. “Christian Iconography and Legendary Art: The Wheel of Human Life, or the Seven Ages,” Gentleman’s Magazine n,s, 39 (1953): 494–503. ALLEGORY Anderson, M. D. The Medieval Carver. Cambridge University Press, 1935. Bann, Stephen. The True Vine: On Visual Representation and the Western Tradition. Cambridge University Press, 1989. Bloomfield, Morton, ed. Allegory, Myth, and Symbol. Harvard University Press, 1981. Brumble, H. David, III. “Peter Brueghel the Elder: The Allegory of Landscape,” Art Quarterly n.s. 2 (1979): 125–39. Chavannes-Mazel, Claudine A. “The Twelve Ladies of Rhetoric in Cambridge (CUL MS Nn. 3. 2),” Transactions of the Cambridge Bibliographical Society 10, pt. 2 (1992): 139–55.