DOCSLIB.ORG

投稿類別：英文寫作類 篇名： the Middle Class Crisis in Parasite 作者

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
投稿類別：英文寫作類 篇名： the Middle Class Crisis in Parasite 作者 投稿類別​：​英文寫作類 篇名​： The Middle Class Crisis in ​Parasite 作者​： 葉佳欣。苗栗高中。二年八班 蔡幸紋。苗栗高中。二年八班 徐翔筠。苗栗高中。二年十班 指導老師​： 吳曉菁老師 The Middle Class Crisis in ​Parasite I. Introduction Throughout the history, the class system has been around for ages. Whether it is a powerful country like Japan or a small country in the Third World such as the Kingdom of Tonga, the existence of the royal family leads to the inevitable divisions of the people in a country into the high-statused and low-statused. Among others, the hereditary class system of India even persists under the name of the lawful provision. However, with the growing democratic consciousness and the civil struggles in the history, most countries have discarded the class system nowadays. Even so, it seems not easy for many modernized countries around the world to get rid of the consequent classes following the capitalism. Just like the award-winning movie we would like to dig into --- ​Parasite​, the hidden classifications of South Korean rich and poor people by means of the different forms of residences and their high-lying and low-lying positions have aroused our great curiosity. Thus, we want to dig into the class issue in Korea and investigate more of its cultural sense and then make use of it to examine the phenomenon around the world, including that in Taiwan. I.1 Motivation The hard-earned life of the middle class plays a key role in the movie ​Parasite. We found out the director intentionally used the contrast between upper classes and middle classes to describe this movie. After watching the movie, we want to understand whether the difficulty middle class faces in the real Korean society is exactly the same as that depicted in the movie. Is this kind of crisis only exclusive to Korea? Whether problems brought by such wealth disparity between the poor and rich are similar across the world? Whether the young generation of Taiwan will face the same situation in the future? As a result, we have the following research questions and expect to look for some inspiring answers from this thesis. Research questions 1. What crisis do the Kim family face in the movie? 2. How are some metaphors employed in the movie to refer to class inequality? 3. Does the class conflict get resolved in the end? 4. How much does the movie mirror the socio-economic circumstances in current Korea? I.2 Methodology By comparing and contrasting the lives of the rich and poor in the movie ​Parasite​, we aim at figuring out what social phenomenon/a in Korea the director tries to reveal and applying this understanding to investigate the struggle of the middle class in Korea. To achieve this, we first watched the movie closely and then made detailed reviews about the backgrounds and settings of the movie. Besides, we enhanced our understanding about the cultural aspect of the movie by reading and watching lots of movie comments. Finally, we have drawn our own observations and perspectives. We also hope to explore this issue of wealth disparity both in Taiwan and around the world. II. Body II.1 The Crisis the Kim Family Faces in the Movie 1 The Middle Class Crisis in ​Parasite In the movie, the Kim family represents the middle class at the bottom of the society. The director described many aspects of their life to shape their image. Although the son of the poor Kim family, Ki-woo, and his sister, Ki-jung, are both talented young people, they are unable to get decent jobs because they failed to have diplomas of higher education. In fact, diplomas are highly valued in Korean society, so this has stopped them from obtaining job opportunities and made them caught in a cycle of poverty. In addition, their father, Ki-taek opened the shop selling Taiwanese chicken egg cake following the popular trend earlier, which was in fact misled by a high-rating TV program. This shop then caused Ki-taek to lose his job and put the Kim family into an economic crisis. In turn, they couldn’t afford even a moderate living place. Later, because of a high–statused friend’s introduction, Ki-woo entered the rich Park family working as a tutor. Then, his family, Ki-jung, Ki-taek, and his mother, Chung-sook, entered the Park family one after another to get a job. At the same time, Ki-woo’s desire to pursue fame and fortune was sparked. In the end, such desire resulted in a murderous tragedy. However, the Kim family’s dream of climbing up has never been realized. II.2 Metaphors Employed in the Movie to Refer to Class Inequality There are quite a few metaphors used by the director in his brilliant way of telling the story, and we intend to only focus on the following three aspects concerning class inequality to depict the adversity of the middle class. II.2.1 Residence The mansion on the hillside where the Park family lives symbolizes the highest status and economic ability; the semi-basement where the Kim family lives stands for they still have a little freedom but are still controlled by others; the secret bunker where the husband of the housekeeper (Moon-gwang) lives is a metaphor for completely losing freedom. Different levels of residences are employed to refer to different classes in the movie, and the scenes of climbing or going down the stairs appeared several times in the movie as hints of lifestyles belonging to different statuses. As a matter of fact, there is a wide discussion about this obvious metaphor of “stairs” according to the director’s interview (Jung, 2020). Thus, here we will just introduce the origin of the semi-basement in Korea. Semi-basement apartments, known as ‘banjiha’ in Korean, have been thrust into the spotlight by this film. The semi-basement apartment that the Kims live in is common for poorer Seoul residents because of its lower rent, regardless of issues such as dampness and increased risk of disease (Ulaby, 2019). As in one report, “​Banjiha can trace their roots back to the 1970s when the government mandated that basements be built to serve as bunkers in case of any North Korean attack​” (Ng, 2020), such structure appeared due to the political factor and then they were adapted into a form of housing for young people or those with financial problems. Like the Hong Kong’s cage homes and Brazil’s favelas, banjiha is also a symbol of inferiority and poverty. The upper class, on the contrary, will reside in more spacious and bright places. II.2.2 Smell 2 The Middle Class Crisis in ​Parasite In one scene, the little son of the Park family mentioned that the new coming driver, Kim Ki-taek, had the same stinky smell as that of the poor without knowing his humble background. The Kim parents had ever tried to eliminate this so-called “poor” smell, but their daughter said, “The problem is not whether the clothes of the family should be washed separately, but that there is the smell of the semi-basement attaching to them; we can only get rid of this smell if we leave.” The short dialogue tells us that this stinky smell refers to the “poor and sour taste” of the low-leveled class. Even before the moment of the rich Park Dong-ik got killed, his expression of being intolerable of such “smell” of Ki-taek then inevitably provoked the poor father to kill Mr. Park, his employer. II.2.3 Cockroach and Spotted Camel Cricket (Stink Bug) Spotted Camel Crickets (referred to as stink bugs in the movie) are a kind of beneficial insect, and are often found in damp and dark basements, utility rooms, or garages. They often take shelter in structures when the weather becomes hot. However, it is harder to get rid of than the cockroach due to their strong vitality. They are despised by people because of its common and terrible appearance in the household. In the movie, there was a touring sanitation vehicle spraying disinfectant passing through the semi-basement where the Kim family lived. At that time, the whole family were coughing. Among them, the daughter, Ki-jung coughed most seriously, but his father, Ki-taek, kept undisturbed. In our view, it was an analogy to compare Ki-taek to Spotted Camel Cricket. Besides, when the Park family went out camping and the poor Kim family occupied the mansion. Chung-sook, mother of the Kims teased her husband while drinking “if the boss came home now, we would flee like cockroaches met with bright light.”It seems to indicate that they knew their existence is similar to that of the cockroaches, that is, a way of parasitization. As a result, we consider that either stink bugs or cockroaches are taken by the director as the metaphor of parasites, suggesting the pathetic lifestyle of the low-leveled class. II.3 How the Class Conflict Gets Resolved in the End The class conflict is wrapped as a series of thrilling killings in the climax of the movie, each with a different motive behind it. We will illustrate how these murders imply the failure of breaking the classes. 2.3.1 The Tragic Murders didn’t Lead to Any Happy Endings The first person to get killed was Ki-jung, who was stabbed by Geun-sae, the husband of the housekeeper. Geun-sae was full of resentment after seeing his wife kicked downstairs and afraid of his “stable” but humble hiding in the secret bunker would be revealed and deprived.
Load more

Recommended publications
  • Hell Joseon and the Politics of Mourning in the Shin Hae-Chul Episode of Hidden Singer
    Situations 11.1 (2018): 19–38 ISSN: 2288–7822 Hell Joseon and the Politics of Mourning in the Shin Hae-Chul Episode of Hidden Singer Kee-Yoon Nahm (Illinois State University) Abstract This article examines the politics of public mourning after the death of South Korean celebrity Shin Hae-Chul and the Sewol Ferry disaster. I argue that grief became the impetus for meaningful political change, especially President Park Geun-hye’s removal, when it branched out into a wider affective range in digital culture. I focus on Hell Joseon, a hotly debated internet meme at the time of Shin’s fatal medical accident, and an episode of the television game show Hidden Singer memorializing Shin to identify alternative strategies of politicizing grief that thwart the government’s efforts to silence critical voices. Keywords: Hell Joseon, Shin Hae-Chul, Hidden Singer, Sewol Ferry disaster, mourning, grief, digital culture, Korean media 20 Kee-Yoon Nahm Introduction A few weeks after former President Park Geun-Hye was removed from office following her historic impeachment trial, the New York Times ran an article about the catastrophic sinking of the Sewol Ferry, noting that “the government’s botched rescue operation was a central grievance voiced against the president” in widespread public demonstrations dubbed the “candlelight protests.”1 While the protesters who gathered at Gwanghwamun Square and other public spaces certainly condemned Park and her inept administration, the expression of these grievances was also accompanied by a pervasive sense of grief. Tens of thousands of people visited the temporary memorial altar to the dead passengers— mostly high school students—in their hometown of Ansan while others tied yellow ribbons to fences at Mokpo Harbor, wishing for the safe return of the missing.
    [Show full text]
  • Building the Nation: the Success and Crisis of Korean Civil Religion
    religions Article Building the Nation: The Success and Crisis of Korean Civil Religion Andrew Eungi Kim 1 and Daniel Connolly 2,* 1 Division of International Studies, Korea University, Anam-ro, Seongbuk-gu, Seoul 02841, Korea; [email protected] 2 Division of International Studies, Hankuk University of Foreign Studies, Seoul 02450, Korea * Correspondence: [email protected] Abstract: Civil religion refers to a country’s beliefs, symbols, and rituals that bolster national unity and strengthen its citizens’ sense of identity and belonging. However, the literature on civil religion is divided between those who attribute it to bottom-up cultural spontaneity and those who see it as an ideological top-down construction. Moreover, there has been a relative lack of scholarly attention to Korean civil religion. This paper addresses both issues by arguing that a strong civil religion indeed exists in the country and that it has been an important part of the “nation-building” process since the founding of the Republic of Korea in 1948. The paper highlights how a succession of authoritarian regimes (1948–1987) successfully mobilized a strong civil religion for political purposes. The resulting civil religion targeted economic growth as the national goal to overcome all social ills, focused on the country’s ethnic and cultural homogeneity to boost national confidence and pride, exalted its traditional religions, especially Confucianism, as repositories of Korean traditional culture, and rendered sacred meanings to national symbols such as the flag and national anthem. Even after democratization, Korean civil religion remains largely ideological, as the Korean government is heavily involved in framing, planning, sponsoring, and promoting the country’s civil religion.
    [Show full text]
  • Nationalism in Crisis: the Reconstruction of South Korean Nationalism in Korean History Textbooks (Han’Guksa)
    Nationalism in Crisis: The Reconstruction of South Korean Nationalism in Korean History Textbooks (Han’guksa) by Yun Sik Hwang A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of East Asian Studies University of Toronto © Copyright by Yun Sik Hwang 2016 Nationalism in Crisis: The Reconstruction of South Korean Nationalism in Korean History Textbooks (Han’guksa) Yun Sik Hwang Master of Arts Department of East Asian Studies University of Toronto 2016 Abstract South Korea has undergone considerable transitions between dictatorship and democracy under Korea’s extraordinary status as a divided nation. The nature of this division developed an intense political contestation in South Korea between the political Left who espouse a critical view of top-down national history, and the Right who value the official view of South Korea’s national history. Whether it is a national history or nationalist history, in terms of conceptions of national identity and nationalism in relation to Korean history, disagreement continues. The purpose of this thesis is not to support nor refute the veracity of either political position, which is divided between a sensationalized political Right and a caricaturized Left. The aim of this project is to evaluate a series of developments in Korean history textbooks that can be seen as a recent attempt to build new national identities. ii Acknowledgments There are countless people I am indebted as I completed this Master’s thesis. First and foremost, I would like to thank my professor and supervisor, Andre Schmid for his charismatic and friendly nature for the past 7 years.
    [Show full text]
  • 'Hell Joseon' Is More Like It As Economy Flounders
    LUND UNIVERSITY • CENTRE FOR EAST AND SOUTH-EAST ASIAN STUDIES ‘Hell Joseon’ - Tales from a South Korean Youth Trapped Between Past and Present Author: Johan Cornelis Schoonhoven Supervisor: Erik Mobrand Master’s Programme in Asian Studies Spring semester 2017 Abstract This thesis takes its outset in the newly coined expression ‘Hell Joseon’ used by the youth in South Korea. ‘Hell Joseon’ is a comparison between today’s society and the pre-modern Joseon Dynasty. By asking “what are the main characteristics of life in ‘Hell Joseon’ from a youth perspective?”, I arrive at the following conclusion. Life in ‘Hell Joseon’ is highly characterized by discrepancies between rich and poor, old and young, men and women, global and local. This is a peculiar result of Korea’s double-compressed modernity which derives from a colonial legacy, top-down modernization in the post-war era and condensed transition to a neoliberal world economy, also known as the second modernity. Therefore, traditional and (post)modern elements coexist in Korea’s society, and is partly the reason why the youth are now drawing references to the pre-modern Joseon Dynasty. Life in ‘Hell Joseon’ thus implies frustrations over high unemployment rates, a new ‘spoon class’ class division, lack of social mobility, an education fever and a downright “gender war”. More than that, it shows traces of apathy in the fact that the young generation is giving up marriage, children, jobs, hope, housing etc., but also traces of transformation since the ‘Hell Joseon’ discourse have made the youth take it to the streets, last seen in the mass demonstrations against now impeached President Park Geun-hye.
    [Show full text]
  • South Korea: the Next Strategic Surprise?
    South Korea: The next strategic surprise? Dr Jeffrey Robertson Yonsei University East Asia Security Centre 东亚安全中心 Peer-reviewed Conference Paper 2019 U.S. Naval War College and East Asia Security Centre Conference Between Scylla and Charybdis: Is there a Middle Path for Middle Powers in the Indo-Pacific Region? https://easc.scholasticahq.com/ Published Version August 2020 For information about this paper or the East Asia Security Centre’s Peer-reviewed publishing site please contact the Editor-in-Chief Jonathan H. Ping East Asia Security Centre Abstract: South Korea’s foreign policy has traditionally exhibited a high degree of path dependence, marked by firm resolve, restraint, and close coordination with the United States. However, analytical expectations regarding South Korea’s foreign policy indicate the potential for strategic surprise that could result from the failure to recognize, or a willingness to ignore, the potential for change. This article demonstrates that domestic and external conditions provide a strong rationale for change. It further demonstrates that alternative policy options, which would fundamentally change South Korea’s foreign policy, and require decision makers to reassess basic assumptions, are currently under debate and/or being signaled. Analysts should not expect Seoul to follow the same well-worn foreign policy path forever. Foreign policy path dependence is coming to an end. It’s time now to prepare for radical change on the Korean peninsula. Keywords: Korea, United States, China, nuclear, foreign policy, middle power 2 South Korea: The next strategic surprise? Introduction On 8 March 2018, National Security Office Director, Chung Eui-yong, National Intelligence Service Director, Suh Hoon, and Ambassador Cho Yoon-je, announced to reporters gathered on the front lawn of the White House that President Trump had agreed to meet North Korean leader, Kim Jong-un.
    [Show full text]
  • Liberal Democracy in South Korea Jung Pak and Paul Park
    POLICY BRIEF Liberal democracy in South Korea Jung Pak and Paul Park Widespread protests leading to the impeachment of President Park Geun-hye revealed both the strengths of South Korean democracy as well as its weakness. EXECUTIVE SUMMARY prospects for substantive progress in making the government more responsive to the people. Hundreds of thousands of South Koreans took to the streets in the fall of 2016 to demand the resignation of then-President Park Geun- FLAMES FROM THE CANDLELIGHT hye for corruption, captivating the world with From October 2016 to March 2017, hundreds of this extraordinary display of peaceful collective thousands of South Korean citizens from all parts of action. However, what came to be known as the the country gathered every weekend in the streets of “candlelight protests” belied the weaknesses of Seoul demanding the resignation of then-President democratic governance in South Korea, a country Park Geun-hye for charges of corruption. Holding a that jettisoned autocracy 30 years ago. The candle in one hand and a placard that read, “You candlelight movement was emblematic of a culture call THIS a country?,” schoolchildren, young adults, of protest in South Korean society and it reflects families, and the elderly stood together in the the weakness of its representative democracy cold weather to voice their resentment toward the and lingering suspicion of governments that are abuse of power shown by the nation’s top public linked to the country’s history of military regimes. official. Now often referred to as the “candlelight This paper identifies some key challenges to South protests,” this extraordinary display of collective Korea’s liberal democracy, including the structural action eventually resulted in a first-ever decision by limits of a top-down authority and the inextricable the South Korean Constitutional Court to remove a relationship between the state and corporations.
    [Show full text]
  • Because I Hate Korea
    Volume 16 | Issue 11 | Number 4 | Article ID 5152 | Jun 01, 2018 The Asia-Pacific Journal | Japan Focus Because I Hate Korea Chang Kang-Myoung translation by Stephen J. Epstein and Mi Young Kim with an introduction by Stephen J. Epstein Abstract: Chang Kang-myoung’s provocatively also subject to ongoing fluctuations, had titled novel Because I Hate Korea (Han’gugi reached its highest level in seven years by the sireoseo) became a best-seller in 2015 and end of 2017. It has thus been tempting, even is among the most notable literary works to amidst the precariousness caused by the address rampant dissatisfaction amongvolatile standoff between North Korea and the South Korean millennials. In recent years, Trump administration, to see improvements in Chang, a former journalist (b. 1975), has the collective national mood of South Korea, a developed a reputation for adroit and prolific country that has languished in palpable malaise fictionalized expressions of local discontent. in recent years, especially after the sinking of Because I Hate Korea reflects a pervasive the Sewol ferry. Nonetheless, intractable desire on the part of the nation’s younger problems of social and economic structure people to escape from “Hell Joseon,” a coinage remain and are keenly felt, above all by the that has attained widespread circulation. This nation’s youth: the unemployment rate for piece briefly introduces the novel, setting it those aged 15-29 stood at a record annual high within its wider contemporary context, and in 2017. If one includes the so-called then provides a translation of the first chapter.
    [Show full text]
  • Fall 2015 Newsletter
    September - December 2015. Issue No. (23). A Newsletter Published as a Membership Service of Asia Society Korea Center. Asia Society Korea Center Become a Member Now! Lotte Hotel Seoul, Suite 615 For more information about our membership, 30 Eulji-ro, Jung-gu please contact us or visit us at our website at Seoul, Korea 04533, CPO Box 3500 www.asiasociety.org/korea. Tel: 82 2 759 7806 Fax: 82 2 757 0034 Email: [email protected] Chairman’s Message Looking back, 2015 was an eventful year for both the Asia Society Korea Center and for myself personally. Despite challenging circumstances, such as the MERS outbreak and fallout from the China financial crisis, the Korea Center was still able to host fruitful events and we look forward to building stronger programs into the future. Globally, the Asia Society continues to expand 아 and we have recently announced that we will be 시 opening a center in Switzerland, extending our network into Europe for the first time. This land- 아 mark European center will help forge under- 소 standing between the west and Asia and the Ko- 사 rea Center offers its warm welcome to our new 이 colleagues in Switzerland. The Texas Center, who this year will be celebrating its 35th anniversary, 어 is hosting a yearlong event recognizing all things 티 Korean, so please drop by if you are in the region. Domestically, I was pleased to attend our year-end dinner last December with our corporate 코 members, which was our last official event of the 2015 calendar. It was great to see many of our Korean members in attendance, including our Honorary Chairman, Dr.
    [Show full text]
  • “Third Sex” Stereotype in South Korea. Reasons and Implications for the New Generations' Women
    MUSIC AND HUMAN MOBILITY REDEFINING COMMUNITY IN INTERCULTURAL CONTEXT 2016 Guest edited by Maria de São José Côrte-Real & Pedro Moreira “Henri Coandă” Air Force Academy Publishing House “THIRD SEX” STEREOTYPE IN SOUTH KOREA. REASONS AND IMPLICATIONS FOR THE NEW GENERATIONS’ WOMEN Irina ROIBU*, Paula-Alexandra ROIBU** *Department of Romanian Studies, Hankuk University of Foreign Studies, Seoul, South Korea, **Doctoral school of Economics and Business Administration, “Alexandru Ioan Cuza” University, Iasi, Romania Abstract: The South Korean middle-aged women, also known as ajumma, are the ones that provided Korea with its current educated and skilled labor force, by giving up their career dreams and taking care of their children and families. Moreover, they are encountered nowadays in shops, restaurants, offices, factories, etc., working hard in small jobs in order to provide some economic support to their families. They are seen as strong, overprotective, and aggressive and are sometimes referred to as the “third sex”. This article looks into the historical, social, cultural and economical reasons why these women, after a life full of sacrifices, are stripped of their femininity and considered a “third sex”. Also, it analyses the opinions of younger generation about their mothers, grandmothers etc., if they consider ajumma a model to become or something to avoid. The research is based on the literature related to the South Korean historical, social, cultural and economical environments and on the data provided by Statistics Korea. Keywords: ajumma, stereotypes, “third sex” 1. INTRODUCTION women’s duties that the Korean society requests by traditions, such as getting married and giving birth. In the Korean society age differences are very A second hypothesis is concerning the young important.
    [Show full text]
  • Transactions
    TRANSACTIONS ROYAL ASIATIC SOCIETY KOREA Volume 94 – 2019 1 COVER: The seal-shaped emblem of RAS Korea consists of the following Chinese characters: 槿 (top right), 域 (bottom right), 菁 (top left), 莪 (bottom left), pronounced Kŭn yŏk Ch’ŏng A in Korean. The first two characters mean “the hibiscus region,” referring to Korea, while the other two (“luxuriant mugwort”) are a metaphor inspired by Confucian commentaries on the Chinese Book of Odes, and could be translated as “enjoy encouraging erudition.” SUBMISSIONS: Transactions invites the submission of manuscripts of both scholarly and more general interest pertaining to the anthropology, archeology, art, history, language, literature, philosophy, and religion of Korea. Manuscripts should be prepared in MS Word format and should be submitted in digital form. The style should conform to The Chicago Manual of Style (most recent edition). The covering letter should give full details of the author’s name, address and biography. Romanization of Korean words and names must follow either the McCune-Reischauer or the current Korean government system. Submissions will be peer- reviewed by two readers specializing in the field. Manuscripts will not be returned and no correspondence will be entered into concerning rejections. Transactions (ISSN 1229-0009) Copyright © 2020 Royal Asiatic Society Korea Room 611, Christian Building, Daehangno 19 (Yeonji-dong), Jongno-gu, Seoul 110-736 Republic of Korea Tel: (82-2) 763-9483; Fax: (82-2) 766-3796; email: [email protected] Visit www.raskb.com 2 TRANSACTIONS of the ROYAL ASIATIC SOCIETY KOREA Volume 94 – 2019 Contents Three Generations of Poetic Dissent: Kim Jiha, Park Nohae, Song Kyung-dong Brother Anthony 1 Your Memory, Our Memories Park Jiwon 15 ‘A Children’s Paradise’: Reforming Juvenile Incarceration under the US Military Government in Korea, 1945-48 James D.
    [Show full text]
  • Copyright by Lisa Marie Longenecker 2019
    Copyright by Lisa Marie Longenecker 2019 The Thesis committee for Lisa Marie Longenecker Certifies that this is the approved version of the following thesis: Suicide, Precarity, and Korean Media: A Sociocultural Analysis of the Adolescent Suicide Epidemic in South Korea SUPERVISING COMMITTEE: Robert M. Oppenheim, Supervisor Youjeong Oh Suicide, Precarity, and Korean Media: A Sociocultural Analysis of the Adolescent Suicide Epidemic in South Korea By Lisa Marie Longenecker Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2019 Acknowledgements I would like to personally thank Dr. Robert Oppenheim, my professor and thesis advisor, for all the excellent advice and assistance he has provided during my journey to become a Korean Studies scholar. Without his specialized knowledge and helpful guidance, the completion of this thesis would have been a much rougher path. I would also like to think Dr. Youjeong Oh, the second reader for this thesis, and the professor of several courses I took while obtaining my degree at the University of Texas at Austin. In particular, her course Political Economy of Development in Postwar Korea provided a solid foundation on modern Korean history, which was of great value to me in writing this thesis. I would also like to express my sincere gratitude to my friends from Korea, especially Lee Jaenam, Hwang Jinha, Lee Yerin, and Kim Kyungjoo. Throughout the time I have known them, they have provided me with valuable insight into Korean culture, helped me when I struggled with Korean language translations, and showed me around Seoul when I went to perform my fieldwork.
    [Show full text]
  • Representation of Social Classs in Parasite Movie 1
    Lire Journal (Journal of Linguistics and Literature) https://lirejoournal.ubb.ac.id/index.php/LRJ/index P-ISSN: 2598-1803 E-ISSN: 2581-2130 Volume 5 Number 1 2021 REPRESENTATION OF SOCIAL CLASSS IN PARASITE MOVIE Lambok Hermanto Sihombing1 & Agustinus Alexander Sinaga2 1Communication Department, Universitas President Indonesia 2English Department, Universitas Kristen Maranatha Indonesia Corresponding Author: Lambok Hermanto Sihombing E-mail: [email protected] ARTICLE INFO ABSTRACT Received: 2021-01-29 Film works can be created from various perspectives and production methods by Accepted: 2021-03-21 teams in the film industry. Parasite is a South Korean movie present as a Published: 2021-03-22 production-based film and it raises a big theme of lifestyle differences between Volume: 5 social classes. Parasite Movie portrays a new perspective with an astonishing Issue: 1 story and plot-twist in the context of film with the issue of social inequality in the DOI: modern era. Various awards were obtained by Parasite films on a national and https://doi.org/10.33019/lire.v international scale for its beautiful story. The data is collected from the scenes in 3i2.107 the movie which later the data is connected with some theories. This study also KEYWORDS aims to find out the literary meaning of the movie Parasite, specifically the Film, Korean Movie, Parasite representation of social class through some literary research. Movie, Representation, Social Class. 1. INTRODUCTION Film industry has improved since decades ago, from black and white, to full of CGI. Film has become a place to escape from reality for a lot of people around the world.
    [Show full text]