Imagining Macrohistory? Madame Blavatsky from Isis Unveiled (1877) to the Secret Doctrine (1888) Garry W
Imagining Macrohistory? Madame Blavatsky from Isis Unveiled (1877) to The Secret Doctrine (1888) Garry W. Trompf In Memoriam: Alfred John Cooper1 Introduction The term „macrohistory‟ denotes the envisaging and representation of the human past as a vast panorama, great movements of human activity held „in the mind‟s eye‟ or in a unitary vision. When such broad encompassments also incorporate the pre-human past and even the possible future of everything, then one may refer to cosmological macrohistory (or „cosmo-history‟), or, if the atmosphere of a mythos is strong, to a mythological macrohistory. Many will suspect that mental acts of encapsulation entailed in „doing macrohistory‟ are inevitably unreliable and methodologically inadmissible because the myriad facts to be embraced, both known and unknown, could never be accounted for in any one synoptic view. Certainly the macrohistorical visionary will have to resort to a picturing or imaging through some kind of model, paradigm or diagrammatic procedure, and in almost all cases, a species of meta-history (of a conceptual „framing‟ superimposed on data) will result. In the Judaeo- Christian-Islamic-Marxist trajectory of thought, four primary „idea-frames‟ of macrohistory have stood out. These are, first, progress, or the idea that past events show an overall improvement of things; second and contrarily, regress, the outlook that affairs have steadily worsened; third, recurrence, the apprehension that everything is basically repetitive (if not cyclical); and lastly, the view that nothing can be fully understood without a sense of an utterly final consummation, an eschaton (end) or apokatastasis (restoration of all things) or millennial „showdown‟, as against some limited telos.
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