Russia's Oldest and Most Revered Symphony Orchestra Play At
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RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
Mariss Jansons Symphonieorchester Des Bayerischen Rundfunks ANTON BRUCKNER 1824–1896 Symphonie Nr
BRUCKNER SYMPHONIE NR. 3 Mariss Jansons Symphonieorchester des Bayerischen Rundfunks ANTON BRUCKNER 1824–1896 Symphonie Nr. 3 d-Moll, WAB 103 (3. Fassung von 1889) 01 Mehr langsam, misterioso 22:06 02 Adagio, bewegt, quasi Andante 13:51 03 Ziemlich schnell – Trio 7:13 04 Allegro 13:09 Total time: 56:19 Symphonieorchester des Bayerischen Rundfunks Mariss Jansons Dirigent / conductor Live-Aufnahme / live recording: München, Philharmonie im Gasteig, 20./21.01.2005 Tonmeister / Recording Producer: Wilhelm Meister Toningenieur / Recording Engineer: Klemens Kamp Schnitt / Editing: Elisabeth Panzer, Susanne Wocker Remastering: Marie-Josefin Melchior Mastering Engineer: Christoph Stickel Verlag / Publisher: Musikwissenschaftlicher Verlag Wien, vertreten durch Alkor-Edition Kassel Photos: C Peter Meisel Design / Artwork: [ec:ko] communications Editorial: Thomas Becker · Lektorat: Dr. Vera Baur Eine CD-Produktion der BRmedia Service GmbH. P 2005 C 2019 BRmedia Service GmbH MARISS JANSONS SYMPHONIEORCHESTER _ DES BAYERISCHEN RUNDFUNKS Mariss Jansons wurde 1943 in Riga als Sohn des Dirigenten Arvıds Jansons geboren. Er studierte am Leningrader Konservatorium die Fächer Violine, Klavier Schon bald nach seiner Gründung 1949 entwickelte sich das Symphonieorchester und Dirigieren und vervollständigte seine Ausbildung bei Hans Swarowsky in Wien des Bayerischen Rundfunks zu einem international renommierten Orchester. und Herbert von Karajan in Salzburg. 1971 wurde er Preisträger beim Karajan- Besonders die Pflege der Neuen Musik hat eine lange Tradition, so gehören die Wettbewerb in Berlin und begann seine enge Zusammenarbeit mit den heutigen Auftritte im Rahmen der 1945 von Karl Amadeus Hartmann gegründeten musica St. Petersburger Philharmonikern, zunächst als Assistent von Jewgenij Mrawinskij, viva von Beginn an zu den zentralen Aufgaben des Orchesters. -
Jennifer Pike Violin Sir Andrew Davis
SUPER AUDIO CD SibeliusViolin Concerto Karelia Suite • Finlandia • Valse triste Andante festivo • Valse lyrique The Swan of Tuonela Jennifer Pike violin Bergen Philharmonic Orchestra Sir Andrew Davis AKG Images, London Images, AKG Jean Sibelius, at his house, Ainola, in Järvenpää, near Helsinki, 1907 Jean Sibelius (1865 – 1957) Concerto for Violin and Orchestra, Op. 47* 31:55 in D minor • in d-Moll • en ré mineur 1 I Allegro moderato – [Cadenza] – Tempo I – Molto moderato e tranquillo – Largamente – Allegro molto – Moderato assai – [Cadenza] – Allegro moderato – Allegro molto vivace 15:46 2 II Adagio di molto 8:16 3 III Allegro, ma non tanto 7:44 Karelia Suite, Op. 11 15:51 for Orchestra from music to historical tableaux on the history of Karelia 4 I Intermezzo. Moderato – Meno – Più moderato 4:03 5 II Ballade. Tempo di menuetto – Un poco più lento 7:13 Hege Sellevåg cor anglais 6 III Alla marcia. Moderato – Poco largamente 4:27 3 7 The Swan of Tuonela, Op. 22 No. 2 8:16 (Tuonelan joutsen) from the Lemminkäinen Legends after the Finnish national epic Kalevala compiled by Elias Lönnrot (1802 – 1884) Hege Sellevåg cor anglais Jonathan Aasgaard cello Andante molto sostenuto – Meno moderato – Tempo I 8 Valse lyrique, Op. 96a 4:09 Work originally for solo piano, ‘Syringa’ (Lilac), orchestrated by the composer Poco moderato – Stretto e poco a poco più – Tempo I 9 Valse triste, Op. 44 No. 1 5:03 from the incidental music to the drama Kuolema (Death) by Arvid Järnefelt (1861 – 1932) Lento – Poco risoluto – Più risoluto e mosso – Stretto – Lento assai 4 10 Andante festivo, JS 34b 4:06 Work originally for string quartet, arranged by the composer for strings and timpani ad libitum 11 Finlandia, Op. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
PROMS 2018 Page 1 of 7
PROMS 2018 Page 1 of 7 Prom 1: First Night of the Proms Sam Walton percussion Piano Concerto No 1 in G minor (20 mins) 20:15 Friday 13 July 2018 ON TV Martin James Bartlett piano Royal Albert Hall Freddy Kempf piano Morfydd Llwyn Owen Lara Melda piano Nocturne (15 mins) Ralph Vaughan Williams Lauren Zhang piano Toward the Unknown Region (13 mins) BBC Concert Orchestra Robert Schumann Andrew Gourlay conductor Symphony No 4 in D minor (original 1841 version) (28 mins) Gustav Holst The Planets (52 mins) Bertrand Chamayou piano Proms at … Cadogan Hall 1 BBC National Orchestra of Wales Anna Meredith 13:00 Monday 16 July 2018 Thomas Søndergård conductor 59 Productions Cadogan Hall, London Five Telegrams (22 mins) BBC co-commission with 14–18 NOW and Edinburgh Caroline Shaw Proms at … The Roundhouse International Festival: world première Second Essay: Echo (15 mins) 15:00 Saturday 21 July 2018 Third Essay: Ruby Roundhouse, Camden National Youth Choir of Great Britain BBC Symphony Chorus Robert Schumann Charles Ives BBC Proms Youth Ensemble Piano Quintet in E flat major, Op 44 (30 mins) The Unanswered Question (6 mins) BBC Symphony Orchestra Sakari Oramo conductor Calidore String Quartet ensemble Georg Friedrich Haas Javier Perianes piano the last minutes of inhumanity (5 mins) world première Prom 2: Mozart, Ravel and Fauré 19:30 Saturday 14 July 2018 Prom 4: Shostakovich’s ‘Leningrad’ Hannah Kendall Royal Albert Hall Verdala (5 mins) Symphony world première 19:30 Monday 16 July 2018 Gabriel Fauré Royal Albert Hall Pavane (choral version) (5 -
Ne W Burysprin G Fe Stival
www.newburyspringfestival.org.uk 34th international newburyspringfestival 12 – 26 may 2012 Royal Philharmonic Sat Welcome Orchestra 12th This year, when London hosts the Owain Arwel Hughes conductor Olympic Games and welcomes the Freddy Kempf piano world’s finest young athletes to the Walton Crown Imperial capital, I am delighted that we will Beethoven Piano Concerto No 5 “Emperor” welcome to Newbury so many Brahms Symphony No 4 outstanding musicians from around the world. Among them are important young musicians who are already building A welcome return to the Festival by the RPO, and conductor careers in Britain: this year’s John Lewis Young Stars , Owain Arwel Hughes in his 70th birthday year, in a and our Festival artist Johan Andersson, one of the world’s celebratory concert that opens with Walton’s Crown Imperial in honour of HM The Queen’s Diamond Jubilee. finest young painters, who is also based in this country. The current season sees dynamic British pianist Freddy This national celebration of international youthful excellence Kempf perform the complete cycle of piano concertos in sport and culture is balanced by another important by his favourite composer, Beethoven, in many of the UK’s national celebration: the Queen’s Diamond Jubilee, an most important venues and tonight he joins the orchestra opportunity to honour a monarch who has been on the for the majestic Piano Concerto No 5, popularly known as throne for sixty years and who represents all that is constant the “Emperor Concerto”. The concert ends with Brahms’ and traditional in our country. You will find in this year’s final and best loved Symphony No 4. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
I Just Love This Orchestra! Berkeley Symphony Photo by David S
My life here Bette Ferguson, joined in 2006 My Life Here Is INDEPENDENT The people who live here are well-traveled and engaged with life. Their independent lifestyle is enhanced with our Continuing Care and contract options so they have all levels of healthcare under one roof. Find out why our established reputation as one of the very best not-for-profit communities is just one more reason people like Bette Ferguson know a good thing when they live it. To learn more, or for your personal visit, please call 510.891.8542. stpaulstowers-esc.org Making you feel right, at home. A fully accredited, non-denominational, not-for-profit community owned and operated by Episcopal Senior Communities. Lic. No. 011400627 COA #92 EPSP1616-01CJ 100111 CLIENT ESC / St. Paul’s Towers PUBLICATION Berkeley Symphony AD NAME Bette Ferguson REFERENCE NUMBER EPSP616-01cj_Bette_01_mech TYPE Full Page Color - Inside Front Cover TRIM SIZE 4.75” x 7.25” ISSUE 2011/12 Season MAT’LS DUE 9.01.11 DATE 08.22.11 VERSION 01 mech AGENCY MUD WORLDWIDE 415 332 3350 Berkeley Symphony 2011-12 Season 5 Message from the Executive Director 7 Board of Directors & Advisory Council 9 Message from the Music Director 11 Joana Carneiro 13 Berkeley Symphony 16 January 26 Orchestra 19 January 26 Program 21 January 26 Program Notes 31 January 26 Guest Artists 41 April 26 Program 43 April 26 Program Notes 55 April 26 Guest Artists 60 Music in the Schools 63 Under Construction 65 Contributed Support 74 Advertiser Index Season Sponsors: Kathleen G. Henschel and Official Wine Sponsor of Berkeley Symphony: Presentation bouquets are graciously provided by Jutta’s Flowers, the Official Florist of Berkeley Symphony. -
Musicweb International August 2020 RETROSPECTIVE SUMMER 2020
RETROSPECTIVE SUMMER 2020 By Brian Wilson The decision to axe the ‘Second Thoughts and Short Reviews’ feature left me with a vast array of part- written reviews, left unfinished after a colleague had got their thoughts online first, with not enough hours in the day to recast a full review in each case. This is an attempt to catch up. Even if in almost every case I find myself largely in agreement with the original review, a brief reminder of something you may have missed, with a slightly different slant, may be useful – and, occasionally, I may be raising a dissenting voice. Index [with page numbers] Malcolm ARNOLD Concerto for Organ and Orchestra – see Arthur BUTTERWORTH Johann Sebastian BACH Concertos for Harpsichord and Strings – Volume 1_BIS [2] Johann Sebastian BACH, Georg Philipp TELEMANN, Carl Philipp Emanuel BACH The Father, the Son and the Godfather_BIS [2] Sir Arnold BAX Morning Song ‘Maytime in Sussex’ – see RUBBRA Amy BEACH Piano Quintet (with ELGAR Piano Quintet)_Hyperion [9] Sir Arthur BLISS Piano Concerto in B-flat – see RUBBRA Benjamin BRITTEN Serenade for Tenor, Horn and Strings, etc._Alto_Regis [15, 16] Arthur BUTTERWORTH Symphony No.1 (with Ruth GIPPS Symphony No.2, Malcolm ARNOLD Concerto for Organ and Orchestra)_Musical Concepts [16] Paul CORFIELD GODFREY Beren and Lúthien: Epic Scenes from the Silmarillion - Part Two_Prima Facie [17] Sir Edward ELGAR Symphony No.2_Decca [7] - Sea Pictures; Falstaff_Decca [6] - Falstaff; Cockaigne_Sony [7] - Sea Pictures; Alassio_Sony [7] - Violin Sonata (with Ralph VAUGHAN WILLIAMS Violin Sonata; The Lark Ascending)_Chandos [9] - Piano Quintet – see Amy BEACH Gerald FINZI Concerto for Clarinet and Strings – see VAUGHAN WILLIAMS [10] Ruth GIPPS Symphony No.2 – see Arthur BUTTERWORTH Alan GRAY Magnificat and Nunc dimittis in f minor – see STANFORD Modest MUSSORGSKY Pictures from an Exhibition (orch. -
Rezension Für: Marc Coppey Ludwig Van Beethoven
Rezension für: Marc Coppey Ludwig van Beethoven: Complete Works for Cello and Piano Ludwig van Beethoven 2CD aud 23.440 opushd.net - opus haute définition e-magazine 05.06.2018 (Jean-Jacques Millo - 2018.06.05) source: http://www.opushd.net/article?article=25... With exalting energy, spontaneity at each moment, and undeniable expressive fervor, Marc Coppey and Peter Laul give Beethoven’s music a true “face;” here it is at its most inventive, at its warmest, at its most authentic, one could say. The passion of these two artists is evident from beginning to end of these admirable scores, offering, sharing the most human character of a creator of genius. This is art in its universal dimension. Full review text restrained for copyright reasons. Record Geijutsu Nov. 2018 ( - 2018.11.01) Japanische Rezension siehe PDF! The Classical Review May 13, 2019 (Tal Agam - 2019.05.13) source: https://theclassicreview.com/album-revie... Double Review: Beethoven – Cello Sonatas – Marc Coppey, Leonard Elschenbroich The Beethoven Cello Sonatas discography has always been very generous, yet these sonatas still stand somewhat in the shadow of Beethoven’s other chamber cycles. This past few weeks saw two new releases of the complete Cello Sonatas. Marc Coppey (Cello) and Peter Laul (Piano) on the Audite label are adding the complete variations for the duo instruments, while Leonard Elschenbroich (Cello) and Alexei Grynyuk (Piano) on Onyx are adding the Sonata Op. 17, originally for horn and piano. Comparing the two cycles are a rewarding experience. First, these are two highly impressive and enjoyable performances. Coppey and Laul are recorded live at St Petersburg Philharmonia, and their performances are the more spontaneous-sounding of the two. -
Westminster City Council's out and About Free Ticket Scheme Autumn
Westminster City Council’s Out and About free ticket scheme Autumn 2017 programme September Events Wednesday 13th September, 6pm – 7pm at Westminster Music Library Songs from my land and beyond A recital of songs from around the world by Argentinian soprano Susana Gilardoni Mirski accompanied by pianist Benedict Lewis-Smith Saturday 16th September at City of Westminster Archives Centre Open House weekend – no need to book Swinging Sixties themed open house day with tours of the search room, conservation and strong room for the public, spiced up with a small archive display called ‘Carnaby Street to King’s Road’. Tours will take place at 11 am, 12 noon, 1 pm, 2 pm, 3 pm and 4 pm, booking not required. Tuesday 19th September, 1pm at Wigmore Hall Benjamin Baker, violin Daniel Lebhardt, piano In 2016 Benjamin Baker won 1st Prize at the Young Concert Artists auditions in New York. The 2016/17 season saw him make his debuts with the Royal Philharmonic and Auckland Philharmonia Orchestras. Daniel Lebhardt won 1st Prize at the Young Concert Artists auditions in both Paris and New York in 2015. In 2016 he won the Most Promising Pianist prize at the Sydney International Piano Competition. Janacek: Violin Sonata Beethoven: Violin Sonata No. 9 in A major Op. 47 ‘Kreutzer’ Saturday 30th September, 10am – 1pm at Westminster Music Library A Feast of Folk Songs: A Choral Workshop Musical Director Ruairi Glasheen will lead this singing workshop as part of this year’s Silver Sunday celebrations. Please note this event will take place on the Saturday! October Events Tuesday 3rd October, 1pm at Wigmore Hall Peter Moore, trombone Richard Uttley, piano In 2008, at the age of 12, Peter Moore became the youngest ever winner of the BBC Young Musician Competition.