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Boston Symphony Orchestra Concert Programs, Summer, 2009, Tanglewood

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SUMMER 2009 BOSTON SYM ON Y ORCH E RA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY r ^ m I &£ V + i HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstenpalleries.com i photo: Icrcsa Nouri I O l \ e Broun and Coral Pink Persian Set They're Not Only Preparing ^ / for a Changing World They're Preparing to Change the World y M 1 what girls have in mind 'J'NZib-iS 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] V Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " 'Hot is the WOrdfor this show. —The New York T Museum of Fine Arts, Boston March 15- August 16, 2009 Tickets: 800-440-6975 or www.mfa.org BOSTON The exhibition is organized by the Museum The exhibition is PIONEER of Fine Arts, Boston and the Mus6e du fcUniCredit Group sponsored by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937. 1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 *f=^y Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M. O'Reilly, Treasurer • George D. Behrakis • Mark G. Borden • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D. Collins • Cynthia Curme • • • Alan J. Dworsky • William R. Elfers • Judy Moss Feingold, ex-officio Nancy J. Fitzpatrick Thelma E. Goldberg • Michael Gordon • Brent L. Henry • Charles H.Jenkins, Jr. • • • • < Shari Loessberg, ex-officio Carmine A. Martignetti Robert J. Mayer, M.D. Nathan R. Miller • Richard P. Morse • Aaron J. Nurick, ex-officio Susan W. Paine • Carol Reich • Edward I. Rudman • Hannah H. Schneider • Arthur I. Segel • Thomas G. Sternberg • Stephen R. Weber • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J. P. Barger • Leo L. Beranek Deborah Davis Berman • Peter A. Brooke • Helene R. Cahners • James F. Cleary • • • • John F. Cogan, Jr. Mrs. Edith L. Dabney Nelson J. Darling, Jr. • Nina L. Doggett Mrs. John H. Fitzpatrick • Dean W. Freed • Edna S. Kalman • George H. Kidder • • • George Krupp • Mrs. August R. Meyer Mrs. Robert B. Newman • William J. Poorvu Irving W. Rabb • Peter C. Read • Richard A. Smith • Ray Stata • John Hoyt Stookey WilmerJ. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. May, ChiefFinancial Officer Suzanne Page, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Judy Moss Feingold, Chairman • William F Achtmeyer • Noubar Afeyan • Diane M. Austin • Judith W. Barr • Lucille M. Batal • Linda J. L. Becker • George W. Berry • Paul Berz • James L. Bildner • Bradley Bloom • Partha Bose • Anne F. Brooke • Stephen H. Brown • Gregory E. Bulger • Joanne Burke • Ronald G. Casty • Carol Feinberg Cohen • Susan Bredhoff Cohen • Richard F Connolly, Jr. • Charles L. Cooney • Ranny Cooper • James C. Curvey • Mrs. Miguel de Braganca • Paul F Deninger • Ronald M. Druker • Alan Dynner • Ursula Ehret-Dichter • John P. Eustis II • Pamela D. Everhart • Joseph F Fallon Thomas E. Faust, Jr. • Steven S. Fischman • John F Fish • Lawrence K. Fish • Myrna H. Freedman • Carol Fulp • Robert Gallery • Robert P. Gittens • Carol Henderson • Susan Hockfield • Roger Hunt • William W. Hunt • Valerie Hyman • Ernest Jacquet • • • Everett L.Jassy Stephen J. Jerome • Darlene Luccio Jordan, Esq. • Paul L. Joskow Stephen R. Karp • Douglas A. Kingsley • Robert Kleinberg • Farla H. Krentzman • • • • • Peter E. Lacaillade Charles Larkin Robert J. Lepofsky Christopher J. Lindop John M. Loder • Shari Loessberg • Edwin N. London • Jay Marks • Jeffrey E. Marshall • Joseph B. Martin, M.D. • Albert Merck • Dr. Martin C. Mihm, Jr. • Robert Mnookin • Programs copyright ©2009 Boston Symphony Orchestra Cover photo by Stu Rosner • Paul M. Montrone • Robert J. Morrissey Evelyn Stefansson Nef • Robert T. O'Connell • Peter Palandjian • Diane Patrick • Joseph Patton • Ann M. Philbin • May H. Pierce • Claudio Pincus • Joyce L. Plotkin • Jonathan Poorvu • Dr. John Thomas Potts, Jr. • Dr. Tina Young Poussaint • Claire Pryor • Patrick J. Purcell • John Reed • Dr. Carmichael Roberts • Susan Rothenberg • Alan Rottenberg • Joseph D. Roxe • Kenan Sahin • Gilda Slifka • Christopher Smallhorn • John C. Smith • Patricia L. Tambone • Caroline Taylor • Douglas Thomas • Mark D. Thompson • Samuel Thorne • Albert Togut • Diana Osgood Tottenham • Joseph M. Tucci • Robert S. Weil • David C. Weinstein • James Westra • Richard Wurtman, M.D. • Patricia Plum Wylde • Dr. Michael Zinner • D. Brooks Zug Overseers Emeriti Helaine B. Allen • Marjorie Arons-Barron • Caroline Dwight Bain • Sandra Bakalar • William T Burgin • Mrs. Levin H. Campbell • Earle M. Chiles • Mrs. James C. Collias • Joan P. Curhan • Phyllis Curtin • Tamara P. Davis • Disque Deane • Betsy P. 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  • Ambassador Auditorium Collection ARS.0043

    Ambassador Auditorium Collection ARS.0043

    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
  • Marco Polo – the Label of Discovery

    Marco Polo – the Label of Discovery

    Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father.