DOCSLIB.ORG

Berkeley Symphony 2016/17 Season

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Mountain View Cemetery Association, a historic Olmsted designed cemetery located in the foothills of Oakland and Piedmont, is pleased to announce the opening of Piedmont Funeral Services. We are now able to provide all funeral, cremation and celebratory services for our families and our community at our 223 acre historic location. For our families and friends, the single site combination of services makes the difficult process of making funeral arrangements a little easier. We’re able to provide every facet of service at our single location. We are also pleased to announce plans to open our new chapel and reception facility – the Water Pavilion in 2018. Situated between a landscaped garden and an expansive reflection pond, the Water Pavilion will be perfect for all celebrations and ceremonies. Features will include beautiful kitchen services, private and semi-private scalable rooms, garden and water views, sunlit spaces and artful details. The Water Pavilion is designed for you to create and fulfill your memorial service, wedding ceremony, lecture or other gatherings of friends and family. Soon, we will be accepting pre-planning arrangements. For more information, please telephone us at 510-658-2588 or visit us at mountainviewcemetery.org. Berkeley Symphony 2016/17 Season 5 Message from the Music Director 7 Message from the Board President 9 Message from the Executive Director 11 Board of Directors & Advisory Council 12 Orchestra 15 Season Sponsors 18 Berkeley Symphony Legacy Society 21 Program 25 Program Notes 37 Text for Shostakovich’s Symphony No. 13, Babi Yar 47 Music Director: Joana Carneiro 51 Guest Conductor: Christian Reif 53 Artists’ Biographies 65 Berkeley Symphony 71 Music in the Schools 73 2016/17 Membership Benefits 75 Annual Membership Support 82 Broadcast Dates Mountain View Cemetery Association, a historic Olmsted designed cemetery located in the foothills of 85 Contact Oakland and Piedmont, is pleased to announce the opening of Piedmont Funeral Services. We are now 86 Advertiser Index able to provide all funeral, cremation and celebratory services for our families and our community at our 223 acre historic location. For our families and friends, the single site combination of services makes the Media Sponsor difficult process of making funeral arrangements a little easier. We’re able to provide every facet of service at our single location. We are also pleased to announce plans to open our new chapel and reception facility – the Water Pavilion in 2018. Situated between a landscaped garden and an expansive reflection pond, the Water Pavilion will be perfect for all celebrations and ceremonies. Features will include beautiful kitchen Official Wine Sponsor services, private and semi-private scalable rooms, garden and water views, sunlit spaces and artful details. Gertrude Allen | Kathleen G. Henschel & John W. Dewes | Tricia Swift The Water Pavilion is designed for you to create and fulfill your memorial service, wedding ceremony, Brian James & Shariq Yosufzai | Thomas Richardson & Edith Jackson Ed Osborn & Marcia Muggli | Peter Mandell & Sarah Coade Mandell lecture or other gatherings of friends and family. Soon, we will be accepting pre-planning arrangements. For more information, please telephone us at 510-658-2588 or visit us at mountainviewcemetery.org. Presentation bouquets are graciously provided by Jutta’s Flowers, the official florist of Berkeley Symphony. Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No photographs or recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. Program subject to change. May 4, 2017 3 4 May 4, 2017 Message from the Music Director Dear Friends, I wish to say that I miss you all very much and hoped to be there with you tonight to celebrate the close of our 2016/17 season. I am very thankful for your unconditional support during this last year photo by Rodrigo de Souza of my life as my husband and I have brought our three newest “symphonies” into the world. It is with great pleasure to welcome you to our final concert of the season tonight. I thank my dear friend Christian Reif for stepping in for what will be another magnificent performance this season. We bring you one great work by one great composer, Dmitri Shostakovich’s 13th Symphony, written in 1962. You will have the pleasure of hearing the incomparable bass- baritone Denis Sedov. I’m grateful to the incredible Marika Kuzma for directing the men’s chorus who you will hear this evening. The subtitle of tonight’s piece is Babi Yar. Near Kiev, it was the site of the massacre of an estimated 100-150,000 people by German soldiers during WWII. One of these episodes took place over the course of two days in September 1941, in which 33,771 Jews were killed. Shostakovich’s 13th symphony is based on this profound human tragedy, as a denunciation of anti-Semitism in all its forms. The piece includes the words by the Russian poet Yevgeny Yevtushenko, whose recent death in April is an enormous loss to the world. Shostakovich said after reading Yevtushenko’s words: “Many had heard about Babi Yar, but it took Yevtushenko’s poem to make them aware of it. They tried to destroy the memory of Babi Yar, first the Germans and then the Ukrainian government. But after Yevtushenko’s poem, it became clear that it would never be forgotten. That is the power of art. Art destroys silence.” To all of you, thank you for being here tonight and supporting Berkeley Symphony. I can’t wait to see you all again on October 5th for the beginning of our next season. Much love, Joana Carneiro May 4, 2017 5 6 May 4, 2017 Message from the Board President Greetings! Tonight’s performance is the last mainstage program for this season, but Berkeley Symphony tirelessly continues our work to nurture the next generation photo © Margaretta K. Mitchell of music lovers and young musicians through our Music in the Schools program. This season we’ve reached nearly 5,000 elementary and middle school children with this important partnership with Berkeley Unified Public Schools. This one-on-one music instruction is fostering a love for music in a whole new generation of young people, particularly during a time when public education in the arts is threatened in so many communities. Your support makes this program possible! Stay tuned for exciting announcements for our 2017/18 season! Berkeley Symphony continues our mission of bringing innovative and adventurous programming to the Bay Area with our mainstage concert series at Zellerbach Hall and our Berkeley Symphony and Friends Chamber Music Series at the Piedmont Center for the Arts. Please subscribe early for our Zellerbach series. If you have not already done so in the past, I encourage you to also join us for our chamber concerts. Each one is a splendid, intimate evening of wonderful music and truly spectacular talent. On behalf of the Board of Directors, I offer sincere thanks to YOU, our loyal audience, for your love of Berkeley Symphony. We are all dedicated to the continued success and future endeavors of YOUR symphony, bringing new works, commissions, and old chestnuts to the Berkeley community and beyond! Yours, Tricia Swift May 4, 2017 7 RETHINKING HIGH SCHOOL Created by Teachers for Students 2727 College Ave. Berkeley 510.841.8489 MaybeckHS.org 8 May 4, 2017 Message from the Executive Director Dearest Friends, We close our season tonight with a rare performance of the epic Shostakovich Symphony No. 13, “Babi Yar” to commemorate the 75th photo by Marshall Berman anniversary of this infamous time in history. It is the first performance in the US and likely, the world, since the recent death of the Russian poet, Yevgeny Yevtushenko, who authored the poem to which the music is set. His words serve as a potent reminder and powerful voice against the atrocities of their time and, sadly, bear all too many similarities to the harrowing acts against humanity that have since occurred in our world. I am pleased to share with you some exciting highlights from our upcoming season. We begin the season with Beethoven’s 1st Symphony and end with his iconic 9th Symphony, a piece we have not performed for nearly 30 years. In between, we present works by John Adams, Music Alive composer-in-residence Anna Clyne, Hector Berlioz and much more. Soloists will include Berkeley’s own Tessa Seymour performing a world premiere cello concerto, Conrad Tao returning to perform Tchaikovsky’s Piano Concerto No. 1 and Lisa Delan, soprano, and Lester Lynch, baritone, performing Gordon Getty’s Joan and the Bells. We are very pleased to announce an exciting partnership with BAMPFA. Stay tuned for more about this very soon. For its 5th season, our Berkeley Symphony & Friends Chamber Series returns on 5 Sundays at 5. And, of course, our award-winning Music in the Schools program will continue to enrich all BUSD elementary and middle schools. Finally, and certainly not the least of all, we thank you for your dedication to Berkeley Symphony’s adventurous and innovative programming. Your loyalty and generosity make possible the exciting premieres, collaborations, and classics you have come to expect from your Berkeley Symphony. With deepest gratitude, René Mandel May 4, 2017 9 10 May 4, 2017 Board of Directors & Advisory Council Board of Directors Executive Committee Tricia Swift, President Kathleen G. Henschel, Vice President for Governance Shariq Yosufzai, Vice President for Development Gertrude Allen, Vice President for Community Engagement John Dewes, Treasurer Brian James, Secretary René Mandel, Executive Director Directors Advisory Council (continued) Susan Acquistapace Carolyn Doelling Paul Bennett Anita Eblé Sandra Floyd Karen Faircloth Ellen L.
Recommended publications
  • Floating Island Canal Cheong Jagerroos Founder | Visual Artist

    Floating Island Canal Cheong Jagerroos Founder | Visual Artist

    Artist Canal Cheong Jagerroos with her installation ‘Floating Island- Beyond Arctic’ at Rovaniemi Art Museum 2020 Photo by Anssi Jokiranta . Copy right Lapin Kansa Newspaper, Finland Floating Island Canal Cheong Jagerroos Founder | Visual Artist “Look at the sunset. Floating fire-islands move. Imperial over cream green seas. Islands on fire! Islands like torches! Islands on victory parade! By Edith Södergran Canal Cheong Jagerroos 張 彤 茹 (b. 1968, China), is an established Chinese international artist who grew up in an artistic family in Macau. In a fascinating way, the works of Canal Cheong Jagerroos combines the past and present, East and West. For the past 30 years, Cheong Jagerroos has lived and worked in numerous countries, from Asia to Europe and Africa. The unique experiences of culturally diverse places have influenced her artistic work both consciously and subconsciously. Currently Canal Cheong Jagerroos lives and works in Helsinki and Shanghai Canal Cheong Jagerroos ‘Floating Island - Beyond Arctic’ at Rovaniemi Art Museum, Finland . Installation size 350 cm x 150 cm x 400 cm , calligraphy and mixed media on textile, LED light Exhibition: 24.1.2020 - 31.5.2020 ‘Floating Island’ is an entirely new spiritual space created by Cheong Jagerroos. Apart from the newest paintings and installations, it also includes the materials of her years of creative work. The installation of the pieces is full, bold, directly dissecting into the context of the artist’s creative process, and putting on display her process of thought and emotion. In a liberated, immersive and interactive manner, using different lights and mirrors to expand tactile sensitivities and imaginative spaces, the exhibition enables people to walk into the artist creativity, to enter the realm of Floating Island.
  • RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers

    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers

    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No.
  • Shostakovich (1906-1975)

    Shostakovich (1906-1975)

    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No.
  • Mariss Jansons Symphonieorchester Des Bayerischen Rundfunks ANTON BRUCKNER 1824–1896 Symphonie Nr

    Mariss Jansons Symphonieorchester Des Bayerischen Rundfunks ANTON BRUCKNER 1824–1896 Symphonie Nr

    BRUCKNER SYMPHONIE NR. 3 Mariss Jansons Symphonieorchester des Bayerischen Rundfunks ANTON BRUCKNER 1824–1896 Symphonie Nr. 3 d-Moll, WAB 103 (3. Fassung von 1889) 01 Mehr langsam, misterioso 22:06 02 Adagio, bewegt, quasi Andante 13:51 03 Ziemlich schnell – Trio 7:13 04 Allegro 13:09 Total time: 56:19 Symphonieorchester des Bayerischen Rundfunks Mariss Jansons Dirigent / conductor Live-Aufnahme / live recording: München, Philharmonie im Gasteig, 20./21.01.2005 Tonmeister / Recording Producer: Wilhelm Meister Toningenieur / Recording Engineer: Klemens Kamp Schnitt / Editing: Elisabeth Panzer, Susanne Wocker Remastering: Marie-Josefin Melchior Mastering Engineer: Christoph Stickel Verlag / Publisher: Musikwissenschaftlicher Verlag Wien, vertreten durch Alkor-Edition Kassel Photos: C Peter Meisel Design / Artwork: [ec:ko] communications Editorial: Thomas Becker · Lektorat: Dr. Vera Baur Eine CD-Produktion der BRmedia Service GmbH. P 2005 C 2019 BRmedia Service GmbH MARISS JANSONS SYMPHONIEORCHESTER _ DES BAYERISCHEN RUNDFUNKS Mariss Jansons wurde 1943 in Riga als Sohn des Dirigenten Arvıds Jansons geboren. Er studierte am Leningrader Konservatorium die Fächer Violine, Klavier Schon bald nach seiner Gründung 1949 entwickelte sich das Symphonieorchester und Dirigieren und vervollständigte seine Ausbildung bei Hans Swarowsky in Wien des Bayerischen Rundfunks zu einem international renommierten Orchester. und Herbert von Karajan in Salzburg. 1971 wurde er Preisträger beim Karajan- Besonders die Pflege der Neuen Musik hat eine lange Tradition, so gehören die Wettbewerb in Berlin und begann seine enge Zusammenarbeit mit den heutigen Auftritte im Rahmen der 1945 von Karl Amadeus Hartmann gegründeten musica St. Petersburger Philharmonikern, zunächst als Assistent von Jewgenij Mrawinskij, viva von Beginn an zu den zentralen Aufgaben des Orchesters.
  • Focus 2020 Pioneering Women Composers of the 20Th Century

    Focus 2020 Pioneering Women Composers of the 20Th Century

    Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers.
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company

    A Culture of Recording: Christopher Raeburn and the Decca Record Company

    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
  • Britten Connections a Guide for Performers and Programmers

    Britten Connections a Guide for Performers and Programmers

    Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman.
  • BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar

    BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar

    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973)
  • YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W

    YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W

    To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/194 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3-8, 10-11, 13 Edited by Warwick Gould YEATS AND WOMEN: YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE: YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares beside the Edmund Dulac memorial stone to W. B. Yeats. Roquebrune Cemetery, France, 1986. Private Collection. THE LIVING STREAM ESSAYS IN MEMORY OF A. NORMAN JEFFARES YEATS ANNUAL No. 18 A Special Issue Edited by Warwick Gould http://www.openbookpublishers.com © 2013 Gould, et al. (contributors retain copyright of their work). The text of this book is licensed under a Creative Commons Attribution 3.0 Unported Licence. This licence allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text.
  • Jall 20 Great Extended Play Titles Available in June

    Jall 20 Great Extended Play Titles Available in June

    KD 9NoZ ! LO9O6 Ala ObL£ it sdV :rINH3tID AZNOW ZHN994YW LIL9 IOW/ £L6LI9000 Heavy 906 ZIDIOE**xx***>r****:= Metal r Follows page 48 VOLUME 99 NO. 18 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT May 2, 1987/$3.95 (U.S.), $5 (CAN.) Fla. Clerk Faces Obscenity Radio Wary of Indecent' Exposure Charge For Cassette Sale FCC Ruling Stirs Confusion April 20. She was charged with vio- BY CHRIS MORRIS lating a state statute prohibiting ington, D.C., and WYSP Philadel- given further details on what the LOS ANGELES A Florida retail "sale of harmful material to a per- BY KIM FREEMAN phia, where Howard Stern's morn- new guidelines are, so it's literally store clerk faces felony obscenity son under the age of 18," a third -de- NEW YORK Broadcasters are ex- ing show generated the complaints impossible for me to make a judg- charges for selling a cassette tape gree felony that carries a maximum pressing confusion and dismay fol- that appear to have prompted the ment on them as a broadcaster." of 2 Live Crew's "2 Live Crew Is penalty of five years in jail or a lowing the Federal Communications FCC's new guidelines. According to FCC general coun- What We Are" to a 14- year -old. As a $5,000 fine. Commission's decision to apply a "At this point, we haven't been (Continued on page 78) result of the case, the store has The arrest apparently stems from broad brush to existing rules defin- closed its doors. the explicit lyrics to "We Want ing and regulating the use of "inde- Laura Ragsdale, an 18- year -old Some Pussy," a track featured on cent" and /or "obscene" material on part-time clerk at Starship Records the album by Miami-based 2 Live the air.
  • Rachmaninov Symphony No. 2Conducted by Leopold Stokowski with the Hollywood Bowl Orchestra

    Rachmaninov Symphony No. 2Conducted by Leopold Stokowski with the Hollywood Bowl Orchestra

    Rachmaninov Symphony No. 2 Conducted by Leopold Stokowski with the Hollywood Bowl Orchestra and Robert Russell Bennett Violin Concerto Bernard Herrmann conducting the London Symphony Orchestra, Louis Kaufman, violin RACHMANINOV ible music. And when it was done, the host of home that much. That all changed in 1918. With SYMPHONY NO. 2 whatever program it was came on and informed the war on and Russia in turmoil, Rachmaninov us listeners that we’d just heard Rachmaninov’s accepted a series of concerts in Scandinavia. Quick – what do Eric Carmen’s hit song “Never second symphony, conducted by Adrian Boult There he stayed until the tour was finished, and Gonna Fall in Love Again,” Don Sebeskey’s on London Records. I knew Mr. Boult’s work then he boarded a boat for the United States “You Can’t Go Home Again,” Barry Manilow’s because the second piece of music I bought and arrived in New York City eleven days later. “If I Should Love Again,” Danilo Perez’s “If I on LP after “The Moldau” was Fantasia on He became an in-demand conductor and per- Ever Forget You,” and the film Birdman all have Greensleeves by Vaughan Williams, conducted former, and also signed a deal to record for the in common? Yes, the all “borrow” from Rach- by Boult. Well, I immediately drove directly to Victor Talking Machine Company. Audiences maninov’s brilliant Symphony No. 2. While Vogue Records in Westwood. They had a won- loved him, but critics were divided on the worth Birdman used parts of the first and second derful classical department there and I asked of his music.
  • I Just Love This Orchestra! Berkeley Symphony Photo by David S

    I Just Love This Orchestra! Berkeley Symphony Photo by David S

    My life here Bette Ferguson, joined in 2006 My Life Here Is INDEPENDENT The people who live here are well-traveled and engaged with life. Their independent lifestyle is enhanced with our Continuing Care and contract options so they have all levels of healthcare under one roof. Find out why our established reputation as one of the very best not-for-profit communities is just one more reason people like Bette Ferguson know a good thing when they live it. To learn more, or for your personal visit, please call 510.891.8542. stpaulstowers-esc.org Making you feel right, at home. A fully accredited, non-denominational, not-for-profit community owned and operated by Episcopal Senior Communities. Lic. No. 011400627 COA #92 EPSP1616-01CJ 100111 CLIENT ESC / St. Paul’s Towers PUBLICATION Berkeley Symphony AD NAME Bette Ferguson REFERENCE NUMBER EPSP616-01cj_Bette_01_mech TYPE Full Page Color - Inside Front Cover TRIM SIZE 4.75” x 7.25” ISSUE 2011/12 Season MAT’LS DUE 9.01.11 DATE 08.22.11 VERSION 01 mech AGENCY MUD WORLDWIDE 415 332 3350 Berkeley Symphony 2011-12 Season 5 Message from the Executive Director 7 Board of Directors & Advisory Council 9 Message from the Music Director 11 Joana Carneiro 13 Berkeley Symphony 16 January 26 Orchestra 19 January 26 Program 21 January 26 Program Notes 31 January 26 Guest Artists 41 April 26 Program 43 April 26 Program Notes 55 April 26 Guest Artists 60 Music in the Schools 63 Under Construction 65 Contributed Support 74 Advertiser Index Season Sponsors: Kathleen G. Henschel and Official Wine Sponsor of Berkeley Symphony: Presentation bouquets are graciously provided by Jutta’s Flowers, the Official Florist of Berkeley Symphony.