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Floating Island Canal Cheong Jagerroos Founder | Visual Artist

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Arꢀst Canal Cheong Jagerroos with her installaꢀon ‘Floaꢀng Island - Beyond Arcꢀc’ at Rovaniemi Art Museum 2020

Photo by Anssi Jokiranta . Copy right Lapin Kansa Newspaper, Finland

Floaꢀng Island Canal Cheong Jagerroos

Founder | Visual Arꢀst

“Look at the sunset. Floaꢀng fire-islands move. Imperial over cream green seas. Islands on fire! Islands like torches! Islands on victory parade! By Edith Södergran

Canal Cheong Jagerroos 張 彤 茹 (b. 1968, China), is an established Chinese internaꢀonal arꢀst who grew up in an arꢀsꢀc family in Macau. In a fascinaꢀng way, the works of Canal Cheong Jagerroos combines the past and present, East and West. For the past 30 years, Cheong Jagerroos has lived and worked in numerous countries, from Asia to Europe and Africa. The unique experiences of culturally diverse places have influenced her arꢀsꢀc work both consciously and subconsciously.

Currently Canal Cheong Jagerroos lives and works in Helsinki and Shanghai

Canal Cheong Jagerroos ‘Floaꢀng Island - Beyond Arcꢀc’ at Rovaniemi Art Museum, Finland . Installaꢀon size 350 cm x 150 cm x 400 cm , calligraphy and mixed media on texꢀle, LED light Exhibiꢀon: 24.1.2020 - 31.5.2020

‘Floaꢀng Island’ is an enꢀrely new spiritual space created by Cheong Jagerroos. Apart from the newest painꢀngs and installaꢀons, it also includes the materials of her years of creaꢀve

work. The installaꢀon of the pieces is full, bold, directly dissecꢀng into the context of the

arꢀst’s creaꢀve process, and puꢁng on display her process of thought and emoꢀon. In a liberated, immersive and interacꢀve manner, using different lights and mirrors to expand tacꢀle sensiꢀviꢀes and imaginaꢀve spaces, the exhibiꢀon enables people to walk into the arꢀst creaꢀvity, to enter the realm of Floaꢀng Island.

Floaꢀng Island Overview

One of the main themes of ‘Floaꢀng Island’ is about the integraꢀon of Eastern and Western culture within the installaꢀon, combining the two elements in both chaoꢀc and harmonic inspiring way. By doing this, it is shown that these different ideas (ways of life) ̶

‘Floaꢀng Island’, so to speak ̶ can coexist and flourish together. Another point Cheong

Jagerroos is focusing on is the fact that we can find beauty not only in construcꢀon but within deconstrucꢀon as well. This is something she has discovered while walking the fine line between the east and west.

Canal Cheong Jagerroos current exhibiꢀon ‘Floaꢀng Island – Realm of Wonder’ at Tranter Sinni Gallery in Cor- al Gables and Miami from 19.10.2019 – 20.1.2020

Canal Cheong Jagerroos preparing ‘Floaꢀng Island’ at her studio in Helsinki and Shanghai 2018 /2019

  • C nal Cheong Jager-
  • Canal Cheong Jagerroos,

  • roos, Flo ꢀng Island
  • ‘Floaꢀng Island - Utopia’ at

  • Utopia at Jyv’skyl’
  • Jyväskylä Art Museum in Fin-

  • Art Museum in Fin-
  • land

  • land
  • 31.1.2019 - 31.3.2019

31.1.2019 31.3.2019
Leſt: Utopia, mixed media on
Installaꢀon view canvas, 180 x 180 cm, 2016

‘Floaꢀng Island - Utopia’ solo exhibiꢀon installaꢀon view at Jyväskylä Art Museum

Canal Cheong Jagerroos was working on calligraphy on texꢀle for Floaꢀng Island materials at her studio in Helsinki.

Reconstrucꢀon and Deconstrucꢀon

Canal is connecꢀng the educaꢀonal theme of Floaꢀng Island that can be taken from the installaꢀon exhibiꢀon is “reconstrucꢀon and deconstrucꢀon.” Making her works is a process filled with building and tearing apart unꢀl she is leſt with the final product. People see destrucꢀon as something negaꢀve, but they someꢀmes forget that the empty space that it leaves behind is an opportunity to fill it with something even beꢂer. This philosophy can be applied nearly any-where in life, whether it is something physical or psychological.

Canal Cheong Jagerroos is well aware of the context of both Eastern and Western art, and through her art, engages in a unique dialogue between different cultures.

‘Floaꢀng Island - Cinderella In Pink’ at Salo Art Museum in Finland

29.9.2018 - 13.1.2019

Exhibiꢀon installaꢀon view

‘Floaꢀng Island - Curious Beholders’ at Salo Art Museum in Finland 29.9.2018 - 13.1.2019 Exhibiꢀon installaꢀon view, materials included about 1000 pcs small painꢀngs hanging from ceiling to floor Floaꢀng Island Materials included, about 1000 pcs small painꢀngs connected by fishing string, mixed media calligraphy on large texꢀle, painꢀngs with mixed media on canvas, led light

Canal Cheong Jagerroos, Floaꢀng Island, Curious Beholders, 250 x 120 cm / 3 pcs , mixed media on canvas, 2017

In the past 30 years, by living and working all over Macau, Hong Kong, Shanghai, France, Switzerland, Italy, Africa, Finland, and a number of other countries and areas, Canal has naturally come across many cultures, all these different ways of life have in their own way become a piece of her. All these experiences have moulded her to who she is, and this is reflected in her artwork. This is also where the floaꢀng island’s names arises from as she imagines herself weaving through the world like a floaꢀng island.

In her works, Cheong Jagerroos rebuilds the language, signs and symbols of tradiꢀonal Chinese art. The arꢀst gives birth to a colourful, vibrant and layered form by painꢀng mulꢀple layers of colour, mixing different materials and work to ensure that material does not limit her creaꢀvity. Intensive painꢀng sessions lead to works where Canal Cheong Jagerroos embrace posiꢀve energy, peace and harmony. Emoꢀonal, colourful expression and the dismantling of confrontaꢀons and differences creates a peaceful and beauꢀful utopia.

Working on small painꢀngs and

calligraphy on texꢀle on progress

Canal Cheong Jagerroos, Floaꢀng island / Realm of Wonder, Miami, 2019 /2020

Above: Canal Cheong Jagerroos exhibiꢀon ‘Floaꢀng Island - Beyond Arcꢀc’ at Rovaniemi Art Museum, Finland
Below: Canal Cheong Jagerroos ‘Blue and Red—Extract’ exhibiꢀon installaꢀon view
Exhibiꢀon: 24.1.2020 - 31.5.2020

Floaꢀng island preparaꢀon, Canal’s studio in Helsinki and Shanghai 2020

Using contemporary elements, she deconstructs signs and symbols, breaking down the language barrier between the abstract and the concrete. Her pieces simultaneously contain the strength of the East and the Western. This shows the arꢀst’s aꢁtude of freedom and individuality, amidst a variety of tensions, her own liberaꢀon and cosmopolitan spirit is highlighted.

Floaꢀng island preparaꢀon, Canal’s studio in Shanghai 2020

Floaꢀng Island’s charm lies in its hopes for reconstrucꢀon and peace, interacꢀon and fusion, in its search for understanding between cultures, and osmosis and expansion between them, to preserve the spiritual space of exist-

ence, and to gain the power of feelings, thereby conꢀnuing the energy of human civilizaꢀon.

Canal Cheong Jagerroos ‘Floaꢀng Island’ working progress at her studio in Shanghai 2020

Recent newspaper arꢀcles

  • Östnyland newspaper 18 June 2019
  • Salon Newspaper, Sept 28, 2018

Karjalainen Newspaper, 23 May 2019
Karjalainen Newspaper, 22 July 2019
Karjalainen Newspaper, 22 July 2019

Recent newspaper arꢀcles

Lapin Kansa newspaper 28 Jan 2020
Sipoon Sanomat newspaper 18 June 2019

Miami New Times 22 Oct 2019
Coral Gables Magazine, Nov 2019

Canal Cheong Jagerroos 張彤茹

(CHN/MAC/FIN)

Visual Artist

Born 1968 Live and work in Helsinki, Berlin, Nice, Tokyo and Shanghai

Educaꢀon

Tam Che Seng Art Studio, Macau Guangzhou Fine Arts Academy, China
Hong Kong Open University – Graphic Design - Hong Kong

(香港公開大學 - 平面設計)

Recent / Current / Upcoming Exhibiꢀons:

2019 Jyväskylä Art Museum, solo exhibiꢀon ‘Floaꢀng Island - Utopia’, Finland (1 Feb – 31 Mar 2019) 2019 Art Wynwood Miami, Miami, USA (14 Feb - 18 Feb 2019) 2019 Konst Och Form, solo exhibiꢀon, Essence of Growth’ Finland (7 June – 1 Sept 2019) 2019 Joensuu Art Museum, Two Persons exhibiꢀon ‘B&RAP’, Finland (23 May – 27 Oct 2019) 2019 Solo exhibiꢀon ‘Floaꢀng Island’ Tranter Sinni Gallery, Miami, USA (19 Oct 2019 – 20 Jan 2020) 2019 Art Context Miami, Miami (3 Dec—8 Dec 2019) 2020 Rovaniemi / Korundi Art Museum, ‘Two Persons Exhibiꢀon -B&RAP’, Finland (24 January 2020 – 31 May 2020) 2020 LA Art Show, Los Angeles, USA (5 Feb –9 Feb 2020) 2020 Art Wynwood Miami, Miami, USA (14 Feb –17 Feb 2020) 2020 Chengdu Art Museum-Blue Roof, ‘B&RAP’, Chengdu, China (September 2020)

Past Solo / Selecꢀve Exhibiꢀons:

2019 LA Art Show, Los Angeles, USA (23 Jan - 27 Jan 2019) 2018 Salo Art Museum, ‘Floaꢀng Island - Tower’, Finland (28 Sept 2018 – 13 Jan 2019) 2018 Xian Art Museum, Xian, B&RAP, China 2018 LA Art Show, Los Angeles, USA 2018 Art Boca Raton, Florida, USA 2018 Art Las Vegas, Nevada, USA 2017 Hiap Helsinki, Filming exhibiꢀon (Curator: Li Zhenhua / HK Art Basel Film Director) 2017 Basel Art Center, Basel, Switzerland 2017 Finlayson Art Centre, Finland 2017 China-Italy Biennale, Shenzhen, China 2017 Tai Yuan Art Museum, Art Shanxi, China 2017 ICFF Miami Art and Design, Miami, USA 2017 Dalian Contemporary Art Fair, Dalian, Liaodong Peninsula, China 2017 Art Miami Aqua, Miami, USA 2017 Arꢀst In Residency, Beijing, China 2017 Solo Exhibiꢀon ‘Waking’, Being 3 Gallery, Beijing, China 2017 Art Palm Beach, Florida, USA
2017 LA Art Show, Los Angeles, USA 2016 Solo Exhibiꢀon Eternal, Tranter Gallery, Miami, USA 2016 Scope Miami, Miami, USA 2016 Spectrum Miami, Miami, USA 2016 Basel Scope, Basel, Switzerland 2016 Art Palm Beach, Miami, USA 2016 Art Boca Raton, Florida, USA 2016 Solo Exhibiꢀon Pure Affecꢀon II, Galeria de Arte, Estoril, Portugal 2016 Three Persons Exhibiꢀon 縁. 市川市館, Chiba, Japan 2016 ArtExpos New York, NY, USA 2015 Spectrum Miami, USA 2015 MAG Montreux, Switzerland Curatorial Exhibiꢀon Program, Helsinki, Finland 2015 Fade In! Fade Out!

2015 Under the Surface 2015 Half-Truth 2015 11 Dimension 2015 Graduated Students of Free Art School Helsinki 2014 Solo Exhibiꢀon Infinity, Galleria A_C Gallery Helsinki, Finland 2014 Solo Exhibiꢀon Pure Affecꢀon (純 觸覚)Rui Cunha Foundaꢀon, Macao 2013 Solo Exhibiꢀon Royaume des Saisons, Galerie Geneviere Marty, Cannes, France 2013 Venice Biennale 55th ‘Time.Space.Existence’, Palazzo Bembo, Venice, Italy 2013 Gumbostrand Konst & Form Contemporary Art Aucꢀon, Finland 2013 Duel exhibiꢀon ’Seeking for Inner-Self’ Gallery NTG, London, UK 2012 Solo Exhibiꢀon Selecꢀve Reality, Galleri Utställningssalongen, Stockholm, Sweden 2012 Berliner Liste Contemporary Art, Berlin, Germany 2012 AAF Art Fair Stockholm, Sweden 2012 Internaꢀonal Contemporary Art Fair (PAF), London, UK 2011 Solo Exhibiꢀon Summerdream, Galleri Viktoria, Göteborg, Sweden 2011 Summer exhibiꢀon (Gallery Uusitalo / Forsblom), Billnas, Finland 2011 Contemporary Art Exhibiꢀon, IWCR, Grasse, France 2011 Dreamscape, Onishi Gallery, New York, USA 2011 AAF, Milan, Italy 2010 Solo Exhibiꢀon Essence of A Girl (夢香), Gallery Karin Weber, Hong Kong 2010 Solo Exhibiꢀon Carpe Diem, Galleria Uusitalo, Helsinki, Finland 2010 Art Asia Miami, Miami, USA 2010 Selected Internaꢀonal Group Exhibiꢀon, Eduard Vilde Museum, Tallinn 2010 Helsinki Internaꢀonal Art Fair, Helsinki, Finland 2010 Billnas Summer exhibiꢀon, Finland 2010 Brussels Art Fair, Brussels, Belgium

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    Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data.

  • China Media Bulletin

    Issue No. 152: March 2021 CHINA MEDIA BULLETIN Headlines ANALYSIS Beijing Is Getting Better at Disinformation on Global Social MediaP2 IN THE NEWS • Censorship updates: Alibaba rebuked, Signal blocked, new broadcasting law, EU denied media market access P5 • Surveillance updates: Crackdowns on voice-changing software, data collection by private actors, Tibetan religious institutions, new vaccine passport P7 • Citizens detained for online speech about COVID-19, “insulting martyrs,” or having a Uyghur journalist relative abroad P8 • Hong Kong and Macau: Assault on democratic principles, free expression intensifies P9 • Beyond China: Global reach of antipoverty propaganda, Uyghur hacking, and regulatory responses to CGTN and Chinese surveillance P11 FEATURED PUSHBACK Taiwan’s #freedompineapple campaign goes viral in response to Chinese ban P13 WHAT TO WATCH FOR P14 TAKE ACTION P15 IMAGE OF THE MONTH Alaska Summit Memes This is one of many memes that emerged on the Chinese internet in the wake of tense US-China talks in Alaska on March 18. The image is from a patriotic Chinese webcomic, Year Hare Affair; it depicts the 1954 Geneva Conference— during which the PRC met the US for the first time as a major power—and was reposted widely on Chinese social media platforms. Other memes (see here and here) with an even more nationalistic tone garnered millions of likes on Weibo accounts, including the People’s Daily account, which has 128 million followers. Credit: ChinaTalk Newsletter Visit http://freedomhou.se/cmb_signup or email [email protected] to subscribe or submit items. CHINA MEDIA BULLETIN: MARCH 2021 ANALYSIS Beijing Is Getting Better at Disinformation on Global Social Media By Sarah Cook Its networks are resisting takedown efforts and gaining traction among Sarah Cook is a real users.