2019 Election Candidate Information

Total Page:16

File Type:pdf, Size:1020Kb

2019 Election Candidate Information Audio Engineering Society - 2019 Election Candidate Information Candidate for AES President-Elect JOEL VIEIRA DE BRITO received his Electrical Engineering degree from Universidade do Estado do Rio de Janeiro, in Brazil. He later went on to a post-graduation in Telecommunications from Universidade Federal do Rio de Janeiro. He started his audio career at 18, and spent 20 years in the touring and theater sound reinforcement business. He currently works as a design engineer on electroacoustical projects and as a consultant for manufacturers. Since 2001, Joel has had an active role in the Brazil Section, having served as Chairman three times, Committeeman and currently as Treasurer. Joel has been the Convention Chairman for the Section’s annual national convention for the last 17 years, organized numerous regional meetings throughout the country, 15 engineering conferences and the first Brazilian student recording competition. He was the Co-Chair for the AES Latin American Conference in 2009, and was awarded the Board of Governors Award for that service. As Vice President Latin America Region 2010 to 2013 he worked on increasing membership, creating new Sections and organizing Section events throughout Latin America as well as the Latin American Conferences of 2010 in Colombia, 2011 in Montevideo and 2012 in Guatemala. He has served as a member of the Society’s Laws and Resolutions, Nominations, Membership and Awards Committees. He is a member of AES SC-05-05, SC-05-02 and SC-04-03 Standards Committees. In March 2019, at the AES Dublin Convention, for “advancing the audio industry in Brazil and Latin America through decades of broad contributions to the Society,” Joel became a Fellow of the AES. Optional statement: My decision to stand for the position of President-elect reflects my commitment to the AES’s purpose to bring together the audio community. I would like for us to be known for significant accomplishments - ones we identify together. With almost twenty years of governance experience and proven leadership, I feel that my experience working under the leadership of the AES has also put me in a position to better understand the challenges of our society and how to further our agenda. If elected, you may be assured of my continuing commitment to fiduciary duty, creating new alliances with industry, and the pursuit of audio excellence. Candidate for AES President-Elect JONATHAN WYNER is a professor and author at the Berklee College of Music, Director of Education at iZotope and a well-known mastering engineer at M Works Mastering whose credits include David Bowie, Aerosmith, James Taylor and Miles Davis, the National Archive of New Zealand and countless others. A Member since the mid 1980’s, Jonathan’s dedication and commitment to the AES has shown itself through several roles. Jonathan served as Co-Chair of the 145th international AES Convention in New York, coordinating a new and engaging program that reflected the changing face of audio business and technology. He continues the role of Convention Co-Chair for the upcoming 147th AES Convention in October 2019. Jonathan has produced award winning educational content in his roles at Berklee College and iZotope and he has presented workshops and tutorials at many conventions and conferences in the U.S., Brazil, Poland, Germany, Ireland and Mexico. He is an active member of the AES Education and Diversity and Inclusion Committees, as well as the AES Technical Council’s Recording Technology and Production Committee. Optional statement: I have a sense of urgency that the AES needs to continue to evolve. During the last several years we have made great strides in modernizing our organization and systems and are taking steps towards a more diverse and more representative membership. I would look forward to continuing this work and will encourage a focus on modern technology and workflows in our programming. We also need to foster partnerships with research and industry building on that tradition in the AES. Local Sections are our life blood and we should work to help increase the visibility of the great things that are happening in them. We need to broadcast news and content from our offerings to new audiences by using web-based resources and innovating with programming at focused regional events everywhere. The AES is a great platform for networking, education and an exchange of ideas about all things audio that we should work to bring to an ever-widening membership. Candidate for AES Treasurer-Elect RICHARD WOLLRICH is currently the AES Treasurer and a member of the Society’s five-member Executive Committee. Richard currently serves as Chair of the Finance Committee and is also Co-Chair of the Society’s Convention Policy Committee. He was recently asked to serve as Treasurer for the upcoming 147th International Convention to be held in New York. This is a follow-up to his having successfully served as Treasurer of the 145th, 143rd, and 141st International Conventions. While performing these functions, Richard created a comprehensive budget structure to track delegate registration, exhibitor booth space sales, company-direct sponsorships and event expenditures. This provided, on a week-by- week basis, information on the financial health of each event, all of which proved to be financially successful. Richard’s philosophy as AES Treasurer has been to review the duties and responsibilities of that role, and work closely with the Executive Committee, the Board of Governors and the various Committees. He brings what he considers to be a fresh, committed focus on fiscal responsibility while identifying new technologies and practices utilized within other business environments that are relevant to the AES business model and determine how to effectively implement them at minimal cost. Richard earned a Bachelor of Science Degree in Business Administration with a minor in accounting from Woodbury University, a Southern California private university specializing in business. During his career, Richard has also held full-time, elected officer positions as Treasurer and Secretary/Treasurer for several large International Alliance of Theatrical Stage Employees/IATSE-affiliated unions serving the entertainment industry. Optional statement: I have demonstrated that I possess the core skill set to develop realistic financial statements in concert with the Executive Director and the financial working groups within the AES. I have closely managed real-time income and expenses for AES domestic and international conventions, conferences and symposiums, to ensure that the Society does not incur unanticipated losses. I believe that the AES needs to identify what new technologies and practices are being used by similar organizations, and to consider how we can implement them to improve our bottom-line results. I hope that you will consider my experience as the past AES Treasurer-Elect and now AES Treasurer, as well as my past experience in the role of Treasurer for several large organizations in the entertainment industry, together with an earned Bachelor of Science Degree in business and my sincere dedication to the AES, when considering my willingness to continue to serve the Society as Treasurer. Candidate for AES Vice President Central Region, U.S. & Canada IAN CORBETT is the Coordinator and Professor of Audio Engineering and Music Technology at Kansas City Kansas Community College. He also owns and operates “off-beat-open-hats LLC,” providing live sound and recording services to clients in the Kansas City area. He has mixed FOH, and occasionally monitors, for many headline artists at venues around the USA. Throughout his career he has balanced education with professional employment in a wide variety of audio industry fields, including theater sound, television and radio, location concert recording, live sound reinforcement, and forensic audio evidence recording. As the co-founder and technical director of Electronic Music Midwest, a contemporary music festival established in 2002, he enjoys multichannel sound and presenting immersive concert experiences. Ian’s book, Mic It! – Microphones, Microphone Techniques, and Their Impact on the Final Mix was published by Focal Press in 2015, and he also writes articles for Sound On Sound magazine. He holds a Doctor of Musical Arts degree in composition, and can also be found playing saxophone in Kansas City’s jazz clubs and restaurants. Highly active in the AES for almost twenty years, Ian has presented tutorials and workshops at local, regional, national, and international AES events (as well as at other professional events) throughout the USA, Central and South America, and Europe. Always wanting to provide value and educational opportunities for AES members, he has organized and moderated the Student Recording Critique sessions at AES conventions in the USA and Europe for about ten years, as well as being a frequent judge of the Student Recording Competition. 2019 will be his thirteenth year as an invited presenter at the AES Central Region Audio Student Summit, third year as an invited presenter at the Latin American AES Conference, and he has also hosted the AES Student Mixer at AES@NAMM since its inception two years ago. Ian travels internationally, independently, to give presentations and workshops at colleges, universities and to student and professional groups, always representing the AES, and promoting its values and the benefits of membership to attendees. Internationally recognized, he also frequently serves as an external examiner, moderator and program evaluator in the U.S. and Europe. Since 2004 he has been a member of the AES Education Committee, and in line with his desire to increase membership through promotion and development of membership value, he currently serves on the AES Membership and the Diversity & Inclusion Committees. Optional statement: I enjoy providing educational opportunities to AES members and prospective members at audio events around the world. The development and promotion of the tangible and intangible career and personal benefits of AES membership are of paramount importance to me.
Recommended publications
  • Floating Island Canal Cheong Jagerroos Founder | Visual Artist
    Artist Canal Cheong Jagerroos with her installation ‘Floating Island- Beyond Arctic’ at Rovaniemi Art Museum 2020 Photo by Anssi Jokiranta . Copy right Lapin Kansa Newspaper, Finland Floating Island Canal Cheong Jagerroos Founder | Visual Artist “Look at the sunset. Floating fire-islands move. Imperial over cream green seas. Islands on fire! Islands like torches! Islands on victory parade! By Edith Södergran Canal Cheong Jagerroos 張 彤 茹 (b. 1968, China), is an established Chinese international artist who grew up in an artistic family in Macau. In a fascinating way, the works of Canal Cheong Jagerroos combines the past and present, East and West. For the past 30 years, Cheong Jagerroos has lived and worked in numerous countries, from Asia to Europe and Africa. The unique experiences of culturally diverse places have influenced her artistic work both consciously and subconsciously. Currently Canal Cheong Jagerroos lives and works in Helsinki and Shanghai Canal Cheong Jagerroos ‘Floating Island - Beyond Arctic’ at Rovaniemi Art Museum, Finland . Installation size 350 cm x 150 cm x 400 cm , calligraphy and mixed media on textile, LED light Exhibition: 24.1.2020 - 31.5.2020 ‘Floating Island’ is an entirely new spiritual space created by Cheong Jagerroos. Apart from the newest paintings and installations, it also includes the materials of her years of creative work. The installation of the pieces is full, bold, directly dissecting into the context of the artist’s creative process, and putting on display her process of thought and emotion. In a liberated, immersive and interactive manner, using different lights and mirrors to expand tactile sensitivities and imaginative spaces, the exhibition enables people to walk into the artist creativity, to enter the realm of Floating Island.
    [Show full text]
  • Malcolm Chisholm: an Evaluation of Traditional Audio Engineering
    Butler University Digital Commons @ Butler University Scholarship and Professional Work - Communication College of Communication 2013 Malcolm Chisholm: An Evaluation of Traditional Audio Engineering Paul Linden Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/ccom_papers Part of the Audio Arts and Acoustics Commons, and the Communication Technology and New Media Commons Recommended Citation Linden, Paul, "Malcolm Chisholm: An Evaluation of Traditional Audio Engineering" (2013). Scholarship and Professional Work - Communication. 137. https://digitalcommons.butler.edu/ccom_papers/137 This Article is brought to you for free and open access by the College of Communication at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - Communication by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Journal of the Music & Entertainment Industry Educators Association Volume 13, Number 1 (2013) Bruce Ronkin, Editor Northeastern University Published with Support from Malcolm Chisholm: An Evaluation of Traditional Audio Engineering Paul S. Linden University of Southern Mississippi Abstract The career of longtime Chicago area audio engineer and notable Chess Records session recorder Malcolm Chisholm (1929-2003) serves as a window for assessing the stakes of technological and cultural develop- ments around the birth of Rock & Roll. Chisholm stands within the tradi- tional art-versus-commerce debate as an example of the post-World War II craftsman ethos marginalized by an incoming, corporate-determined paradigm. Contextual maps locate Chisholm’s style and environment of audio production as well as his impact within the rebranding of electri- fied Blues music into mainstream genres like Rock music.
    [Show full text]
  • Federal Register/Vol. 86, No. 119/Thursday, June 24, 2021/Notices
    33222 Federal Register / Vol. 86, No. 119 / Thursday, June 24, 2021 / Notices MPROVE Co., Limited Shanghai Jade Shuttle Hardware Tools Co., Wire Products Manufacturing Co., Ltd. Nailtech Co., Ltd. Ltd. Wuhu Diamond Metal Products Co., ltd Nanjing Duraturf Co., Ltd. Shanghai March Import & Export Co., Ltd. Wulian Zhanpeng Metals Co., Ltd. Nanjing Nuochun Hardware Co., Ltd. Shanghai Seti Enterprise Int’l Co., Ltd. Wuxi Holtrent International Co., Ltd. Nanjing Tianxingtong Electronic Technology Shanghai Shenda Imp. & Exp. Co., Ltd Wuxi Yushea Furniture Co., Ltd. Co., Ltd. Shanghai Sutek Industries Co., Ltd. Xiamen Hongju Printing Industry &trade Co., Nanjing Tianyu International Co., Ltd. Shanghai Television and Electronics Import Ltd. Nanjing Toua Hardware & Tools Co., Ltd. and Export Co., Ltd. Xuzhou Cip International Group Co, Ltd. Nanjing Zeejoe International Trade Shanghai Yiren Machinery Co., Ltd. Yiwu Competency Trading Co., Ltd. Nantong Intlevel Trade Co., Ltd. Shanghai Yueda Fasteners Co., Ltd. Yiwu Kingland Import & Export Co. Natuzzi China Limited Shanghai Zoonlion Industrial Co., Limited Yiwu Taisheng Decoration Materials Limited Nielsen Bainbridge LLC Shanghai Zoonlion Industrial Co., Ltd. Yiwu Yipeng Import & Export Co., Ltd. Ningbo Adv. Tools Co., Ltd. Shanxi Easyfix Trade Co., Ltd. Yongchang Metal Product Co., Ltd. Ningbo Angelstar Trading Co., Ltd. Shanxi Fastener & Hardware Products Youngwoo Fasteners Co., Ltd. Ningbo Bright Max Co., Ltd. Shanxi Xinjintai Hardware Co., Ltd. Yuyao Dingfeng Engineering Co. Ltd. Ningbo Fine Hardware Production Co., Ltd. Shaoxing Bohui Import and Export Co., Ltd Zhanghaiding Hardware Co., Ltd. Ningbo Freewill Imp. & Exp. Co., Ltd. Shaoxing Chengye Metal Producing Co., Ltd. Zhangjiagang Lianfeng Metals Products Co., Ningbo Home-dollar Imp.& Exp.
    [Show full text]
  • Jall 20 Great Extended Play Titles Available in June
    KD 9NoZ ! LO9O6 Ala ObL£ it sdV :rINH3tID AZNOW ZHN994YW LIL9 IOW/ £L6LI9000 Heavy 906 ZIDIOE**xx***>r****:= Metal r Follows page 48 VOLUME 99 NO. 18 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT May 2, 1987/$3.95 (U.S.), $5 (CAN.) Fla. Clerk Faces Obscenity Radio Wary of Indecent' Exposure Charge For Cassette Sale FCC Ruling Stirs Confusion April 20. She was charged with vio- BY CHRIS MORRIS lating a state statute prohibiting ington, D.C., and WYSP Philadel- given further details on what the LOS ANGELES A Florida retail "sale of harmful material to a per- BY KIM FREEMAN phia, where Howard Stern's morn- new guidelines are, so it's literally store clerk faces felony obscenity son under the age of 18," a third -de- NEW YORK Broadcasters are ex- ing show generated the complaints impossible for me to make a judg- charges for selling a cassette tape gree felony that carries a maximum pressing confusion and dismay fol- that appear to have prompted the ment on them as a broadcaster." of 2 Live Crew's "2 Live Crew Is penalty of five years in jail or a lowing the Federal Communications FCC's new guidelines. According to FCC general coun- What We Are" to a 14- year -old. As a $5,000 fine. Commission's decision to apply a "At this point, we haven't been (Continued on page 78) result of the case, the store has The arrest apparently stems from broad brush to existing rules defin- closed its doors. the explicit lyrics to "We Want ing and regulating the use of "inde- Laura Ragsdale, an 18- year -old Some Pussy," a track featured on cent" and /or "obscene" material on part-time clerk at Starship Records the album by Miami-based 2 Live the air.
    [Show full text]
  • Paralelo 38° En El Siglo
    UAI – Investigación Paralelo 38° en el siglo XXI: desafíos y oportunidades para una nueva cooperación regional / Luciano Damián Bolinaga … [et al.]; compilado por Luciano Damián Bolinaga; Micaela Serra; Carolina Galloso. – 1a ed. – Ciudad Autónoma de Buenos Aires: Teseo, 2019. 596 p.; 15 x 22 cm. ISBN 978-987-723-225-7 1. Geopolítica. 2. Corea. 3. América Latina. I. Bolinaga, Luciano Damián II. Bolinaga, Luciano Damián, comp. III. Serra, Micaela, comp. IV. Galloso, Carolina, comp. CDD 327.101 Este libro fue impreso con el apoyo de la Academy of Korean Studies. © Editorial Teseo, 2019 Buenos Aires, Argentina Editorial Teseo Hecho el depósito que previene la ley 11.723 Para sugerencias o comentarios acerca del contenido de esta obra, escríbanos a: [email protected] www.editorialteseo.com ISBN: 9789877232257 Diseño de Tapa: AGENCIA W CREA (Publicista Verónica Remorini & Licenciada Valentina Bedino) Las opiniones y los contenidos incluidos en esta publicación son responsabilidad exclusiva del/los autor/es. Paralelo 38° en el siglo XXI TeseoPress Design (www.teseopress.com Este libro está dedicado a los empresarios coreanos que abrazan el suelo argentino como propio y que en el día a día construyen un puente indestructible entre ambas naciones. Palabras de bienvenida a cargo del Excmo. Sr. LIM Ki-mo, embajador de la República de Corea .......................................................................................15 Palabras de bienvenida a cargo del Arq. KIM Young Jun, presidente de la Cámara Argentina de Comercio, Industria
    [Show full text]
  • A DAY in the LIFE of GEOFF EMERICK Geoff Emerick Has Recorded Some of the Most Iconic Albums in the History of Modern Music
    FEATURE A DAY IN THE LIFE OF GEOFF EMERICK Geoff Emerick has recorded some of the most iconic albums in the history of modern music. During his tenure with The Beatles he revolutionised engineering while the band transformed rock ’n’ roll. Text: Andy Stewart To an audio engineer, the idea of being able to occupy was theoretically there second visit to the studio). On only Geo! Emerick’s mind for a day to personally recall the his second day of what was to become a long career boxed recording and mixing of albums like Revolver, Sgt. Pepper’s inside a studio, Geo! – then only an assistant’s apprentice – Lonely Hearts Club Band and Abbey Road is the equivalent of witnessed the humble birth of a musical revolution. stepping inside Neil Armstrong’s space suit and looking back From there his career shot into the stratosphere, along with at planet Earth. the band, becoming "e Beatles’ chief recording engineer Many readers of AT have a memory of a special album at the ripe old age of 19; his $rst session as their ‘balance they’ve played on or recorded, a live gig they’ve mixed or a engineer’ being on the now iconic Tomorrow Never knows big crowd they’ve played to. Imagine then what it must be o! Revolver – a song that heralded the arrival of psychedelic like for your fondest audio memories to be of witnessing "e music. On literally his $rst day as head engineer for "e Beatles record Love Me Do at the age of 15 (on only your Beatles, Geo! close–miked the drum kit – an act unheard second day in the studio); of screaming fans racing around of (and illegal at EMI) at the time – and ran John Lennon’s the halls of EMI Studios while the band was barricaded vocals through a Leslie speaker a#er being asked by the in Studio Two recording She Loves You; of recording the singer to make him sound like the ‘Dalai Lama chanting orchestra for A Day in the Life with everyone, including the from a mountain top’.
    [Show full text]
  • China's Strategic Modernization: Implications for the United States
    CHINA’S STRATEGIC MODERNIZATION: IMPLICATIONS FOR THE UNITED STATES Mark A. Stokes September 1999 ***** The views expressed in this report are those of the author and do not necessarily reflect the official policy or position of the Department of the Army, the Department of the Air Force, the Department of Defense, or the U.S. Government. This report is cleared for public release; distribution is unlimited. ***** Comments pertaining to this report are invited and should be forwarded to: Director, Strategic Studies Institute, U.S. Army War College, 122 Forbes Ave., Carlisle, PA 17013-5244. Copies of this report may be obtained from the Publications and Production Office by calling commercial (717) 245-4133, FAX (717) 245-3820, or via the Internet at [email protected] ***** Selected 1993, 1994, and all later Strategic Studies Institute (SSI) monographs are available on the SSI Homepage for electronic dissemination. SSI’s Homepage address is: http://carlisle-www.army. mil/usassi/welcome.htm ***** The Strategic Studies Institute publishes a monthly e-mail newsletter to update the national security community on the research of our analysts, recent and forthcoming publications, and upcoming conferences sponsored by the Institute. Each newsletter also provides a strategic commentary by one of our research analysts. If you are interested in receiving this newsletter, please let us know by e-mail at [email protected] or by calling (717) 245-3133. ISBN 1-58487-004-4 ii CONTENTS Foreword .......................................v 1. Introduction ...................................1 2. Foundations of Strategic Modernization ............5 3. China’s Quest for Information Dominance ......... 25 4.
    [Show full text]
  • Geographical Codes Countries of the World & Unique Locations
    BELLCORE PRACTICE BR 751-401-180 ISSUE 16, FEBRUARY 1999 COMMON LANGUAGE® Geographical Codes Countries of the World & Unique Locations BELLCORE PROPRIETARY - INTERNAL USE ONLY This document contains proprietary information that shall be distributed, routed or made available only within Bellcore, except with written permission of Bellcore. LICENSED MATERIAL - PROPERTY OF BELLCORE Possession and/or use of this material is subject to the provisions of a written license agreement with Bellcore. Geographical Codes Countries of the World & Unique Locations BR 751-401-180 Copyright Page Issue 16, February 1999 Prepared for Bellcore by: R. Keller For further information, please contact: R. Keller (732) 699-5330 To obtain copies of this document, Regional Company/BCC personnel should contact their company’s document coordinator; Bellcore personnel should call (732) 699-5802. Copyright 1999 Bellcore. All rights reserved. Project funding year: 1999. BELLCORE PROPRIETARY - INTERNAL USE ONLY See proprietary restrictions on title page. ii LICENSED MATERIAL - PROPERTY OF BELLCORE BR 751-401-180 Geographical Codes Countries of the World & Unique Locations Issue 16, February 1999 Trademark Acknowledgements Trademark Acknowledgements COMMON LANGUAGE is a registered trademark and CLLI is a trademark of Bellcore. BELLCORE PROPRIETARY - INTERNAL USE ONLY See proprietary restrictions on title page. LICENSED MATERIAL - PROPERTY OF BELLCORE iii Geographical Codes Countries of the World & Unique Locations BR 751-401-180 Trademark Acknowledgements Issue 16, February 1999 BELLCORE PROPRIETARY - INTERNAL USE ONLY See proprietary restrictions on title page. iv LICENSED MATERIAL - PROPERTY OF BELLCORE BR 751-401-180 Geographical Codes Countries of the World & Unique Locations Issue 16, February 1999 Table of Contents COMMON LANGUAGE Geographic Codes Countries of the World & Unique Locations Table of Contents 1.
    [Show full text]
  • Need for the Audio Engineering Society
    Reprinted by permission from the Journal of the Audio Engineering Society, Vol. 27:9 (7973 Nov), pp 766, 768. This editorial appeared in "Audio Engineer- ing" (now "Audio") in its March 1948 issue and was pre- pared by the then Organization Committee for the forma- tion of the Audio Engineering Society. The Committee was comprised of John D. Colvin, C. J. LeBel, C. G. McProud, Norman C. Pickering and Chester 0. Rackey. (Mr. LeBel died in 1966 and Mr. Rackey in 1973.) NEED FOR THE AUDIO ENGINEERING SOCIETY ngineers engaged in the field of audio are generally material and actual practice is so great as to be in- E agreed that there is a definite advantage to a pro- credible to one not actually in this field. fessional society as a means of disseminating information 4. Tape and wire recording: The research aspect has and promoting intelligent study of the problems per- been covered in rhe literature, but here again there is taining to their interests, but there has been considerable a big differenoe between the published information and doubt that their fidd has been covered adequately. Audio actual engineering practice. engineering has been on the fringes of three existing so- 5. Hearing aids: Published information has not kept cieties withol~tactually being the central interest of any pace with engineering design practice. It is possible that one of them. Because of this, there has been sporadic this is due to the secrecy of a new art, but it may also discussion concerning the formation of a new profes- be due to lack of encouragement of engineering papers.
    [Show full text]
  • Cultural Governance in Contemporary China: Popular Culture, Digital Technology, and the State
    ! ! ! ! CULTURAL GOVERNANCE IN CONTEMPORARY CHINA: POPULAR CULTURE, DIGITAL TECHNOLOGY, AND THE STATE BY LUZHOU LI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications and Media in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Professor Emeritus John Nerone, Chair Assistant Professor Amanda Ciafone Professor Emeritus Dan Schiller Professor Kent Ono, University of Utah ii ABSTRACT This dissertation is a study of the historical formation and transformation of the Chinese online audiovisual industry under forces of strategic political calculations, expanding market relations, and growing social participation, and the cultural ramifications of this process, especially the kind of transformations digital technologies have wrought on the state-TV-station-centered mode of cultural production/distribution and regulatory apparatuses. Through this case, the project aims to theorize the changing mode of cultural governance of post-socialist regimes in the context of digital capitalism. Using mixed methods of documentary research, interviews with industry practitioners, participant observations of trade fairs/festivals, and critical discourse analyses of popular cultural texts, the study finds that the traditional broadcasting and the online video sectors are structured along two different political economic mechanisms. While the former is dominated by domestic capital and heavily regulated by state agencies, the latter is supported by transnational capital and less regulated. Digital technologies coupled with transnational capital thus generate new cultural flows, processes, and practices, which produces a heterogeneous and contested cultural sphere in the digital environment that substantially differs from the one created by traditional television.
    [Show full text]
  • Contemporary Chinese America in the SERIES Asian American History and Culture (AAHC) EDITED by SUCHENG CHAN, DAVID PALUMBO-LIU, MICHAEL OMI, K
    Contemporary Chinese America IN THE SERIES Asian American History and Culture (AAHC) EDITED BY SUCHENG CHAN, DAVID PALUMBO-LIU, MICHAEL OMI, K. SCOTT WONG, AND LINDA TRINH VÕ Benito M. Vergara, J. Pinoy Capital: The Filipino Nation in Daly City Sucheng Chan and Madeline Y. Hsu, eds., Chinese Americans and the Politics of Race and Culture Jonathan Y. Okamura, Ethnicity and Inequality in Hawai‘i K. Scott Wong, Americans First: Chinese Americans and the Second World War Lisa Yun, The Coolie Speaks: Chinese Indentured Laborers and African Slaves in Cuba Estella Habal, San Francisco’s International Hotel: Mobilizing the Filipino American Community in the Anti-Eviction Movement Thomas P. Kim, The Racial Logic of Politics: Asian Americans and Party Competition Sucheng Chan, ed., The Vietnamese American 1.5 Generation: Stories of War, Revolution, Flight, and New Beginnings Antonio T. Tiongson Jr., Edgardo V. Gutierrez, and Ricardo V. Gutierrez, eds., Positively No Filipinos Allowed: Building Communities and Discourse Sucheng Chan, ed., Chinese American Transnationalism: The Flow of People, Resources, and Ideas between China and America during the Exclusion Era Keith Lawrence and Floyd Cheung, eds., Recovered Legacies: Authority and Identity in Early Asian American Literature Rajini Srikanth, The World Next Door: South Asian American Literature and the Idea of America Linda Trinh Võ, Mobilizing an Asian American Community Franklin S. Odo, No Sword to Bury: Japanese Americans in Hawai‘i during World War II Josephine Lee, Imogene L. Lim, and Yuko Matsukawa, eds., Re/collecting Early Asian America: Essays in Cultural History Linda Trinh Võ and Rick Bonus, eds., Contemporary Asian American Communities: Intersections and Divergences A list of additional titles in this series appears at the back of this book.
    [Show full text]
  • Engineers Throughout Jazz History
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2017 Engineers Throughout Jazz History Alex Declet California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Recommended Citation Declet, Alex, "Engineers Throughout Jazz History" (2017). Capstone Projects and Master's Theses. 101. https://digitalcommons.csumb.edu/caps_thes_all/101 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Declet 1 Alex Declet Prof. Sammons MPA 475: Capstone Engineers in Jazz Most of the general public do not know how much goes into the music making process as an engineer. Historically, with devices such as the phonograph, gramophone and early analog tape there was a push to get more audio out to the masses and engineers went from a documentary state of recording to a qualitative state. With technology like the record player, audiences had easy ways of accessing and listening to music in their own homes. The public even today buys physical or digital albums without taking a good look at who or what was involved in the process of making the album complete and ready to sell. The innovative minds in the recording industry, hidden in the liner notes of the albums, were engineers like Rudy Van Gelder, Frank Laico, and Tom Dowd just to name a few.
    [Show full text]