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14 January 2011 Page 1 of 9
Radio 3 Listings for 8 – 14 January 2011 Page 1 of 9 SATURDAY 08 JANUARY 2011 05:37AM virtuosity, but it's quite possible he wrote this concerto to play Mozart, Wolfgang Amadeus (1756-1791) himself. One early soloist commented that the middle SAT 01:00 Through the Night (b00wx4v1) Alma Dei creatoris (K.277) movement was 'too clever by half', but it's the finale that's The Genius of Mozart, presented by John Shea Ursula Reinhardt-Kiss (soprano); Annelies Burmeister (mezzo); catches most attention today, as it suddenly lurches into the Eberhard Büchner (tenor); Leipzig Radio Chorus & Symphony 'Turkish' (or more accurately Hungarian-inspired) style - and 01:01AM Orchestra), Herbert Kegel (conductor) the nickname has stuck. Mozart, Wolfgang Amadeus (1756-1791) Thamos, König in Ägypten (K.345) 05:43AM Conductor Garry Walker is no stranger to Mozart, last season Monteverdi Choir; English Baroque Soloists; cond. by John Mozart, Wolfgang Amadeus (1756-1791) he visited the St David's Festival in West Wales with the Eliot Gardiner 16 Minuets (K.176) (excerpts) Nos.1-4 orchestra, taking the 'Haffner' symphony. Today he conducts Slovak Sinfonietta, cond. Tara Krysa the players in Symphony No. 25, written when Mozart was a 01:50AM teenager. It's his first symphony in a minor key, and maybe the Mozart, Wolfgang Amadeus (1756-1791) 05:51AM passion and turbulence we hear in the outer movements a young Piano Sonata in C minor (K. 457) (1784) Mozart, Wolfgang Amadeus (1756-1791) man struggling out of his adolescence. Denis Burstein (piano) Quartet for strings in B flat major (K.458) "Hunt" Quatuor Mosaïques MOZART 02:15AM Violin Concerto No. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Jennifer Pike Violin Sir Andrew Davis
SUPER AUDIO CD SibeliusViolin Concerto Karelia Suite • Finlandia • Valse triste Andante festivo • Valse lyrique The Swan of Tuonela Jennifer Pike violin Bergen Philharmonic Orchestra Sir Andrew Davis AKG Images, London Images, AKG Jean Sibelius, at his house, Ainola, in Järvenpää, near Helsinki, 1907 Jean Sibelius (1865 – 1957) Concerto for Violin and Orchestra, Op. 47* 31:55 in D minor • in d-Moll • en ré mineur 1 I Allegro moderato – [Cadenza] – Tempo I – Molto moderato e tranquillo – Largamente – Allegro molto – Moderato assai – [Cadenza] – Allegro moderato – Allegro molto vivace 15:46 2 II Adagio di molto 8:16 3 III Allegro, ma non tanto 7:44 Karelia Suite, Op. 11 15:51 for Orchestra from music to historical tableaux on the history of Karelia 4 I Intermezzo. Moderato – Meno – Più moderato 4:03 5 II Ballade. Tempo di menuetto – Un poco più lento 7:13 Hege Sellevåg cor anglais 6 III Alla marcia. Moderato – Poco largamente 4:27 3 7 The Swan of Tuonela, Op. 22 No. 2 8:16 (Tuonelan joutsen) from the Lemminkäinen Legends after the Finnish national epic Kalevala compiled by Elias Lönnrot (1802 – 1884) Hege Sellevåg cor anglais Jonathan Aasgaard cello Andante molto sostenuto – Meno moderato – Tempo I 8 Valse lyrique, Op. 96a 4:09 Work originally for solo piano, ‘Syringa’ (Lilac), orchestrated by the composer Poco moderato – Stretto e poco a poco più – Tempo I 9 Valse triste, Op. 44 No. 1 5:03 from the incidental music to the drama Kuolema (Death) by Arvid Järnefelt (1861 – 1932) Lento – Poco risoluto – Più risoluto e mosso – Stretto – Lento assai 4 10 Andante festivo, JS 34b 4:06 Work originally for string quartet, arranged by the composer for strings and timpani ad libitum 11 Finlandia, Op. -
Sheku Kanneh-Mason
Sheku Kanneh-Mason Sheku Kanneh-Mason is the 2016 BBC Young Musician, a title he won with a stunning performance of the Shostakovich Cello Concerto at London’s Barbican Hall with the BBC Symphony Orchestra. In April 2017, Sheku returned to the hall for another performance of the concerto, this time with the National Youth Orchestra and Carlos Miguel Prieto after which the Guardian wrote that “technically superb and eloquent in his expressivity, he held the capacity audience spellbound with an interpretation of exceptional authority” and the Telegraph acknowledged “what a remarkable musician he already is, bringing other- worldly tone to the haunting slow movement and displaying mature musicianship in his handling of the extended cadenza” Only eighteen years old, Sheku’s international career is developing very quickly with engagements in the 2017/18 and 2018/19 seasons including the CBSO, the Philharmonia Orchestra at the Newbury Spring Festival, a return to the Royal Liverpool Philharmonic, Zurich Tonhalle Orchestra, Barcelona Symphony, Netherlands Chamber Orchestra (his debut at the Concertgebouw), Los Angeles Chamber Orchestra (Sheku’s concerto debut in North America), Louisiana Philharmonic, and the Seattle and Atlanta symphonies. He will also return to the BBC Symphony Orchestra to perform the Elgar Concerto in his hometown of Nottingham and make his debut at the Vienna Konzerthaus with the Japan Philharmonic. In recital, Sheku has several concerts across the UK with highlights over the next two seasons including his debuts at Kings Place as part of their Cello Unwrapped series, Milton Court, and Wigmore Hall. He will also perform a series of concerts in Canada in December 2017, and further recitals at the Zurich Tonhalle, and the Lucerne Festival. -
PROMS 2018 Page 1 of 7
PROMS 2018 Page 1 of 7 Prom 1: First Night of the Proms Sam Walton percussion Piano Concerto No 1 in G minor (20 mins) 20:15 Friday 13 July 2018 ON TV Martin James Bartlett piano Royal Albert Hall Freddy Kempf piano Morfydd Llwyn Owen Lara Melda piano Nocturne (15 mins) Ralph Vaughan Williams Lauren Zhang piano Toward the Unknown Region (13 mins) BBC Concert Orchestra Robert Schumann Andrew Gourlay conductor Symphony No 4 in D minor (original 1841 version) (28 mins) Gustav Holst The Planets (52 mins) Bertrand Chamayou piano Proms at … Cadogan Hall 1 BBC National Orchestra of Wales Anna Meredith 13:00 Monday 16 July 2018 Thomas Søndergård conductor 59 Productions Cadogan Hall, London Five Telegrams (22 mins) BBC co-commission with 14–18 NOW and Edinburgh Caroline Shaw Proms at … The Roundhouse International Festival: world première Second Essay: Echo (15 mins) 15:00 Saturday 21 July 2018 Third Essay: Ruby Roundhouse, Camden National Youth Choir of Great Britain BBC Symphony Chorus Robert Schumann Charles Ives BBC Proms Youth Ensemble Piano Quintet in E flat major, Op 44 (30 mins) The Unanswered Question (6 mins) BBC Symphony Orchestra Sakari Oramo conductor Calidore String Quartet ensemble Georg Friedrich Haas Javier Perianes piano the last minutes of inhumanity (5 mins) world première Prom 2: Mozart, Ravel and Fauré 19:30 Saturday 14 July 2018 Prom 4: Shostakovich’s ‘Leningrad’ Hannah Kendall Royal Albert Hall Verdala (5 mins) Symphony world première 19:30 Monday 16 July 2018 Gabriel Fauré Royal Albert Hall Pavane (choral version) (5 -
Ne W Burysprin G Fe Stival
www.newburyspringfestival.org.uk 34th international newburyspringfestival 12 – 26 may 2012 Royal Philharmonic Sat Welcome Orchestra 12th This year, when London hosts the Owain Arwel Hughes conductor Olympic Games and welcomes the Freddy Kempf piano world’s finest young athletes to the Walton Crown Imperial capital, I am delighted that we will Beethoven Piano Concerto No 5 “Emperor” welcome to Newbury so many Brahms Symphony No 4 outstanding musicians from around the world. Among them are important young musicians who are already building A welcome return to the Festival by the RPO, and conductor careers in Britain: this year’s John Lewis Young Stars , Owain Arwel Hughes in his 70th birthday year, in a and our Festival artist Johan Andersson, one of the world’s celebratory concert that opens with Walton’s Crown Imperial in honour of HM The Queen’s Diamond Jubilee. finest young painters, who is also based in this country. The current season sees dynamic British pianist Freddy This national celebration of international youthful excellence Kempf perform the complete cycle of piano concertos in sport and culture is balanced by another important by his favourite composer, Beethoven, in many of the UK’s national celebration: the Queen’s Diamond Jubilee, an most important venues and tonight he joins the orchestra opportunity to honour a monarch who has been on the for the majestic Piano Concerto No 5, popularly known as throne for sixty years and who represents all that is constant the “Emperor Concerto”. The concert ends with Brahms’ and traditional in our country. You will find in this year’s final and best loved Symphony No 4. -
Nikolaj Znaider in 2016/17
London Symphony Orchestra Living Music Sunday 29 May 2016 7pm Barbican Hall BEETHOVEN VIOLIN CONCERTO Beethoven Violin Concerto London’s Symphony Orchestra INTERVAL Elgar Symphony No 2 Sir Antonio Pappano conductor Nikolaj Znaider violin Concert finishes approx 9.20pm 2 Welcome 29 May 2016 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to this evening’s LSO ELGAR UP CLOSE ON BBC iPLAYER concert at the Barbican. Tonight’s performance is the last in a number of programmes this season, During April and May, a series of four BBC Radio 3 both at the Barbican and LSO St Luke’s, which have Lunchtime Concerts at LSO St Luke’s was dedicated explored the music of Elgar, not only one of to Elgar’s moving chamber music for strings, with Britain’s greatest composers, but also a former performances by violinist Jennifer Pike, the LSO Principal Conductor of the Orchestra. String Ensemble directed by Roman Simovic, and the Elias String Quartet. All four concerts are now We are delighted to be joined once more by available to listen back to on BBC iPlayer Radio. Sir Antonio Pappano and Nikolaj Znaider, who toured with the LSO earlier this week to Eastern Europe. bbc.co.uk/radio3 Following his appearance as conductor back in lso.co.uk/lunchtimeconcerts November, it is a great pleasure to be joined by Nikolaj Znaider as soloist, playing the Beethoven Violin Concerto. We also greatly look forward to 2016/17 SEASON ON SALE NOW Sir Antonio Pappano’s reading of Elgar’s Second Symphony, following his memorable performance Next season Gianandrea Noseda gives his first concerts of Symphony No 1 with the LSO in 2012. -
Petr Limonov Longer
Winner of the Nikolai Rubinstein Piano Competition and a pupil of Maria João Pires and Dmitri Alexeev, award-winning Russian-British pianist and conductor Petr Limonov frequently performs across Europe and the UK, having collaborated with, among others, Boris Berezovsky, Maria João Pires, Nicola Benedetti, Laura van der Heijden, Jennifer Pike, Leonard Elschenbroich, Natalie Clein and Van Kujik Quartet. He has recorded for Decca, Onyx Classics, Chandos and Champs Hill labels; the “1948” album, recorded with Laura van der Heijden, received the “Edison Klassiek” award in 2018 and the BBC “Newcomer of the Year” award in 2019. Petr’s notable appearances include La Roque d’Antheron festival (Boris Berezovsky’s Carte Blanche, broadcast by radio France Musique), Wigmore Hall, Cadogan Hall, Kings Place, St Martin-in-the-Fields, Southbank Cen- tre, the Great Hall of Moscow Conservatory, a recital in The Duke’s Hall for HRH Prince Charles, iTunes Festival, TV appearances for BBC Proms Extra, Podium Witteman and broadcasts for BBC Radio 3 and “Culture” TV channel (Russia). In 2017, his arrangement of the Auld Lang Syne (from Nicola Benedetti’s “Homecoming” album, Decca, 2014) was performed in the Albert Hall at the BBC Proms. His repertoire stretches from Orlando Gib- bons to Arvo Pärt. Born in Moscow, Petr started playing the piano at the age of 5. A year later he entered the prestigious Moscow Central Music School, where he studied under the guidance of Siavush Gadjiev, Valery Piasetsky and, later, Andrei Pisarev. After winning First Prize at the Nikolai Rubin- stein International Piano Competition in Paris he started giving con- certs throughout Europe and Russia, supported by the Vladimir Spivakov International Foundation. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Vaughan Williams
VAUGHAN WILLIAMS The Lark Ascending Suite of Six Short Pieces The Solent Fantasia Jennifer Pike, Violin Sina Kloke, Piano Chamber Orchestra of New York Salvatore Di Vittorio Ralph Vaughan Williams (1872-1958): The Lark Ascending a flinty, tenebrous theme for the soloist is succeeded by an He rises and begins to round, The Solent · Fantasia for Piano and Orchestra · Suite of Six Short Pieces orchestral statement of a chorale-like melody. The rest of He drops the silver chain of sound, the work offers variants upon these initial ideas, which are Of many links without a break, rigorously developed. Various contrasting sections, In chirrup, whistle, slur and shake. Vaughan Williams’ earliest compositions, which date from The opening phrase of The Solent held a deep significance including a scherzo-like passage, are heralded by rhetorical 1895, when he left the Royal College of Music, to 1908, for the composer, who returned to it several times throughout statements from the soloist before the coda recalls the For singing till his heaven fills, the year he went to Paris to study with Ravel, reveal a his long creative life. Near the start of A Sea Symphony chorale-like theme in a virtuosic manner. ’Tis love of earth that he instils, young creative artist attempting to establish his own (begun in the same year The Solent was written), it appears Vaughan Williams’ mastery of the piano is evident in And ever winging up and up, personal musical language. He withdrew or destroyed imposingly to the line ‘And on its limitless, heaving breast, the this Fantasia and in the concerto he wrote for the Our valley is his golden cup many works from that period, with the notable exception ships’. -
John Gilhooly
A RARE INTERVIEW WITH JOHN GILHOOLY PLUS SPRING SCHUMANN PERSPECTIVES 2018 PEKKA KUUSISTO RESIDENCY JAN ÁČEK’S INSTRUMENTAL WORKS FRIENDS OF OF FRIENDS YOUR 2018/19 DATES INSIDE John Gilhooly’s vision for Wigmore Hall extends far into the next decade and beyond. He outlines further dynamic plans to develop artistic quality, financial stability and audience diversity. JOHN GILHOOLY IN CONVERSATION WITH CLASSICAL MUSIC JOURNALIST, ANDY STEWART. FUTURE COMMITMENT “I’M IN FOR THE LONG HAUL!” Wigmore Hall’s Chief Executive and Artistic Director delivers the makings of a modern manifesto in eight words. “This is no longer a hall for hire,” says John Gilhooly, “or at least, very rarely”. The headline leads to a summary of the new season, its themed concerts, special projects, artist residencies and Learning events, programmed in partnership with an array of world-class artists and promoted by Wigmore Hall. It also prefaces a statement of intent by a well-liked, creative leader committed to remain in post throughout the next decade, determined to realise a long list of plans and priorities. “I am excited about the future,” says John, “and I am very grateful for the ongoing help and support of the loyal audience who have done so much already, especially in the past 15 years.” 2 WWW.WIGMORE-HALL.ORG.UK | FRIENDS OFFICE 020 7258 8230 ‘ The Hall is a magical place. I love it. I love the artists, © Kaupo Kikkas © Kaupo the music, the staff and the A glance at next audience. There are so many John’s plans for season’s highlights the Hall pave the confirms the strength characters who add to the way for another 15 and quality of an colour and complexion of the years of success. -
Guy Johnston Cello
Guy Johnston Cello Ikon Arts Management Ltd 2-6 Baches Street +44 (0)20 7354 9199 [email protected] www.ikonarts.com Website guy-johnston.com Contact Nicola Semple Email [email protected] Guy Johnston is one of the most exciting British cellists of his generation. His early successes included winning the BBC Young Musician of the Year, the Shell London Symphony Orchestra Gerald MacDonald Award and a Classical Brit. He has performed with many leading international orchestras including the London Philharmonic, Philharmonia Orchestra, Ulster Orchestra, BBC Philharmonic, NHK Symphony Orchestra, BBC Symphony, Britten Sinfonia, Deutsches Symphonie-Orchester Berlin, Orquestra Sinfônica do Estado de São Paulo, Moscow Philharmonic and St Petersburg Symphony. Recent and forthcoming seasons have included concertos with Philharmonia Orchestra, BBC Philharmonic (Ilan Volkov), BBC Symphony Orchestra (Sakari Oramo), Aurora Orchestra, Royal Northern Sinfonia and Staatsorchester Rheinische Philharmonie. Guy continues to play chamber music and recitals at prestigious venues and festivals across Europe including Wigmore Hall, Queen Elisabeth Hall, Louvre Museum, the Moscow Tchaikovsky Conservatory, Three Choirs Festival and MusicFest Aberystwyth. He is also presenting programmes with Sheku Kanneh-Mason and Melvyn Tan. Guy was privileged to perform as part of the Wigmore Hall and BBC Radio 3 special series of concerts, livestreamed during the COVID-19 pandemic. He gave weekly outdoor impromptu recitals in his home village in Dorset, which was featured by BBC during the UK lockdown. A prolific recording artist, Guy’s recent recordings include Howells’ Cello Concerto with Britten Sinfonia (a piece he also gave the premiere of) and a celebration disc of the tricentenary of his David Tecchler cello, collaborating with the acclaimed Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, where the cello was made.