Boston Symphony Orchestra Concert Programs, Season 49,1929-1930

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 49,1929-1930 CARNEGIE HALL . NEW YORK Thursday Evening, January 9, at 8.30 Saturday Afternoon, January 11 , at 2.30 ;#* ;^s 41 'i^s BOSTON SYAPHOW ORCHESTRA INC. FORTY-NINTH SEASON J929-J930 PRSGRHrtftE r < T&e PLAZA, New York Fred Sterry John D. Owen President Manager A\ U#»H'f|llJA jit T/# Savoy-Plaza T&Copley-Plaza Arthur L. Race Henry A. Rost New York R^cf-^r.DOSton President Managing Director cjiotels of ^Distinction Unrivalled as to location. Distin- guished throughout the World for their appointments and service. • y\ CARNEGIE HALL NEW YORK Fourty-fourth Season in New York FORTY-NINTH SEASON 1929-1930 INC. Dr. SERGE KOUSSEVITZKY, Conductor THURSDAY EVENING, JANUARY 9, at 8.30 AND THE SATURDAY AFTERNOON, JANUARY 11, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1930, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT . President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager ; x There is si priee and model for your home No matter where you live — on a country estate or in a city apartment —there is a Steinway exactly suited to your needs. This great piano is avail- able in five grand sizes, and one upright model, together with many special styles in period designs. But A nrxr Strimrny l'pti(;hl S*\ 4fe I^P H? there is only one grade of Steinway. [i in nit ran hr Imufihl fur O ^O M • Every Steinway. of every size, com- I.HAMKS I17.I ir«^-irl3l«i n Inn re in mands that depth and brilliance of 10% down 1 r> y i-nr tone which is recognized as the pecu- \u\ Steinway piano may be pur- liar property of the Steinway, the ( h.l-< r| w i||| ;i ( ;i-ll dopOSlI of u \ ' r ill 1»<- . and the balance h ex* world over. And it will continue to tended over ;i period of two jrearii command it. through a lifetime I led pianot accepted In partial of bange* perfect service* . The terms are remarkably convenient Make your STE INW \ V & SONS ~M<lll\s.i\ If;il| visit to the Dearest Steinway dealer 109 Weal 57th Street New \Torh today* TH E i\s Tti # M t;\ T STEINWAY OF THE IMMORTALS (<<•; I'.nillntif) retrnted in Hoilon nml other New ntie» by M . Stcincrt A Shim Forty-ninth Season, 1929-1930 Dr. SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Elcus, G. Gundersen, R. Sauvlet, H. Cherkassky, P. Concert-master Kreinin, B. Kassman, N. Hamilton, V. Eisler, D. Theodorowicz, J. Hansen, E. Lauga, N. Fedorovsky, P. Leibovici, J. Jacob, R. Pinfield, C. Mariotti, V. Leveen, P. Tapley, R. Thillois, F. Zung, M. Knudson, C. Gorodetzky, L. Mayer, P. Diamond, S. Zide, L. Fiedler, B. Bryant, M. Beale, M. Stonestreet, L. Messina, S. Murray, J. Del Sordo, R. Erkelens, H. Seiniger, S. Violas. Lefranc, J. Fourel, G. Van Wynbergen, C. Grover, H. Artteres, L. Cauhape", J. Bernard, A. Werner, H. Avierino, N. Fiedler, A. Gerhardt, S. Deane, C. Violoncellos. Bedetti, J. Langendoen, J. Chardon, Y. Stockbridge, C. Fabrizio, E. Zighera, A. Barth, C. Droeghmans, H. Warnke, J. Marjollet, L. Basses. Kunze, M. Lemaire, J. Ludwig, O. Girard, H. Kelley, A. Vondrak, A. Oliver, F. Frankel, I. Dufresne, G. Demetrides, L Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Hamelin, G. Laus, A. Bladet, G. Devergie, J. Arcieri, E. Allard, R. Amerena, P. Stanislaus, H. Allegra, E. Bettoney, F. {E-flat Clarinet) Piccolo. English Horn. Bass Clarinet. Contra-Bassoon. Battles, A. Speyer, L. Mimart, P. Piller, B. Horns. Horns. Trumpets. Trombones. Boettcher, G. Valkenier, W. Mager, G. Raichman, J. Pogrebniak, S. Schindler, G. Voisin, R. Rochut, J. Van Den Berg, C. Lannoye, M. Lafosse, M. Hansotte, L. Lorbeer, H. Blot, G. Perret, G. Kenfield, L. Mann, J. Adam E. Tubas. Harps. Timpani. Percussion. Sidow, P. Zighera, B. Ritter, A. Ludwig, C. Adam, E. Caughey, E. Polster, M. Sternburg, S. White, L. Organ. Celesta. Librarian. Snow, A. Fiedler, A. Rogers, L. J. MARY PUILLIPS in -Gambling" A FUR COAT by SHAYXE To llie natural loveliness of your Sliayne fur is added the satisfaction of a label which politely indicates that your purchase was not impelled by a cut price, a reduction or any other form of so-called "sale". C. C. SHAYNE & CO. BTHCTLY BEUABLI i-ths 126 Weal 12ml Street / New York I J: S E.t b i \i i i\ I <> 5 till Under Same O hi n e r I hi CARNEGIE HALL . NEW YORK Forty-fourth Season in New York Forty-ninth Season, 1929-1930 Dr. SERGE KOUSSEVITZKY, Conductor SECOND CONCERT THURSDAY EVENING, JANUARY 9 AT 8.30 PROGRAMME Walton Overture, "Portsmouth Point" Bax Symphony No. 2 in E minor and C I. Allegro moderate II. Andante. III. Allegro feroce. Loeffler Canticum Fratris Solis (After St. Francis of Assisi) for Voice and Orchestra Ravel 'Bolero" SOLOIST POVLA FRIJSH STEINWAY PIANO USED There will be an intermission of ten minutes after the Symphony The music of these programmes is available at the 53th Street Library Please note that the next Evening Concert will be given on Friday Evening (February 7) instead of Thursday They will make their West Indies Cruise with RAYMOND -WHITCOMB Jl ERSONS who consider the manner and the company in which they travel — who know the famous limited trains and the top-notch hotels of Europe and America — always find themselves at home with Raymond-Whitcomb. CThey will go to the West Indies this winter with Raymond - Whitcomb on the " Statendam" Spacious, sparklingly smart, splendidly served, she was built for them. She is the newest steamship to make a West Indies Cruise this sea- son, and the largest. Sail on her and you will find the days you spend at sea as pleasant and as fleeting as those you spend at Havana, Kingston and the other Caribbean cities that are visited on the Raymond-Whitcomb Cruises. TWO MID-WINTER CKUISES February Cruise —January 29 to February 23 Second Long Cruise—February 25 to March 22 Rates, $300 and upward Send for Booklet — '"West Indies Cruises' Spring Cruise to the Mediterranean Summer Cruise to the North Cape and Russia RAYMOND 6r WHITCOMB COMPANY 670 FIFTH AVENUE, Telephone Volunteer 3400 225 FIFTH AVENUE. Telephone Ashland 9530 ; Overture, "Portsmouth Point' William Turner Walton (Born at Oldham, Lancashire, England, on March 29, 1902; now living in London) This overture was performed for the first time at the third concert of the International Society for New Music on June 22, 1926, in the larger room of the Tonhall, Zurich, Switzerland. Volkmar Andrae of Zurich conducted the overture. The first performance in the United States was by the Boston Symphony Orchestra in Boston, Dr. Koussevitzky, conductor, on November 19, 1926; there was a second performance on January 3, 1930. The programme of the Zurich concert also comprised Hindemith's Con- certo for orchestra, Op. 38 (Fritz Busch, conductor) ; Casella's Partita for piano and orchestra (Walter Gieseking, pianist ; Casella, conductor) Levy's Fifth Symphony for violin (Willem de Boer), trumpet (Ernst Sodling), and . orchestra (Andrae, conductor); Webern's Five Pieces for orchestra, Op. 10 (Webern, conductor); Ferroud's "Foules" for orchestra (Walther Straram, conductor); Tansman's "Dance de la Sorciere" (Gregor Fitelberg, conductor). Mr. Walton has sent to us the following note, signed "C. L.": "The title 'Portsmouth Point' is taken from a print by the great English caricaturist Thomas Rowlandson (1756-1827), representing a quayside in the utmost confusion. The music, which is remarkable for its exuberant melodic outline and exhilarating rhythmic syncopation, is so lucid as to render analysis superfluous. The overture enjoys the distinction of being the only work chosen to represent England at the International Festival at Zurich in 1926." IALYTIC SYMPHONY SERIES Edited by Percy Goetschius, Mus. Doc. An analytic edition of the master symphonies, sym- phonic poems, and classic overtures, arranged for the piano, two hands. Designed for analysis and apprecia- tion classes and for all students of music in its higher forms. Each volume contains a portrait and biograph- ical sketch of the composer, and a critique of his work The Latest Editions No. 16. TCHAIKOVSKY. Symphony No. 4, in F minor 1.00 No. 18. MOZART. Symphony No. 47, in Eb major .75 No. 20. BRAHMS. Symphony No. 1, in G minor 1.00 No. 34. BEETHOVEN. Symphony No. 4, in Bb major 1.00 179 Tremont St., Boston 10 East 34th St., New York Founded 1783 :: Established 1835 :: Incorporated 1889 Rowlandson's print was published by T. Tegg in 1814. The follow- ing quotation from "The Portsmouth Road: The Sailors' Highway," by Charles G. Harper, describes the print: "Here, where the stone stairs lead down into the water, is Portsmouth Point. Mark it well, for from this spot have embarked countless fine fellows to serve King and country afloat. What would we not give for a moment's glimpse of 'Point' (as Portsmouth folk call it, with a brevity born of everyday use) just a hundred years ago!" (This book was first published in 1895. We quote from the second and revised edition, published in 1923 by Edwin Valentine Mitchell of Hartford, Conn.) "Fortunately, the genius of Rowlandson has preserved for us something of the appearance of Portsmouth Point at that time, when war raged over nearly all the civilized world, when wooden ships rode the waves buoyantly, when battles were the rule and peace the exception.
Recommended publications
  • Copyrighted Material Not for Distribution Map 0.1
    CONTENTS List of Illustrations ix Preface and Acknowledgments xiii Introduction Ana Varela-COPYRIGHTED Lago and Phylis Cancilla MATERIAL Martinelli 3 1. Working in AmericaNOT and FORLiving in DISTRIBUTIONSpain: The Making of Transnational Communities among Spanish Immigrants in the United States Ana Varela- Lago 21 2. The Andalucía- Hawaii- California Migration: A Study in Macrostructure and Microhistory Beverly Lozano 66 3. Spanish Anarchism in Tampa, Florida, 1886– 1931 Gary R. Mormino and George E. Pozzetta† 91 viii CONTENTS 4. “Yours for the Revolution”: Cigar Makers, Anarchists, and Brooklyn’s Spanish Colony, 1878– 1925 Christopher J. Castañeda 129 5. Pageants, Popularity Contests, and Spanish Identities in 1920s New York Brian D. Bunk 175 6. Miners from Spain to Arizona Copper Camps, 1880– 1930 Phylis Cancilla Martinelli 206 7. From the Mountains and Plains of Spain to the Hills and Hollers of West Virginia: Spanish Immigration into Southern West Virginia in the Early Twentieth Century Thomas Hidalgo 246 8. “Spanish Hands for the American Head?”: Spanish Migration to the United States and the Spanish State Ana Varela- Lago 285 Postscript. Hidden No Longer: Spanish Migration and the Spanish Presence in the United States Ana Varela- Lago and Phylis Cancilla Martinelli 320 List of Contributors 329 Index 333 COPYRIGHTED MATERIAL NOT FOR DISTRIBUTION MAP 0.1. Map of Spain COPYRIGHTED MATERIAL NOT FOR DISTRIBUTION INTRODUCTION Ana Varela- Lago and Phylis Cancilla Martinelli In his book Our America: A Hispanic History of the United States,
    [Show full text]
  • The Spaniards & Their Country
    ' (. ' illit,;; !•' 1,1;, , !mii;t( ';•'';• TIE SPANIARDS THEIR COUNTRY. BY RICHARD FORD, AUTHOR OF THE HANDBOOK OF SPAIN. NEW EDITION, COMPLETE IN ONE VOLUME. NEW YORK: GEORGE P. PUTNAM, 155 BROADWAY. 1848. f^iii •X) -+- % HONOURABLE MRS. FORD, These pages, which she has been, so good as to peruse and approve of, are dedicated, in the hopes that other fair readers may follow her example, By her very affectionate Husband and Servant, Richard Ford. CONTENTS. CHAPTER I. PAOK. A General View of Spain—Isolation—King of the Spains—Castilian Precedence—Localism—Want of Union—Admiration of Spain—M. Thiers in Spain , . 1 CHAPTER II. The Geography of Spain—Zones—Mountains—The Pyrenees—The Gabacho, and French Politics . ... 7 CHAPTER in. The Rivers of Spain—Bridges—Navigation—The Ebro and Tagus . 23 CHAPTER IV. Divisions into Provinces—Ancient Demarcations—Modern Depart- ments—Population—Revenue—Spanish Stocks .... 30 CHAPTER V. Travelling in Spain—Steamers—Roads, Roman, Monastic, and Royal —Modern Railway—English Speculations 40 CHAPTER VI. Post Office in Spain—Travelling with Post Horses—Riding post—Mails and Diligences, Galeras, Coches de DoUeras, Drivers and Manner of Driving, and Oaths 53 CHAPTER VII. SpanishHorsea—Mules—Asses—Muleteers—Maragatos ... 69 — CONTENTS. CHAPTER VIII. PAGB. Riding Tour in Spain—Pleasures of it—Pedestrian Tour—Choice of Companions—Rules for a Riding Tour—Season of year—Day's • journey—Management of Horse ; his Feet ; Shoes General Hints 80 CHAPTER IX. The Rider's cos.tume—Alforjas : their contents—The Bota, and How to use it—Pig Skins and Borracha—Spanish Money—Onzas and smaller coins 94 CHAPTER X.
    [Show full text]
  • Tekstverklaring Liederen 18 SPANISH LADIES 1. Farewell An' Adieu to You
    Tekstverklaring liederen Strawberry Sailor Singers 18 SPANISH LADIES SPAANSE DAMES 1. Farewell an' adieu to you fair Spanish 1.Vaarwel en adieu, jullie (h)eerlijke Spaanse ladies. dames. Farewell an' adieu to you ladies of Spain. For Vaarwel en adieu, dames van Spanje. we've received orders for to sail for Old We hebben orders om te vertrekken naar Oud England Engeland An' hope very shortly to see you again. En hoop jullie zeer binnenkort opnieuw te zien. Refrein Refrein We'lI rant an' we'lI roar, like true British sailors. We zullen roepen en brullen als ware Britse We'lI rant and we'lI roar across the salt seas. zeelui. Until we strike soundings in the Channel of Old We zullen roepen en brullen over de zeeën. England. Tot wij de diepte peilen in het Kanaal van Oud From Ushant to Scilly is thirty-four leagues. Engeland. Van Ushant aan Scilly is 34 leagues. 2. We hove our ship to, with the wind at 2. Wij leggen ons schip bij, met een sou 'west, boys. zuidwestenwind jongens. We hove our ship to, for to take soundings Wij leggen ons schip bij, voor een duidelijke clear. peiling. In een diepte van vijfenvijftig vadems, en In fifty-five fathoms with a fine sandy bottom. een fijne zandige bodem. We filled our main topsaiis, up Channel did Laten we onze topzeilen vol vallen en sturen het steer. Refrein Kanaal op. Refrein 3. The first land we made was a point called the 3. Het eerste land dat wij passeerden was een Deadman.
    [Show full text]
  • Foundation Plans $1.5 Million Hospital
    Largest Circulation Home of Of Any Newspaper Florida Atlantic In Boca Raton Area BOCA RATON NEWS University 26 Pages VOL.9 NO. 11 Boca Raton, Florida, Feb. 6, 1964 PRICE TEN CENTS Foundation Plans $1.5 Million Hospital Caldwell Will Head Fund Drive Plans to launch a lull-scale drive Caldwelr said that within tie five- for $1.5 million to start construction mile radios of Boca Raton, wfjich the of a community hospital here were proposed hospital will serve,-she pop- ulation wl}l exceed 60,000 lj 1970 • announced yesterday >tby Robert J. Drurnmond, chairman 'of the board of and rise -to 95,000 to lOtftoO by trustees of Debbie-Rand Foundation, 1 - Inc{ "We are growing tod" fast and be- Drummond said the decision to coming too large," said'C aid well, "to b,uild the first 50- to 75-bed phase of rely on the three distant hospitals a ''hospital was based on st survey by, which already require! lexpansion." Hillman-Jones Associates, hospitals' The survey disclosed tjhat the five- consultants. He said the survey show- grown 300 per cent faster than the ed a need for hospital services within a five-mile radius of Boca Baton. rest of Broward and Palm Beach Foundation trustees named James counties, which themselves have out- lR.'Caldwell, one of their memhers, stripped all other counties in average to- head the .campaign. A long-time growth. ^ -: __ -:^ '^,^ . m resident of Boca Ra- Boca Raton' s~ heed for a hospital ton, Caldwell is chair- is compounded by the advent of Flor- man of the board of ida Atlantic University withpJa pro- Rubbermaid, Inc.
    [Show full text]
  • Spanish Ladies – Sea Shanty
    Spanish Ladies – sea shanty Farewell and adieu to you, Spanish Ladies Farewell and adieu to you, ladies of Spain; For we've received orders for to sail for old England But we hope in a short time to see you again We will rant and we'll roar like true British sailors We'll rant and we'll roar all on the salt seas Until we strike soundings in the channel of old England; From Ushant to Scilly is thirty-five leagues We hove our ship to with the wind from sou'west, boys We hove our ship to, deep soundings to take; 'Twas forty-five fathoms, with a white sandy bottom So we squared our main yard and up channel did make We will rant and we'll roar like true British sailors We'll rant and we'll roar all on the salt seas Until we strike soundings in the channel of old England; From Ushant to Scilly is thirty-five leagues The first land we sighted was calléd the Dodman Next Rame Head off Plymouth, Start, Portland and Wight; We sailed by Beachy, by Fairlight and Dover And then we bore up for the South Foreland light We will rant and we'll roar like true British sailors We'll rant and we'll roar all on the salt seas Until we strike soundings in the channel of old England; From Ushant to Scilly is thirty-five leagues Then the signal was made for the grand fleet to anchor And all in the Downs that night for to lie; Let go your shank painter, let go your cat stopper Haul up your clewgarnets, let tacks and sheets fly! We will rant and we'll roar like true British sailors We'll rant and we'll roar all on the salt seas Until we strike soundings in the channel of old England; From Ushant to Scilly is thirty-five leagues Now let ev'ry man drink off his full bumper And let ev'ry man drink off his full glass; We'll drink and be jolly and drown melancholy And here's to the health of each true-hearted lass We will rant and we'll roar like true British sailors We'll rant and we'll roar all on the salt seas Until we strike soundings in the channel of old England; From Ushant to Scilly is thirty-five leagues .
    [Show full text]
  • University of Dundee MASTER of PHILOSOPHY Changing British Perceptions of Spain in Times of War and Revolution, 1808 to 1838
    University of Dundee MASTER OF PHILOSOPHY Changing British Perceptions of Spain in Times of War and Revolution, 1808 to 1838 Holsman, John Robert Award date: 2014 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 MASTER OF PHILOSOPHY Changing British Perceptions of Spain in Times of War and Revolution, 1808 to 1838 John Robert Holsman 2014 University of Dundee Conditions for Use and Duplication Copyright of this work belongs to the author unless otherwise identified in the body of the thesis. It is permitted to use and duplicate this work only for personal and non-commercial research, study or criticism/review. You must obtain prior written consent from the author for any other use. Any quotation from this thesis must be acknowledged using the normal academic conventions. It is not permitted to supply the whole or part of this thesis to any other person or to post the same on any website or other online location without the prior written consent of the author.
    [Show full text]
  • Mengjiao Yan Phd Thesis.Pdf
    The University of Sheffield Stravinsky’s piano works from three distinct periods: aspects of performance and latitude of interpretation Mengjiao Yan A thesis submitted for the degree of Doctor of Philosophy Department of Music The University of Sheffield Jessop Building, Sheffield, S3 7RD, UK September 2019 1 Abstract This research project focuses on the piano works of Igor Stravinsky. This performance- orientated approach and analysis aims to offer useful insights into how to interpret and make informed decisions regarding his piano music. The focus is on three piano works: Piano Sonata in F-Sharp Minor (1904), Serenade in A (1925), Movements for Piano and Orchestra (1958–59). It identifies the key factors which influenced his works and his compositional process. The aims are to provide an informed approach to his piano works, which are generally considered difficult and challenging pieces to perform convincingly. In this way, it is possible to offer insights which could help performers fully understand his works and apply this knowledge to performance. The study also explores aspects of latitude in interpreting his works and how to approach the notated scores. The methods used in the study include document analysis, analysis of music score, recording and interview data. The interview participants were carefully selected professional pianists who are considered experts in their field and, therefore, authorities on Stravinsky's piano works. The findings of the results reveal the complex and multi-faceted nature of Stravinsky’s piano music. The research highlights both the intrinsic differences in the stylistic features of the three pieces, as well as similarities and differences regarding Stravinsky’s compositional approach.
    [Show full text]
  • The University of Hull the Early Career of Thomas
    THE UNIVERSITY OF HULL THE EARLY CAREER OF THOMAS, LORD HOWARD, EARL OF SURREY AND THIRD DUKE OF NORFOLK, 1474—c. 1525 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Susan Elisabeth Vokes, B.A. September, 1988 Acknowledgements I should like to thank the University of Hull for my postgraduate scholarship, and the Institute of Historical Research and Eliot College, the Universiy of Kent, for providing excellent facilities in recent years. I am especially grateful to the Duke of Norfolk and his archivists for giving me access to material in his possession. The staff of many other archives and libraries have been extremely helpful in answering detailed enquiries and helping me to locate documents, and / regret that it is not possible to acknowledge them individually. I am grateful to my supervisor, Peter Heath, for his patience, understanding and willingness to read endless drafts over the years in which this study has evolved. Others, too, have contributed much. Members of the Russell/Starkey seminar group at the Institute of Historical Research, and the Late Medieval seminar group at the University of Kent made helpful comments on a paper, and I have benefitted from suggestions, discussion, references and encouragement from many others, particularly: Neil Samman, Maria Dowling, Peter Gwynn, George Bernard, Greg Walker and Diarmaid MacCulloch. I am particularly grateful to several people who took the trouble to read and comment on drafts of various chapters. Margaret Condon and Anne Crawford commented on a draft of the first chapter, Carole Rawcliffe and Linda Clerk on my analysis of Norfolk's estate accounts, Steven Ellis on my chapters on Surrey in Ireland and in the north of England, and Roger Virgoe on much of the thesis, including all the East Anglian material.
    [Show full text]
  • 1 Louis P. Henop's Journal of a Cruise to Europe, Cuba, and Key West
    Louis P. Henop’s Journal of a Cruise to Europe, Cuba, and Key West aboard the U.S.S. San Jacinto, August 9, 1854 to March 14, 1855 Wednesday Aug. 9th First day the whole of which was passed on board ship._ Last night slept in a hammock for first time, and fortunately got in without difficulty, but owing to the loose way in which it was slung, did not have a very comfortable night._Handed up the anchor about 5 P.M., and after considerable difficulty in turning, owing to a strong ebb tide, got fairly under weigh,_but unfortunately when nearly opposite Gloucester ran aground, and were forced to wait for high tide at 10 o’clk in order to get off, when we proceeded several miles further down the river, and anchored for the night. Had really a good night’s rest, my hammock being hauled back, and my bedding comfortably arranged._ Hope to get to sea to-morrow._ Thursday August 10th._ Started from our anchorage at daylight + proceeded down the river and about 6 o’clock sent of the Pilot + stood out to sea._ Had no unpleasant sensations till bedtime when the rolling of the ship + closeness of the steerage, forced me to seek the deck minus stockings, cravat, + many other important little articles, and in rather a more hurried manner than I could have desired. However the fresh air soon revived me, and I slept in my overcoat on a hen coop very comfortably till 8 bells, 12 o’clock, when I went below and slept soundly till morning._ Unfortunately owing to my ailment I could not smoke and for almost the first time in my life, the sight of a cigar made
    [Show full text]
  • Spanish Ladies
    Songbook Spanish Ladies Farewell and adieu to you fair Spanish ladies, Farewell and adieu, to you ladies of Spain, For we’ve received orders, for to sail to old England, And hope very soon we shall see you again. We’ll rant and we’ll roar, like true British sailors, We’ll rant and we’ll roar across the salt seas, Until we strike soundings in the Channel of old England, From Ushant to Scilly is thirty-five leagues. We hove our ship to, with the wind at sou’west, me boys, We hove our ship to for to take soundings clear. In fifty-five fathoms with a fine sandy bottom, We filled our maintops’l, up Channel did steer. Chorus The first land we made was a point called the Dodman, Then Rame Head off Plymouth, Start, Portland, and Wight We sailed then by Beachy, by Fairlee and Dungeness, And then bore away for the South Foreland Light. Chorus The signal was made for the Grand Fleet to anchor, All in the Downs that night for to meet; Stand by your bow stoppers, see clear your shank painters; Haul all your clew garnets, stick out tacks &amp; sheets. Chorus Now let every man toss off his full bumper, Let every man drink up his full bowl, We’ll drink and be merry and drown melancholy, Here’s a health to each jovial and true-hearted soul. Chorus Compiled by Steve Earwicker 2016 from various sources including Capt. W B Whall: ”Sea Songs and Shanties” 1910; Stan Hugill: “Shanties from the Seven Seas” 1961 and currently sung versions.
    [Show full text]
  • 16 Juin ONF 0
    JEUDI 16 JUIN 2016 20H MAISON DE LA RADIO - AUDITORIUM ORCHESTRE NATIONAL DE FRANCE DANIELE GATTI DIRECTEUR MUSICAL FAZIL SAY PIANO ANDRIS POGA DIRECTION LUC HÉRY VIOLON SOLO PROGRAMME Alfred Schnittke (K)ein Sommernachtsraum (11 minutes environ) Fazil Say Water 1. Blue Water 2. Grenn Water 3. Black Water (30 minutes environ) Olivier Messiaen Les Offrandes oubliées, méditation symphonique (13 minutes environ) Dimitri Chostakovitch Symphonie n° 1 en fa mineur, opus 10 1. Allegretto – Allegro non troppo 2. Allegro 3. Lento – Largo – Lento 4. Allegro molto – Lento – Allegro molto (30 minutes environ) › Ce concert est diffusé en direct sur France Musique Il est également disponible à l’écoute sur francemusique.fr › Retrouvez la page facebook des concerts de Radio France et de l’Orchestre National de France. › Consultez le site sur maisondelaradio.fr rubrique concerts. ALFRED SCHNITTKE 1934-1998 (K)EIN SOMMERNACHTSRAUM COMPOSÉ EN 1984-1985. CRÉÉ LE 12 AOÛT 1985 AU KLEINES FESTSPIELHAUS DE SALZBOURG PAR LE RADIO-SYMPHONIEORCHESTER WIEN SOUS LA DIRECTION DE LEOPOLD HAGER. NOMENCLATURE : 4 FLÛTES (DONT PICCOLO), 4 HAUTBOIS, 4 CLARINETTES (DONT CLARINETTE BASSE), 2 BASSONS / 4 CORS, 4 TROMPETTES, 4 TROMBONES, 1 TUBA / TIMBALES, PERCUSSIONS, 1 HARPE, CÉLESTA, PIANO / CORDES. Le compositeur russe d’origine allemande Alfred Schnittke, grande figure de la musique soviétique dans les années 1970 et 1980, est considéré généra- lement comme l’un des principaux représentants du « postmodernisme » mu- sical, bien loin de la génération de Boulez, Stockhausen et Xenakis. Adepte du collage, du mélange des styles musicaux, des rencontres entre univers sonores apparemment hétérogènes (du rock à Bach), Schnittke a développé une forme d’écriture « polystylistique » qui a séduit de nombreux interprètes en Occident, tout en étant toléré en Union Soviétique.
    [Show full text]
  • KWE 2002 Music with Solo Violin Introduction
    Kurt Weill Edition, Ser. II, Vol. 2 Music with Solo Violin: Concerto for Violin and Wind Orchestra op. 12 INTRODUCTION Der neue Orpheus Op. 16 by Andreas Eichhorn This volume presents two works in full score: the Concerto for Violin and Concerto’s first movement, with its interwoven allusions to the Dies irae, Wind Orchestra, op. 12, which Weill composed between April and June could be related to this context.) By July 1924, however, Weill had found 1924; and his cantata Der neue Orpheus, op. 16—based on a poem of the a new friend in Kaiser, who was to fill the gap that Busoni would leave: he same name by Iwan Goll—for soprano, solo violin, and orchestra, com- not only wrote the librettos for three of Weill’s stage works, but he also in- posed between July and September 1925. Only a piano reduction of the troduced Weill to his future wife, Lotte Lenya, and to the Alsatian poet Violin Concerto, which Weill himself prepared, appeared in print during Iwan Goll (1891–1950), who, in addition to Der neue Orpheus, would his lifetime; not until 1965 would his publisher, Universal Edition in provide the text for the one-act opera Royal Palace. In the first months of Vienna (hereafter UE), issue a full score, albeit with a layout quite different 1924, when Weill and Kaiser had started work on a ballet-pantomime, from Weill’s. Der neue Orpheus has been available in print only as a piano- Weill also toyed with the idea of composing a violin concerto.
    [Show full text]