Pressemitteilung Pressekonferenz 6. Juli, 11
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Gesamtkunstwerk-Film
SPIELFILMPRODUKTIONEN BENDESTORF Unterstrichene Titel sind einsehbar 1947 BIS 1952 FILMTITEL JAHR REGIE PRODUKTION DARSTELLER Menschen in Gottes Hand 1947 Rolf Meyer Junge Film-Union Paul Dahlke, Marie Angerpointner Wege im Zwielicht 1947 Gustav Fröhlich Junge Film-Union Gustav Fröhlich, Sonja Ziemann Die Söhne des Herrn Gaspary 1948 Rolf Meyer Junge Film-Union Lil Dagover, Hans Stüwe Diese Nacht vergess' ich nie 1948 Johannes Meyer Junge Film-Union Winnie Markus, Gustav Fröhlich Das Fräulein und der Vagabund 1949 Albert Benitz Junge Film-Union Eva Ingebg. Scholz, Dietmar Schönherr Der Bagnosträfling 1949 Gustav Fröhlich Junge Film-Union Paul Dahlke, Käthe Dorsch Dreizehn unter einem Hut 1949 Johannes Meyer Junge Film-Union Ruth Leuwerik, Inge Landgut Dieser Mann gehört mir 1949 Paul Verhoeven Junge Film-Union Heidemarie Hatheyer, Gustav Fröhlich Die wunderschöne Galathee 1949 Rolf Meyer Junge Film-Union Hannelore Schroth, Victor de Kowa Die Lüge 1950 Gustav Fröhlich Junge Film-Union Sybille Schmitz, Will Quadflieg Der Fall Rabanser 1950 Kurt Hoffmann Junge Film-Union Hans Söhnker, Inge Landgut Melodie des Schicksals 1950 Hans Schweikart Junge Film-Union Brigitte Horney, Victor de Kowa Taxi-Kitty 1950 Kurt Hoffmann Junge Film-Union Hannelore Schroth, Carl Raddatz Die Sünderin 1950 Willi Forst Styria-Film GmbH & Hildegard Knef, Gustav Fröhlich Junge Film-Union Professesor Nachtfalter 1950 Rolf Meyer Junge Film-Union Johannes Heesters, Maria Litto Hilfe, ich bin unsichtbar 1951 E. W. Emo Junge Film-Union Theo Lingen, Fita Benkhoff Sensation in San Remo 1951 Georg Jacoby Junge Film-Union Marika Rökk, Peter Pasetti Es geschehen noch Wunder 1951 Willi Forst Junge Film-Union Hildegard Knef, Willi Forst Die Csardasfürstin 1951 Georg Jacoby Styria-Film GmbH & Marika Rökk, Johannes Heesters Junge Film-Union Königin der Arena 1952 Rolf Meyer Corona Film Maria Litto, Hans Söhnker SPIELFILMPRODUKTIONEN BENDESTORF 1952 BIS 1959 FILMTITEL JAHR REGIE PRODUKTION DARSTELLER Der Verlorene 1951 Peter Lorre A. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Jew-Baiting in Vienna UAT K1 *^'"'"' ^'"•- "'C Postwar Freikorps 'Ideology, Propaganda and Ihe Rise of the Nazi , , ""^/^"Nich Bcerhall Putsch
INFORMATION olumme XXXIX No. 1, January 1984 £1 (To non-members) Richard Grunberger the Party then capitulated to Hiller over the Ermiichtigungsgesetz such constancy was ultimate ly of little avail. For me the most absorbing theme touched on in this volume is the degree to which anti.>cmitism ^ NAZI ON THE LEFT buttressed the appeal of Nazism. The conclusions are so important that 1 quote them almost verbatim: l>uism was the ideology of the double blulT. It operation with General Schleicher. When Hitler In the transformation from viilki.sch sect to ctalcd the modern world-and used high tech- vetoed this, he resigned all his Party offices and mass party, antiscmitism played no more than a "logy. It dubbed all Jews capitali.sts-and departed the political scene. secondary role. Areas such as Franconia and ^omniunisls. H took power through the ballot- Then, when the Nazis took power a short time Hesse were exceptions. A lengthy tradition of nd the bullet. later, Strasser, the self-proclaimed anti-capitalist, anlLsemitism in such areas had much of its The very term Nationaisozialismus was as self- settled into a well-paid executive position in the source in the dominance of local trade and rural 0 iradictory as dry rain or vegetarian butcher. pharmaceutical industry. He was, however, to credit by a relatively large and widely dispersed ' l^r managed, by and large, to mask the contra- enjoy the lifestyle ofa tycoon for only a little over Jewish population. In most parts of Germany, Mion but in the mid-Twenties some Party mem- a year—ending his life in a hail of SS bullets on however, even where the NSDAP did dispro , , J ,^'' ^' the imbalance between the the Night of the Long Knives (30th June 1934). -
ORIGINALTITEL (Alle) ORIGINALTITEL (Sortiert) FF NR
BESTAND FILMFOTOGRAFIE TWS SCHLOSS WAHN REGISTER DER ORIGINALTITEL ORIGINALTITEL (alle) ORIGINALTITEL (sortiert) FF NR. Abarembo kaido Abarembo kaido FF 1981 Abel mit der Mundharmonika Abel mit der Mundharmonika FF 5 Abenteuer des Prinzen Achmed, Die Abenteuer des Prinzen Achmed, Die FF 2 Abenteuer eines Zehnmarkscheines, Abenteuer eines Zehnmarkscheines, FF 4 Die Die Abenteuer G.m.b.H., Die Abenteuer G.m.b.H., Die FF 9 Abenteuer im Nachtexpress Abenteuer im Nachtexpress FF 10 Abenteuer im Spielzeugland Abenteuer im Spielzeugland FF 8 Abenteuer im Südexpress Abenteuer im Südexpress FF 3072 Abenteuerin von Tunis, Die Abenteuerin von Tunis, Die FF 11 Abfahrer, Die Abfahrer, Die FF 12 Abominable Snowman, The Abominable Snowman, The FF 2993 Above and Beyond Above and Beyond FF 1438 Abschiedsgeschenk, Das Abschiedsgeschenk, Das FF 3073 Acciaio Acciaio FF 100 8 Mädels in einem Boot 8 Mädels in einem Boot FF 3074 Acht Stunden sind kein Tag Acht Stunden sind kein Tag FF 17 Achtung - Kriminalpolizei! Gefangene Achtung - Kriminalpolizei! Gefangene FF 770 Nr. 7 Nr. 7 Achtzehnjährigen, Die unbekannt [Achtzehnjährigen, Die FF 3122 (?)] Acquittal, The Acquittal, The FF 702 Across to Singapore Across to Singapore FF 1982 Action of the Tiger Action of the Tiger FF 1915 Actress, The Actress, The FF 1363 Adama Hamah Adama Hamah FF 2556 Addition, L' Addition, L' FF 14 Adieu, Lebewohl, Goodbye Adieu, Lebewohl, Goodbye FF 3075 Adjutant des Zaren, Der Adjutant des Zaren, Der FF 19 Adorable Julia Julia, du bist zauberhaft FF 1228 Adrian und die Römer Adrian und die Römer FF 20 Adventures of Buckaroo Banzai Across Adventures of Buckaroo Banzai Across FF 284 the 8th Dimension, The the 8th Dimension, The BESTAND FILMFOTOGRAFIE TWS SCHLOSS WAHN REGISTER DER ORIGINALTITEL ORIGINALTITEL (alle) ORIGINALTITEL (sortiert) FF NR. -
483 6175 Ebooklet CD Shellac Era.Indd
Shellac bars Plant 1 in Hanover, c. 1923 Patent application for the gramophone Separation of two galvano discs Visual quality control, c. 1938 Shellac production Cleaning of the matrices Shipping of shellac discs, c. 1909 2 PIETRO MASCAGNI (1863–1945) GIOACHINO ROSSINI (1792–1868) A Overture to Le maschere (excerpt) 4:01 E Largo al factotum 4:01 Staatskapelle Berlin · Pietro Mascagni from Il barbiere di Siviglia Recording: Berlin 1928 · Matrix 348 bi · Original Cat. No. 66582 A Titta Ruffo baritone with orchestra FRÉDÉRIC CHOPIN (1810–1849) Recording: Milan 1912 · Matrix 463 aj · Original Cat. No. 052380 B Nocturne in E flat major op. 9 no. 2 4:36 EDWARD ELGAR (1857–1934) Raoul Koczalski piano F Recording: Berlin 1936 · Matrix 796 1/2 ge · Original Cat. No. 67246 B Salut d’amour op. 12 3:21 Váša Prˇíhoda violin · Otto A. Graef piano CARL MARIA VON WEBER (1786 –1826) Recording: Berlin, March 1938 · Matrix 3591 gn · Original Cat. No. 30033 A C Alles pflegt schon längst der Ruh’ 4:28 from Der Freischütz GIUSEPPE VERDI (1813–1901) Maria Müller soprano G O Torheit, o Torheit! … Von der Freude Blumenkränzen 2:43 Städtisches Orchester Berlin · Robert Heger (Follie! Follie! … Sempre libera) Recording: Berlin 1943 · Matrix 2191 2 gs · Original Cat. No. 68079 A from La traviata Alda Noni soprano PIETRO MASCAGNI (1863–1945) Staatskapelle Berlin · Artur Rother Recording: Berlin 1942 · Matrix 2071 1/2 ge · Original Cat. No. 68303 A D Intermezzo sinfonico 4:01 from Cavalleria rusticana Staatskapelle Berlin · Pietro Mascagni Recording: Berlin 1927 · Matrix 350 1/2 bi · Original Cat. -
Joseph Goebbels 1 Joseph Goebbels
Joseph Goebbels 1 Joseph Goebbels Joseph Goebbels Reich propaganda minister Goebbels Chancellor of Germany In office 30 April 1945 – 1 May 1945 President Karl Dönitz Preceded by Adolf Hitler Succeeded by Lutz Graf Schwerin von Krosigk (acting) Minister of Public Enlightenment and Propaganda In office 13 March 1933 – 30 April 1945 Chancellor Adolf Hitler Preceded by Office created Succeeded by Werner Naumann Gauleiter of Berlin In office 9 November 1926 – 1 May 1945 Appointed by Adolf Hitler Preceded by Ernst Schlange Succeeded by None Reichsleiter In office 1933–1945 Appointed by Adolf Hitler Preceded by Office created Succeeded by None Personal details Born Paul Joseph Goebbels 29 October 1897 Rheydt, Prussia, Germany Joseph Goebbels 2 Died 1 May 1945 (aged 47) Berlin, Germany Political party National Socialist German Workers' Party (NSDAP) Spouse(s) Magda Ritschel Children 6 Alma mater University of Bonn University of Würzburg University of Freiburg University of Heidelberg Occupation Politician Cabinet Hitler Cabinet Signature [1] Paul Joseph Goebbels (German: [ˈɡœbəls] ( ); 29 October 1897 – 1 May 1945) was a German politician and Reich Minister of Propaganda in Nazi Germany from 1933 to 1945. As one of Adolf Hitler's closest associates and most devout followers, he was known for his zealous orations and deep and virulent antisemitism, which led him to support the extermination of the Jews and to be one of the mentors of the Final Solution. Goebbels earned a PhD from Heidelberg University in 1921, writing his doctoral thesis on 19th century literature of the romantic school; he then went on to work as a journalist and later a bank clerk and caller on the stock exchange. -
Bachelorarbeit
BACHELORARBEIT Lion Pfeufer Instrumente der Hörerbindung im NS-Rundfunk an ausgewählten Beispielen Instruments of listener loyalty in NS-Broadcast on selected examples 2011 Fakultät Medien BACHELORARBEIT Instrumente der Hörerbindung im NS-Rundfunk an ausgewählten Beispielen Autor: Lion Pfeufer Studiengang: Medienmanagement Seminargruppe: MM07w2-B Erstprüfer: Prof. Dr. phil. Ludwig Hilmer Zweitprüfer: Prof. Dr. phil. Otto Altendorfer M.A. Mittweida, April 2011 Bibliographische Beschreibung und Referat Lion Pfeufer: Instrumente der Hörerbindung im NS-Rundfunk an ausgewählten Beispielen. - 2011 - 65 S. Mittweida, Hochschule Mittweida (FH), Fachbereich Me- dien, Bachelorarbeit Referat Mit der hier vorliegenden Bachelorarbeit, welche im Frühjahr 2011 angefertigt worden ist, wird der bis dato wenig beschriebene Themenkomplex der Hörerbin- dung im Rundfunk des Dritten Reiches aufgegriffen und eingehender untersucht. Im Fokus der Betrachtung liegt hierbei das „Wunschkonzert für die Wehrmacht“, welches einer der populärsten „Straßenfeger“ während des 2. Weltkrieges war. Ziel der Arbeit ist es, die einzelnen Elemente der Hörerbindung in ihrer damaligen Anwendung aufzuzeigen und ihren Wirkgehalt zu erläutern. Dabei wird auf die Sprache in der NS-Zeit ebenso eingegangen, wie auf die Sendezeiten im Rundfunk, oder den Charity-Charakter des Wehrmachtswunschkonzerts. III Inhaltsverzeichnis Bibliographische Beschreibung und Referat ...................................................... III Abkürzungsverzeichnis ................................................................................... -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
The Concise Cinegraph
The Concise CineGraph Film Europa: German Cinema in an International Context Series Editors: Hans-Michael Bock (CineGraph Hamburg); Tim Bergfelder (University of Southampton); Sabine Hake (University of Texas, Austin) German cinema is normally seen as a distinct form, but this new series emphasizes connections, influences, and exchanges of German cinema across national borders, as well as its links with other media and art forms. Individual titles present traditional historical research (archival work, industry studies) as well as new critical approaches in film and media studies (theories of the transnational), with a special emphasis on the continuities associated with popular traditions and local perspectives. The Concise CineGraph: Encyclopaedia of German Cinema General Editor: Hans-Michael Bock Associate Editor: Tim Bergfelder International Adventures: German Popular Cinema and European Co-Productions in the 1960s Tim Bergfelder Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910–1933 S. S. Prawer Framing the Fifties: Cinema in a Divided Germany Edited by John Davidson and Sabine Hake A Foreign Affair: Billy Wilder’s American Films Gerd Gemünden Destination London: German-speaking Emigrés and British Cinema, 1925–1950 Edited by Tim Bergfelder and Christian Cargnelli Michael Haneke’s Cinema: The Ethic of the Image Catherine Wheatley Willing Seduction: The Blue Angel, Marlene Dietrich, and Mass Culture Barbara Kosta Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language Hester Baer Béla Balázs’ Early Film Theory: Visible Man and The Spirit of Film Béla Balázs Translated by Rodney Livingstone Introduction by Erica Carter THE CONCISE CINEGRAPH Encyclopaedia of German Cinema General Editor: Hans-Michael Bock Associate Editor: Tim Bergfelder With a Foreword by Kevin Brownlow Published in 2009 by Berghahn Books www.berghahnbooks.com ©2009 Hans-Michael Bock Appendix: ©2009 Tim Bergfelder Die Herausgabe dieses Werkes wurde aus Mitteln des Goethe-Instituts gefördert. -
Spielfilme Mit Österreich-Bezug 2011 in ORF 2
Spielfilme mit Österreich-Bezug 2011 in ORF 2 Datum Zeit Titel Land Jahr Genre Farbe Ton Regie Darsteller Rudolf Schock (Michael), Christine Görner (Mariza), Rudolf 01.01.2011 13:46 Gräfin Mariza DEU 1958 Spielfilm F Mono Renate Ewert (Lisa), Gunther Philipp (Koloman Zupan), Schündler Hans Moser (Ferdinand) Paul Hörbiger (Johann Ebeseder), Guggi Löwinger (Franziska), Rex Gildo (Stefan Breuer), Udo Jürgens Tanze mit mir in den 02.01.2011 11:05 AUT 1962 Spielfilm F Mono Peter Doerre (Max), Oskar Sima (Franz Biedermann), Rudolf Carl Morgen (Wenzel Kainz), Evi Kent (Daisy), Peter Vogel (Kurt Liebrich), Gerhard Wendland, Chris Howland Hans Holt (Alexander Marhold), Margit Saad (Beate), 06.01.2011 13:10 Rendezvous in Wien AUT 1958 Komödie F Mono Helmut Weiss Peter Weck (Bobby), Peer Schmidt (Alexander), Josef Meinrad (Windberger) Caterina Valente (Kathrin), Peter Alexander (Pierre), 08.01.2011 13:24 Bonjour Kathrin DEU 1955 Komödie F Mono Karl Anton Silvio Francesco (Sylvio), Dietmar Schönherr (Duval), Rudolf Vogel (Fogar) Anita Gutwell (Ulli), Rudolf Lenz (Christian), Rudolf Carl Der Wilderer vom 16.01.2011 14:17 DEU 1957 Heimatfilm F Mono Otto Meyer (Mathias), Lucie Englisch (Mathilde), Traute Wassler Silberwald (Josefa), Fritz Muliar (Hansl) Gerhard Riedmann (Toni), Margot Hielscher (Sonja), Géza von 23.01.2011 14:13 Hoch droben auf dem Berg DEU 1957 Heimatfilm F Mono Gunther Philipp (Egon), Lucie Englisch (Rosa), Paul Bolváry Hörbiger (Ferdinand) Doris Kirchner (Marianne), Herta Staal (Hansi), Erni Rudolf Mangold (Mizzi), Hermann Thimig (Direktor Müller), 05.02.2011 13:16 Abenteuer im Schloss AUT 1952 Komödie F Mono Steinböck Susanne Engelhart (Frau Professor), Gerhard Riedmann (Georg) Marika Rökk (Irene Wagner), Dieter Borsche (Dr. -
Cinema and Berlin's Spectacle of Destruction: the 'Ruin' Film, 1945-50 Author(S): Ralph Stern Source: AA Files, No
Cinema and Berlin's Spectacle of Destruction: The 'Ruin' Film, 1945-50 Author(s): Ralph Stern Source: AA Files, No. 54 (Summer 2006), pp. 48-60 Published by: Architectural Association School of Architecture Stable URL: https://www.jstor.org/stable/29544634 Accessed: 26-03-2019 08:47 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Architectural Association School of Architecture is collaborating with JSTOR to digitize, preserve and extend access to AA Files This content downloaded from 95.183.184.51 on Tue, 26 Mar 2019 08:47:31 UTC All use subject to https://about.jstor.org/terms Cinema and Berlin's Spectacle of Destruction The 'Ruin' Film, 1945-50 Ralph Stern The new reality. The sign of our time is the ruin. She surrounds our life. She lines the streets of our cities. She is our reality. In her burned-out fagades blooms not the blue flower of the Romantics but the demonical spirit of destruction, collapse and Apocalypse. The ruin is the outer sign of the inner insecurity of the people of our age. The ruin lives in us as we live in her. She is our new reality, one which wants to be designed. -
Copyright by Christelle Georgette Le Faucheur 2012
Copyright by Christelle Georgette Le Faucheur 2012 The Dissertation Committee for Christelle Georgette Le Faucheur Certifies that this is the approved version of the following dissertation: Defining Nazi Film: The Film Press and the German Cinematic Project, 1933-1945 Committee: David Crew, Supervisor Sabine Hake, Co-Supervisor Judith Coffin Joan Neuberger Janet Staiger Defining Nazi Film: The Film Press and the German Cinematic Project, 1933-1945 by Christelle Georgette Le Faucheur, Magister Artium Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Acknowledgements Though the writing of the dissertation is often a solitary endeavor, I could not have completed it without the support of a number of institutions and individuals. I am grateful to the Department of History at the University of Texas at Austin, for its consistent support of my graduate studies. Years of Teaching Assistantships followed by Assistant Instructor positions have allowed me to remain financially afloat, a vital condition for the completion of any dissertation. Grants from the Dora Bonham Memorial Fund and the Centennial Graduate Student Support Fund enabled me to travel to conferences and present the preliminary results of my work, leading to fruitful discussions and great improvements. The Continuing Fellowship supported a year of dissertation writing. Without the help of Marilyn Lehman, Graduate Coordinator, most of this would not have been possible and I am grateful for her help. I must also thank the German Academic Exchange Service, DAAD, for granting me two extensive scholarships which allowed me to travel to Germany.