DOCSLIB.ORG

Groupe Bayard

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Groupe Bayard GROUPE BAYARD AUDIO Contacts: France: Antoni Fournier [email protected] Tel: 01 74 31 63 34 International: Stéphanie Simonin [email protected] Tel: + 33 1 74 31 62 10 Mobile: + 33 6 72 91 49 73 https://bayard-rights.com/contact-us AUDIOGROUPE BAYARD PRESCHOOL - KIDS TEENS - YOUNG ADULTS BAYARD GROUP Créateur d’univers Creator of Immersive Worlds Acteur médiatique majeur en France et à l’international, le groupe Bayard accompagne depuis plus de 50 ans youth magazines les enfants dans leur épanouissement 30 grâce à différents médias : presse, For more than 50 years, Bayard Group, édition, numérique et audiovisuel. a major media player in France and abroad, has inspired children as they 800 new books every year grow, through magazines, books, Le groupe publie chaque mois plus de 30 magazines jeunesse et les 3 maisons d’édition Bayard Jeunesse, digital and audiovisual. Éditions Milan et Tourbillon éditent 800 nouveaux livres 10 million readers chaque année, vendus en France comme à l’international. Bayard group publishes more than 30 children’s magazines Nos magazines nous permettent d’avoir un lien direct each month and our 3 publishing houses, Bayard Jeunesse, avec nos publics : plus de 10 millions de lecteurs. Les Milan Éditions and Tourbillon release 800 new books per 5 000 authors and illustrators univers que nous créons et développons évoluent ainsi au year, sold both in France and abroad. plus proche des aspirations des enfants, des adolescents Our magazines provide us with a direct link to our audience et des jeunes adultes. – more than 10 million readers. Our editorial production Grâce à ce lien tissé année après année, nos marques thereby closely reflects the aspirations of children, teenagers et nos collections ont gagné la confiance et la re- and young adults. connaissance de générations de familles : Les Belles Our brands and series are enjoyed by generations of Histoires, J’aime lire, Le Manoir, Les Dragons de Nalsara, families, with whom we have built a relationship of trust year Les Traqueurs de cauchemars, La Cabane magique, Chair after year – Les Belles Histoires, J’aime lire, Le Manoir, de Poule, Eragon, Histoires pour les petits... Les Dragons de Nalsara, Les Traqueurs de cauchemars, Cette création, riche et diverse, s’appuie sur le talent de Cabane Magique, Chair de Poule, Eragon, Histoires pour plus de 5,000 auteurs et illustrateurs autour d’un parti les petits... pris éditorial fort : engager l’imaginaire des enfants, Our rich and diverse catalog draws on the talent of more donner une place importante à leurs émotions, than 5,000 authors and illustrators, with a strong editorial les encourager à s’ouvrir au monde à travers leurs stance – to stimulate children’s imagination, make lots of 5 sens, éveiller leur esprit critique pour les aider space for their emotions, encourage them to discover à grandir et s’épanouir. the world through their 5 senses, and awaken their critical minds to help them grow positively. BAYARD - MILAN Éditeurs sonores Audio Publishers Un patrimoine audio unique riche des histoires publiées dans nos magazines et déjà plébiscitées par des générations de familles. Au fil des ans, Bayard et Milan ont constitué, en lien avec A premium audio portfolio leurs magazines, un vaste patrimoine audio pour les for children aged 2 to 10, enjoyed enfants de 2 à 10 ans. Objectif : permettre aux enfants non-lecteurs de faire leurs premiers pas dans la lecture by generations of families. autonome ou tout simplement de découvrir le plaisir des Based on strong publishing brands. histoires lues à haute voix. Ce patrimoine va continuer à s’enrichir mois après mois. Over the years, Bayard Jeunesse and Milan Jeunesse have L’attention à l’audio et à l’écoute des textes lus à haute voix, created a premium audio portfolio, drawing from the many le groupe Bayard l’a initiée il y a plus de 50 ans avec la créa- stories published in our magazines for children aged 2 to tion du premier magazine du groupe : Pomme d’Api, des- 10. The aim? To help children take their first steps towards tiné aux enfants de maternelle. Un magazine pour des futurs independent reading, or simply to discover the pleasure of lecteurs qui, à travers la voix de leurs parents et désormais read-aloud stories. This audio list will continue to grow celle d’un enregistrement audio, ont découvert des month after month. centaines d’histoires aux univers très variés, tout en développant leur imaginaire et leurs connaissances. Ces This focus on audio and listening to texts read aloud was histoires ont bercé des générations d’enfants et de parents. at the heart of the first magazine we created 50 years ago Ces classiques en presse sont devenus des best-sellers for preschool children. A magazine for budding readers, en édition. Ils ont été écrits par les plus grands auteurs designed to be read aloud by parents and now talented jeunesse français et internationaux. narrators as well. Nous sommes heureux de vous ouvrir désormais ce pa- These stories have been enjoyed by generations of children trimoine audio afin qu’il puisse également enchanter and parents. Following their success in our magazines, vos propres publics ! many have become bestsellers in children’s book publishing both in France and internationally. We are happy to introduce you to our unique collection of audio stories and discuss how they can delight your young listeners too! BAYARD - MILAN Un catalogue de licences sonores Audio Licensing Rights Découvrez les best-sellers de nos auteurs renommés, désormais disponibles en adaptation audio ! Depuis 30 ans, Bayard Jeunesse et Milan Jeunesse ont créé un catalogue réputé de titres jeunesse. Pour tous les âges : préscolaire, enfance, adolescence, jeunes adultes. Discover our talented Appartenant à tous les genres : histoires du soir, authors’ bestsellers, now contes, séries frisson, humour ou vie quotidienne, available for audio adaptation! docu-fictions, épouvante ou science-fiction… Des ressources inédites pour des adaptations en audio ! Over the past 30 years, Bayard Jeunesse and Notre mission a toujours été de faire rayonner notre Milan Jeunesse have created a unique catalog création le plus largement possible. Nous nous of children’s titles. réjouissons aujourd’hui de pouvoir vous ouvrir notre patrimoine éditorial et de bâtir avec vous Across all ages: preschool, kids, teens, young des partenariats audio riches de votre expertise adults et de nos marques et contenus. And across all genres: bedtime stories, classic tales, science-fiction series, humor series, docu- mentary fiction, thrillers…. A source of infinite richness, now available for adaptation into audio books and series. We look forward to meeting you and building strong audio partnerships together. Reaching out to as many children as possible is at the heart of our mission and no doubt your audio expertise, combined with our unique edito- rial portfolio and brands, will make for the beginning of a great new story! Droits audio, Audio Rights Available Pour chaque titre ou collection présenté dans ce Contacts catalogue, nous avons précisé les droits audio disponibles : > Lorsque Bayard ou Milan Jeunesse est déjà France: Antoni Fournier l’éditeur sonore dans une langue donnée, les droits audio sont proposés en distribution [email protected] uniquement dans cette langue. Tel: + 33 01 74 31 63 34 > Pour tous les autres cas, les titres sont proposés à la cession. International: Stéphanie Simonin > La coproduction est proposée pour certains For every title or series [email protected] univers nécessitant des adaptations éditoriales presented in this catalog we du format livre papier à l’audio. Tel: + 33 1 74 31 62 10 have listed the rights available per language: Mobile: + 33 6 72 91 49 73 > When Bayard or Milan Jeunesse has already published an audio version of a title in a given langauge, the audio rights for that language are https://bayard-rights.com/contact-us available for distribution only. > Otherwise, the titles are available for licensing. > Some series are available for coproduction, as they require editorial adaptations from print to audio. CONTES & HISTOIRES TALES & STORYTIME FICTION Mes Premières Belles Histoires .........................................................12 Enquêtes à la montagne ..........................................................................34 Derrière toi .......................................................................................................66 BEDTIME & DREAMING, FAMILY LIFE, IMAGINATION DETECTIVE STORIES, ADVENTURE, FRIENDSHIP GHOST STORIES, HISTORY, INVESTIGATIONS Histoires pour les petits ......................................................................... 14 Les Dragons de Nalsara ..........................................................................36 Tous les bruits du monde.......................................................................68 BEDTIME & DREAMS, IMAGINATION, FAMILY LIFE FANTASY & MAGIC, ACTION & ADVENTURE, FAMILY RELATIONSHIPS ACTION & ADVENTURE, HISTORY, FAMILY Mes p’tits contes .......................................................................................... 16 Les 9 de la rue Barbe .................................................................................38 Un été en liberté ...........................................................................................70 FAIRY TALES, CLASSICS, BEDTIME & DREAMING FRIENDSHIP, DAILY LIFE, ACTION & ADVENTURE LOVE, COMING OF AGE, SELF-IDENTITY Les Belles Histoires ...................................................................................
Load more

Recommended publications
  • Notre Dame Fire a Wake-Up Call for Church Design
    Notre Dame fire a wake-up call for church design When flames ripped through one of the world’s most famous Catholic churches in Paris, France, on April 15, 2019, the world — not just Catholics — mourned the damage done to one of Western civilization’s most iconic structures. The fire’s destruction put the future of Notre-Dame Cathedral at risk, and the reaction from not just Catholics but people of faith across the globe and even non-believers in the wake of the damage done to one of the world’s most beautiful man-made structures renewed an ongoing debate about what is “beauty” and how the idea of beauty is linked to how people of faith express and experience that faith in their places of worship. For retired Ottawa-based architect Donald MacDonald, the fire at the Notre-Dame de Paris Cathedral was a wake-up call to the increasing secularization of society that has had a profound impact on Catholic churches — in what they look like, how they function and the continuing decline in church attendance in western society. “To me, the near destruction of the great cathedral built in Our Lady’s honour has now served as a Marian warning of our society’s almost total lack of faith,” MacDonald said during a recent discussion at St. Patrick Basilica in Ottawa, called Catholic Architecture: Beauty where God’s glory dwells. “What is this fire? It is our loss of faith and the spirit of faith, a losing sight of the objectivity of faith and thus a loss of the knowledge of God,” he said.
    [Show full text]
  • Franco-American Children's Book Publishers Conference
    FRANCO-AMERICAN CHILDREN’S BOOK PUBLISHERS CONFERENCE NEW YORK • JUNE 9TH –10 TH 2016 FRENCH EMBASSY– 972 FIFTH AVENUE FRANCO-AMERICAN CHILDREN’S BOOK PUBLISHERS CONFERENCE ORGANIZATION CHART OF FRENCH PUBLISHING 2016 4 5 Promoting French publishing all over the world BIEF The BIEF –Bureau International de l’Édition Française– is a French publishers’ association. Our vocation is to promote the production of our 280 members BUREAU all over the world. BIEF provides an essential service to professionals by facilitating publishers’ projects INTERNATIONAL for export development, rights sales and acquisitions, DE L’ÉDITION and international partnerships. Our action is organized around three main axes: — A showcase for French publishing at book fairs FRANÇAISE throughout the world; — Scrutiny and analysis of international markets; — Connecting publishers all over the world through professional exchanges. Our activities: — BIEF assures the collective visibility of the production of its members, 280 French publishers, at many salons, fairs, thematic expositions and international congresses; — It undertakes to produce surveys and charts for its members, providing information about the book market on the international scene; — It publishes thematic catalogues in several languages, and distributes them both at book fairs and directly to target publishers; — It publishes a review, La Lettre, diffusing all the latest news of its activities; — It organizes, for its members, thematic meeting with booksellers or foreign publishers such as this one. Via BIEF’s New York office, The French Publishers’ Agency, it provides the services of a rights agency for English-speaking countries. The site www.bief.org is open to non-members and contains lots of useful information.
    [Show full text]
  • International Board on Books for Young People
    INTERNATIONAL BOARD ON BOOKS FOR YOUNG PEOPLE INTERNATIONALES KURATORIUM FÜR DAS JUGENDBUCH UNION INTERNATIONALE POUR LES LIVRES DE JEUNESSE ORGANIZACIÓN INTERNACIONAL PARA EL LIBRO JUVENIL IBBY Secretariat Nonnenweg 12 Postfach CH-4003 Basel Switzerland Tel [int. +4161] 272 29 17 Fax [int. +4161] 272 27 57 General E-mail: [email protected] E-Mail Director of Member Services, Communication and New Projects: [email protected] E-mail Administrative Director: [email protected] E-Mail Administrative Assistant: [email protected] http://www.ibby.org IBBY Address List 2006/eroth Update 19.10.2006 EXECUTIVE COMMITTEE 2006-2008 President Mr Niklas Bengtsson Ms Patricia Aldana Kolmas linja 5 A 16 114 Major Street FI-00530 Helsinki Toronto M5S 2K4, Canada Finland Groundwood Books Tel [int. +35 89] 726 07 43 110 Spadina Avenue, Suite 801 E-mail: [email protected] Toronto, ON M5V 2K4, Canada Ms Hannelore Daubert Tel [int. +14 16] 363 43 43 Ext. 30 Bischofsweg 15A E-mail: [email protected] DE-60598 Frankfurt am Main Vice President Tel [int. +49 69] 63 15 19 54 Ms Elda Nogueira Fax [int. +49 69] 63 15 19 56 Fundação Nacional do Livro Infantil e E-mail: [email protected] Juvenil Ms Reina Duarte Rua da Imprensa 16 Editorial Edebe Salas 1212 a 1215 P° San Juan Bosco 62 20.030-120 Rio de Janeiro – RJ, Brazil ES-08017 Barcelona, Spain Tel [int. +55 21] 22 62 91 30 Tel [int. +34] 932 03 74 08 Fax [int. +55 21] 22 40 66 49 Fax [int. +34] 932 05 46 70 E-mail: [email protected] or E-mail: [email protected] [email protected] Ms Elena Iribarren Vice President 98 rue Nollet Mr Ellis Vance FR- 75017 Paris, France 5555 N.
    [Show full text]
  • ILR Consolidated Table of Cases
    CONSOLIDATED TABLE OF CASES ARRANGED ALPHABETICALLY VOLUMES 1—125 Notes : This table of cases lists as comprehensively as possible, in alphabetical order, all cases reproduced or reported in the Annual Digest /International Law Reports, entering cases under all common variants of their title. It should be noted that many cases appearing in the AD/ILR do not have a title as such in their original version (e.g. in jurisdictions where the practice is to use case numbers rather than titles). There are other circumstances (e.g. ICJ cases) where to include the full formal title (including the introductory ‘Case concerning’) would be misleading in an alphabetical table. Such cases are listed under the key element[s] (e.g. ‘Aerial Incident of 27 July 1955’ rather than ‘Case concerning ...’). The full formal titles are used, where they exist, in the table of cases by jurisdiction. ILR practice, in the presentation of cases and in the treatment of cases referred to and in the matter of cross-references, has varied considerably over the years. So far as practicable, the current table brings earlier tables into conformity with current practice. Page references in earlier tables have accordingly been deleted where they contained no more than a cross- reference or a direction to another part of the volume where treatment of the case could be found. Where, in the Annual Digest in particular, a long extract from a case has been included, this has been treated as a full report rather than a note – ‘long’, of course, being a variable concept. Current ILR practice is, wherever appropriate, to use English in case titles (e.g.
    [Show full text]
  • BOLOGNARAGAZZI AWARD and BOLOGNARAGAZZI DIGITAL AWARD the Winners and Special Mentions of the 2019 Edition
    BOLOGNARAGAZZI AWARD AND BOLOGNARAGAZZI DIGITAL AWARD the winners and special mentions of the 2019 edition 1,558 books submitted from 43 countries worldwide The special Toddler section and all the previews of the latest publishing trends BOLOGNARAGAZZI AWARD For over fifty years the BolognaRagazzi Award has been one of the main attractions of the Bologna Children's Book Fair, representing a unique global opportunity of visibility, and making it one of the most coveted awards of the children's publishing industry. Concentrating on picture books published worldwide, the prize awards the quality of the graphic- editorial project of the submitted books, rewarding their innovative power, their harmony and their ability to engage in a dialogue with young readers. Thanks to the prestige acquired over the years and the attention they are able to catalyse, the BRAW and the honourable mentions are much more than a mere editorial recognition, representing a great business opportunity in the international copyright trade market, in that it allows winners and nominees to present their titles to all the stakeholders of the publishing industry. 1,558 titles were submitted from 43 countries worldwide for this edition of the award, showing an increase of over 100 titles compared to the 2018 edition, consistently the trend that is affecting publishing for children and young people globally. Candidates are divided into the traditional award categories: Fiction, Non Fiction and Opera Prima (for debut authors), in addition to the special 2019 category, Toddler, (with 305 applications) dedicated to books for children under 3 years of age, when the educational imprinting for reading is at its peak, and New Horizons, allowing the jury to report extraordinarily innovative works.
    [Show full text]
  • Digital News Innovation Fund Impact Report Contents
    Digital News Innovation Fund Impact Report Contents Introduction 03 Report by numbers 04 Boosting Digital Revenues 08 Telling Local Stories 16 Battling Misinformation 19 Exploring New Technologies 21 DNI FUND IMPACT REPORT | 2 Introduction The only real, substantive guarantee It has laid the groundwork for the implementation of the independence of news media – of new business models and structures along the entire value chain – from content workflow which is critical for the well-being of processing, to digital distribution, to go-to- pluralist democracies – is their own market strategy for new news products and economic success, not government monetisation. Concepts such as user-generated subsidies or gifts from wealthy donors: content, audience development, real-time you never know when either one analytics, robot journalism and propensity-to- might run out. buy modelling have become part of everyday work in most media organisations. The DNI The offline news business, first print, then Fund was also able to stimulate networks the news wires, radio, then TV, had been a among publishers and tech companies. century-long success story. But over the past 20 years, many traditional news media have News will remain a tough business, but in suffered significant revenue and profit declines. Europe we are now well on our way to building Employment has become less plentiful, and business models which will be sustainable, sometimes precarious. hopefully facilitating the transformation of many revered legacy organisations – and also help a As a result, media companies are changing number of startups to develop their niches. how they do things. Which media company had research & development (R&D) units at the Thus, the DNI Fund has been time, effort, and beginning of this millennium, working on the $150 million well directed.
    [Show full text]
  • Top 50 General Interest Magazines Worldwide (By Circulation)
    WORLD MAGAZINE TRENDS 2001/2002 INTERNATIONAL SUMMARY Top 50 General Interest magazines worldwide (by circulation) Circulation Adult readership Rank Market Title Publisher Frequency (000s) (000s) % 1 USA Reader’s Digest Reader’s Digest Association Inc. Monthly 12,566 42,987 21.4 2 USA National Geographic National Geographic Society Monthly 7,829 29,892 14.9 3 China Reader - Monthly 5,000 - - 4 China Fortnightly Talk - Fortnightly 4,500 - - 5 China Bosom Friend - Monthly 4,230 - - 6 USA Time Time Inc. Weekly 4,056 20,809 10.4 7 China Story-Telling - Monthly 3,720 - - 8 China Current Affairs - Monthly 3,700 - - 9 Netherlands Kampioen ANWB Media Monthly 3,627 5,427 44.5 10 USA People Weekly Time Inc. Weekly 3,552 34,430 17.2 11 USA Newsweek Newsweek Inc. Weekly 3,145 19,031 9.5 12 China Family - Monthly 3,050 - - 13 USA National Enquirer American Media Inc. Weekly 2,088 12,910 6.4 14 USA US News & World Report US News & World Report Inc. Weekly 2,070 10,582 5.3 15 USA Smithsonian Smithsonian National Association Monthly 2,051 7,665 3.82104 16 USA Star American Media Inc. Weekly 1,710 7,483 3.7 17 Brazil Veja Abril Weekly 1,180 4,772 4.0 18 India Malayala Manorama Malayala Manorama Weekly 1,169 6,871 1.0 19 China The Beginning - Monthly 1,130 - - 20 USA Life Time Inc. Monthly 1,120 - - 21 Canada Reader’s Digest Reader’s Digest Weekly 1,103 7,929 31.9 22 Germany Stern Gruner + Jahr Weekly 1,082 7,510 11.7 23 UK Saga Saga Publishing Monthly 1,080 2,070 4.4 24 Canada Westworld Canada Wide 5 issues p.a.
    [Show full text]
  • Participants List for Website.Xlsx
    Participants List as of 4 August 2017 Country Company Name Member Type Table Number Delegate Names Albania Adrion Ltd. Distributor 67 Teodor Misha Mariana Misha Australia Gordon and Gotch Australia Pty Ltd. Distributor 39 Alex Smith David Hogan Austria Morawa Pressevertrieb GmbH & Co KG Distributor 3+4 Emmerich Selch Wolfgang Rick Georg Rangger Bahrain Al Ayam Press Publishing & Distribution Est. Distributor Ghassan Momany Belgium AMP Distributor 57+58+59 Tom Vermeirsch Nicolas Meire Bert Engelen Jean-Louis De Neve Delphine Carbote Blanche Eglin Evi Bienens Francesco Buscemi Belgium De Persgroep Publishing nv Publisher Wijnen Steven Tim Noens Belgium Mediahuis Publisher Inge Vermeiren Koen Maes Serge Dhondt Ancillary Service Belgium Provideor Provider 114 Steven Raekelboom Thomas Meersseman Non-member Belgium Roularta (Exhibitors) Bart Declercq Jan Vandevyvere Brazil B. and White Livros e Revistas Ltda. Distributor 74 Carlos Eduardo Catalão Brazil Publisher Comercio International LTDA Distributor 140 Norton Rodrigues Canada Disticor Magazine Distribution Services Distributor 110+111 John Lafranier Mark Lafranier Mike Lafranier Carolyn Owens Karine Halle Isabelle Landriault Ancillary Service Canada PressReader Provider 66 Nicole Alexander Boris Maizel China China National Publications Distributor 133 Zhu Chaoxu Zhang Xudong Shi Yun Cyprus Hellenic Distribution Agency Distributor 119 Dimitris Giannoulis Cyprus Kronos Press Distribution Distributor 43 Michalis Kontopyrgos George Athinis Pantelis Athinis Denmark Bladkompagniet A/S Distributor
    [Show full text]
  • Centre De Documentation De Bayard Presse - Paris Élise Dumont
    Centre de documentation de Bayard Presse - Paris Élise Dumont To cite this version: Élise Dumont. Centre de documentation de Bayard Presse - Paris. Sciences de l’information et de la communication. 1998. dumas-01555494 HAL Id: dumas-01555494 https://dumas.ccsd.cnrs.fr/dumas-01555494 Submitted on 9 Jan 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Élise DUMONT MAITRISE EN SCIENCES DE L'INFORMATION ET DE LA DOCUMENTATION Rapport de stage Stage effectué du 1er juin 1998 au 31 juillet 1998 au centre de documentation de Bayard Presse, 3, rue Bayard Paris 75008 Sous la direction de : Madame Annette Béguin, responsable universitaire Madame Dominique Velten, responsable professionnel Lille 3 Septembre 1998 Université Charles-de-Gaulle UFRIDIST B.U.C. LILLE 3 llllllllllllllllllllllll D 021 570324 1 Élise DUMONT L'évolution du métier de documentaliste de presse Je tiens à remercier toute l'équipe de la documentation Bayard Presse pour l'accueil qu'elle m'a réservé, ainsi que toutes les personnes qui ont accepté de me recevoir dans le cadre des visites des centres de documentation du Monde, du Nouvel Observateur, et de Libération.
    [Show full text]
  • Déclaration De Performance Extra-Financière 2019-2020
    Déclaration de performance extra-financière 2019-2020 novembre 2020 SOMMAIRE I. PERIMETRE ET PERIODE DE REPORTING ........................................................... 3 II. MODELE D’AFFAIRES ............................................................................................. 4 1. La gouvernance du groupe Bayard.................................................................................................... 5 2. Les activités du groupe Bayard ........................................................................................................... 6 3. La création de valeur .............................................................................................................................. 6 4. Tendances et facteurs d’évolution pour l’avenir ..............................................................................7 5. Stratégie et gouvernance RSE ............................................................................................................. 8 III. DESCRIPTION DES PRINCIPAUX RISQUES ......................................................... 9 1. Risques fabrication et achats .............................................................................................................. 10 1) Achat des primes et plus produits achetés en Chine ................................................................ 10 2) Utilisation des films Plastique : ........................................................................................................ 12 3) Achats et consommation de papier ..............................................................................................
    [Show full text]
  • Cartoon Forum 20-23 September 2021 Occitanie / Pyrénées-Méditerranée
    Cartoon Forum 20-23 September 2021 Occitanie / Pyrénées-Méditerranée The European co-production forum for animated TV series > Over 950 animation professionals from 40 countries > Incl. 260 broadcasters and investors > Find co-producers, distributors and financing www.cartoon-media.eu Cartoon Forum 2021 in Toulouse, where projects come to life 1000 delegates each year from 40 countries, including 260 buyers. Animation projects for TV and new platforms to be pitched. A unique networking place: sightseeing tours, Welcome and Farewell Dinners. An effective formula: over 833 series financed since 1990 for a budget of 2.89 billion EUR. Forum 2021 from 20 to 23 September in Toulouse, Occitanie / Pyrénées-Méditerranée region. Do you have an animation project that you would like to see on TV? Then the Cartoon Forum is the place where you will have the chance to find co-producers, finalise the budget and catch the eye of European broadcasters. Do you need to buy fresh and interesting content for your channel or new platform? Then the Cartoon Forum is the place where you will spot the best brands and discover the latest trends in European animation. The Cartoon Forum is neither a fair nor a festival, but rather a European co-production forum for TV and new platform animation programmes. For three days each year, European producers have the opportunity to pitch their animation project in front of decision-makers, buyers and investors in order to speed up financing and find cross-border partners. The highly professional yet very friendly atmosphere makes it easier to consolidate commercial links, meet new contacts, and deal with all aspects of partnerships - whether commercial or artistic - at leisure.
    [Show full text]
  • Déclaration De Performance Extra-Financière 2018/2019
    Déclaration de performance extra-financière 2018/2019 I. PERIMETRE ET PERIODE DE REPORTING En France Bayard Presse, Bayard Média Développement, Bayard Editions et Bayard Media International et Investissement (Montrouge), Milan Presse et Editions Milan (Toulouse), Bayard Service (anciennement Bayard Service Edition et Bayard Service Régie - 6 établissements dont le principal à Wambrechies), SER (Paris), ADF – Bayard Musique (Angers). Hors de France Bayard Presse Benelux (Bruxelles), Belgomédia (Dison), Senior publications Belgique (Bruxelles), Senior Publications Nederland (Baarn), Bayard Media (Augsbourg), Sailer (Nuremberg), et Bayard Inc. (New London, Saint Louis, Dayton) Ces sociétés contribuent à hauteur de 96,3 % au chiffre d’affaires (CA) consolidé 2018-2019 du groupe* ; leur effectif CDI (Contrat à Durée Indéterminée ou équivalent) au 31 décembre 2018 était de 1729, soit 93,7 % de l’effectif CDI total groupe. Les sociétés du périmètre ayant leur siège dans l’immeuble Minéralis 18, rue Barbès à Montrouge ont contribué à hauteur de 61,5 % au CA consolidé et leur effectif opérant principalement à Montrouge représentait un peu plus de 47,6 % de l’effectif total groupe. *Exclues du périmètre et contribuant au CA consolidé à hauteur de 3,7 % : en France : Bayard Jeunesse Animation et CRER Bayard et hors de France : Milan Belgique, Press Partners et 50+Beurs & Festival en Hollande, Senior Publications Deutschland et Senior Publications Verwaltung en Allemagne, Publications Senior au Canada, Bayard Revistas (Madrid), Bayard Africa (Burkina Faso), Bayard Afrique (Côte d'Ivoire), Bayard Presse Asie (Hong-Kong). La société a pris le parti de rendre compte sur la période correspondant à son exercice comptable, soit du 1er juillet 2018 au 30 juin 2019, sauf en ce qui concerne les informations à caractère social (année civile 2018) de façon à exploiter simplement les informations collectées dans le cadre du bilan social groupe.
    [Show full text]