Blue Jeans Are They Green?
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
A Thesis Submitted to the Honors College in Partial Fulfil
I LOVE YOU; NOT ENOUGH Item Type text; Electronic Thesis Authors Romano, Avery Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 23:11:59 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/637016 I LOVE YOU; NOT ENOUGH By AVERY ELIZABETH ROMANO ____________________ A Thesis Submitted to The Honors College In Partial Fulfillment of the Bachelors degree With Honors in Creative Writing THE UNIVERSITY OF ARIZONA D E C E M B E R 2 0 1 9 Approved by: ____________________________ Ted McLoof Department of English ABSTRACT I Love You; Not Enough is an exploration of family dynamic, relationship dysfunction, secret pasts, and the manner in which individuals handle a drastic shift in their current realities. The story of this family begins in the summer after Janie’s first year at college, when she comes home only to find that their dynamic has been uprooted by her father’s affair. Following are five short stories, a mixture of experimental and traditional fiction, that explore the summer following Janie’s return. Though it begins with a simple view of the family as a whole, as time progresses it is revealed that there is much more to this family than meets the eye. As the collection progresses, it seeks to examine the differences in relationships, the underlying factors in how those act in them, boundaries crossed and limits reached, and what brings a relationship to it’s end. -
FOR COLORED BOYZ on the Verge of Nervous Breakdown/ When Freedom Aint Enuff
FOR COLORED BOYZ on the verge of nervous breakdown/ when freedom aint enuff __________________ A choreopoem in 2 Acts by Bryan-Keyth Wilson © April 30, 2020 (979) 877-1040 P.O. Box 374 La Marque, TX 77568 [email protected] FOR COLORED BOYZ ACT I Lights fade up on a bare stage with five silhouetted figures scattered in space. Lights come up at different times with the actors dancing reflecting movement from different time periods. “DNA” by Kendrick Lamar begins to play. man in black in the beginning there was me running barefoot on the ivory coast man in orange skin black as onyx/ hair soft as lambs wool a careless disposition… man in blue free from judgment/ labels and phylums my likeness is described in the holy book but its my true identity you took man in green i am here in the present 2 FOR COLORED BOYZ looking back theres resentment pride and strength whipped outta me man in red your slave training and brainwashing affects us today in the present i draw strength from the ancestors so here i am man in green outside baltimore man in red outside north charleston man in black outside ferguson man in orange im in sanford man in blue im in houston man in green im your son man in blue your father 3 FOR COLORED BOYZ man in red your brother man in orange your husband man in black your lover all your friend The dancers walk aggressively in a circle. Each actor runs off one by one. Two actors remain on stage. -
As We Forgive Those
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 As We Forgive Those Therese O'Neil CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/401 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] As We Forgive Those By Tracy O’Neill Mentor: Salar Abdoh April 30, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at the City College of the City University of New York. 1 CUT HIM Most all the stories Ted tells are quoting movies, and some of the movies are even movies we’ve seen together, but I don’t let on that I know. Problems are intrepid to all of us. Like last month, we’re at the Silver Dollar Stack pancake house, when bang! We’ve reared right back into this guy’s minivan. Guy gets out real steamed, saying he’s going to call 911 and get the police over. My mind is spinning like bicycle pedals on a downhill. I’ve got a D‐Dub from driving home from a high school party nine months back, and here we are in the parking lot not having learned our lesson, Ted drinking rum in his orange juice. I can see the whole scenario in cop eyes. “Dump it,” I told Ted. -
"She's Gone, Boys": Vernacular Song Responses to the Atlantic Fisheries Crisis
"She's Gone, Boys": Vernacular Song Responses to the Atlantic Fisheries Crisis Peter Narváez Abstract: In July 1992 a moratorium on the commercial fishing of cod, the staple of the North Atlantic fisheries, urns enacted by the Government of Canada. Because of the continued decline in fish stocks, the moratorium has been maintained, and fishing for domestic personal consumption has also been prohibited. Various compensation programs have not atoned for the demise of what is regarded as a “way of life." Responding to the crisis, vernacular verse, mostly in song form from Newfoundland, reflects the inadequacies of such programs. In addition, these creations assign causes and solutions while revealing a common usage of musical style, language and signifiers which combine to affirm an allegiance to traditional collective values of family, community and province through nostalgic experience. Some of the versifiers have turned to the craft for the first time during this disaster because they view songs and recitations as appropriate vehicles for social commentary. Traditions of songmaking and versifying (NCARP, The Northern Cod Adjustment and responsive to local events (Mercer 1979; O'Donnell Recovery Program, August 1, 1992 to May 15, 1994, 1992: 132-47; Overton 1993; Sullivan 1994) continue and TAGS, The Atlantic Groundfish Strategy, May to thrive in Atlantic Canada, especially in 16, 1994 to May 15, 1999), these have not offset what Newfoundland. As with the sealing protests and is widely perceived as the loss of a traditional counter-protests of the 1970s (Lamson 1979), area "way of life." This study examines expressive residents view as a tragedy the latest event to responses to the fisheries crisis, largely in prompt vernacular poetics and music (i.e., elements Newfoundland, by analysing the lyrics of, at this of expressive culture the people of a particular point, 43 songs and 6 "recitations" (i.e., monologues: region identify as their own: cf. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Notre Dame Fire a Wake-Up Call for Church Design
Notre Dame fire a wake-up call for church design When flames ripped through one of the world’s most famous Catholic churches in Paris, France, on April 15, 2019, the world — not just Catholics — mourned the damage done to one of Western civilization’s most iconic structures. The fire’s destruction put the future of Notre-Dame Cathedral at risk, and the reaction from not just Catholics but people of faith across the globe and even non-believers in the wake of the damage done to one of the world’s most beautiful man-made structures renewed an ongoing debate about what is “beauty” and how the idea of beauty is linked to how people of faith express and experience that faith in their places of worship. For retired Ottawa-based architect Donald MacDonald, the fire at the Notre-Dame de Paris Cathedral was a wake-up call to the increasing secularization of society that has had a profound impact on Catholic churches — in what they look like, how they function and the continuing decline in church attendance in western society. “To me, the near destruction of the great cathedral built in Our Lady’s honour has now served as a Marian warning of our society’s almost total lack of faith,” MacDonald said during a recent discussion at St. Patrick Basilica in Ottawa, called Catholic Architecture: Beauty where God’s glory dwells. “What is this fire? It is our loss of faith and the spirit of faith, a losing sight of the objectivity of faith and thus a loss of the knowledge of God,” he said. -
Incredulities and Inconsistencies a Thesis Presented to the Faculty of The
Incredulities and Inconsistencies A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts J. Zachary Kessler June 2009 © 2009 J. Zachary Kessler. All Rights Reserved. 2 This thesis titled Incredulites and Inconsistences by J. ZACHARY KESSLER has been approved for the Department of English and the College of Arts and Sciences by Joan C. Connor Professor of English Benjamin M. Ogles Dean, College of Arts and Sciences 3 ABSTRACT KESSLER, J. ZACHARY , M.A., June 2009, English Incredulities and Inconsistencies (95 pp.) Director of Thesis: Joan C. Connor Incredulities and Inconsistencies is a collection of short stories that all take place at parties, many of which offer cads as the main characters. The critical introduction deals with how the voice of certain fictions relates to the idea of clichés, specifically in works by Philip Roth, Martin Amis, and George Saunders. Approved: _____________________________________________________________ Joan C. Connor Professor of English 4 ACKNOWLEDGMENTS I would like to thank all the members of my committee for their help, particularly Joan Connor and Carey Snyder who put a great deal of thought and consideration into their feedback for this material as I wrote it. Special thanks to Davids Grover and Wanczyk, Stephen Morrow, John McKeown, and Samuel Kessler for reading my stories, providing feedback, and laughing at my jokes. Very special thanks to Odessa Madakacherry for the same as above and everything else. 5 TABLE OF CONTENTS Page Abstract ............................................................................................................................... 3 Acknowledgments............................................................................................................... 4 Voice and Cliché: A Critical Introuction .......................................................................... -
LIANNE LA HAVAS Is Your Love Big Enough? 2013 Spring Headlining Tour
LIANNE LA HAVAS Is Your Love Big Enough? 2013 spring headlining tour Lianne La Havas Brightens Up Webster Hall In NYC -VIBE.com In about a month, your mom is going to call you up and ask, “Have you heard of that Lianne La Havas?” Your dentist’s office is going to have the British soul singer’s lovely debut album, “Is Your Love Big Enough?,” playing in the background as you’re getting your teeth cleaned. People are going to start obsessively posting about her on Facebook. Let’s hope La Havas’s career can survive her being the latest thing, because she’s also the real thing. -Washington Post - Review: Lianne La Havas at the 9:30 Club one of the hottest new talents of the moment. -Essence.com Despite the results a Google Image search of Lianne La Havas would breed -- all collared shirts and pristine button- ups -- and regardless of the soul singer's admitted affection for an "Annie Hall"-like wardrobe, she was every bit the opposite of that illustration when she took the stage at Webster Hall. In fact, dressed in a figure-hugging, bright orange maxi dress with revealing cutouts along her waist, La Havas was more the siren we'd only seen, until then, in her music videos (namely "Elusive" and "Gone," a recently released set of clips she dubbed a "two-part" film). But the duality wasn't off-putting. If anything, it's a recurrent theme in the London-born La Havas' life. She's a Greek-Jamaican guitarist and piano player who mixes folk and R&B (with lyrics fit for the blues). -
Franco-American Children's Book Publishers Conference
FRANCO-AMERICAN CHILDREN’S BOOK PUBLISHERS CONFERENCE NEW YORK • JUNE 9TH –10 TH 2016 FRENCH EMBASSY– 972 FIFTH AVENUE FRANCO-AMERICAN CHILDREN’S BOOK PUBLISHERS CONFERENCE ORGANIZATION CHART OF FRENCH PUBLISHING 2016 4 5 Promoting French publishing all over the world BIEF The BIEF –Bureau International de l’Édition Française– is a French publishers’ association. Our vocation is to promote the production of our 280 members BUREAU all over the world. BIEF provides an essential service to professionals by facilitating publishers’ projects INTERNATIONAL for export development, rights sales and acquisitions, DE L’ÉDITION and international partnerships. Our action is organized around three main axes: — A showcase for French publishing at book fairs FRANÇAISE throughout the world; — Scrutiny and analysis of international markets; — Connecting publishers all over the world through professional exchanges. Our activities: — BIEF assures the collective visibility of the production of its members, 280 French publishers, at many salons, fairs, thematic expositions and international congresses; — It undertakes to produce surveys and charts for its members, providing information about the book market on the international scene; — It publishes thematic catalogues in several languages, and distributes them both at book fairs and directly to target publishers; — It publishes a review, La Lettre, diffusing all the latest news of its activities; — It organizes, for its members, thematic meeting with booksellers or foreign publishers such as this one. Via BIEF’s New York office, The French Publishers’ Agency, it provides the services of a rights agency for English-speaking countries. The site www.bief.org is open to non-members and contains lots of useful information. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
25Hyderfog.Pdf (262.7Kb)
qurratulain hyder Beyond the Fog* 1 Throughout the day English sahibs, memsahibs, and their baba log cross the bridge on mules and horses or riding in rickshaws and dandis. In the evening, the same bridge becomes the site of milling crowds of Indians. The swarm of rushing humanity going up and down the slopes huffing and puffing looks like the surge of a massive tidal wave. Movies starring Esther Williams, Joan Fontaine, Nur Jahan, and Khursheed are playing in the local cinemas. Skating continues in the rinks. In the ballroom of the Savoy the Anglo-Indian crooner and his band will soon start ìEnjoy yourself, itís later than you think.î Drums will be struck; maharaja and maharani log, nabob log, bara sahib and bara mem log will start dancing. At this hour, while the whole of Mussourie is absorbed in merrymaking, a poor man stands quietly on this bridge near the bazaaróìKabira stands in the bazaar praying for everyoneís well-being.î In his tattered khaki jacket, a cap coming down to his ears, he looks very much like a sweeper out of work. Holding a little English girl in his arms, he often wanders into the bazaar and stands there silently until dusk or sits on the low protective wall of the bridge. Why does this sweeper Fazl Masih look so destitute and run down if he is entrusted with the care of some sahibís daughter? Strange! And this fellow also looks a bit cuckoo. The likes of him were called holy fools in czarist Russia, and majzub in our culture. -
Waqspr17.Pdf
WomenArts Quarterly Journal Senior Editor Dr. Barbara Harbach Managing Editor Lauren Wiser Associate Editors Emily Grise and Sarah "Jonesey" Johnson Assistant Editors Jennifer Jackson Berry, Robert Stevenson, and Victoria Walls Layout and Design Lauren Wiser Web Editor Lauren Wiser Editorial Board Kelli Allen, Dr. Sally Barr Ebest, Dr. Thomas Erdmann, Dr. Carole Harris, Dr. Cynthia Green Libby, Joshua Smith, Terry Suhre, Dr. Diane Touliatos, Mary Troy, and Dr. Jeanne Morgan Zarucchi WomenArts Quarterly Journal is peer-reviewed and published at the University of Missouri-St. Louis as an initiative of the Women in the Arts organization. The editors invite submissions of unpublished fiction, poetry, essays, visual art, interviews, and reviews by women creators in the fields of music, fiction, poetry, drama, dance, performance art, and visual art. Visit www.vivacepress.com/guidelines for submission guidelines and www.womeninthearts.submittable.com/submit to submit. Annual Subscription Rates: $30.00 for individuals (domestic); $45.00 for institutions (domestic); $5.95 for single issues. WomenArts Quarterly Journal University of Missouri-St. Louis 153 JC Penney Building One University Blvd. St. Louis, MO 63121 Copyright © 2017 by Vivace Press All rights revert to author upon publication. www.vivacepress.com/waq contents Volume 7 w Issue 2 Review Jonesey Johnson, associate editor Independent City, JR Tappenden ................................................................................................................3 Poetry Mary Chi-Whi