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1. Raja of Princely State Fled to the Mountain to Escape Sikh Army's
1 1. Raja of princely state fled to the mountain to escape Sikh army’s attack around 1840 AD? a) Mandi b) Suket c) kullu d) kehlur 2. Which raja of Nurpur princely State built the Taragarh Fort in the territory of Chamba state? a) Jagat Singh b) Rajrup Singh c) Suraj Mal d) Bir Singh 3. At which place in the proposed H.P judicial Legal Academy being set up by the H.P. Govt.? a) Ghandal Near Shimla b) Tara Devi near Shimla c) Saproon near Shimla d) Kothipura near Bilaspur 4. Which of the following Morarian are situated at keylong, the headquarter of Lahul-Spiti districts of H.P.? CHANDIGARH: SCO: 72-73, 1st Floor, Sector-15D, Chandigarh, 160015 SHIMLA: Shushant Bhavan, Near Co-operative Bank, Chhota Shimla 2 a) Khardong b) Shashpur c) tayul d) All of these 5. What is the approximately altitude of Rohtang Pass which in gateway to Lahul and Spiti? a) 11000 ft b) 13050 ft c) 14665 ft d) 14875 ft 6. Chamba princely state possessed more than 150 Copper plate tltle deads approximately how many of them belong to pre-Mohammedan period? a) Zero b) Two c) five d) seven 7. Which section of Gaddis of H.P claim that their ancestors fled from Lahore to escape persecution during the early Mohammedan invasion? a) Rajput Gaddis b) Braham in Gaddis CHANDIGARH: SCO: 72-73, 1st Floor, Sector-15D, Chandigarh, 160015 SHIMLA: Shushant Bhavan, Near Co-operative Bank, Chhota Shimla 3 c) Khatri Gaddis d) None of these 8. Which of the following sub-castes accepts of firing in the name of dead by performing the death rites? a) Bhat b) Khatik c) Acharaj d) Turi’s 9. -
OBITUARY Bravo Raja Sahib (1923-2010)
OBITUARY Bravo Raja Sahib (1923-2010) On Friday May 7th 2010 Raja Mumtaz Quli Khan passed away peacefully at his home in Lahore. Physically debilitated but mentally active and alert till his death. His death is most acutely felt by his family but poignantly experienced by all with whom he was associated as he was deeply admired by his students, patients, colleagues and friends. In him we have lost a giant in ophthalmology and the father of Ophthalmological Society of Pakistan. His sad demise marks the end of an era. It is difficult to adequately document and narrate the characteristics and qualities which made him such a dedicated teacher, organizer and most of all a great friend known as Raja Sahib to all of us. He was an inspiration to his colleagues, to his students and children of his students who ultimately became his students. Raja Sahib was born in a wealthy, land owning family in a remote village of Gadari near Jehlum on July 16th 1923. He went to a local school which was a few miles from his village and he used to walk to school as there were no roads in that area, although with his personal effort and influence he got a road built but many years after leaving school when he had become Raja Sahib. Did metric in 1938 and B.Sc. form F.C College Lahore in 1943 and joined Galancy Medical College Amritser (Pre- partition) and after creation of Pakistan joined K.E. Medical College Lahore. After completing his MBBS in 1948 from KEMC he did his house job with Prof. -
A Thesis Submitted to the Honors College in Partial Fulfil
I LOVE YOU; NOT ENOUGH Item Type text; Electronic Thesis Authors Romano, Avery Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 23:11:59 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/637016 I LOVE YOU; NOT ENOUGH By AVERY ELIZABETH ROMANO ____________________ A Thesis Submitted to The Honors College In Partial Fulfillment of the Bachelors degree With Honors in Creative Writing THE UNIVERSITY OF ARIZONA D E C E M B E R 2 0 1 9 Approved by: ____________________________ Ted McLoof Department of English ABSTRACT I Love You; Not Enough is an exploration of family dynamic, relationship dysfunction, secret pasts, and the manner in which individuals handle a drastic shift in their current realities. The story of this family begins in the summer after Janie’s first year at college, when she comes home only to find that their dynamic has been uprooted by her father’s affair. Following are five short stories, a mixture of experimental and traditional fiction, that explore the summer following Janie’s return. Though it begins with a simple view of the family as a whole, as time progresses it is revealed that there is much more to this family than meets the eye. As the collection progresses, it seeks to examine the differences in relationships, the underlying factors in how those act in them, boundaries crossed and limits reached, and what brings a relationship to it’s end. -
FOR COLORED BOYZ on the Verge of Nervous Breakdown/ When Freedom Aint Enuff
FOR COLORED BOYZ on the verge of nervous breakdown/ when freedom aint enuff __________________ A choreopoem in 2 Acts by Bryan-Keyth Wilson © April 30, 2020 (979) 877-1040 P.O. Box 374 La Marque, TX 77568 [email protected] FOR COLORED BOYZ ACT I Lights fade up on a bare stage with five silhouetted figures scattered in space. Lights come up at different times with the actors dancing reflecting movement from different time periods. “DNA” by Kendrick Lamar begins to play. man in black in the beginning there was me running barefoot on the ivory coast man in orange skin black as onyx/ hair soft as lambs wool a careless disposition… man in blue free from judgment/ labels and phylums my likeness is described in the holy book but its my true identity you took man in green i am here in the present 2 FOR COLORED BOYZ looking back theres resentment pride and strength whipped outta me man in red your slave training and brainwashing affects us today in the present i draw strength from the ancestors so here i am man in green outside baltimore man in red outside north charleston man in black outside ferguson man in orange im in sanford man in blue im in houston man in green im your son man in blue your father 3 FOR COLORED BOYZ man in red your brother man in orange your husband man in black your lover all your friend The dancers walk aggressively in a circle. Each actor runs off one by one. Two actors remain on stage. -
As We Forgive Those
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 As We Forgive Those Therese O'Neil CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/401 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] As We Forgive Those By Tracy O’Neill Mentor: Salar Abdoh April 30, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at the City College of the City University of New York. 1 CUT HIM Most all the stories Ted tells are quoting movies, and some of the movies are even movies we’ve seen together, but I don’t let on that I know. Problems are intrepid to all of us. Like last month, we’re at the Silver Dollar Stack pancake house, when bang! We’ve reared right back into this guy’s minivan. Guy gets out real steamed, saying he’s going to call 911 and get the police over. My mind is spinning like bicycle pedals on a downhill. I’ve got a D‐Dub from driving home from a high school party nine months back, and here we are in the parking lot not having learned our lesson, Ted drinking rum in his orange juice. I can see the whole scenario in cop eyes. “Dump it,” I told Ted. -
"She's Gone, Boys": Vernacular Song Responses to the Atlantic Fisheries Crisis
"She's Gone, Boys": Vernacular Song Responses to the Atlantic Fisheries Crisis Peter Narváez Abstract: In July 1992 a moratorium on the commercial fishing of cod, the staple of the North Atlantic fisheries, urns enacted by the Government of Canada. Because of the continued decline in fish stocks, the moratorium has been maintained, and fishing for domestic personal consumption has also been prohibited. Various compensation programs have not atoned for the demise of what is regarded as a “way of life." Responding to the crisis, vernacular verse, mostly in song form from Newfoundland, reflects the inadequacies of such programs. In addition, these creations assign causes and solutions while revealing a common usage of musical style, language and signifiers which combine to affirm an allegiance to traditional collective values of family, community and province through nostalgic experience. Some of the versifiers have turned to the craft for the first time during this disaster because they view songs and recitations as appropriate vehicles for social commentary. Traditions of songmaking and versifying (NCARP, The Northern Cod Adjustment and responsive to local events (Mercer 1979; O'Donnell Recovery Program, August 1, 1992 to May 15, 1994, 1992: 132-47; Overton 1993; Sullivan 1994) continue and TAGS, The Atlantic Groundfish Strategy, May to thrive in Atlantic Canada, especially in 16, 1994 to May 15, 1999), these have not offset what Newfoundland. As with the sealing protests and is widely perceived as the loss of a traditional counter-protests of the 1970s (Lamson 1979), area "way of life." This study examines expressive residents view as a tragedy the latest event to responses to the fisheries crisis, largely in prompt vernacular poetics and music (i.e., elements Newfoundland, by analysing the lyrics of, at this of expressive culture the people of a particular point, 43 songs and 6 "recitations" (i.e., monologues: region identify as their own: cf. -
Download Full Text
International Journal of Social Science and Economic Research ISSN: 2455-8834 Volume:04, Issue:01 "January 2019" POLITICAL ECONOMY OF THE BRITISH AND THE MANIPURI RESPONSES TO IT IN 1891 WAR Yumkhaibam Shyam Singh Associate Professor, Department of History Imphal College, Imphal, India ABSTRACT The kingdom of Manipur, now a state of India, neighbouring with Burma was occupied by the Burmese in 1819. The ruling family of Manipur, therefore, took shelter in the kingdom of Cachar (now in Assam) which shared border with British India. As the Burmese also occupied the Brahmaputra Valley of Assam and the Cachar Kingdom threatening the British India, the latter declared war against Burma in 1824. The Manipuris, under Gambhir Singh, agreed terms with the British and fought the war on the latter’s side. The British also established the Manipur Levy to wage the war and defend against the Burmese aggression thereafter. In the war (1824-1826), the Burmese were defeated and the kingdom of Manipur was re-established. But the British, conceptualizing political economy, ceded the Kabaw Valley of Manipur to Burma. This delicate issue, coupled with other haughty British acts towards Manipur, precipitated to the Anglo- Manipur War of 1891. In the beginning of the conflict when the British attacked the Manipuris on 24th March, 1891, the latter defeated them resulting in the killing of many British Officers. But on April 4, 1891, the Manipuris released 51 Hindustani/Gurkha sepoys of the British Army who were war prisoners then giving Rupees five each. Another important feature of the war was the involvement of almost all the major communities of Manipur showing their oneness against the colonial British Government. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Pahari Paintings from the Eva and Konrad Seitz Collection
PAHARI PAINTINGS FROM THE EVA AND KONRAD SEITZ COLLECTION francesca galloway ww.francescagalloway.com 1 2 Pahari paintings, meaning paintings from the hills, come from the in Jammu, and Chamba had returned to their non-naturalistic Rajput roots mountainous regions of northern India once known as the Punjab Hills but and were illustrating traditional Hindu texts such as the Ramayana (cat. 2), the which now form the present day states of Jammu and Kashmir, Himachal Rasamanjari and Ragamalas (cat. 1) in brilliantly assured fashion, dependent Pradesh and Uttarakhand. They include some of the most brilliant as well as again on line and colour with their figures set against conceptual renderings the most lyrically beautiful of all Indian painting styles. of architecture and landscape. Such a style had spread throughout most of the Pahari region in the early 18th century. In the 17th and 18th centuries this area was divided into over 30 kingdoms, some of moderate size, but others very small. The kingdoms were established in Although much of the hill region formed strongholds for the worship of Shiva the fertile valleys of the rivers that eventually flowed into the plains – the Ravi, and the Devi, and paintings and manuscripts reflected this (e.g. cats. 12, 13), the Beas, Sutlej, and the Jumna and Ganges and their tributaries – and divided spread of Vaishnavism and, especially the worship of Krishna, induced patrons from each other by high mountains. The Himalayas to the north-east formed to commission illustrated versions of Vaishnava texts, such as the Bhagavata the almost impenetrable barrier between these little kingdoms and Tibet. -
1 Hyderabad Municipal Survey Index to CHADARGHAT and RESIDENCY AREA
1 Hyderabad Municipal Survey Index to CHADARGHAT AND RESIDENCY AREA (Leonard Munn 1911-13). Area 9, 1- 64 (missing 13, 17, 21, 32, 37, 38, 39, 40, 45, 47, 53, 56, 60, 61, 62, 63) Compiled by Arvin Mathur and Karen Leonard, 2015 Details below, names and features on each map; [ ] =title on index; QS=Qutb Shahi 1 [Khusrau Manzil] Nawab Zafar Jang; Nawab Zafar Jang Br. (gdn); Dewal; Dewal; Dewal; Dewal; Habibnagar Road; Bihari Lal (gdn); Bihari Lal Dewal; Dewal Hanuman; Darmsala; Samadh; Baoli; Bagh Hanuman (gdn); Regtl. Stores; Tennis court; Second Infantry Guard Street; Khusrau Manzil; Raja Tej Rao; Mukarrab Jang Tank Street; Quarter Guard; Bell of Arms Right Wing; Bell of Arms Left Wing; Orderly Room 2 [A.C.G. Barracks] Masan (gdn); Bihari Lal (gdn); Baoli; Nawab Akbar Jang Br. (gdn); Hockey Ground; Stables; Stables; Quarter Guard; Baoli; Magazine; Tennis Court; Tennis Court 3 [Town Hall/Public Gardens] Town Hall; Animals; Baoli; Office of the Superintendent; Stores; Tennis Court; Tennis Court; Brigade Office Lane; Police station; Muhammad Hassan-ud-Din Khan; Nala; Clock Tower; Tennis Court; Public Gardens Gate Road 4 [Fateh Maidan] Nawab Hussain Dost Khan; baoli; Brigade Office Lane; Moti Lal Sahu (gdn); Dewal; Brigade Office; Divisional Office; Band School; Officers’ Mess H. H. The Nizam’s Regular Troops; Bashir Bagh Road; Fateh Maidan; Police Station 5 [ ] Takya; Fakhr-ul-Mulk Br. (gdn); Baoli; Masan; Baoli; Baoli; Reservoir; Rai Murli Dhar Br.; Baoli; Bishangir Gosa-in; baoli; Dewal Mata; Reservoir; baoli; reservoir; reservoir 6 [Phul Bagh] Rai Murli Dhar Br.; Baoli; Dhobi Ghat; reservoir; Ramkaran Sahu (gdn); Masan; Baoli; Baoli 7 [Narayangura] Dhobi Ghat; reservoir; baoli; baoli; Karim-ud-din Sahib (gdn) 8 [Distillery] Baoli; Ghiyas-ud-din Sahib; Nala Basharat; Kakku Raja; Ghiyas-ud-din Sahib (gdn); Bhagwan Das (gdn); Askar Jang Br. -
Diversity of Governance & India's Struggle for Integration
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 11, Ver. 7 (November. 2017) PP 92-95 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Diversity Of Governance & India’s Struggle For Integration Dr Iti Roychowdhury Prof and Head, Amity School of Languages Amity University MP [email protected] ABSTRACT: Freedom for India had different connotations for different Indians. The Indian Independence Act of 1947 freed the country from the British yolk and gave birth to a new nation : Pakistan. Hence for many Indians the Act of 1947 represented freedom, independence, sovereignty. However the states of India that were governed by native rulers functioned under a different paradigm. The departure of the British created a conundrum of identity, governance, sovereignty for India‟s 600 odd Princely States. The present paper explores how these 600PricelyStates were governed, what were the aspirations of the peoples therein and how a climate was created for the states to become integrated with the Indian Union. Key Words: British India, Freedom Struggle, Integration, People‟s Movements, Princely States ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 06-11-2017 Date of acceptance: 17-11-2017 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION The British conquest of India was piecemeal. Some Indian states were annexed outright through military conquests, others through the Doctrine of Lapse, still others on the pretext of maladministration while the majority of Indian Rajas signed the Subsidiary Alliance whereby a British Resident and a subsidiary force got stationed at the Court and the native prince paid a fixed sum to the British. Thereafter the Native ruler was free to rule his territory as he saw fit. -
Incredulities and Inconsistencies a Thesis Presented to the Faculty of The
Incredulities and Inconsistencies A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts J. Zachary Kessler June 2009 © 2009 J. Zachary Kessler. All Rights Reserved. 2 This thesis titled Incredulites and Inconsistences by J. ZACHARY KESSLER has been approved for the Department of English and the College of Arts and Sciences by Joan C. Connor Professor of English Benjamin M. Ogles Dean, College of Arts and Sciences 3 ABSTRACT KESSLER, J. ZACHARY , M.A., June 2009, English Incredulities and Inconsistencies (95 pp.) Director of Thesis: Joan C. Connor Incredulities and Inconsistencies is a collection of short stories that all take place at parties, many of which offer cads as the main characters. The critical introduction deals with how the voice of certain fictions relates to the idea of clichés, specifically in works by Philip Roth, Martin Amis, and George Saunders. Approved: _____________________________________________________________ Joan C. Connor Professor of English 4 ACKNOWLEDGMENTS I would like to thank all the members of my committee for their help, particularly Joan Connor and Carey Snyder who put a great deal of thought and consideration into their feedback for this material as I wrote it. Special thanks to Davids Grover and Wanczyk, Stephen Morrow, John McKeown, and Samuel Kessler for reading my stories, providing feedback, and laughing at my jokes. Very special thanks to Odessa Madakacherry for the same as above and everything else. 5 TABLE OF CONTENTS Page Abstract ............................................................................................................................... 3 Acknowledgments............................................................................................................... 4 Voice and Cliché: A Critical Introuction ..........................................................................