ISO/IEC JTC1/SC2/WG2 N4836R L2/17-236R 2017-10-17 Universal Multiple-Octet Coded Character Set International Organization for St
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The Unicode Standard, Version 6.1 This File Contains an Excerpt from the Character Code Tables and List of Character Names for the Unicode Standard, Version 6.1
Latin Extended-D Range: A720–A7FF The Unicode Standard, Version 6.1 This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 6.1. Characters in this chart that are new for The Unicode Standard, Version 6.1 are shown in conjunction with any existing characters. For ease of reference, the new characters have been highlighted in the chart grid and in the names list. This file will not be updated with errata, or when additional characters are assigned to the Unicode Standard. See http://www.unicode.org/errata/ for an up-to-date list of errata. See http://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See http://www.unicode.org/charts/PDF/Unicode-6.1/ for charts showing only the characters added in Unicode 6.1. See http://www.unicode.org/Public/6.1.0/charts/ for a complete archived file of character code charts for Unicode 6.1. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 6.1 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 6.1, online at http://www.unicode.org/versions/Unicode6.1.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, and #44, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. -
MEDITATION on the THORN-CROWNED HEAD of OUR SAVIOR Fridays
MEDITATION ON THE THORN-CROWNED HEAD OF OUR SAVIOR Fridays Begin with the Sign of the Cross and place yourself in the scene. And plaiting a crown of thorns, they put it upon His head. They began to spit upon Him, and they gave Him blows. Others smote His face and said: "Prophesy, who is it that struck Thee?" O holy Redeemer! Thou art clothed with a scarlet cloak, a reed is placed in Thy Hands for a sceptre, and the sharp points of a thorny crown are pressed into Thy adorable Head. My soul, thou canst never conceive the sufferings, the insults, and indignities offered to our Blessed Lord during this scene of pain and mockery. I therefore salute Thee and offer Thee supreme homage as King of Heaven and earth, the Redeemer of the world, the Eternal Son of the living God. O my afflicted Savior! O King of the world, Thou art ridiculed as a mock king. I believe in Thee and adore Thee as the King of kings and Lord of lords, as the supreme Ruler of Heaven and earth. O Jesus! I devoutly venerate Thy Sacred Head pierced with thorns, struck with a reed, overwhelmed with pain and derision. I adore the Precious Blood flowing from Thy bleeding wounds. To Thee be all praise, all thanksgiving, and all love for evermore. O meek Lamb, Victim for sin! May Thy thorns penetrate my heart with fervent love, that I may never cease to adore Thee as my God, my King, and my Savior. V. Behold, O God, our Protector; R. -
A Concise Dictionary of Middle English
A Concise Dictionary of Middle English A. L. Mayhew and Walter W. Skeat A Concise Dictionary of Middle English Table of Contents A Concise Dictionary of Middle English...........................................................................................................1 A. L. Mayhew and Walter W. Skeat........................................................................................................1 PREFACE................................................................................................................................................3 NOTE ON THE PHONOLOGY OF MIDDLE−ENGLISH...................................................................5 ABBREVIATIONS (LANGUAGES),..................................................................................................11 A CONCISE DICTIONARY OF MIDDLE−ENGLISH....................................................................................12 A.............................................................................................................................................................12 B.............................................................................................................................................................48 C.............................................................................................................................................................82 D...........................................................................................................................................................122 -
Dealing with Spelling Variation in Early Modern English Texts
Dealing with Spelling Variation in Early Modern English Texts Alistair Baron B.Sc. (Hons) School of Computing and Communications Lancaster University A thesis submitted for the degree of Doctor of Philosophy February 2011 Abstract Early English Books Online contains digital facsimiles of virtually every English work printed between 1473 and 1700; some 125,000 publications. In September 2009, the Text Creation Partnership released the second instalment of transcrip- tions of the EEBO collection, bringing the total number of transcribed works to 25,000. It has been estimated that this transcribed portion contains 1 billion words of running text. With such large datasets and the increasing variety of historical corpora available from the Early Modern English period, the opportunities for historical corpus linguistic research have never been greater. However, it has been observed in prior research, and quantified on a large-scale for the first time in this thesis, that texts from this period contain significant amounts of spelling variation until the eventual standardisation of orthography in the 18th century. The problems caused by this historical spelling variation are the focus of this thesis. It will be shown that the high levels of spelling variation found have a significant impact on the accuracy of two widely used automatic corpus linguistic methods { Part-of-Speech annotation and key word analysis. The development of historical spelling normalisation methods which can alleviate these issues will then be presented. Methods will be based on techniques used in modern spellchecking, with various analyses of Early Modern English spelling variation dictating how the techniques are applied. With the methods combined into a single procedure, automatic normalisation can be performed on an entire corpus of any size. -
Spotting Words in Medieval Manuscripts
This article was downloaded by: [Uppsala universitetsbibliotek] On: 30 June 2014, At: 05:53 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Studia Neophilologica Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/snec20 Spotting Words in Medieval Manuscripts Fredrik Wahlberga, Mats Dahllöfa, Lasse Mårtenssonb & Anders Bruna a Uppsala University, Sweden b University of Gävle, Sweden Published online: 20 Jan 2014. To cite this article: Fredrik Wahlberg, Mats Dahllöf, Lasse Mårtensson & Anders Brun (2014) Spotting Words in Medieval Manuscripts, Studia Neophilologica, 86:sup1, 171-186, DOI: 10.1080/00393274.2013.871975 To link to this article: http://dx.doi.org/10.1080/00393274.2013.871975 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Versions of published Taylor & Francis and Routledge Open articles and Taylor & Francis and Routledge Open Select articles posted to institutional or subject repositories or any other third-party website are without warranty from Taylor & Francis of any kind, either expressed or implied, including, but not limited to, warranties of merchantability, fitness for a particular purpose, or non-infringement. Any opinions and views expressed in this article are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. -
Complete Poison Blossoms from a Thicket of Thorn : the Zen Records of Hakuin Ekaku / Hakuin Zenji ; Translated by Norman Waddell
The Publisher is grateful for the support provided by Rolex Japan Ltd to underwrite this edition. And our thanks to Bruce R. Bailey, a great friend to this project. Copyright © 2017 by Norman Waddell All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles and reviews. ISBN: 978-1-61902-931-6 THE LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Names: Hakuin, 1686–1769, author. Title: Complete poison blossoms from a thicket of thorn : the zen records of Hakuin Ekaku / Hakuin Zenji ; translated by Norman Waddell. Other titles: Keisåo dokuzui. English Description: Berkeley, CA : Counterpoint Press, [2017] Identifiers: LCCN 2017007544 | ISBN 9781619029316 (hardcover) Subjects: LCSH: Zen Buddhism—Early works to 1800. Classification: LCC BQ9399.E594 K4513 2017 | DDC 294.3/927—dc23 LC record available at https://lccn.loc.gov/2017007544 Jacket designed by Kelly Winton Book composition by VJB/Scribe COUNTERPOINT 2560 Ninth Street, Suite 318 Berkeley, CA 94710 www.counterpointpress.com Printed in the United States of America Distributed by Publishers Group West 10 9 8 7 6 5 4 3 2 1 To the Memory of R. H. Blyth CONTENTS Chronology of Hakuin’s Life Introduction BOOK ONE Instructions to the Assembly (Jishū) BOOK TWO Instructions to the Assembly (Jishū) (continued) General Discourses (Fusetsu) Verse Comments on Old Koans (Juko) Examining Old -
List of Approved Special Characters
List of Approved Special Characters The following list represents the Graduate Division's approved character list for display of dissertation titles in the Hooding Booklet. Please note these characters will not display when your dissertation is published on ProQuest's site. To insert a special character, simply hold the ALT key on your keyboard and enter in the corresponding code. This is only for entering in a special character for your title or your name. The abstract section has different requirements. See abstract for more details. Special Character Alt+ Description 0032 Space ! 0033 Exclamation mark '" 0034 Double quotes (or speech marks) # 0035 Number $ 0036 Dollar % 0037 Procenttecken & 0038 Ampersand '' 0039 Single quote ( 0040 Open parenthesis (or open bracket) ) 0041 Close parenthesis (or close bracket) * 0042 Asterisk + 0043 Plus , 0044 Comma ‐ 0045 Hyphen . 0046 Period, dot or full stop / 0047 Slash or divide 0 0048 Zero 1 0049 One 2 0050 Two 3 0051 Three 4 0052 Four 5 0053 Five 6 0054 Six 7 0055 Seven 8 0056 Eight 9 0057 Nine : 0058 Colon ; 0059 Semicolon < 0060 Less than (or open angled bracket) = 0061 Equals > 0062 Greater than (or close angled bracket) ? 0063 Question mark @ 0064 At symbol A 0065 Uppercase A B 0066 Uppercase B C 0067 Uppercase C D 0068 Uppercase D E 0069 Uppercase E List of Approved Special Characters F 0070 Uppercase F G 0071 Uppercase G H 0072 Uppercase H I 0073 Uppercase I J 0074 Uppercase J K 0075 Uppercase K L 0076 Uppercase L M 0077 Uppercase M N 0078 Uppercase N O 0079 Uppercase O P 0080 Uppercase -
ALPHABET and PRONUNCIATION Old English (OE) Scribes Used Two
OLD ENGLISH (OE) ALPHABET AND PRONUNCIATION Old English (OE) scribes used two kinds of letters: the runes and the letters of the Latin alphabet. The bulk of the OE material — OE manuscripts — is written in the Latin script. The use of Latin letters in English differed in some points from their use in Latin, for the scribes made certain modifications and additions in order to indicate OE sounds which did not exist in Latin. Depending of the size and shape of the letters modern philologists distinguish between several scripts which superseded one another during the Middle Ages. Throughout the Roman period and in the Early Middle Ages capitals (scriptura catipalis) and uncial (scriptura uncialis) letters were used; in the 5th—7th c. the uncial became smaller and the cursive script began to replace it in everyday life, while in book-making a still smaller script, minuscule (scriptura minusculis), was employed. The variety used in Britain is known as the Irish, or insular minuscule. Insular minuscule script differed from the continental minuscule in the shape of some letters, namely d, f, g. From these letters only one is used in modern publications of OE texts as a distinctive feature of the OE alphabet – the letter Z (corresponding to the continental g). In the OE variety of the Latin alphabet i and j were not distinguished; nor were u and v; the letters k, q, x and w were not used until many years later. A new letter was devised by putting a stroke through d or ð, to indicate the voiceless and the voiced interdental [θ] and [ð]. -
MUFI Character Recommendation V. 3.0: Code Chart Order
MUFI character recommendation Characters in the official Unicode Standard and in the Private Use Area for Medieval texts written in the Latin alphabet ⁋ ※ ð ƿ ᵹ ᴆ ※ ¶ ※ Part 2: Code chart order ※ Version 3.0 (5 July 2009) ※ Compliant with the Unicode Standard version 5.1 ____________________________________________________________________________________________________________________ ※ Medieval Unicode Font Initiative (MUFI) ※ www.mufi.info ISBN 978-82-8088-403-9 MUFI character recommendation ※ Part 2: code chart order version 3.0 p. 2 / 245 Editor Odd Einar Haugen, University of Bergen, Norway. Background Version 1.0 of the MUFI recommendation was published electronically and in hard copy on 8 December 2003. It was the result of an almost two-year-long electronic discussion within the Medieval Unicode Font Initiative (http://www.mufi.info), which was established in July 2001 at the International Medi- eval Congress in Leeds. Version 1.0 contained a total of 828 characters, of which 473 characters were selected from various charts in the official part of the Unicode Standard and 355 were located in the Private Use Area. Version 1.0 of the recommendation is compliant with the Unicode Standard version 4.0. Version 2.0 is a major update, published electronically on 22 December 2006. It contains a few corrections of misprints in version 1.0 and 516 additional char- acters (of which 123 are from charts in the official part of the Unicode Standard and 393 are additions to the Private Use Area). There are also 18 characters which have been decommissioned from the Private Use Area due to the fact that they have been included in later versions of the Unicode Standard (and, in one case, because a character has been withdrawn). -
AN TIR INTERNAL LETTER for FEBRUARY AS XLII / 2008 CE Lady Caitrina Inghean Aindriasa, Lions Blood Herald (604) 809-4961 Or [email protected]
An Tir Herald’s Page February 2008 AN TIR INTERNAL LETTER FOR FEBRUARY AS XLII / 2008 CE Lady Caitrina inghean Aindriasa, Lions Blood Herald (604) 809-4961 or [email protected] Send submissions to: Lions Blood Clerk An Tir College of Heralds 1001 Cooper Pt. Rd. SW #140 PMB-164 Olympia, WA 98502 LETTERS FROM KINGDOM Unto Christopher Black Lion and the esteemed members of the An Tir College of Heralds to whom this missive comes, Caitrina HERALDIC STAFF inghean Aindriasa, Lions Blood Herald, sends greetings and felicitations. From Black Lion COMMENTARY ON THE ITEMS IN JANUARY’S INTERNAL Greetings An Tir! LETTER IS DUE ON THE 10TH OF MARCH, 2008. th Late last year I announced we were working on dropping the The January Lions Blood meeting will be held on February 17 at submissions rates and temporarily reduced the cost for submissions in 1:00pm in the Barony of Seagirt at the home of Thegn Uilliam mac Canadian currency to $12 to match US submissions. Ailene mhic Seamuis and Patrika Theocharista Irene Doukaina (1- 3981 Saanich Road, Victoria BC - Small townhouse complex on I am pleased to say the changes we implemented have worked and Saanich at the Corner of McKenzie Road.) Phone number is 250-381- thanks to the resulting considerable reduction in copy and postage 4788 if anyone needs directions. costs the charge for submissions is being dropped. th The February Lions Blood meeting will be held on March 16 at Effective the First of March, 2008 all heraldic submissions in An 1:00pm at Caitrina Lions Blood’s home (3174 Sechelt Dr., Coquitlam, Tir will cost $10 (US or Canadian) per item. -
The Brill Typeface User Guide & Complete List of Characters
The Brill Typeface User Guide & Complete List of Characters Version 2.06, October 31, 2014 Pim Rietbroek Preamble Few typefaces – if any – allow the user to access every Latin character, every IPA character, every diacritic, and to have these combine in a typographically satisfactory manner, in a range of styles (roman, italic, and more); even fewer add full support for Greek, both modern and ancient, with specialised characters that papyrologists and epigraphers need; not to mention coverage of the Slavic languages in the Cyrillic range. The Brill typeface aims to do just that, and to be a tool for all scholars in the humanities; for Brill’s authors and editors; for Brill’s staff and service providers; and finally, for anyone in need of this tool, as long as it is not used for any commercial gain.* There are several fonts in different styles, each of which has the same set of characters as all the others. The Unicode Standard is rigorously adhered to: there is no dependence on the Private Use Area (PUA), as it happens frequently in other fonts with regard to characters carrying rare diacritics or combinations of diacritics. Instead, all alphabetic characters can carry any diacritic or combination of diacritics, even stacked, with automatic correct positioning. This is made possible by the inclusion of all of Unicode’s combining characters and by the application of extensive OpenType Glyph Positioning programming. Credits The Brill fonts are an original design by John Hudson of Tiro Typeworks. Alice Savoie contributed to Brill bold and bold italic. The black-letter (‘Fraktur’) range of characters was made by Karsten Lücke. -
"Poema Morale": an Edition from Cambridge, Trinity College B
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Poema Morale": An Edition from Cambridge, Trinity College B. 14. 52 Carla M. Thomas Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES “POEMA MORALE”: AN EDITION FROM CAMBRIDGE, TRINITY COLLEGE B. 14. 52 By CARLA M. THOMAS A Thesis submitted to the Department of English in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Thesis of Carla M. Thomas defended on October 27, 2008. ___________________________________ Elaine Treharne Professor Directing Thesis ___________________________________ Richard Emmerson Committee Member ___________________________________ Nancy Warren Committee Member ___________________________________ David Johnson Committee Member Approved: ___________________________________ R. M. Berry, Chair, Department of English The Office of Graduate Studies has verified and approved the above named committee members. ii This thesis is dedicated to my loving husband, John William Allaman, who remained a calming presence amidst a sea of confusion and frustration when I needed it most and who never questioned the insanity caused by strenuous academic work, even when he probably should have. To my parents—María Cabrero, Andrew Thomas, Tara Thomas, and Michael Erickson—without whose encouragement I never would have applied to graduate school and who have always supported me in all my endeavors, especially the academic. Finally, to my siblings, Kelly Diana, Bethany Grace, and Joaquín Cabrero, who helped me get away from my own mind long enough to remember what is most important in life – love and goofing around.