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Magazin Jazzfest Berlin 2013 h aus der berliner fesTsPiele aKademie der KünsTe hanseaTenweG a-Trane Quasimodo Inhalt Vorwort 2 ar f Ika-akzent W orld MusWorld2.0 Ic 5 von Veit erlmann „IMproVIsatIon hat mich immer InteressIert“ 12 christoph hübner im Gespräch e drnst-lu WIG petroWsky JubIlee Von synopsIs zuM zentralquartett – zur GeschIchte eIner kult-band 17 im „freIen Jazz“ der DDR und darüber hInaus von bert noglik eIn zusandsack VIel… 22 von ernst-ludwig petrowsky Jazz & poetry Jazzz eVo Iert das Wort – Von sInGenden barkeepern und polItIschen posaunen 25 von hans-Jürgen schaal erotIc poeMs / erotIsche GedIchte 27 von e. e. cummings p orträt I p haroah sanders – Ein eInzIGer Grosser sonG 31 von christian broecking s chlaGzeuG ls und Iund p uls Mpulse 35 von ralf dombrowski p orträt II Di e kapelle der VerklärunG 37 von Monika roscher p orträt III a ncestral reVolutIons – on shabaka hutchInGs and hIs band sons of keMet 38 by kevin le Gendre programm Jazzfest berlin 2013 42 radio live-übertragungen / Bild- und textnachweise 44 Impressum 52 WIllkoMMen zuM Jazzfest berlIn 2013 Eine der schönsten Umschreibungen von Jazz Bestandteil des Jazzfest Berlin. Sie entfaltet lautet „the sound of surprise“. Neues blitzt auf, sich an einem autonomen Ort mit besonderer und Bekanntes bekommt durch Improvisation Aura: der Akademie der Künste am Hanseaten- einen Moment des Unberechenbaren. Die viel- weg. Kein zweiter Musiker steht in solchem fältig verzweigten Strömungen der improvisier- Maße für die freie jazzmusikalische Entwicklung ten Musik streben in Bezirke des Überrasch-en- im Osten Deutschlands wie der Saxofonist und den oder setzen auf erneuerbare Energien. Das Klarinettist Ernst-Ludwig Petrowsky. „Luten“ fei- Jazzfest Berlin 2013 öffnet sich in viele Rich- ert im Dezember seinen 80. Geburtstag. Das tungen und baut zudem auf eine Kernkompe- Jazzfest Berlin präsentiert drei Working Bands tenz des Jazz: Verknüpfungen herzustellen zwi- des Charakterkopfes. Die Kultband Zentral- schen Kulturen, Stilistiken, Ausdrucks- und quartett darf dabei nicht fehlen. Empfindungswelten. Gebhard Ullmann hat sich Berlin als Thema Mit dem Trio Ivoire und dem für das Festival ent- vorgenommen und lässt sich in seiner „Berlin wickelten Projekt „Gnawa Jazz Voodoo“ wird ein Suite“ von den Energien der Stadt antreiben. Afrika-Akzent gesetzt. Joachim Kühns Africa Ilona Haberkamps „Tribute to Jutta Hipp“ Connection führt marokkanische Gnawa-Musik, knüpft an die 2012 begonnene Erinnerungslinie westafrikanische Trommel- und Perkussionstra- an und verlängert diese ins Hier und Jetzt. ditionen sowie den freien Spirit des Jazz zusam- Riccardo Del Fra, der jahrelang mit Chet Baker men. Afrikanisches spiegelt sich auch in der Mu- auf der Bühne stand, beschwört mit „My Chet, sik des Trompeters Christian Scott. Er spricht My Song“ die magische Poesie der Klänge als von „Stretch Music“, bezieht sich auf die Essen- Hommage an den legendären Trompeter. zen des Jazz im heimatlichen New Orleans und Aus dem an jazzmusikalischen Talenten reichen weitet diese bis zu aktueller Pop-Musik und den Nachbarland Polen kommt der Pianist Michał Traditionen des „schwarzen Kontinents“ aus. Wróblewski mit seinem Trio und dem amerika- Das Jazzfest Berlin 2013 präsentiert eine ganze nischen Trompeter Terence Blanchard. Zu den Reihe größerer Besetzungen. „Wunderkammer Neuentdeckungen der britischen Jazzszene XXL“ entführt uns in eine Zauberwelt der Tas- zählt der Saxofonist und Klarinettist Shabaka tenklänge. Michael Riesslers „Big Circle“ inte- Hutchings mit seiner Band Sons of Kemet. griert das Spiel mit der Drehorgel in die futuris- Ohne Unterstützung von starken Verbündeten tischen Klänge einer unkonventionellen gäbe es all das nicht. Die ARD-Rundfunkan- Großformation. Abraham Inc. lässt Klezmer, stalten und Deutschlandradio tragen auf un- Funk und HipHop gemeinsam und aus der Rei- verzichtbare Weise zum Gelingen des Festivals he tanzen. Jugendlich, frech und ungestüm bei und erweitern seinen Wirkungsradius über kommt die Monika Roscher Bigband daher, die die Orte des Geschehens hinaus. Die Förderung beim Jazzfest Berlin ihre Premiere auf einem durch die Bundeszentrale für politische Bildung deutschen Jazzfestival erlebt. hat den Afrika-Schwerpunkt und das Polnische Mit John Scofield und seiner aktuellen Überjam Institut den Auftritt der polnisch-amerikanischen Band sowie Jack DeJohnette kommen große Na- Band ermöglicht. Die Akademie der Künste ist men in neuer Umgebung bzw. mit neuen Kon- auch in diesem Jahr wieder Kooperationspart- zepten auf die Bühne. DeJohnettes Intention ner. Allen sei auf das Herzlichste gedankt. mehrdimensionalen Spiels wird von zwei jünge- Wir wünschen Ihnen begeisternde, überra- ren Drummern weitergeführt: Jaimeo Brown schende und intensive Momente, Stunden und verschmilzt Soundscapes und Samples von Spiri- Tage, ganz im Sinne von Charlie Parker: tuals mit expressiver Improvisationsmusik, wäh- „Now‘s the time!“. rend Dafnis Prieto Free-Style-Vocals in sein Band- konzept integriert. Auch in diesem Jahr gibt es Bert Noglik Thomas Oberender wieder Jazz & Poetry sowie Jazz für Kinder. Künstlerischer Leiter Intendant Die improvisierte Musik bleibt 2013 integraler Jazzfest Berlin Berliner Festspiele 2 WelcoMe to berlIn Jazz festIVal 2013 One of the most beautiful periphrases for jazz component at the Berlin Jazz Festival in 2013. is “the sound of surprise”. New elements flash It unfolds in an autonomous place with a spe- up and improvisation gives the familiar a mo- cial aura: the Akademie der Künste at Hansea- ment of unpredictability. The multifaceted tenweg. No second musician stands for the currents of improvised music strive for areas development of free jazz in eastern Germany of the unexpected or opt for renewable ener- as much as saxophonist and clarinettist Ernst- gies. The Berlin Jazz Festival 2013 opens itself Ludwig Petrowsky. “Luten” celebrates his 80th in many directions, building on the core com- birthday in December. The Berlin Jazz Festival petence of jazz: to establish ties between cul- presents three of this musical personality’s tures, styles, worlds of expression and emotion. working bands, cult band Zentralquartett An emphasis on Africa is established with the being a must. Trio Ivoire and the “Gnawa Jazz Voodoo” pro- Gebhard Ullmann has chosen Berlin as his ject, which was specially developed for the theme and allows himself to drift along with festival. Joachim Kühn’s Africa Connection the city’s energies in his “Berlin Suite”. Ilona unites Moroccan Gnawa music, West African Haberkamp’s “Tribute to Jutta Hipp” follows drum and percussion traditions and the free on the commemoration started in 2012, ex- spirit of jazz. African elements are also reflec- tending it to the present. Riccardo Del Fra, ted in trumpeter Christian Scott’s music. He who stood alongside Chet Baker on stage for speaks of "stretch music", draws on the es- years, invokes in “My Chet, My Song” the magic sence of jazz in his hometown of New Orleans poetry of sounds as a homage to the legendary and expands this to current pop music and the trumpeter. Coming from neighbouring Poland traditions of the black continent. with its wealth of jazz talents is pianist Michał The Berlin Jazz Festival 2013 presents a whole Wróblewski with his trio and also American series of larger ensembles. “Wunderkammer trumpeter Terence Blanchard. A new discovery XXL” seduces us into a magical world of key on the British jazz scene is saxophonist and sounds. Michael Riessler’s “Big Circle” integra- clarinettist Shabaka Hutchings with his band tes the sounds of the barrel organ into the fu- Sons of Kemet. turistic sounds of an unconventional big band. All of this would not exist without support from Abraham Inc. has klezmer, funk and hip hop our staunch allies. The ARD radio stations and sometimes dancing together and sometimes Deutschlandradio are indispensible partners for out of line. The Monika Roscher Bigband marks the success of the festival and expand its im- its grand debut at a German jazz festival with pact beyond the scenes of action. Support from a youthful, cheeky and boisterous appearance the Federal Agency for Civic Education has ena- at the Berlin Jazz Festival. bled the Africa focus and the Polish Institute John Scofield and his current Überjam Band as Berlin has supported the performance by the well as Jack DeJohnette are big names ap- Polish-American band. The Akademie der Künste pearing on stage in a new environment and is once again a cooperation partner. We extend with new concepts. DeJohnette’s aim at mul- our warmest thanks to all our partners. tidimensional music is continued by two We wish you exciting, astounding and intense younger drummers: Jaimeo Brown melts moments, hours and days for this year’s Berlin soundscapes and samples of spirituals with Jazz Festival, entirely in the spirit of Charlie expressive improvisation music, while Dafnis Parker: “Now’s the time!” Prieto integrates freestyle vocals in his band concept. And this year, too, will include jazz Bert Noglik Thomas Oberender & poetry and jazz for children. Künstlerischer Leiter Intendant Improvised music remains an integral Jazzfest Berlin Berliner Festspiele 3 World MusIc 2.0 Von VeIt erlMann Es dürfte sich herumgesprochen haben: Afrika A-capella-Gruppe Ladysmith Black Mambazo ist im Aufbruch. Nach Jahrzehnten des Abstiegs zusammentaten und einen Grammy nach dem und der schier endlos scheinenden Bilderkette anderen davontrugen. hungernder Kinder und marodierender Soldaten Worauf beruhte der Erfolg von World Music 1.0? gibt es zum ersten
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