Tra Jazz E Nuove Musiche 30 Gennaio 19 Giugno
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Bobo Stenson Trio Cantando
ECM Bobo Stenson Trio Cantando Bobo Stenson: piano; Anders Jormin:double-bass; Jon Fält: drums ECM 2023 CD 6025 177 5462 (1) Release: August 2008 “Cantando”, from the Spanish word for “singing”, is the title of a characteristically far- ranging programme by the resourceful Bobo Stenson Trio. Alongside group improvisation and new compositions (including two tunes by bassist Anders Jormin), the Swedish trio play “Love, I’ve Found You”, a standard which Stenson has loved in both Miles Davis and Wynton Kelly versions, back to back with the 1907 “Liebesode” of Alban Berg. Unexpected juxtapositions belong to this group’s methodology: on the “Serenity” album of 1999, Stenson already performed “Die Nachtigall, also from Berg’s “Sieben frühe Lieder” cycle. The trio play, twice, “Song of Ruth” by Czech composer Petr Eben, who died just a few weeks before this session. A piece originally scored for soprano and organ, it is transformed here. Astor Piazzolla’s intensely expressive tango “Chiqulin de Bachin”, dances at a sultry slow pace. Also from the Latin American corner: the supple “Olivia”, by Cuban songwriter and folk/protest singer Silvio Rodriguez, another Stenson Trio favourite. The lilting “Don’s Kora Song” is a tune Bobo often played during his long association with the late Don Cherry: “Don had a real affinity for West African music and was strongly inspired by it. When we travelled, there would often be tapes of music from Mali playing in the bus: the sound of that has been in my ears for years.” Cherry also used to tip Stenson off to rarer Ornette Coleman tunes, but the uncommon “A Fixed Goal” reached the pianist by another route. -
Paul Motian Trio I Have the Room Above Her
ECM Paul Motian Trio I Have The Room Above Her Paul Motian: drums; Bill Frisell: guitar; Joe Lovano: tenor saxophone ECM 1902 CD 6024 982 4056 (4) Release: January 2005 “Paul Motian, Bill Frisell and Joe Lovano have celebrated solo careers, but when they unite a special magic occurs, a marvel of group empathy” – The New Yorker "I Have The Room Above Her" marks the return of Paul Motian to ECM, the label that first provided a context for his compositions and his musical directions. The great American- Armenian drummer, now in his 74th year, is currently at a creative peak, and his trio, launched in 1984 with the ECM album "It Should Have Happened A Long Time Ago", has never sounded better. Motian, of course, has continued to be an important contributor to ECM recordings over the years -- see for instance his recent work with Marilyn Crispell and with Paul Bley - but hasn't recorded as a leader for the label in almost 20 years. His anthology in ECM’s Rarum series, however, released at the beginning of 2004, served as a powerful reminder of just how original his musical concept remains. As a drummer, improviser, composer of intensely lyrical melodies, and musical thinker, Paul Motian is a unique figure, and a musician of vast and varied experience. As a young man, he played with Thelonious Monk, whose idiosyncratic sense of swing (and stubborn independence from all prevailing trends) was to be a lifelong influence. Motian played with Coleman Hawkins, with Lennie Tristano, with Sonny Rollins, even, fleetingly, with John Coltrane. -
Patine Artistique
le magazine de l'actualité musicale en Fédération Wallonie-Bruxelles n° 8 - Mai / juin 2014 BRNS Patine artistique the experimental tropic Blues Band | FaBrizio cassol | Quatuor alcea | majid Bekkas | trop de Festivals en BelgiQue ? 3 Conseil de la Musique Quai au Bois de Construc- édito tion, 10 - 1000 Bruxelles www.conseildelamusique.be L’été est la saison par excellence des fes- Contact par mail : [email protected] tivals. Pendant plusieurs semaines, des di- contactez la rédaction : zaines de manifestations, concentrées le première lettre du plus souvent sur quelques jours, vont animer prénom.nom@conseil- delamusique.be les villes, les sites historiques et les prairies d’une bonne partie de la Belgique. RéaT d C ion une addition d’événements qui relance d irectrice de la rédaction l’éternelle question… n’y a-t-il pas trop de Claire monville festivals aujourd’hui en Fédération Wallo- comité de rédaction nicolas alsteen 38 08 nie-Bruxelles ? François-Xavier Descamps Christophe Hars Claire monville mais déjà, qu’est-ce qu’un festival ? Dans coordinateur 32 l’esprit de jean Vilar, le festival était un de la rédaction moyen de plus pour regrouper un public et lui François-Xavier Descamps faire partager les valeurs esthétiques et mo- rédacteurs nicolas alsteen rales qu’il défendait. mais aujourd’hui, notre Benjamin Brooke société voguant entre loisir et communica- collaborateurs tion, le festival est devenu plus une formule nicolas Capart Elsa de Larcerda qu’un état d’esprit. Véronique Laurent On peut s’interroger sur l’identité et l’utilité Luc Lorfèvre jacques Prouvost des festivals, surtout quand ils affichent des Dominique Simonet 27 programmes fort identiques. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
BOBO STENSON TRIO [email protected] & HERMES ENSEMBLE T +32 (0)3 248 28 28 F +32 (0)3 248 28 00 OLV
2010-2011 architectuur theater dans muziek 2010-2011 blauwe zaal grote podia deSingel Desguinlei 25 / B-2018 Antwerpen ma vr 10 19 uur / za 16 19 uur BOBO STENSON TRIO www.desingel.be [email protected] & HERMES ENSEMBLE T +32 (0)3 248 28 28 F +32 (0)3 248 28 00 OLV. KOEN KESSELS WO 10 NOV 2010 deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors 2010-2011 JAZZ @ NEW MUSIC FOLLOW THE SOUND 2010 MATT DARRIAU’S PARADOX TRIO BOURNE-KANE-DAVIS & GUESTS WO 13 OKT 2010 COURTOIS-DEFOORT-WIERBOS ERNST GLERUM ‘EX MACHINA’ DÖRNER-SCHRÖDER-THOMAS-STEIDLE DO 14 OKT 2010 JACQUES COURSIL QUARTET SIDSEL ENDRESEN & HAKON KOMSTAD HUNTSVILLE & XAVIER CHARLES VR 15 OKT 2010 TONY OXLEY B3B MEETS GUY-GUSTAFSSON-STRID GERRY HEMINGWAY ZA 16 OKT 2010 BOBO STENSON TRIO & HERMES ENSEMBLE OLV. KOEN KESSELS WO 10 NOV 2010 DAVID LIEBMAN GROUP VR 3 DEC 2010 VIJAY IYER & HERMES ENSEMBLE & E-XXI OLV. STEVEN VERHAERT WO 16 FEB 2011 inleiding Kevin Voets / 19.15 uur / blauwe foyer begin 20.00 uur pauze omstreeks 20.40 uur einde omstreeks 21.50 uur teksten programmaboekje Kevin Voets coördinatie programmaboekje deSingel & Diederik Verstraete BOBO STENSON TRIO BOBO STENSON piano ANDERS JORMIN contrabas JON FÄLT drums HERMES ENSEMBLE KOEN KESSELS muzikale leiding ANDERS JORMIN (°1957) Scores of Winterlight (2007, herwerkt in 2010) Winter Solstice Frozen Branches Bombycilla Garrulus Melting Snow pauze BOBO STENSON TRIO Jazz Set onder meer composities van Silvio Rodrigues, Carl Nielsen, Omette Coleman en Anders Jorin gelieve uw GSM uit te schakelen HANS ABRAHAMSEN (°1952) Schnee (2006) Canon 1a De inleidingen kan u achteraf beluisteren via www.desingel.be Canon 1b Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of the Liberal Arts CONNECTING NORTH AND SUB-SAHARAN AFRICA THROUGH LITERATURE, FILM, AND MUSIC A Dissertation in Comparative Literature by Ziad Bentahar © 2009 Ziad Bentahar Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 ii The dissertation of Ziad Bentahar was reviewed and approved* by the following: Thomas A. Hale Edwin Erle Sparks Professor of African, French, and Comparative Literature Dissertation Advisor Chair of Committee Thomas O. Beebee Distinguished Professor of Comparative Literature and German Reiko Tachibana Associate Professor of Comparative Literature, Japanese, and Asian Studies Gabeba Baderoon Assistant Professor of Women‘s Studies and African and African American Studies, and affiliate faculty member of Comparative Literature Jonathan E. Brockopp Associate Professor of History and Religious Studies Mildred Mortimer Professor of French, University of Colorado at Boulder Special Member Caroline D. Eckhardt Professor of Comparative Literature and English Head of the Department of Comparative Literature *Signatures are on file in the Graduate School iii ABSTRACT An unresolved issue in African literary studies is whether North and sub-Saharan Africa are disconnected from one another, or whether they share elements that can further our understanding of the cultures from which they emerge. Since the mid-twentieth century, due to growing interest in Islam and the Arab world on the global scene, the Arab side of North African identity has been given paramount recognition. More often than not, North Africa is considered part of the Middle East rather than an integral member of an African community, although in spite of shifting political winds in recent years, the literatures that have emerged from North Africa have been firmly embedded in African literary traditions since antiquity, and share strong links with their sub-Saharan counterparts. -
Analyse De Pratiques Musicales Relocalisées Volume II
N° d’ordre NNT : 2020LYSES015 THESE de DOCTORAT DE L’UNIVERSITE DE LYON opérée au sein de Université Jean Monnet, Saint-Étienne en cotutelle avec Université Libre de Bruxelles Ecole Doctorale « 3LA » ED 484 – Lettres, Langues, Linguistique & Arts Spécialité de doctorat : Musique et musicologie Soutenue publiquement le 14/10/2020, par : Hélène Sechehaye Des Gnawa à Bruxelles aux Gnawa de Bruxelles : analyse de pratiques musicales relocalisées Volume II Devant le jury composé de : Rea, Andrea | Professeur ordinaire | Université Libre de Bruxelles | Président Tourny, Olivier | Directeur de recherche au CNRS | Aix Marseille Université | Rapporteur Laborde, Denis | Directeur de recherche au CNRS | Ecole des Hautes Etudes en Sciences Sociales | Rapporteur Ramaut-Chevassus, Béatrice | Professeure émérite | Université Jean Monnet | Directrice de thèse Damon-Guillot, Anne | Maîtresse de conférences HDR | Université Jean Monnet | Co- directrice de thèse Colin, Marie-Alexis | Professeure | Université Libre de Bruxelles | Directrice de thèse Weisser, Stéphanie | Maîtresse de conférences | Université Libre de Bruxelles | Co- directrice de thèse Pottier, Laurent | Professeur des Universités | Université Jean Monnet | Invité 2 TABLE DES MATIÈRES Table des matières .................................................................................................................... 3 Lexique ...................................................................................................................................... 5 Transcriptions ........................................................................................................................ -
Magazin Jazzfest Berlin 2013
h aus der berliner fesTsPiele aKademie der KünsTe hanseaTenweG a-Trane Quasimodo Inhalt Vorwort 2 ar f Ika-akzent W orld MusWorld2.0 Ic 5 von Veit erlmann „IMproVIsatIon hat mich immer InteressIert“ 12 christoph hübner im Gespräch e drnst-lu WIG petroWsky JubIlee Von synopsIs zuM zentralquartett – zur GeschIchte eIner kult-band 17 im „freIen Jazz“ der DDR und darüber hInaus von bert noglik eIn zusandsack VIel… 22 von ernst-ludwig petrowsky Jazz & poetry Jazzz eVo Iert das Wort – Von sInGenden barkeepern und polItIschen posaunen 25 von hans-Jürgen schaal erotIc poeMs / erotIsche GedIchte 27 von e. e. cummings p orträt I p haroah sanders – Ein eInzIGer Grosser sonG 31 von christian broecking s chlaGzeuG ls und Iund p uls Mpulse 35 von ralf dombrowski p orträt II Di e kapelle der VerklärunG 37 von Monika roscher p orträt III a ncestral reVolutIons – on shabaka hutchInGs and hIs band sons of keMet 38 by kevin le Gendre programm Jazzfest berlin 2013 42 radio live-übertragungen / Bild- und textnachweise 44 Impressum 52 WIllkoMMen zuM Jazzfest berlIn 2013 Eine der schönsten Umschreibungen von Jazz Bestandteil des Jazzfest Berlin. Sie entfaltet lautet „the sound of surprise“. Neues blitzt auf, sich an einem autonomen Ort mit besonderer und Bekanntes bekommt durch Improvisation Aura: der Akademie der Künste am Hanseaten- einen Moment des Unberechenbaren. Die viel- weg. Kein zweiter Musiker steht in solchem fältig verzweigten Strömungen der improvisier- Maße für die freie jazzmusikalische Entwicklung ten Musik streben in Bezirke des Überrasch-en- im Osten Deutschlands wie der Saxofonist und den oder setzen auf erneuerbare Energien. -
Bobo Stenson W/Anders Jormin and Paul Motian Goodbye
ECM Bobo Stenson w/Anders Jormin and Paul Motian Goodbye Bobo Stenson: piano; Anders Jormin: double-bass; Paul Motian: drums ECM 1904 CD 6024 982 5173 (7) Release: September 6th, 2005 A new album by the Bobo Stenson Trio is always an event. There can be few contemporary jazz piano trios that draw upon such wide-ranging repertoire. “Goodbye” continues its tradition of adventurous programming, with music extending from an arrangement of Henry Purcell’s ”Music For A While”, written more than 300 years ago, to Ornette Coleman’s “Race Face”, via Stephen Sondheim’s “Send In The Clowns”. “There Comes A Time” (written by Tony Williams for the Lifetime band), “Song About Earth” by Russian actor and protest singer Vladimir Vyotsky, “Alfonsina” by Argentine composer Ariel Ramírez, and the Gordon Jenkins-penned standard “Goodbye” (once Benny Goodman’s sign-off tune, and hugely popular in the Sinatra/Nelson Riddle version), round out an inspiring programme. Bobo Stenson contributes new material, as does bassist Anders Jormin; the two of them have shared ‘musical director’ roles from the beginning of the group’s history. And there are two Paul Motian tunes, “Sudan” and “Jack of Clubs”, the latter an old favourite from the early 1980s. Paul Motian’s presence is also cause for celebration. “Goodbye” is the first recorded evidence of a musical association that has been gathering momentum over the last five years. Bobo Stenson had long admired Motian’s drumming – as would any pianist who had come of age listening to the Bill Evans Trio – and the Swedish pianist and the American drummer had met and talked on several occasions over the decades, but they had never collaborated until 2000. -
SECHEHAYE Redaction Vol2 FINAL.Pdf
Des Gnawa à Bruxelles aux Gnawa de Bruxelles : analyse de pratiques musicales relocalisées Volume II – Transcriptions et annexes Thèse présentée par Hélène SECHEHAYE en vue de l’obtention du grade académique de Docteure en Histoire, Histoire de l’art et archéologie (ULB) et en Musique et musicologie (UJM) Année académique 2020-2021 (ULB) et 2019-2020 (UJM) Remise en juin 2020 Sous la direction de : la Professeure Marie-Alexis COLIN, promotrice ; la Maîtresse de conférences Stéphanie WEISSER, co-promotrice ; Université libre de Bruxelles (Laboratoire de musicologie) la Professeure émérite Béatrice RAMAUT-CHEVASSUS, promotrice ; et la Maîtresse de conférences HDR Anne DAMON-GUILLOT, co-promotrice Université Jean Monnet Saint-Étienne (Centre interdisciplinaire d’études et de recherches sur l’expression contemporaine – EA 3068) École Doctorale HISTAR EDT 56 – Histoire, Art et Archéologie (ULB) « 3LA » ED 484 – Lettres, Langues, Linguistique & Arts (UJM) Jury de thèse : Andrea REA | Professeur ordinaire | Université libre de Bruxelles | Président Marie-Alexis COLIN | Professeure | Université libre de Bruxelles | Secrétaire Olivier TOURNY | Directeur de recherche au CNRS | Aix Marseille Université | Rapporteur Denis LABORDE | Directeur de recherche au CNRS | École des Hautes Études en Sciences Sociales | Rapporteur Stéphanie WEISSER | Maîtresse de conférences | Université libre de Bruxelles Béatrice RAMAUT-CHEVASSUS | Professeure émérite | Université Jean Monnet Anne DAMON-GUILLOT | Maîtresse de conférences HDR | Université Jean Monnet Laurent -
DOSSIER DE Presentation a PROPOS DU PROJET
W B L O I OB VA C TH MA EVI C S RLEY R O OU OR NDS FROM M DOSSIER DE PReSENTATION A PROPOS DU PROJET ob Maghrib est une résidence de d‘une génération sur celui d‘une autre création qui rassemble un collectif génération puisque les musiciens de ce de musiciens de la scène des collectif n‘ont pas connu bob de son vivant. Bmusiques actuelles au Maroc. Lancé en Il serait alors davantage question d’un 2011, à l’initiative du musicien Hicham héritage, au même titre que l‘héritage des Bajjou et organisé par l’association Nass El ghiwane. Deux musiques des 70‘s, EAC-L’boulvart, c’est un projet de porte-drapeau des résistances culturelles revival qui revisite les morceaux les de leur époque et des mêmes aspirations plus révolutionnaires et engagés de Bob et engagements identitaires de liberté, de Marley. justice sociale et de respect de la condition L’hommage est rendu à l’occasion du humaine, dans deux anciennes colonies. 30ème anniversaire de la disparition d’un artiste certes universel, mais dont le Cela étant, le défi de la résidence de création parcours, l’œuvre et l’héritage présentent Bob Maghrib consistait à s’approprier bien d’autres affinités avec l’évolution de le travail de Bob Marley d’abord par un la scène des musiques actuelles au Maroc. travail de reconfiguration musicale, qui a Son origine africaine, l‘historie commune conduit à remplacer tous les instruments et la cause d’africanité qu‘il a portée - sauf la batterie - par des instruments au sommet tout au long de sa carrière, traditionnels marocains, en y apportant jusqu’aux influences musicales qui ont les modifications techniques nécessaires, fait son inspiration. -
Downbeat.Com April 2014 U.K. £3.50
APRIL 2014 U.K. £3.50 DOWNBEAT.COM APRIL 2014 VOLUME 81 / NUMBER 4 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Designer Ara Tirado Design Associate LoriAnne Nelson Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,